Olympus OM-D E-M1 Mark III Mirrorless Camera (Body Only)
$ 1,799.99 - Sold Out
Olympus OM-D E-M1 Mark III Mirrorless Camera (Body Only)
$ 1,799.99 - Sold Out
Olympus OM-D E-M1 Mark III Mirrorless Camera (Body Only)
Olympus SKU: V207100BU000 | Helix SKU: OYV207100BU000
Overview
A camera designed with speed, versatility, and portability in mind, the Olympus OM-D E-M1 Mark III is a well-rounded Micro Four Thirds mirrorless camera suitable for a variety of stills and video needs. Featuring a 20.4MP Live MOS sensor and an updated TruePic IX image processor, the camera is characterized by its quick continuous shooting, up to 60 fps with an electronic shutter and 15 fps with a mechanical shutter, as well as DCI and UHD 4K video recording. The sensor and processor also offer a sensitivity range up to ISO 25600 while a sophisticated 5-axis sensor-shift image stabilization system compensates for up to 7.5 stops of camera shake for sharper handheld shooting. Beyond imaging, the sensor's design also incorporates 121 on-chip phase-detection points, all of which are cross-type, along with 121 contrast-detection areas for fast and precise focusing and subject tracking performance.
In regard to the E-M1 III's physical design, it features a durable magnesium alloy body along with extensive weather-sealing to support working in harsh climates. Both a 2.36m-dot, 0.74x-magnification electronic viewfinder and 3.0" 1.037m-dot vari-angle LCD touchscreen are featured, too, for intuitive control and working from a variety of angles. Additionally, built-in Wi-Fi and Bluetooth further expand sharing and remote shooting capabilities, and dual SD card slots afford greater file saving flexibility.
20.4MP Live MOS Sensor and TruePic IX Image Processor
A high-resolution 20.4MP Live MOS sensor and updated TruePic IX image processor work in concert to provide notably fast shooting performance, expanded sensitivity range up to ISO 25600, and versatile 4K video recording capabilities. Ideal for sports and wildlife shooting, the sensor and processor combination avail a full-resolution continuous shooting rate of 15 fps for up to 101 consecutive raw files when working with the mechanical shutter. When shooting with the silent electronic shutter, this shooting rate can be boosted up to 60 fps with single-shot AF for up to 50 consecutive raw frames or 18 fps shooting with continuous AF for up to 90 consecutive raw frames.
DCI and UHD 4K Video Recording and OM-Log
The sensor and processor also support recording both DCI (4096 x 2160) and UHD (3840 x 2160) 4K movies. When working in DCI, a true 24.00 fps frame rate is used, along with IPB compression and a 237 Mb/s bit-rate, and UHD 4K is available in frame rates up to 30p and a 102 Mb/s bit-rate. Full HD 1080p and HD 720p recording is also supported. Audio recording is possible using the built-in stereo microphone, and both an external mic jack and headphone jack are available for improved audio recording and monitoring.
Benefitting recording in varying light conditions, an integrated OM-Log setting can be used to extend the effective dynamic range and afford a greater range of control during post-production color grading when used with the accompanying LUT file. Use of an external recording monitor is also possible, via HDMI output, which supports 4:2:2 8-bit color for a greater color correction range.
Additionally, a Time-lapse Movie mode is also available for recording up to 4K UHD resolution with a 5 fps shooting rate to highlight subject changes or movement over a longer period of time. Full HD and HD time-lapse settings are available, too, as well as a high-speed Full HD setting with 120 fps frame rate.
Benefitting recording in varying light conditions, an integrated OM-Log setting can be used to extend the effective dynamic range and afford a greater range of control during post-production color grading when used with the accompanying LUT file. Use of an external recording monitor is also possible, via HDMI output, which supports 4:2:2 8-bit color for a greater color correction range.
Additionally, a Time-lapse Movie mode is also available for recording up to 4K UHD resolution with a 5 fps shooting rate to highlight subject changes or movement over a longer period of time. Full HD and HD time-lapse settings are available, too, as well as a high-speed Full HD setting with 120 fps frame rate.
121-Point All Cross-Type Phase-Detection AF
An advanced autofocus system combines both 121 on-chip phase-detection points and 121 contrast detection areas for focusing performance that is both quick and accurate. All 121 phase-detection points are cross-type, too, for improved precision in mixed lighting conditions, as well as enhanced subject tracking capabilities. Different focusing modes are available to suit working in various shooting conditions, including 121-point, for general use; Group 25-point, for moving subjects, such as birds and wildlife, and when 121-point is too wide; Group 9-Point, for smaller and more distant subjects; Group 5-Point, for when 9-point is too wide or to suit working with nearer moving subjects; Single, for working with still or small subjects that are not moving; and Small AF, for working with close-up subjects. Custom AF targets can also be set, for working with specific numbers of focus points within the 121-point grid, and an AF limiter function allows you to constrain the focusing distance within a specified range for more responsive performance. Additionally, continuous autofocus sensitivity can be set, to benefit its use while recording video, within five levels for more pleasing focus movements.
Suiting portraiture, Face Priority and Eye Priority AF are also available to prioritize the face and eyes of your subject. And for working in low-light conditions, focusing sensitivity is available down to -3.5 EV, and a dedicated Starry Sky AF mode can be used for focusing on stars and other nighttime sky subjects. Converse to the autofocus capabilities, manual focus users are also benefitted by live view magnification and focus peaking controls for greater accuracy.
Suiting portraiture, Face Priority and Eye Priority AF are also available to prioritize the face and eyes of your subject. And for working in low-light conditions, focusing sensitivity is available down to -3.5 EV, and a dedicated Starry Sky AF mode can be used for focusing on stars and other nighttime sky subjects. Converse to the autofocus capabilities, manual focus users are also benefitted by live view magnification and focus peaking controls for greater accuracy.
5-Axis Sensor-Shift Image Stabilization
In-body, sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops with any lens in use and compensates for camera movements that become especially noticeable when working with telephoto shots, macro imagery, and long exposures. Furthermore, this unique image stabilization system works across five axes to compensate for vertical angle rotation, horizontal angle rotation, horizontal shift, vertical shift, and rolling camera shake movement. This range of detected movements serves to benefit traditional still image shooting as well as movie recording and working with moving subjects more effectively. Additionally, when paired with select lenses featuring optical image stabilization, shake compensation up to 7.5 stops is possible.
Body Design and Connectivity
- High-resolution 2.36m-dot electronic viewfinder is available for eye-level monitoring, and it offers a high 0.74x maximum magnification for clear, distortion-free viewing.
- Rear 3.0" 1.037m-dot LCD monitor features a vari-angle design to support working from a variety of angles, and it is also a touchscreen for intuitive menu navigation and image playback. Additionally, an LV Boost mode can be used to optimize the screen's brightness and prioritize the frame rate when working in dark locations.
- Included BLH-1 rechargeable lithium-ion battery provides approximately 420 shots per charge with normal settings or up to an impressive 900 shots per charge with the quick sleep mode activated.
- The USB Type-C port can be used for quick in-camera battery charging.
- Built-in Wi-Fi and Bluetooth permits wireless image sharing and remote camera control from a linked smartphone or tablet when using the dedicated O.I.Share app for iOS and Android.
- Dual SD memory card slots offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording. Additionally, one of the card slots is UHS-II compatible for faster read/write speeds when used with a compatible UHS-II card.
- Wide accessory compatibility provided with the incorporation of 3.5mm headphone and microphone ports, a PC sync flash terminal and top hot shoe, USB Type-C and micro-HDMI ports, and a 2.5mm port for optional remotes.
- Rugged splash, dust, and freezeproof construction incorporates extensive sealing throughout the magnesium alloy body to accommodate working in harsh weather conditions and trying environments, even when a cable, microphone, or a set of headphones are attached.
- Supersonic Wave Filter and a dust-resistant coating are used to greatly reduce the likelihood of dust reaching the sensor.
- Durable shutter unit is rated to perform for over 400,000 actuations.
Shooting Modes
- Tripod High Res Shot mode offers the equivalent output of an 80MP image by combining eight sequentially recorded frames into a single, larger image. In between each of the exposures, the sensor-shift stabilization mechanism moves slightly in order to acquire more information than in a single exposure and these frames are then composited into a final image with greater resolution and color detail. The TruePic IX processor aids this process by compensating for any subject movement blur and this feature can also be configured to record 50MP or 25MP images for file size flexibility.
- Handheld High Res Shot mode, like the Tripod mode, produces a 50MP JPEG or raw file by compositing sequentially recorded files into a single image. The Handheld High Res Shot mode differs from the Tripod mode by recording 16 independent frames, opposed to eight, and the slight movement caused by hand-holding provides the range of movement needed to produce the larger final image.
- Simulating the effects of a neutral density filter, Live ND results in blurred subject movement by compositing exposures to replicate the look of a single image taken at a slower shutter speed. Particularly suitable for photographing moving water, five modes are available—ND2, ND4, ND8, ND16, and ND32—to vary how movement is portrayed.
- Live Composite is a unique long exposure mode that allows you to gradually build up an exposure over time without overexposing key elements within the frame. This mode works to only record newly detected light sources over time, and allows you to watch as an image develops, making it ideally suited for photographing star trails or other moving light sources.
- Live Bulb and Live Time settings can be used to produce creative long exposure imagery. Live Bulb lets you hold the shutter open for up to one minute and Live Time lets you press the shutter button once to open the shutter and then press again within a minute to end the exposure.
- Pro Capture Mode is a unique setting that starts recording and buffering full-resolution JPEG or raw images prior to fully depressing the shutter. As soon as you press the shutter button halfway, frames will begin to be recorded, and once you fully press the shutter, the image will be saved in addition to the previous 35 frames. Additionally, you can hold the shutter button in this mode to keep shooting continuously using the silent electronic shutter function.
- Interval shooting is supported for up to 9999 frames with 1 second to 24-hour exposure intervals.
- Anti-flicker shooting automatically detects the frequency/flicker of artificial lighting and activates the shutter at peak brightness moments to render exposures with consistent exposure and color.
- In-Camera Focus Stacking will automatically record eight images of a subject while shifting the plane of focus slightly, then composite these exposures into a single frame to exhibit an extended depth of field. Alternatively, Focus Bracketing allows you to record between 3-999 frames with adjustable focus steps in a 1-10 range for manual compositing during post-production. These modes are only available when working with M.Zuiko Digital ED 60mm f/2.8 Macro, 12-40mm f/2.8 PRO, 40-150mm f/2.8 PRO, 30mm f/3.5 Macro, 7-14mm f/2.8 PRO, 8mm f/1.8 Fisheye PRO, 300mm f/4 IS PRO, 12-100mm f/4 IS PRO, and 12-45mm f/4 PRO lenses, as well as the M.Zuiko Digital MC-14 1.4x and MC-20 2.0x Teleconverters.
- Keystone Compensation allows you to correct for convergence when working in live view. Similarly, Fisheye Compensation allows you to use the M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO lens as a rectilinear wide-angle lens by correcting and eliminating distortion.
