Atomos SUMO19 - 19" HDR Production Monitor - Recorder
Atomos SKU: ATOMSUMO19 | Helix SKU: ATOMSUMO19
Unlock the true potential of your RAW cinema camera with the Sumo19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT. Record up to 4kp30 in CDNG.
HDR really comes to life on the Sumo19. It’s 19” 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or games consoles and precisely maps to display 10+ stops of dynamic range in real time. Use as a director or client monitor in the field, or an affordable HDR studio monitor.
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.
Live switch four 1080p channels and record each, plus the program out, as separate ISOs. Switch between feeds intuitively on-screen with cueing, cross fade and hard cuts. Use XML Metadata tags to generate instant multi-camera edits that replicate on your timeline for easy adjustment. Save space by replacing several boxes in your rack with a single Sumo19.
Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quadlink & Dual link 12G SDI in almost any combination and eliminate the need for specialist converters.
| Weight | |
|---|---|
| Without batteries, media & stand | 5.45kg / 12.0lb |
| With stand | 6.0kg / 13.2lb |
| Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) |
| Construction | Aluminium alloy chassis with built in armor protection |
| Mounting Points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 3/8-16 screw; 2 x top, 2 x bottom, 1 x side VESA mount rear |
| Power | |
|---|---|
| Operating power | 75W |
| Compatible batteries | V-Lock / Anton Bauer via XLR terminal (optional mounting plates available) 95Wh or larger recommended. |
| Input voltage (battery) | 14.4V nominal |
| Battery time | Depends on Watt Hours specification of battery used |
| DC In | 1 x DC in (12 - 16.8V) |
| Continuous power * Patent pending |
Primary-secondary battery system. Change batteries without losing power Loop batteries continuously |
| Touchscreen | |
|---|---|
| Size | 19” |
| Resolution | 1920 x 1200 |
| PPI | 120 |
| Aspect ratio | 16:9 native |
| Color Gamut | REC709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
| HDR | |
|---|---|
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog |
| Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
| Bit depth | 10-bit (8+2 FRC) |
| Brightness | 1200nit (+/- 10% @ center) |
| HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
| Video Input/Loop Out | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | Quad link 4 x 3G SDI* or up to 12G single link SDI |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Loop Out Formats | |
|---|---|
| HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| SDI to SDI | 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| Video Signal Conversion | |
|---|---|
| HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
| SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
|
Raw to: ProRes RAW ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD |
Sony^^ FS700, FS-5, FS-7, FS-7MkII 4K DCI; 24/25/30/50/60p 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera Canon C300MKII/C500 CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT, EVA1 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
| Onboard Processing | |
|---|---|
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | 12ch 48kHz 24-bit |
| Audio | 2ch balanced XLR analog in/out (direct XLR connection) Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic |
| Headphone Out | 3.5mm |
| Built-in Speakers | Yes |
| Remote Start/Stop | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Other | LANC control - Slave |
| Playback | |
|---|---|
| Playlist / Genlock | Yes / Yes |
| CDNG (Recorded content) | No support |
| ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
| DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
| Recording | |
|---|---|
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes |
| Meta data tagging | Yes (10 tags available) |
| Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
| XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
| Accessories included | Sumo unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply |
| Optional extras | Sunhood, VESA battery adapter plate, Atomos HDMI cable, X-Rite i1DisplayPro calibration |
| Warranty | 1 year. Extended to 3 years on product registration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
^^ Optional unit (XDCA-FS7) needed for Raw output.