Specifications
Specifications
|
Sensor Effective Resolution/Type |
20.4 Megapixel Live MOS |
| Processor | TruePic™ IX Quad Core Processor |
| Focusing System | Dual F.A.S.T. AF (Contrast & Phase Detection AF) 121 Point (All Cross Type) On-Chip Phase Detection |
| Image Stabilization System | 5-Axis Image Stabilization with up to 7.5 Shutter Speed Steps Compensation with Sync-IS |
| Viewfinder | 2.36M dot LCD Electronic Viewfinder |
| Rear Monitor | 3.0" Vari-Angle Touch LCD |
| Weather Sealing | Dust, Splash and Freezeproof (IPX1 Rated) |
| Sequential Shooting Speed | 15fps [H] mode 10fps [L] mode mechanical shutter 60fps [H] mode 18fps [L] mode silent electronic shutter |
| Special Features | Handheld High Res Shot Mode Multiselector (Joystick) Focus Point Control Live ND (Neutral Density Filter) 4k Video Capture (30/25/24 fps) with OM-Log Mode PRO Capture Lag-Free Electronic Shutter Mode USB Type C In-camera Charging 400k Shot Shutter Life |
Item Includes
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body - Silver
$ 699.99
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body - Silver
$ 699.99
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body - Silver
Olympus SKU: V207130SU000 | Helix SKU: OYV207130SU000
Overview
Features:
- 20.3MP Live MOS Micro Four Thirds Sensor
- TruePic VIII Image Processor
- UHD 4K30p Video Recording
- 2.36m-Dot 0.67x-Magnification OLED EVF
- 3.0" 1.04m-Dot 180° Tilt Touchscreen
- 5-Axis Sensor-Shift Image Stabilization
- 121-Point Contrast-Detection AF
- 8.7 fps Shooting, ISO 200-25600
- Wi-Fi and Bluetooth Connectivity
COMPACT
This compact mirrorless camera is light, easy to carry, and frees you to do your best shooting all while capturing bright, sharp stills and video.
5-AXIS IS
Instantly elevate your photography with foolproof technology that eliminates image blur to always capture bright, sharp images even in dark locations.
NEVER MISS A SHOT
Capture fast moving action and split-second scenes with sequential shooting that reels off an incredible 15 frames per second.
28 SCENE MODES
Choose from more than two-dozen Scene Modes that aide in capturing the most challenging of shots.
16 ART FILTERS
Here’s where creativity meets photography. Choose from over a dozen Art Filters to give your images a unique, stylized look.
4K VIDEO
Shoot smooth ultra-high definition 4K video that delivers stunning detail and breathtaking color.
WI-FI SYNC
The E-M10 Mark IV’s built-in Wi-Fi quickly connects to your smart device for wireless transfer of photos and videos.
BLUETOOTH®
Built-in Bluetooth facilitates easy image transfer from the E-M10 Mark IV to your smart device.
OI.SHARE
The free Olympus Image Share app is the gateway between your smart device and the E-M10 Mark IV.
Specifications:
-
Sensor Effective Resolution / Type20.3 Megapixel Live MOS
-
ProcessorTruePic™ VIII
-
Focusing SystemContrast Detection with 121 Focus Points
-
Image Stabilization System5-Axis In Body Image Stabilization with 4.5 EV Compensation
-
Viewfinder2.36M dot OLED Electronic Viewfinder
-
Rear Monitor3.0" 180º Tilting Touch Monitor with Selfie Mode
-
Creative Features4K Video, Nighttime Live Composite, 16 Art Filters with new Instant Film filter
-
Sequential Shooting SpeedMechanical Shutter: 8.7fps H Mode, 5.0fps L Mode
-
FlashBuilt-in Pop Up Flash
-
Special FeaturesIntuituve Touch Interface, Advanced Photo Mode, Shortcut Button, and Built-in Wi-Fi & Bluetooth
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body only - Black
$ 699.99
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body only - Black
$ 699.99
Olympus OM-D E-M10 Mark IV Mirrorless Camera Body Only - Black
Olympus SKU: V207130BU000 | Helix SKU: OYV207130BU000
Overview
Features:
- 20.3MP Live MOS Micro Four Thirds Sensor
- TruePic VIII Image Processor
- UHD 4K30p Video Recording
- 2.36m-Dot 0.67x-Magnification OLED EVF
- 3.0" 1.04m-Dot 180° Tilt Touchscreen
- 5-Axis Sensor-Shift Image Stabilization
- 121-Point Contrast-Detection AF
- 8.7 fps Shooting, ISO 200-25600
- Wi-Fi and Bluetooth Connectivity
Specifications
-
Sensor Effective Resolution / Type20.3 Megapixel Live MOS
-
ProcessorTruePic™ VIII
-
Focusing SystemContrast Detection with 121 Focus Points
-
Image Stabilization System5-Axis In Body Image Stabilization with 4.5 EV Compensation
-
Viewfinder2.36M dot OLED Electronic Viewfinder
-
Rear Monitor3.0" 180º Tilting Touch Monitor with Selfie Mode
-
Creative Features4K Video, Nighttime Live Composite, 16 Art Filters with new Instant Film filter
-
Sequential Shooting SpeedMechanical Shutter: 8.7fps H Mode, 5.0fps L Mode
-
FlashBuilt-in Pop Up Flash
-
Special FeaturesIntuituve Touch Interface, Advanced Photo Mode, Shortcut Button, and Built-in Wi-Fi & Bluetooth
Olympus OM-D E-M10 Mark IV Mirrorless Camera with 14-42mm f3.5-5.6 EZ - Black
$ 799.99
Olympus OM-D E-M10 Mark IV Mirrorless Camera with 14-42mm f3.5-5.6 EZ - Black
$ 799.99
Olympus OM-D E-M10 Mark IV Mirrorless Camera with 14-42mm f3.5-5.6 EZ - Black
Olympus SKU: V207132BU000 | Helix SKU: OYV207132BU000
Overview
Features:
- 20.3MP Live MOS Micro Four Thirds Sensor
- TruePic VIII Image Processor
- UHD 4K30p Video Recording
- 2.36m-Dot 0.67x-Magnification OLED EVF
- 3.0" 1.04m-Dot 180° Tilt Touchscreen
- 5-Axis Sensor-Shift Image Stabilization
- 121-Point Contrast-Detection AF
- 8.7 fps Shooting, ISO 200-25600
- Wi-Fi and Bluetooth Connectivity
Specifications
-
Sensor Effective Resolution / Type20.3 Megapixel Live MOS
-
ProcessorTruePic™ VIII
-
Focusing SystemContrast Detection with 121 Focus Points
-
Image Stabilization System5-Axis In Body Image Stabilization with 4.5 EV Compensation
-
Viewfinder2.36M dot OLED Electronic Viewfinder
-
Rear Monitor3.0" 180º Tilting Touch Monitor with Selfie Mode
-
Creative Features4K Video, Nighttime Live Composite, 16 Art Filters with new Instant Film filter
-
Sequential Shooting SpeedMechanical Shutter: 8.7fps H Mode, 5.0fps L Mode
-
FlashBuilt-in Pop Up Flash
-
Special FeaturesIntuituve Touch Interface, Advanced Photo Mode, Shortcut Button, and Built-in Wi-Fi & Bluetooth
Olympus OM-D E-M1x Mirrorless Camera Body
$ 2,999.99
Olympus OM-D E-M1x Mirrorless Camera Body
$ 2,999.99
Olympus OM-D E-M1x Mirrorless Camera Body (PRE-ORDER)
Olympus SKU: V207080BU000 | Helix SKU: OYV207080BU000
Overview
Absolute ConfidenceWhen we first introduced our mirrorless OM-D camera family, we opened new possibilities for photographers everywhere. Today, the revolution continues with the OM-D E-M1X. It's a pro level camera with features designed to take your work to exciting new places. The E-M1X is packed with innovative tech, like world-leading image stabilization, AI-based Intelligent Subject Detection AF, and a handheld ultra-high resolution shooting mode. It’s all packaged in a compact, lightweight, weathersealed system that has the speed and accuracy you need to make quick work of challenging assignments. The E-M1X. Count on it to bring your very best vision and creativity to life.
Specifications
Sensor / Dust Reduction
-
Sensor Type4/3" Live MOS Sensor
-
Effective Pixels20.4 million
-
Total Pixels21.8 million
-
Aspect Ratio & Area4:3 / 17.4 x 13.0mm
-
Dust ReductionSuper Sonic Wave Filter
Processor
-
Processor TypeDual TruePicTM VIII
Focusing System
-
AF System TypeHigh-speed imager AF: Imager phase detection AF and imager contrast AF used in combination; When a Four Thirds lens (mount adapter sold separately necessary) is attached, imager phase detection AF is always enabled).
-
AF Working RangeEV -3.5～20 (ISO approx.100, with a f/2.8 lens)
-
Focusing Points / Focusing Points Selection Mode121-point cross-type phase detection AF and 121-point contrast AF / All target, single target (normal / small), group target (5-area / 9-area / 25-area), custom target 1-4 (AF area and its increment steps selectable)
-
Focus ModesSingle AF (S-AF)*1 / Continuous AF (C-AF)*1 / Manual Focus (MF) / AF tracking (C-AF + TR)*1 / Preset MF*2
*1 AF+MF selectable
*2 Distance setting values are rough estimates and not compatible lens except the AF lens. -
AF LimiterAvailable (Fn button can be assigned to On/Off; can save 3 distance settings)
*Distance setting values are rough estimates. -
AF PerformanceC-AF lock (5 steps) , AF scanner (3 types) , C-AF Center Priority , C-AF Center Start
-
Magnified Frame3x , 5x , 7x , 10x , 14x
*Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on/off and to activate magnification; touch icon on monitor to turn off; enables selection of focusing point from 800 or more. -
Super spot AFAvailable*(Contrast AF in center of the monitor when magnified)
*Available only when a Micro Four Thirds lens is attached. -
Face Detection AF / Eye DetectionAvailable
Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority -
Intelligent Subject Detection AFAvailable
Motorsports (Automobiles / Motorcycles), Aircrafts, Trains -
AF Targeting PadAvailable (activate / deactivate with double tap on rear monitor)
-
Manual Focus AssistFocus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
-
Peaking FunctionActivate with Fn button or focus ring Change peaking settings using the Info button
Color selection: white, black, red, yellow
Intensity selection: high, normal, low
Back light effect: on, off -
AF Focus Adj.Adjust all, adjust by lens (for Phase detection AF only)
-
AF IlluminatorAvailable
Image Stabilization
-
System TypeBuilt-in 5-axis* sensor-shift image stabilization for movie and still photos
*yaw/pitch/roll/vertical shift/horizontal shift -
Modes4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
-
Live View Image Stabilization11 settings: 10 programmable settings (10 lenses), 1 open setting
-
IS For Live View ImageActivation by half-pressing shutter button or enlarging view
-
5-Axis Sync ISAvailable*
*When using M.Zuiko Digital lenses equipped with image stabilization -
Stabilization Performance7.0 EV*
*Based on CIPA measurement conditions.
When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length =40mm (35mm equivalent: 80mm))
7.5 EV*
*Based on CIPA measurement conditions.
When using M.Zuiko Digital ED 12-100mm f/4.0 PRO (focal length =100mm (35mm equivalent: 200mm)), with camera body IS set to Off, Frame rate: High -
Lens IS PriorityAvailable
Shutter / Sequential Shooting
-
Shutter TypeFocal-plane shutter (mechanical shutter): 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1)
*Live Bulb / LiveTime: selectable exposure time (1/2/4/8/15/20/25/30 min.), with 8-min. default setting
*Live Composite: 3 hours maximum shooting time
Electronic first curtain shutter (Anti-shock mode) : 1/320 - 60 sec
Electronic shutter (Silent mode): 1/32000 - 60 sec
Flicker Scan: Video recording 1/30 (50fps:1/50, 60fps:1/60, Highspeed: 1/120) -1/250.0 Still 1/50.0-1/7634
*Video recording S/M mode, Still S/M silent mode only. Selectable with a minimum of 0.1 -
Sequential Shooting Maximum Speed[Sequential shooting H] approx. 15 fps with selectable 10-15 fps
[Sequential shooting L] approx. 10 fps with selectable 1-10 fps
[Anti-shock sequential shooting L] approx. 8.5 fps with selectable 1-8 fps
[Silent sequential shooting H] approx. 60 fps with selectable 15, 20, 30, 60 fps
[Silent sequential shooting L] approx. 18 fps with selectable 1-10, 15, 18 fps
[Pro Capture H] approx 60 fps with selectable 15, 20, 30, 60 fps
[Pro Capture L] approx 18 fps with selectable 1-10, 15, 18 fps
*When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
*Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting
*When in Pro Capture mode, slower shutter speeds and flash can not be used
*Pro Capture L mode is available when using an Olympus Micro Four Thirds lens
*In Pro Capture L mode, the minimum aperture is f/8.
*When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above
*Focus and exposure are fixed at the values of the first shot when using sequential shooting H
*Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps -
Max Recordable Pictures in Sequential Shooting[Sequential shooting H 15 fps] RAW: Max. 103 frames, JPEG (LF): Max. 132 frames
[Sequential shooting L 10 fps] RAW: Max. 287 frames, JPEG (LF): Until card is full
[Silent sequential shooting L 60 fps] RAW: Max. 49 frames, JPEG (LF): Max. 49 frames
[Silent sequential shooting L 18 fps] RAW: Max. 74 frames, JPEG (LF): Max. 89 frames
*When using the M.Zuiko Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-D032G memory card with standard card setting in slot 1.
*Low ISO processing: Priority is given to sequential shooting -
Sequential Shooting Frame Count1 - 99 frames
-
Pre-shutter Frames
*For Pro Capture mode onlyNumber of frames recorded prior to full-press of the shutter button can be set from 0 to 35 frames. -
Self TimerOperation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF)
Viewfinder/Monitor
-
Finder TypeEye-level electronic viewfinder, approx. 2.36M dots
-
Field of View / Viewfinder MagnificationApprox. 100% / Approx. 1.48x*1 - 1.65x*2 (-1m-1, 50mm lens, Infinity)
*1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) -
Eye Point / Diopter Adjustment RangeApprox. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
-
PreviewLive View preview with depth of field preview lock
-
Display GridOff / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
*grid color is selectable -
Level Gauge2-axis (horizontal / vertical) level gauge
-
One Touch Tele-ConverterAvailable (2x)
-
Finder Style3 styles
-
Brightness / Color Temp ControlAdaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
-
S-OVF (Simulated OVF)Expands the Live View dynamic range. *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
-
Rear Monitor Size3.0-inch vari-angle monitor*
*Approx.1037k dots (3:2), electrostatic capacitance touch panel -
Touch ControlShutter release, Touch AF (AF area selection, AF area size adjustment) AF targeting pad, frame forward/backward, magnified playback, Super Control Panel, Wi-Fi connection, movie controls
-
Tilting CapabilityAvailable (mirror display when monitor is in self portrait position)
-
Brightness / Color Temp Control (Rear Monitor)±7 levels / ±7 levels
-
Color Tone SelectVivid / Natural
-
Live ViewApprox. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14),
-
Live View BoostLive View Boost 1 , Live View Boost 2* (For dark situations)
*Settings can be specified for each shooting mode
*Live View Boost 2: Frame Rate Priority or Quality Priority selectable
*Off: Brightness in Live View shows specified exposure settings.
Exposure Control / Flash
-
Metering SystemDigital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control
*Also available AF target spot metering -
Metering RangeEV -2 - 20 (ISO approx.100, with a f/2.8 lens)
-
Exposure Mode / Shooting ModeP: program AE (program shift can be performed), A: aperture priority AE, S: Shutter priority AE, M: Manual, B: Bulb (Live Bulb, Live Time and Live Composite are available), Custom 1～4
-
ISO SensitivityAUTO ISO (default) : LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO : LOW (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
-
Exposure Compensation±5 EV, adjustable by 1/3, 1/2 or 1 EV steps
When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps -
AE LockLocks with a half-press of the shutter button (can be set to AEL/AFL button as well)
-
Anti-Flicker ShootingAvailable
-
Flash Intensity Control ModeTTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
* Available on the external flash -
Flash ModeRedeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual（1/1（FULL）～1/64）
-
Synchronization Speed1/250 sec.
*When using Super FP: 1/125-1/8000 sec.
*When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing -
Flash Intensity ControlUp to ±3 EV in 1/3, 1/2, 1 EV steps selectable
-
Compatible External FlashFL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR
-
Wireless Flash Control MethodTriggered and controlled by Olympus Wireless RC Flash system compatible flashes: FL-LM3 or separately available FL-600R and FL-900R , STF-8,FL-700WR
-
External Flash Intensity TypeTTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
-
Channel No.4 channels
-
Group No.4 groups (External flash 3 groups + commander flash)
-
Radio Wireless ControlAvailable
Memory / Image Recording (File Format)
-
Compatible MemorySD, SDHC*1, SDXC*1
*1 UHS-I,II compatible -
Recording FormatDCF2.0, Exif2.31
-
File FormatRAW (12-bit lossless compression), JPEG, RAW+JPEG
-
Recording Image Size[RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
-
Dual Card Slot SettingsStandard, Auto Switch, Dual Independent, Dual Same
*When two cards are inserted, card to be saved on to or to be viewed can be designated. -
Folder Creation and SelectionAvailable
-
CopyCopy single file, copy multiple files, copy all *When copied, the new file will be given a different name from that of the original file.
White Balance / Color Mode
-
White Balance ModeAuto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
-
White Balance Compensation*±7 steps along A-B / G-M axis * Except for Custom WB
-
Preset White Balance7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
-
CWB (Kelvin Setting)2000 - 14000K
-
Capture White Balance4 custom settings can be registered
-
Color ModesRGB, Adobe RGB
Bracketing / HDR
-
Exposure Bracketing2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
-
ISO Bracketing3 frames in 0.3/0.7/1.0EV steps selectable
-
White Balance Bracketing3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
-
Flash Bracketing3 frames in 0.3/0.7/1.0EV step selectable
-
Art Filter Bracketingi-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator selectable
-
Focus Bracketing3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
-
Focus Stacking Mode8 shots are taken at different focus points and automatically composited together into a single image
* Angle of view becomes slightly smaller (The cut area guide is displayed)
* Compatible with :
M.Zuiko Digital ED 60mm f/2.8 Macro
M.Zuiko Digital ED 12-40mm f/2.8 PRO
M.Zuiko Digital ED 40-150mm f/2.8 PRO
M.Zuiko Digital ED 30mm f/3.5 Macro
M.Zuiko Digital ED 7-14mm f/2.8 PRO
M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
M.Zuiko Digital ED 300mm f/4.0 IS PRO
M.Zuiko Digital ED 12-100mm F4.0 IS PRO -
HDR (Auto Composite)HDR1, HDR2 (painting-like) ※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. ※Exposure compensation can be performed.
-
Bracketing for HDR post-process3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
*This sequential shooting H AE bracketing is specifically designed for shooting images that will be HDR-processed on a PC.
Creative Features
-
Picture Modei-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
-
GradationAuto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator]
-
Highlight and Shadow Control±7 steps each for highlight, shadow, midtone
-
Picture ToneNeutral, Sepia, Blue, Purple, Green for Monotone
-
Art Filter
(Variation / Art Effect)Pop Art (I, II / a.b.c.d.e)
Soft Focus ( - / c.e)
Pale & Light Color (I, II / a.b.c.d)
Light Tone ( - / d)
Grainy Film (I, II / b.c.d.f.g)
Pin Hole (I, II, III / d.)
Diorama ( - / d.)
Cross Process (I, II / b.c.d.)
Gentle Sepia ( - / a.b.c.d.f.)
Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
Key Line (I, II / a.b.c.d.e.)
Watercolor (I, II / a.b.c.d.)
Vintage (I, II, III / a.b.c.d.e.f.i)
Partial Color (I, II, III / a.b.c.d.e.f)
Bleach Bypass (I, II / a.b.c.d.e.f.i)
Instant Film (- / a.b.c.d.e.f.i) -
Art Effecta. Soft Focus Effect
b. Pin-Hole Effect
c. White Edge Effect
d. Frame Effect
e. Star Light Effect
f. Blur Effect (Top & bottom, Left & Right)
g. B&W Effect (None, Yellow, Orange, Red, Green)
h. Picture Tone (None, Sepia, Blue, Purple, Green)
i. Shade Effect (Top & bottom, Left & Right) -
Color Ring (for partial color)18 color selectable
-
Live Bulb / Live TimeUpdate Interval Time - 0.5 sec – 60 sec
-
Live CompositeUpdate Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
-
Interval ShootingInterval Time 1sec. - 24 Hours, Max 999 frames. Available on making Time-lapse movie automatically
-
Multiple Exposure (number of pictures / function)2 frames / Auto gain, Exposing on Recorded picture(RAW)
-
Fisheye Compensation3 styles (can be confirmed in Live View)
*Underwater correction compatible
* Enabled when M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO is used. -
High Res ShotEquivalent to 50 megapixels / 25 megapixels
*Available in P/A/S/M mode, RAW+JPEG or JPEG.
*JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 10368 x 7776
*RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC.
*Electronic Shutter 1/8000 - 60 sec. -
Handheld High Res ShotEquivalent to 50 megapixels / 25 megapixels
*Available in P/A/S/M mode, RAW+JPEG or JPEG.
*JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 8160 x 6120
*Flash can not be used
*RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC.
*Electronic Shutter 1/8000 - 60 sec. -
Keystone CompensationAvailable (can be confirmed in Live View)
*Horizontal and vertical compensation can be performed simultaneously.
Video / Audio Recording
-
Video Recording FormatMOV(MPEG-4AVC/H.264)
-
Movie Mode / Frame Rate / Compression Method4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
60p： 59.94 fps, 50p： 50.00 fps, 30p： 29.97 fps, 25p： 25.00 fps,
24p： 23.98 fps, C4K 24.00 fps
FHD ALL-I (A-I： ALL-Intra / approx. 202 Mbps),
FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps,
N: Normal / approx. 18 Mbps)
HD ALL-I (A-I：ALL-Intra / approx. 102 Mbps),
HD IPB(SF：SuperFine / approx.26Mbps,
F:Fine / approx.14Mbps、N：Normal / approx.10Mbps)
HD (1280 x 720) / 30p
*Frame rates may drop when particular Art Filters and Movie Effects are used.
*Class 10 or higher SD card is recommended for shooting movies.
*UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting. -
Maximum Video Recording TimeApprox. 29min
-
Movie Tele-converterApprox. 3x (enlarges view of selected area)
-
Art Filter MovieAvailable
(Frame rates may drop when certain Art Filters are used) -
Movie EffectOne-shot Echo / Multi-echo / Art Fade / Old Film
-
Timelapse Movie[AVI ]
3840×2160（4K）/ 5fps
1920×1080（FHD)/ 5fps，10fps，15fps
1280×720（HD)/ 5fps、10fps、15fps、30fps -
Quick Movie / Slow MovieWith (Both or either of the two may not be available depending on the frame rates.
-
High speed movie120fps (1920×1080/MOV
-
IS for MovieM-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS),
M-IS2(Image sensor shift with multi motion IS), Off
*While using M-IS1, field of view may be affected. -
AE LockAvailable
-
Video Exposure ControlProgram AE, aperture priority AE, shutter priority AE, manual
-
Grid Lines / Focus Peaking4 types of grid lines / 4 colors for focus peaking
-
Time CodeRec run/free run, drop frame/non-drop frame
-
Live View Output via HDMIMonitor Mode (outputs video and info display to a connected monitor) *1
Record Mode (outputs video only, with no info display) *2
*1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two.
While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged).
However, the image can not be enlarged on the camera when a movie is being recorded.
*2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded. -
Movie Picture ModeFlat,OM-Log400 *View assist compatible
-
Audio Recording FormatWave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
-
Microphone / SpeakerBuilt-in stereo microphone / built-in mono speaker
*External stereo microphone can be attached -
Microphone FunctionWind noise reduction, recording volume, microphone volume limiter
Audio dubbing possible for still pictures (up to 30 sec.)
*May affect audio quality. -
IC Recorder LinkageSlate Tone / Synchronized Audio Rec-Movie Rec
*LS-100 compatible
Operability
-
GPS Info FunctionAvailable (Via GPS smartphone) *Built-in GPS info given priority
-
Wireless ShootingLive View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off *P / A / S / M / B and drive mode can be selected.
Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted. -
Image ShareFile Type: JPEG*, MOV Marking function for image share.
-
Easy ConnectionConnect using a QR code
Connect using Bluetooth (View, Transfer only. Enabled from the second time) -
Tethered ShootingVia USB cable (camera can be operated by both PC or camera controls)
Via Wi-Fi (Transfer of recorded images to PC via access point, 5GHz and 2.4GHz available)
Wireless tethering available with Olympus -
GPS / Field Sensor SystemGPS (GLONASS,QZSS), compass, manometer, temperature sensor, acceleration sensor
-
Playback ModeSingle-frame, information display, index display (4/9/25/100 frames), calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), light box display
-
Information DisplayHistogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF
Custom
-
My Menu35 items in 5 tabs with 7 items each
-
Mode dial my set4 types of settings can be configured to C1-C4 modes on mode dial.
-
Menu custom setAvailable (Settings configured to C1-C4 can be called up via the menu even in P,A,S,M and B modes.
*Some items including shooting mode may not be called up. -
Multi Selector customizationWith
-
Dial customizationDial function and dial direction are customizable for both dials
-
Lever customizationSelect assignment from 3 different modes, power switch, or off (no function assignment)
-
Button CustomizationUp to 39 functions can be assigned to buttons
*Up to 24 functions can be assigned for movie recording
*Buttons on lenses can also be customized from the camera
*Some buttons may have restrictions to what functions can be assigned -
Copyright Settings/Lens info SettingsWith / With (save up to 10 lenses)
-
Menu Languages (34 selectable)English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
Connectivity / Power Requirements
-
USB ConnectorUSB Type-C
-
Remote Connectorφ2.5Pin Jack (when using separately available RM-CB2).
-
HDMI ConnectorMicro HDMI type D
-
Flash AttachmentHot shoe, sync terminal
-
Wireless LANBuilt-in (IEEE 802.11b/g/n/ac)
-
MIC Input Jackφ3.5 stereo mini jack (plug-in power on/off)
-
Headphone Jackφ3.5 stereo mini jack
-
PC InterfaceSuperSpeed（USB3.0）
-
TV InterfaceNot Available
-
BatteryTwo BLH-1 Li-ion batteries (included)
* Can be operated when only one BLH-1 Li-ion battery is equipped. -
Battery Status DisplayRemaining power (4 steps, %, or by-minute display), shot count, degradation
-
AC AdapterAC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
-
USB Bus PowerA USB PD bus power can be used
※ PD compliant Camera: Rev 3.0 Ver 1.0a -
USB ChargingBuilt-in battery is charged with AC-5 / USB
* When the camera power is off
* Performance varies depending on different USB devices -
Sleep ModeAvailable (1/3/5 min. off)
-
Number of Recordable PicturesApprox. 870 shots (using 2 BLH-1 and Toshiba SDXU-D032G with IS ON, with no flashes attached, based on CIPA test standards)
Approx. 2,580 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards) -
Battery Life for Movie RecordingApprox. 170 minutes* (under standard JEITA testing)
Approx. 350 minutes* (when zoom and other operational functions are not used)
*When repeatedly recording at the maximum time of 29 minutes
Weights & Dimensions / Operating Environment / Box Contents
-
WeightApprox. 997g (with 2 BLH-1 batteries and 2 Memory cards, based on CIPA standards, without eyecup)
Approx. 849g (body only) -
DimensionsW:144.4mm H:146.8mm D:75.4mm (based on CIPA standards: excludes protrusions)
-
Environmentally SealedDust, Splash (IPX1), Freezeproof
-
Operating Temperature Range-10ºC ~ +40ºC (when in operation) / -20ºC ~ +60ºC (when stored)
-
Operating Humidity Range30 - 90% (when in operation) / 10 - 90% (when stored)
Item Includes
Box Contents
Body, USB cable, cable clip, cable protector, shoulder strap, instruction manual, warranty card, BLH-1 Li-ion battery (Two) , BCH-1 Li-ion battery charger (Two)
Olympus OM-D E-M5 Mark III Mirrorless Camera - Black
$ 1,199.99 - Sold Out
Olympus OM-D E-M5 Mark III Mirrorless Camera - Black
$ 1,199.99 - Sold Out
Olympus OM-D E-M5 Mark III Mirrorless Camera - Black
Olympus SKU: V207090BU000 | Helix SKU: OYV207090BU000
Overview
Seeking adventure is in your DNA. You’re passionate about photographing all the far-flung places you visit. The E-M5 Mark III is just what you’re looking for. It’s compact, lightweight and comfortable — made for roaming the biggest cities, the smallest villages or the most remote destinations on earth. You’ll feel exhilarated instead of exhausted from carrying heavy gear. And then there’s the stunning stills and video. Thanks to an impressive range of pro technology, you’ll come home with images you’ll want to see over and over again. The E-M5 Mark III. All you need in one astoundingly portable system.
5-Axis
- In-Body Image
- Stabilization
121
- Cross-type phase
- detection AF Points
4K
- Video Capture
- (30/24fps)
-
20MP Live MOS Sensor
-
5-Axis in-body Image Stabilization
-
Weathersealed Construction
-
10fps Seq. Shooting (Mechanical)
-
30fps Seq. Shooting (Electronic)
-
1/8000 High-Speed Mechanical Shutter
-
4K Ultra HD
-
121-Point All-Cross Type PDAF
-
Vari-Angle Touch LCD
-
50MP Tripod High-Res Shot Mode
-
Focus Bracketing and Stacking
-
Built-In Wi-Fi + Bluetooth
Specifications
-
Sensor Effective Resolution / Type20.4 Megapixel Live MOS
-
ProcessorTruePic™ VIII Quad Core Processor
-
Focusing SystemDual F.A.S.T. AF (Contrast & Phase Detection AF) 121 Point (All Cross Type) On-Chip Phase Detection
-
Image Stabilization System5-Axis Image Stabilization with up to 6.5 Shutter Speed Steps Compensation with Sync-IS
-
Viewfinder2.36M dot OLED Electronic Viewfinder
-
Rear Monitor3.0" Vari-Angle Touch LCD
-
WeathersealedDust, Splash and Freezeproof
-
Sequential Shooting Speed10fps [H] mode 6fps [L] mode mechanical shutter
30fps [H] mode 10fps [L] mode silent electronic shutter -
Special Features4k Video Capture (30/25/24 fps) with Flat Picture Mode
30fps Silent Electronic Shutter
PRO Capture Lag-Free Electronic Shutter Mode
Fisheye Compensation Mode
USB In-camera Charging
Olympus Stylus Tough TG-6 Digital Camera - Black
$ 499.99
$ 449.99 - Sold Out
Sale
Olympus Stylus Tough TG-6 Digital Camera - Black
$ 499.99 $ 449.99 - Sold Out
Olympus Stylus Tough TG-6 Digital Camera - Black
Olympus SKU: V104210BU000 | Helix SKU: OYV104210BU000
Overview
BUILT FOR ADVENTURE
-
LENS BARRIER
Add an extra layer of protection to your TG-6 with the optional lens barrier. It keeps the lens surface free of dirt and prevents scratching.
WEATHERPROOF CONSTRUCTION
Weather can turn nasty in minutes. A freak downpour quickly soaks everything. Plummeting cold exposes your camera to dangerous temperatures. The Tough TG-6 handles it all. Thanks to a system of seals and double lock construction, water, dust, dirt, snow and cold stay outside where they belong. Embark on your next adventure and be confident your camera is ready for any weather, anytime.
ANTI-FOG
It’s happened to practically everyone with a camera. You go from air conditioning to high humidity and suddenly there’s condensation all over the lens. That won’t happen with the Tough TG-6. The lens features hermetically sealed, dual pane protective glass to prevent fogging. Your lens stays clear and ready for action.
LENS BARRIER
The Tough TG-6 features a high-speed, bright F2.0 wide angle lens. Use the optional LB-T01 Lens Barrier to keep dirt and dust off the lens and prevent scratching. Open and close the barrier with a quick turn — even with gloves.
A SYSTEM BUILT AROUND A CAMERA
The Tough TG-6 sits at the center of an expansive accessory system. The Sports Holder lets you shoot while the camera is secured to you. The Float Strap stops your camera from sinking while shooting on the water. The Silicone Jacket keeps the Tough TG-6 from getting scratched and lets you firmly grip the body. That’s just a few of many accessories designed to help you get the best performance from your camera.
HANDLES THE TOUGHEST BUSINESS
If you’re shooting in tough work conditions, we have the camera for you. That’s because it can take the abuse any construction site dishes out or survive the rigors of traveling from one crime scene to another — making it standard equipment for any law enforcement agency. Besides being nearly indestructible, the Tough TG-6 features GPS so you’ll have an accurate record of where your shots were taken. The Date Imprint feature stamps your photos with the date and time for easy cataloging.
Specifications
Sensor / Processor
-
Sensor Type1/2.3" BSI CMOS SENSOR
-
Effective Pixels12 million
-
ISO SensitivityAUTO ISO: 100 ‐ 1600 with customizable upper limit from 100 to 12800
Manual ISO: 100 - 12800 (adjustable) -
ProcessorOlympus TruePic™ VIII
Tough Capabilities
-
WaterproofIJIS/IEC protection class 8 (IPX8) - Waterproof to depths of 50 ft / 15 m
-
DustproofJIS/IEC protection class 6 (IP6X)
-
FreezeproofFreezeproof to 14°F / -10°C
-
CrushproofCrushproof to 220 lbf / 100 kgf
-
ShockproofShockproof from 7 ft / 2.1 m
-
Lens Cover GlassAnti-fog dual pane
Lens / Shutter
-
Focal Length (35mm Equiv.)4.5mm - 18mm (25mm - 100mm)
-
Aperture Rangef/2.0 (wide) - f/4.9 (tele)
-
Focus RangeThroughout entire zoom range : 0.1m - infinity
(Super Macro: less than f=5.4mm, from 0.1m to 0.3m/above 5.4mm, from 0.01m to 0.3m, microscope : 0.01m - 0.3m) -
Shutter Speed1/2 - 1/2000 sec. (Night Scene, A mode: up to 4 sec.)
-
Optical Zoom4x
-
Image Stabilization2.5 EV* (Focal length set to 18mm. 35mm Equivalent Focal Length: 100mm)
*Based on CIPA measurement conditions -
Live View Image StabilizationThroughout entire zoom range : 0.1m - infinity
(Super Macro: less than f=5.4mm, from 0.1m to 0.3m/above 5.4mm, from 0.01m to 0.3m, microscope : 0.01m - 0.3m)
Focusing System
-
AF System TypeCMOS Contrast Detection System
-
Focusing Points25
-
AF Focus ModesSingle AF (S-AF) / AF Tracking / Manual Focus (MF)
-
AF IlluminatorYes
-
Face DetectionYes
-
Manual Focus AssistFocus knob rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
-
Peaking FunctionYes; Color selection: white, black, red, yellow
Flash
-
Built-in FlashYes
-
Flash ModesAuto, Red Eye Reduction, Slow sync. (1st curtain), Red-eye Slow sync. (1st curtain), Fill-in, Manual (1/1 (FULL)～1/64), Flash Off
-
Flash Intensity Control MethodTTL Auto, Manual
-
Flash Intensity ControlUp to ±2 EV in 1/3 EV steps selectable
Wireless Flash Control
-
Compatible External FlashFL-50R, FL-36R, FL-300R, FL-600R, FL-900R, FL-700WR
-
Control MethodTriggered and controlled by Olympus Wireless RC Flash system
Commander Flash: Built-in flash -
Channel1 channel
-
Group No.1 group
Rear Monitor
-
Monitor TypeColor LCD
-
Monitor Size3.0" (Aspect Ratio 3:2)
-
Monitor Resolution1,040k-dots
-
TouchscreenNo
-
Monitor Brightness Adjustment±7 levels
-
Live ViewApprox. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line.
Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off.
Image Recording
-
Removable Memory TypeSD, SDHC*1, SDXC*1
*１ UHS-I compatible -
Recording FormatDCF2.0, Exif2.3
-
Still Image File FormatRAW (12-bit lossless compression), JPEG, RAW+JPEG
-
Recording Image Size[RAW] 4000 x 3000
[JPEG] 4000 x 3000 - 640 x 480 -
One Touch Tele-converterx2 (P, A, Movie mode), x2/x4 (Microscope mode)
-
Date / Time StampAvailable
Shooting Modes
-
Exposure / Shooting ModesIntelligent Auto (iAUTO), Program Auto (P), Aperture Priority (A), Movie (Standard, 4K, High-speed), Custom1, Custom2, Underwater (Underwater snap, Underwater wide, Underwater macro, Underwater microscope, Underwater HDR), Microscope (Microscope, Focus stacking, Focus bracket, Microscope control), Scene Mode (SCN)
-
Sequential Shooting[Sequential shooting H]*: approx. 20 fps with selectable 10/20 fps
[Sequential shooting L]: approx. 5 fps
[Pro Capture]*: approx. 10 fps
*Electronic Shutter -
Sequential Shooting Maximum Recordable Frames[Sequential shooting H] RAW: Max. 14 frames, JPEG (LN): Until card is full
[Sequential shooting L] RAW: Max. 40 frames, JPEG (LN): Until card is full -
Maximum Recordable Frames Prior to Full Shutter Press (Pro Capture Mode)Max. 5 Frames
White Balance
-
White Balance ModeAuto WB, 6 Preset WBs, 3 Underwater WBs, 4 Capture WBs, Custom WB(Kelvin setting)
-
White Balance Compensation±7 steps along A-B / G-M axis * Except for Custom WB
Creative Features
-
Picture Modesi-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Art Filters
-
GradationAuto, Normal, High Key, Low Key
[except when using i-Enhance, Underwater, Art Filters, Color Creator] -
Scene ModesPortrait, e-Portrait, Landscape, Portrait +Landscape, Hand-held Starlight*, Nightscape, Portrait + Nightscape, Children, Sport, Candlelight, Sunset, Fireworks, Beach & Snow, Panorama, Live Composite, Backlight HDR,
*6 images are automatically captured and combined into a single image composite -
Art FiltersPop Art (I, II / a.b.c.d.e.f.)
Soft Focus ( - / c.e.)
Pale & Light Color (I, II / a.b.c.d.f.)
Light Tone ( - / d.f.)
Grainy Film (I, II / b.c.d.g.h)
Pin Hole (I, II, III / d.)
Diorama ( I,II / d.)
Cross Process (I, II / b.c.d.f.)
Gentle Sepia ( - / a.b.c.d.f.)
Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
Key Line (I, II / a.b.c.d.e.)
Watercolor (I, II / a.b.c.d.)
Vintage (I, II, III / a.b.c.d.e.f.i)
Partial Color (I, II, III / a.b.c.d.e.f)
Bleach Bypass (I, II / a, b, c, d, e, f, i)
Instant Film (- / a, b, c, d, e, f, i) -
Detail of Art Effecta. Soft Focus Effect
b. Pin-Hole Effect
c. White Edge Effect
d. Frame Effect
e. Star Light Effect
f. Blur Effect (Top & bottom, Left & Right)
g. B&W Effect (None, Yellow, Orange, Red, Green)
h. Pict. Tone (None, Sepia, Blue, Purple, Green)
i. Shade Effect (Top & bottom, Left & Right) -
Color Ring for Partial Color18 Selectable Colors
-
Live CompositeUpdate interval time / composite method
.5sec - 4.0 sec / Lighten Mode (Bright area prioritization) -
Interval ModeInterval Time 1 sec. - 24 hours, max 299 frames. Available when automatically creating Time-lapse video.
-
Exposure Compensation±2 adjustable by 1/3 EV steps
-
Focus BracketingNumber of images 10 / 20 / 30
Focus step : Wide / Standard / Narrow -
Focus StackingAvailable*
* Angle of view becomes slightly smaller
Video / Audio
-
Video File FormatMOV (MPEG-4AVC / H.264)
-
Video Modes[MOV]
3840x2160 (4k) / 30p, 25p (Bit rate: Approx. 102 Mbps)
1920x1080 (FHD) / 30p, 25p / IPB (SF,F,N)
1920x1080 (FHD) / 60p, 50p / IPB (SF,F,N)
1280x720 (HD) / 30p,25p / IPB (SF,F,N)
60p: 59.94fps, 50p: 50.00fps, 30p: 29.97fps, 25p: 25.00fps
FHD IPB (SuperFine / 52Mbps, Fine / 30Mbps, Normal / 18Mbps)
HD IPB (SuperFine / 52Mbps, Fine / 30Mbps, Normal / 18Mbps)
*Frame rates may drop when particular Art Filters and Movie Effects are used.
*Speed Class 10 SD card is recommended for shooting movies.
*UHS-I Speed Class 3 SD card must be used for 4K video and high speed movie. -
Maximum Video Recording Time[MOV]
Approx. 29 min -
Art Filter for MovieYes
(Frame rates may drop when certain Art Filters are used) -
Time Lapse Movie[MOV]
3840×2160 (4K) / 5fps
1920×1080 (FHD) / 5fps, 10fps, 15fps
1280×720 (HD) / 5fps, 10fps, 15fps, 30fps -
High Speed Movie1920x1080 (FHD) / 120fps, recording time 20 sec.
1280x720 (HD) / 240fps 20 sec., recording time 20 sec.
640x360 (SD) / 480fps 20 sec., recording time 20 sec. -
Image Stabilization for VideoDigital stabilization (angle of view becomes slightly smaller)
-
Audio RecordingWave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
-
MicrophoneBuilt-in stereo microphone
-
SpeakerBuilt-in mono speaker
-
Live View Output via HDMIMonitor Mode (outputs video and info display to a connected monitor)*
*Info display is not shown on the camera while recording
Connectivity / Power Requirements
-
Wi-FiBuilt-in (IEEE 802.11 b/g/n)
-
Action Track SensorsGPS (GLONASS, QZSS), compass, manometer, temperature sensor, accelerometer
-
PC ConnectivityUSB 2.0 (Micro-B)
-
HDMIMicro HDMI (Type D)
-
Print FunctionPrint reservation (DPOF)
-
Battery TypeLI-92B Li-ion battery
-
AC AdapterF-5AC
-
Sleep ModeAvailable (1 / 3 / 5 min. off)
-
Battery LifeApprox. 340 Images (using Toshiba SDHC UHS-I Card Exceria with IS ON, based on CIPA test standards)
Approx. 50 minutes* (under standard JEITA testing)
Approx. 110 minutes (when zoom and other operational functions are not used)
*When repeatedly recording at the maximum time of 29 minutes
Additional Information
-
Self TimerOperation time: 12 sec., 2 sec., custom (wait time: 1-30sec., number of shots: 1-10, shot interval: 0.5 / 1 / 2 / 3sec.)
-
Languages34 selectable languages: English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
Weights / Dimensions / Bundled Items
-
DimensionsW: 113 mm H: 66 mm D: 32.4 mm (based on CIPA standards, excludes protrusions)
W: 4.43 in H: 2.6 in D: 1.23 in -
WeightApprox. 253 g (with battery and memory card, based on CIPA standards)
(0.56 lb / 8.92 oz)
Item Includes
Bundled Items
Body, USB cable, Hand Strap, Instruction Manual, Warranty Card, LI-92B Li-ion Battery, F-5AC Li-ion Battery Charger
Olympus Stylus Tough TG-6 Digital Camera - Red
$ 499.99 - Sold Out
Olympus Stylus Tough TG-6 Digital Camera - Red
$ 499.99 - Sold Out
Olympus Stylus Tough TG-6 Digital Camera - Red
Olympus SKU: V104210RU000 | Helix SKU: OYV104210RU000
Overview
BUILT FOR ADVENTURE
-
LENS BARRIER
Add an extra layer of protection to your TG-6 with the optional lens barrier. It keeps the lens surface free of dirt and prevents scratching.
WEATHERPROOF CONSTRUCTION
Weather can turn nasty in minutes. A freak downpour quickly soaks everything. Plummeting cold exposes your camera to dangerous temperatures. The Tough TG-6 handles it all. Thanks to a system of seals and double lock construction, water, dust, dirt, snow and cold stay outside where they belong. Embark on your next adventure and be confident your camera is ready for any weather, anytime.
ANTI-FOG
It’s happened to practically everyone with a camera. You go from air conditioning to high humidity and suddenly there’s condensation all over the lens. That won’t happen with the Tough TG-6. The lens features hermetically sealed, dual pane protective glass to prevent fogging. Your lens stays clear and ready for action.
LENS BARRIER
The Tough TG-6 features a high-speed, bright F2.0 wide angle lens. Use the optional LB-T01 Lens Barrier to keep dirt and dust off the lens and prevent scratching. Open and close the barrier with a quick turn — even with gloves.
A SYSTEM BUILT AROUND A CAMERA
The Tough TG-6 sits at the center of an expansive accessory system. The Sports Holder lets you shoot while the camera is secured to you. The Float Strap stops your camera from sinking while shooting on the water. The Silicone Jacket keeps the Tough TG-6 from getting scratched and lets you firmly grip the body. That’s just a few of many accessories designed to help you get the best performance from your camera.
HANDLES THE TOUGHEST BUSINESS
If you’re shooting in tough work conditions, we have the camera for you. That’s because it can take the abuse any construction site dishes out or survive the rigors of traveling from one crime scene to another — making it standard equipment for any law enforcement agency. Besides being nearly indestructible, the Tough TG-6 features GPS so you’ll have an accurate record of where your shots were taken. The Date Imprint feature stamps your photos with the date and time for easy cataloging.
Specifications
Sensor / Processor
-
Sensor Type1/2.3" BSI CMOS SENSOR
-
Effective Pixels12 million
-
ISO SensitivityAUTO ISO: 100 ‐ 1600 with customizable upper limit from 100 to 12800
Manual ISO: 100 - 12800 (adjustable) -
ProcessorOlympus TruePic™ VIII
Tough Capabilities
-
WaterproofIJIS/IEC protection class 8 (IPX8) - Waterproof to depths of 50 ft / 15 m
-
DustproofJIS/IEC protection class 6 (IP6X)
-
FreezeproofFreezeproof to 14°F / -10°C
-
CrushproofCrushproof to 220 lbf / 100 kgf
-
ShockproofShockproof from 7 ft / 2.1 m
-
Lens Cover GlassAnti-fog dual pane
Lens / Shutter
-
Focal Length (35mm Equiv.)4.5mm - 18mm (25mm - 100mm)
-
Aperture Rangef/2.0 (wide) - f/4.9 (tele)
-
Focus RangeThroughout entire zoom range : 0.1m - infinity
(Super Macro: less than f=5.4mm, from 0.1m to 0.3m/above 5.4mm, from 0.01m to 0.3m, microscope : 0.01m - 0.3m) -
Shutter Speed1/2 - 1/2000 sec. (Night Scene, A mode: up to 4 sec.)
-
Optical Zoom4x
-
Image Stabilization2.5 EV* (Focal length set to 18mm. 35mm Equivalent Focal Length: 100mm)
*Based on CIPA measurement conditions -
Live View Image StabilizationThroughout entire zoom range : 0.1m - infinity
(Super Macro: less than f=5.4mm, from 0.1m to 0.3m/above 5.4mm, from 0.01m to 0.3m, microscope : 0.01m - 0.3m)
Focusing System
-
AF System TypeCMOS Contrast Detection System
-
Focusing Points25
-
AF Focus ModesSingle AF (S-AF) / AF Tracking / Manual Focus (MF)
-
AF IlluminatorYes
-
Face DetectionYes
-
Manual Focus AssistFocus knob rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
-
Peaking FunctionYes; Color selection: white, black, red, yellow
Flash
-
Built-in FlashYes
-
Flash ModesAuto, Red Eye Reduction, Slow sync. (1st curtain), Red-eye Slow sync. (1st curtain), Fill-in, Manual (1/1 (FULL)～1/64), Flash Off
-
Flash Intensity Control MethodTTL Auto, Manual
-
Flash Intensity ControlUp to ±2 EV in 1/3 EV steps selectable
Wireless Flash Control
-
Compatible External FlashFL-50R, FL-36R, FL-300R, FL-600R, FL-900R, FL-700WR
-
Control MethodTriggered and controlled by Olympus Wireless RC Flash system
Commander Flash: Built-in flash -
Channel1 channel
-
Group No.1 group
Rear Monitor
-
Monitor TypeColor LCD
-
Monitor Size3.0" (Aspect Ratio 3:2)
-
Monitor Resolution1,040k-dots
-
TouchscreenNo
-
Monitor Brightness Adjustment±7 levels
-
Live ViewApprox. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line.
Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off.
Image Recording
-
Removable Memory TypeSD, SDHC*1, SDXC*1
*１ UHS-I compatible -
Recording FormatDCF2.0, Exif2.3
-
Still Image File FormatRAW (12-bit lossless compression), JPEG, RAW+JPEG
-
Recording Image Size[RAW] 4000 x 3000
[JPEG] 4000 x 3000 - 640 x 480 -
One Touch Tele-converterx2 (P, A, Movie mode), x2/x4 (Microscope mode)
-
Date / Time StampAvailable
Shooting Modes
-
Exposure / Shooting ModesIntelligent Auto (iAUTO), Program Auto (P), Aperture Priority (A), Movie (Standard, 4K, High-speed), Custom1, Custom2, Underwater (Underwater snap, Underwater wide, Underwater macro, Underwater microscope, Underwater HDR), Microscope (Microscope, Focus stacking, Focus bracket, Microscope control), Scene Mode (SCN)
-
Sequential Shooting[Sequential shooting H]*: approx. 20 fps with selectable 10/20 fps
[Sequential shooting L]: approx. 5 fps
[Pro Capture]*: approx. 10 fps
*Electronic Shutter -
Sequential Shooting Maximum Recordable Frames[Sequential shooting H] RAW: Max. 14 frames, JPEG (LN): Until card is full
[Sequential shooting L] RAW: Max. 40 frames, JPEG (LN): Until card is full -
Maximum Recordable Frames Prior to Full Shutter Press (Pro Capture Mode)Max. 5 Frames
White Balance
-
White Balance ModeAuto WB, 6 Preset WBs, 3 Underwater WBs, 4 Capture WBs, Custom WB(Kelvin setting)
-
White Balance Compensation±7 steps along A-B / G-M axis * Except for Custom WB
Creative Features
-
Picture Modesi-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Art Filters
-
GradationAuto, Normal, High Key, Low Key
[except when using i-Enhance, Underwater, Art Filters, Color Creator] -
Scene ModesPortrait, e-Portrait, Landscape, Portrait +Landscape, Hand-held Starlight*, Nightscape, Portrait + Nightscape, Children, Sport, Candlelight, Sunset, Fireworks, Beach & Snow, Panorama, Live Composite, Backlight HDR,
*6 images are automatically captured and combined into a single image composite -
Art FiltersPop Art (I, II / a.b.c.d.e.f.)
Soft Focus ( - / c.e.)
Pale & Light Color (I, II / a.b.c.d.f.)
Light Tone ( - / d.f.)
Grainy Film (I, II / b.c.d.g.h)
Pin Hole (I, II, III / d.)
Diorama ( I,II / d.)
Cross Process (I, II / b.c.d.f.)
Gentle Sepia ( - / a.b.c.d.f.)
Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
Key Line (I, II / a.b.c.d.e.)
Watercolor (I, II / a.b.c.d.)
Vintage (I, II, III / a.b.c.d.e.f.i)
Partial Color (I, II, III / a.b.c.d.e.f)
Bleach Bypass (I, II / a, b, c, d, e, f, i)
Instant Film (- / a, b, c, d, e, f, i) -
Detail of Art Effecta. Soft Focus Effect
b. Pin-Hole Effect
c. White Edge Effect
d. Frame Effect
e. Star Light Effect
f. Blur Effect (Top & bottom, Left & Right)
g. B&W Effect (None, Yellow, Orange, Red, Green)
h. Pict. Tone (None, Sepia, Blue, Purple, Green)
i. Shade Effect (Top & bottom, Left & Right) -
Color Ring for Partial Color18 Selectable Colors
-
Live CompositeUpdate interval time / composite method
.5sec - 4.0 sec / Lighten Mode (Bright area prioritization) -
Interval ModeInterval Time 1 sec. - 24 hours, max 299 frames. Available when automatically creating Time-lapse video.
-
Exposure Compensation±2 adjustable by 1/3 EV steps
-
Focus BracketingNumber of images 10 / 20 / 30
Focus step : Wide / Standard / Narrow -
Focus StackingAvailable*
* Angle of view becomes slightly smaller
Video / Audio
-
Video File FormatMOV (MPEG-4AVC / H.264)
-
Video Modes[MOV]
3840x2160 (4k) / 30p, 25p (Bit rate: Approx. 102 Mbps)
1920x1080 (FHD) / 30p, 25p / IPB (SF,F,N)
1920x1080 (FHD) / 60p, 50p / IPB (SF,F,N)
1280x720 (HD) / 30p,25p / IPB (SF,F,N)
60p: 59.94fps, 50p: 50.00fps, 30p: 29.97fps, 25p: 25.00fps
FHD IPB (SuperFine / 52Mbps, Fine / 30Mbps, Normal / 18Mbps)
HD IPB (SuperFine / 52Mbps, Fine / 30Mbps, Normal / 18Mbps)
*Frame rates may drop when particular Art Filters and Movie Effects are used.
*Speed Class 10 SD card is recommended for shooting movies.
*UHS-I Speed Class 3 SD card must be used for 4K video and high speed movie. -
Maximum Video Recording Time[MOV]
Approx. 29 min -
Art Filter for MovieYes
(Frame rates may drop when certain Art Filters are used) -
Time Lapse Movie[MOV]
3840×2160 (4K) / 5fps
1920×1080 (FHD) / 5fps, 10fps, 15fps
1280×720 (HD) / 5fps, 10fps, 15fps, 30fps -
High Speed Movie1920x1080 (FHD) / 120fps, recording time 20 sec.
1280x720 (HD) / 240fps 20 sec., recording time 20 sec.
640x360 (SD) / 480fps 20 sec., recording time 20 sec. -
Image Stabilization for VideoDigital stabilization (angle of view becomes slightly smaller)
-
Audio RecordingWave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
-
MicrophoneBuilt-in stereo microphone
-
SpeakerBuilt-in mono speaker
-
Live View Output via HDMIMonitor Mode (outputs video and info display to a connected monitor)*
*Info display is not shown on the camera while recording
Connectivity / Power Requirements
-
Wi-FiBuilt-in (IEEE 802.11 b/g/n)
-
Action Track SensorsGPS (GLONASS, QZSS), compass, manometer, temperature sensor, accelerometer
-
PC ConnectivityUSB 2.0 (Micro-B)
-
HDMIMicro HDMI (Type D)
-
Print FunctionPrint reservation (DPOF)
-
Battery TypeLI-92B Li-ion battery
-
AC AdapterF-5AC
-
Sleep ModeAvailable (1 / 3 / 5 min. off)
-
Battery LifeApprox. 340 Images (using Toshiba SDHC UHS-I Card Exceria with IS ON, based on CIPA test standards)
Approx. 50 minutes* (under standard JEITA testing)
Approx. 110 minutes (when zoom and other operational functions are not used)
*When repeatedly recording at the maximum time of 29 minutes
Additional Information
-
Self TimerOperation time: 12 sec., 2 sec., custom (wait time: 1-30sec., number of shots: 1-10, shot interval: 0.5 / 1 / 2 / 3sec.)
-
Languages34 selectable languages: English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
Weights / Dimensions / Bundled Items
-
DimensionsW: 113 mm H: 66 mm D: 32.4 mm (based on CIPA standards, excludes protrusions)
W: 4.43 in H: 2.6 in D: 1.23 in -
WeightApprox. 253 g (with battery and memory card, based on CIPA standards)
(0.56 lb / 8.92 oz)
Item Includes
Bundled Items
Body, USB cable, Hand Strap, Instruction Manual, Warranty Card, LI-92B Li-ion Battery, F-5AC Li-ion Battery Charger
OM System OM-1 Mirrorless Camera Body Only
$ 2,199.99
OM System OM-1 Mirrorless Camera Body Only
$ 2,199.99
OM System OM-1 Mirrorless Camera Body Only
Olympus SKU: V210010BU000 | Helix SKU: OYV210010BU000
Overview
OM SYSTEM OM-1
As the flagship of the mirrorless OM SYSTEM, the OM-1 is equipped with the industry’s latest technology to realize your most creative ideas. Pick it up and be amazed at its compact size, how it fits naturally in your hand and how little effort it takes to lift it. Break free from heavy, bulky cameras and tripods with the world’s best image stabilization system for shooting sharp handheld shots, even in low light. Weather-sealing lets you work without worry in adverse conditions. You’ll have the speed and precision to capture the impossible and take your photos and video to new, exciting places.
STACKED BSI LIVE MOS SENSOR
Get 20MP of exceptional sharpness. Our redesigned Live MOS Sensor delivers a level of image quality that surpasses most full frame cameras.
LOW LIGHT PHOTOGRAPHY
Shoot bright, crisp images indoors and in low light environments with an ISO range that can be ramped up to an astounding 102,400.
EVEN BETTER IBIS
Leave the tripod behind and let the most advanced in-body image stabilization system in the world help you take sharp handheld, telephoto and macro shots.
LIVE ND
Take beautiful dreamy landscape shots using our Live ND Mode that emulates slow shutter speed effects.
HANDHELD HIGH-RES
Need a quick high resolution shot? We’ve moved this feature to dedicated button for taking a 50MP shot with incredible detail and clarity.
LIVE COMP
Capture long exposures of moving subjects like fireworks or light painting without a tripod.
FAST 120FPS EVF
The high-speed Electronic Viewfinder operates at 120fps and helps you clearly see subjects, even in the dark.
1,053 POINT ALL CROSS PIXEL AF
With an astounding 1,053 all cross-type focus points, you’ll track, focus and capture the fastest, most challenging subjects with unparalleled precision.
120FPS BURST RAW, 50FPS AF/AE TRACKING
Talk about blazing speed. Shoot a continuous 120fps of 20MP in RAW and ensure you’ll never miss a critical moment.
IP53 – DUSTPROOF AND SPLASHPROOF
Adverse conditions are a fact of life. The OM-1 is splash-proof, dustproof and comes with an impressive IP53 rating.
SAY NO TO DUST
Change lenses outdoors without worrying about getting the sensor dusty. Our Supersonic Wave Filter shakes dust and dirt away for pristine images.
SHUTTERBUG
The ultimate in durability. Rigorous testing proves that the OM-1’s shutter has a reliable lifespan of more than 400,000 actuations.
4K/60P 10BIT 4:2:0
Shoot in smooth, spectacular ultra-high resolution 4K/60p or capture high-speed, full high definition video at 240p.
ULTIMATE SLOW MOTION
If 120fps at FHD wasn’t enough, how about 240FPS?
OM-LOG LUT
Shoot in OM-Log to capture the maximum amount of dynamic range in challenging conditions and use the LUT to easily grade your color.
Specifications
Specifications
Sensor & Dust Reduction
| Sensor Type | 4/3 Stacked BSI Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 22.9 million |
| Aspect Ratio & Area | 4:3 / 17.4 x 13.0mm |
| Dust Reduction | Super Sonic Wave Filter |
Processor
| Processor Type | TruePic™ X |
Focusing System
| AF System Type | High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination |
| AF Working Range | EV -5.5~19 (ISO approx.100, with a f/2.8 lens) |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (1,053 points), Contrast AF (1,053 points) / All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF) Single AF (S-AF+MF) Continuous AF (C-AF) Continuous AF (C-AF+MF) Manual Focus (MF) AF tracking (C-AF + TR) AF tracking (C-AF + TR+MF) Preset MF Starry sky AF (S-AF) Starry sky AF (S-AF+MF) |
| C-AF Tracking Sensitivity Settings | 5 steps |
| C-AF Center Priority | Available |
| C-AF Center Start | Available |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x , 5x , 7x , 10x , 14x |
| Face Detection AF / Eye Detection | Available |
| AI detection AF | Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats |
| AF Targeting Pad | Available |
| Magnify MF | Available |
| Peaking Function | Available |
| AF Focus Adj. | Available |
| AF Illuminator | Available |
| Focus Indicator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses) *Lenses without communication function can be registered |
| 5-Axis Sync IS | Available* *When using M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 7.0 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm） Compensation steps (Sync IS): 8.0 *When using the M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Shutter Type |
Focal-plane shutter (mechanical shutter) 1/8000 - 60 sec, Live Bulb, LiveTime, Live Composite Electronic first curtain shutter 1/320 - 60 sec *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter. Electronic shutter (Silent mode) 1/32000 - 60 sec *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three Flicker Scan Video recording 1/30 - 1/250.0 Still 1/50.0 - 1/7634 *Video recording S/M mode, Still S/M silent mode only |
| Sequential Shooting Maximum Speed *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO |
[Sequential shooting] approx 10 fps with selectable 1-10 fps [Anti-shock sequential shooting] approx 10 fps with selectable 1-10 fps [Silent sequential shooting] approx 20 fps with selectable 5, 10, 15, 20 fps without blackout [Silent sequential shooting SH1] approx 120 fps with selectable 60, 100, 120 fps without blackout *Slower shutter speeds and flash can not be used. [Silent sequential shooting SH2] approx 50 fps with selectable 25, 50, fps without blackout *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. [Pro Capture] approx 20 fps with selectable 5, 10, 15, 20 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH1] approx 120 fps with selectable 60, 100, 120 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH2] approx 50 fps with selectable 25, 50 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. |
| Max. Recordable Pictures in Sequential Shooting | Sequential shooting 10 fps [RAW]: Approx. 139 Sequential shooting 10 fps [JPEG LF]: Approx. 169 Silent sequential shooting 20 fps [RAW]: Approx. 108 Silent sequential shooting 20 fps [JPEG LF]: Approx. 116 Silent sequential shooting SH1 120 fps [RAW]: Approx. 92 Silent sequential shooting SH1 120 fps [JPEG LF]: Approx. 92 Silent sequential shooting SH2 50 fps [RAW]: Approx. 96 Silent sequential shooting SH2 50 fps [JPEG LF]: Approx. 97 |
| Self Timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 5.76M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.48x[*1] - 1.65x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal / vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control both GM and BA |
| S-OVF (Simulated OVF) | Available |
| Optional Eyecup | Available (EP-18, bundled) |
| Rear Monitor Size | 3.0-inch vari-angle monitor* *Approx 1.62M dots (3:2), electrostatic capacitance touch panel |
| Touch Control | Shutter release Touch AF (AF area selection, AF area size adjustment) Face selection by touch operation AF targeting pad Frame forward/backward Magnified playback Super Control Panel Wi-Fi connection Movie controls |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / GM ±7 levels, BA ±7 levels |
Exposure Control & Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| ISO Sensitivity | AUTO ISO (default) : LOW (approx.80) ~ 102400 * Upper default ISO 25600 Manual ISO : LOW (approx.80, approx.100), 200 ~ 102400 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Fill-in, Flash Off, Slow sync., Manual* (1/1 (FULL) ~ 1/64) * manual is available only with FL-LM3 |
| Synchronization Speed | 1/250 sec. *When using Super FP: 1/125-1/8000 sec. *When using electronic shutter: 1/100 sec. up to ISO12800, 1/50 sec. for ISO 16000 and higher, and 1/50 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | Triggered and controlled by OM SYSTEM (Olympus) Wireless RC Flash system compatible flashes: FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 3 groups (External flash 2 groups + commander flash) |
| Radio Wireless Control | Available |
Memory & Image Recording (File Format)
| Compatible Memory |
Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) Slot 2: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording Image Size | [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels |
|
Dual Card Slot Settings
|
Standard, Auto Switch, Dual Independent, Dual Same |
| Folder Creation and Selection | Available |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* | ±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing & HDR
| Exposure Bracketing | 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable |
| ISO Bracketing | 3 frames in 0.3/0.7/1.0EV steps selectable |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames in 0.3/0.7/1.0EV step selectable |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1. 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking Mode | Available * Compatible with : M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | Available |
| Color Matrix | sRGB, Adobe RGB |
| Art Filter (Variation / Art Effect) |
Pop Art Soft Focus Pale & Light Color Light Tone Grainy Film Pin Hole Diorama Cross Process Gentle Sepia Dramatic Tone Key Line Water Color Vintage Partial Color (18 color selectable) Bleach Bypass Instant Film |
| Live Bulb / Live Time | Update Interval Time - 0.5 sec – 60 sec |
| Live Composite | Update Interval Time - 0.5 sec – 60 sec |
| Interval Mode | *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available Available on making Time-lapse movie automatically |
| Multiple Exposure (number of pictures / function) | 2 frames |
| Fisheye Compensation | 3 styles (can be confirmed in Live View) *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| Live ND (Neutral Density) | Available *Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised. |
| Tripod High Res Shot | JPEG (80M) 10368 x 7776 JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Handheld High Res Shot | JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 |
| Keystone Compensation | Available |
Video & Audio Recording
| Video Recording Format / Frame Rate / Compression Method |
MOV(MPEG-4AVC/H.264) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 202Mbps), LongGOP (Approx. 27Mbps) 60p, 50p / LongGOP (Approx. 52Mbps) MOV (HEVC/H.265) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 82Mbps), LongGOP (Approx. 22Mbps) 60p, 50p / ALL-I (Approx. 162Mbps), LongGOP (Approx. 42Mbps) |
| Art Filter Movie | Available (Frame rates may drop when certain Art Filters are used) |
| One-push Movie Digital Converter | Approx. 1.4x |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 240, 200, 120, 100fps (1920×1080 / MPEG-4 AVC/H.264) 200, 120, 100fps (1920 x 1080 / HEVC/H.265) |
| IS for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabiliser), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. *While using M-IS1, field of view may be affected. |
| AE Lock | Available |
| Video Exposure Control | Program AE, aperture priority AE, shutter priority AE, manual |
| Grid Lines / Focus Peaking | 4 types of grid lines / 4 colors for focus peaking |
| Zebra Pattern | Available * 2 levels selectable to set |
| Time Code | Rec run/free run, drop frame/non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode / RAW mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). *When recording simultaneously on the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2. *In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded. |
| Movie Picture Mode | Flat, OM-Log400, HLG |
|
Audio Recording Format
|
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
|
High-Resolution Audio recording
|
Stereo linear PCM/24-bit, Sampling frequency 96kHz |
|
Microphone / Speaker
|
Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
|
Microphone Function
|
Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| GPS Info Function | Available (Via GPS smartphone) |
| Wireless Shooting | Live View via smartphone, Remote shutter via smartphone, Remote shutter by Remote controller RM-WR1 |
| Image Share | Available *Marking function for image share is available. Image transfer by operation on OI. Share |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Tethered Shooting | USB connection *Camera can be operated by PC or camera controls Wi-Fi connection (2.4GHz/5GHz) *Transfer of recorded images to PC via access point |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Slovak, Thai |
Image Editing
| Movie Editing Function | Trimming (beginning / end) / In-movie image extraction (4K only) |
| Editing function | RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Image Overlay, Post recording |
| RAW data edit | RAW data edit based on settings of the camera (including Color Creator, Art Filter, ART-BKT) |
| Rating | Available |
Connectivity & Power Requirements
| USB Connector | USB Type-C (USB 3.0 SuperSpeed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe, sync terminal |
| Wireless LAN | Built-in (IEEE 802.11b/g/n/ac) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| Headphone Jack | ⌀3.5 stereo mini jack |
| Battery | BLX-1 Li-ion battery |
| Battery Status Display | Remaining power (10 steps, %, or by-minute display), Shot count, Degradation |
| AC Adapter | Optional F-7AC adapter *Via power battery holder (HLD-10) |
| USB Bus Power | A USB PD bus power can be used *PD compliant Camera: Rev 3.0 Ver 1.0a |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | Available (1/3/5 min, off) |
| Number of Recordable Pictures *With Toshiba SDXU-D032G, IS ON, with no flashes attached, based on CIPA test standards |
Standard mode: 520 Quick sleep mode: 1100 |
| Battery Life for Movie Recording *When repeatedly recording at the maximum time of 29 minutes |
Under standard JEITA testing: 90 When zoom and other operational functions are not used: 160 |
Weights, Dimensions, & Operating
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 599g Approx. 511g (body only) |
| Dimensions | Approx. 134.8mm(W) x 91.6mm(H) x 72.7mm(D) *Based on CIPA standards: excludes protrusions |
| Weatherproof Construction | Splashproof Type / Dustproof: IEC Standard publication 60529 IP53 (applies when the body is used with our splashproof Lens. When used an IP53 lens, performance is IP53, When used with an IPX1 lens, performance becomes IPX1.) Freezeproof: -10℃ |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 - 90% (when in operation) / 10 - 90% (when stored) |
*Prices and specifications are subject to change without notice.
Item Includes
Box Contents:
Body
CB-USB13 USB cable
CC-1 Cable clip
CP-2 Cable protector
Shoulder strap
Instruction manual
Warranty card
BLX-1 Li-ion battery
F-7AC AC adapter
FL-LM3 Flash
OM System OM-1 Mirrorless Camera with 12-40mm f2.8 II
$ 2,799.99
OM System OM-1 Mirrorless Camera with 12-40mm f2.8 II
$ 2,799.99
OM System OM-1 Mirrorless Camera with 12-40mm f2.8 II
OM System SKU: V210011BU000 | Helix SKU: OYV210011BU000
Overview
OM SYSTEM OM-1
As the flagship of the mirrorless OM SYSTEM, the OM-1 is equipped with the industry’s latest technology to realize your most creative ideas. Pick it up and be amazed at its compact size, how it fits naturally in your hand and how little effort it takes to lift it. Break free from heavy, bulky cameras and tripods with the world’s best image stabilization system for shooting sharp handheld shots, even in low light. Weather-sealing lets you work without worry in adverse conditions. You’ll have the speed and precision to capture the impossible and take your photos and video to new, exciting places.
STACKED BSI LIVE MOS SENSOR
Get 20MP of exceptional sharpness. Our redesigned Live MOS Sensor delivers a level of image quality that surpasses most full frame cameras.
LOW LIGHT PHOTOGRAPHY
Shoot bright, crisp images indoors and in low light environments with an ISO range that can be ramped up to an astounding 102,400.
EVEN BETTER IBIS
Leave the tripod behind and let the most advanced in-body image stabilization system in the world help you take sharp handheld, telephoto and macro shots.
LIVE ND
Take beautiful dreamy landscape shots using our Live ND Mode that emulates slow shutter speed effects.
HANDHELD HIGH-RES
Need a quick high resolution shot? We’ve moved this feature to dedicated button for taking a 50MP shot with incredible detail and clarity.
LIVE COMP
Capture long exposures of moving subjects like fireworks or light painting without a tripod.
FAST 120FPS EVF
The high-speed Electronic Viewfinder operates at 120fps and helps you clearly see subjects, even in the dark.
1,053 POINT ALL CROSS PIXEL AF
With an astounding 1,053 all cross-type focus points, you’ll track, focus and capture the fastest, most challenging subjects with unparalleled precision.
120FPS BURST RAW, 50FPS AF/AE TRACKING
Talk about blazing speed. Shoot a continuous 120fps of 20MP in RAW and ensure you’ll never miss a critical moment.
IP53 – DUSTPROOF AND SPLASHPROOF
Adverse conditions are a fact of life. The OM-1 is splash-proof, dustproof and comes with an impressive IP53 rating.
SAY NO TO DUST
Change lenses outdoors without worrying about getting the sensor dusty. Our Supersonic Wave Filter shakes dust and dirt away for pristine images.
SHUTTERBUG
The ultimate in durability. Rigorous testing proves that the OM-1’s shutter has a reliable lifespan of more than 400,000 actuations.
4K/60P 10BIT 4:2:0
Shoot in smooth, spectacular ultra-high resolution 4K/60p or capture high-speed, full high definition video at 240p.
ULTIMATE SLOW MOTION
If 120fps at FHD wasn’t enough, how about 240FPS?
OM-LOG LUT
Shoot in OM-Log to capture the maximum amount of dynamic range in challenging conditions and use the LUT to easily grade your color.
Specifications
Specifications
Sensor & Dust Reduction
| Sensor Type | 4/3 Stacked BSI Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 22.9 million |
| Aspect Ratio & Area | 4:3 / 17.4 x 13.0mm |
| Dust Reduction | Super Sonic Wave Filter |
Processor
| Processor Type | TruePic™ X |
Focusing System
| AF System Type | High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination |
| AF Working Range | EV -5.5~19 (ISO approx.100, with a f/2.8 lens) |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (1,053 points), Contrast AF (1,053 points) / All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF) Single AF (S-AF+MF) Continuous AF (C-AF) Continuous AF (C-AF+MF) Manual Focus (MF) AF tracking (C-AF + TR) AF tracking (C-AF + TR+MF) Preset MF Starry sky AF (S-AF) Starry sky AF (S-AF+MF) |
| C-AF Tracking Sensitivity Settings | 5 steps |
| C-AF Center Priority | Available |
| C-AF Center Start | Available |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x , 5x , 7x , 10x , 14x |
| Face Detection AF / Eye Detection | Available |
| AI detection AF | Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats |
| AF Targeting Pad | Available |
| Magnify MF | Available |
| Peaking Function | Available |
| AF Focus Adj. | Available |
| AF Illuminator | Available |
| Focus Indicator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses) *Lenses without communication function can be registered |
| 5-Axis Sync IS | Available* *When using M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 7.0 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm） Compensation steps (Sync IS): 8.0 *When using the M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Shutter Type |
Focal-plane shutter (mechanical shutter) 1/8000 - 60 sec, Live Bulb, LiveTime, Live Composite Electronic first curtain shutter 1/320 - 60 sec *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter. Electronic shutter (Silent mode) 1/32000 - 60 sec *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three Flicker Scan Video recording 1/30 - 1/250.0 Still 1/50.0 - 1/7634 *Video recording S/M mode, Still S/M silent mode only |
| Sequential Shooting Maximum Speed *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO |
[Sequential shooting] approx 10 fps with selectable 1-10 fps [Anti-shock sequential shooting] approx 10 fps with selectable 1-10 fps [Silent sequential shooting] approx 20 fps with selectable 5, 10, 15, 20 fps without blackout [Silent sequential shooting SH1] approx 120 fps with selectable 60, 100, 120 fps without blackout *Slower shutter speeds and flash can not be used. [Silent sequential shooting SH2] approx 50 fps with selectable 25, 50, fps without blackout *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. [Pro Capture] approx 20 fps with selectable 5, 10, 15, 20 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH1] approx 120 fps with selectable 60, 100, 120 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH2] approx 50 fps with selectable 25, 50 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. |
| Max. Recordable Pictures in Sequential Shooting | Sequential shooting 10 fps [RAW]: Approx. 139 Sequential shooting 10 fps [JPEG LF]: Approx. 169 Silent sequential shooting 20 fps [RAW]: Approx. 108 Silent sequential shooting 20 fps [JPEG LF]: Approx. 116 Silent sequential shooting SH1 120 fps [RAW]: Approx. 92 Silent sequential shooting SH1 120 fps [JPEG LF]: Approx. 92 Silent sequential shooting SH2 50 fps [RAW]: Approx. 96 Silent sequential shooting SH2 50 fps [JPEG LF]: Approx. 97 |
| Self Timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 5.76M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.48x[*1] - 1.65x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal / vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control both GM and BA |
| S-OVF (Simulated OVF) | Available |
| Optional Eyecup | Available (EP-18, bundled) |
| Rear Monitor Size | 3.0-inch vari-angle monitor* *Approx 1.62M dots (3:2), electrostatic capacitance touch panel |
| Touch Control | Shutter release Touch AF (AF area selection, AF area size adjustment) Face selection by touch operation AF targeting pad Frame forward/backward Magnified playback Super Control Panel Wi-Fi connection Movie controls |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / GM ±7 levels, BA ±7 levels |
Exposure Control & Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| ISO Sensitivity | AUTO ISO (default) : LOW (approx.80) ~ 102400 * Upper default ISO 25600 Manual ISO : LOW (approx.80, approx.100), 200 ~ 102400 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Fill-in, Flash Off, Slow sync., Manual* (1/1 (FULL) ~ 1/64) * manual is available only with FL-LM3 |
| Synchronization Speed | 1/250 sec. *When using Super FP: 1/125-1/8000 sec. *When using electronic shutter: 1/100 sec. up to ISO12800, 1/50 sec. for ISO 16000 and higher, and 1/50 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | Triggered and controlled by OM SYSTEM (Olympus) Wireless RC Flash system compatible flashes: FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 3 groups (External flash 2 groups + commander flash) |
| Radio Wireless Control | Available |
Memory & Image Recording (File Format)
| Compatible Memory |
Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) Slot 2: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording Image Size | [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels |
|
Dual Card Slot Settings
|
Standard, Auto Switch, Dual Independent, Dual Same |
| Folder Creation and Selection | Available |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* | ±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing & HDR
| Exposure Bracketing | 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable |
| ISO Bracketing | 3 frames in 0.3/0.7/1.0EV steps selectable |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames in 0.3/0.7/1.0EV step selectable |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1. 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking Mode | Available * Compatible with : M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | Available |
| Color Matrix | sRGB, Adobe RGB |
| Art Filter (Variation / Art Effect) |
Pop Art Soft Focus Pale & Light Color Light Tone Grainy Film Pin Hole Diorama Cross Process Gentle Sepia Dramatic Tone Key Line Water Color Vintage Partial Color (18 color selectable) Bleach Bypass Instant Film |
| Live Bulb / Live Time | Update Interval Time - 0.5 sec – 60 sec |
| Live Composite | Update Interval Time - 0.5 sec – 60 sec |
| Interval Mode | *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available Available on making Time-lapse movie automatically |
| Multiple Exposure (number of pictures / function) | 2 frames |
| Fisheye Compensation | 3 styles (can be confirmed in Live View) *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| Live ND (Neutral Density) | Available *Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised. |
| Tripod High Res Shot | JPEG (80M) 10368 x 7776 JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Handheld High Res Shot | JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 |
| Keystone Compensation | Available |
Video & Audio Recording
| Video Recording Format / Frame Rate / Compression Method |
MOV(MPEG-4AVC/H.264) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 202Mbps), LongGOP (Approx. 27Mbps) 60p, 50p / LongGOP (Approx. 52Mbps) MOV (HEVC/H.265) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 82Mbps), LongGOP (Approx. 22Mbps) 60p, 50p / ALL-I (Approx. 162Mbps), LongGOP (Approx. 42Mbps) |
| Art Filter Movie | Available (Frame rates may drop when certain Art Filters are used) |
| One-push Movie Digital Converter | Approx. 1.4x |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 240, 200, 120, 100fps (1920×1080 / MPEG-4 AVC/H.264) 200, 120, 100fps (1920 x 1080 / HEVC/H.265) |
| IS for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabiliser), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. *While using M-IS1, field of view may be affected. |
| AE Lock | Available |
| Video Exposure Control | Program AE, aperture priority AE, shutter priority AE, manual |
| Grid Lines / Focus Peaking | 4 types of grid lines / 4 colors for focus peaking |
| Zebra Pattern | Available * 2 levels selectable to set |
| Time Code | Rec run/free run, drop frame/non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode / RAW mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). *When recording simultaneously on the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2. *In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded. |
| Movie Picture Mode | Flat, OM-Log400, HLG |
|
Audio Recording Format
|
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
|
High-Resolution Audio recording
|
Stereo linear PCM/24-bit, Sampling frequency 96kHz |
|
Microphone / Speaker
|
Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
|
Microphone Function
|
Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| GPS Info Function | Available (Via GPS smartphone) |
| Wireless Shooting | Live View via smartphone, Remote shutter via smartphone, Remote shutter by Remote controller RM-WR1 |
| Image Share | Available *Marking function for image share is available. Image transfer by operation on OI. Share |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Tethered Shooting | USB connection *Camera can be operated by PC or camera controls Wi-Fi connection (2.4GHz/5GHz) *Transfer of recorded images to PC via access point |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Slovak, Thai |
Image Editing
| Movie Editing Function | Trimming (beginning / end) / In-movie image extraction (4K only) |
| Editing function | RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Image Overlay, Post recording |
| RAW data edit | RAW data edit based on settings of the camera (including Color Creator, Art Filter, ART-BKT) |
| Rating | Available |
Connectivity & Power Requirements
| USB Connector | USB Type-C (USB 3.0 SuperSpeed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe, sync terminal |
| Wireless LAN | Built-in (IEEE 802.11b/g/n/ac) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| Headphone Jack | ⌀3.5 stereo mini jack |
| Battery | BLX-1 Li-ion battery |
| Battery Status Display | Remaining power (10 steps, %, or by-minute display), Shot count, Degradation |
| AC Adapter | Optional F-7AC adapter *Via power battery holder (HLD-10) |
| USB Bus Power | A USB PD bus power can be used *PD compliant Camera: Rev 3.0 Ver 1.0a |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | Available (1/3/5 min, off) |
| Number of Recordable Pictures *With Toshiba SDXU-D032G, IS ON, with no flashes attached, based on CIPA test standards |
Standard mode: 520 Quick sleep mode: 1100 |
| Battery Life for Movie Recording *When repeatedly recording at the maximum time of 29 minutes |
Under standard JEITA testing: 90 When zoom and other operational functions are not used: 160 |
Weights, Dimensions, & Operating
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 599g Approx. 511g (body only) |
| Dimensions | Approx. 134.8mm(W) x 91.6mm(H) x 72.7mm(D) *Based on CIPA standards: excludes protrusions |
| Weatherproof Construction | Splashproof Type / Dustproof: IEC Standard publication 60529 IP53 (applies when the body is used with our splashproof Lens. When used an IP53 lens, performance is IP53, When used with an IPX1 lens, performance becomes IPX1.) Freezeproof: -10℃ |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 - 90% (when in operation) / 10 - 90% (when stored) |
*Prices and specifications are subject to change without notice.
Item Includes
Box Contents:
Body
CB-USB13 USB cable
CC-1 Cable clip
CP-2 Cable protector
Shoulder strap
Instruction manual
Warranty card
BLX-1 Li-ion battery
F-7AC AC adapter
FL-LM3 Flash
OM System OM-5 Mirrorless Camera Body (Black)
$ 1,199.00
OM System OM-5 Mirrorless Camera Body (Black)
$ 1,199.00
OM System OM-5 Mirrorless Camera Body (Black)
OM System SKU: V210020BU000 | Helix SKU: OYV210020BU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
OM System OM-5 Mirrorless Camera Body (Silver)
$ 1,199.00
OM System OM-5 Mirrorless Camera Body (Silver)
$ 1,199.00
OM System OM-5 Mirrorless Camera Body (Silver)
OM System SKU: V210020SU000 | Helix SKU: OYV210020SU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Black)
$ 1,599.99
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Black)
$ 1,599.99
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Black)
OM System SKU: V210022BU000 | Helix SKU: OYV210022BU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Silver)
$ 1,599.99
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Silver)
$ 1,599.99
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Silver)
OM System SKU: V210022SU000 | Helix SKU: OYV210022SU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
