Olympus

Olympus 8x42 PRO Binoculars

$ 469.99 - Vendido

Olympus 8x42 PRO Binoculars

Olympus SKU: V501020BU000 | Helix SKU: OYV501020BU000

Overview

The PRO binoculars for nature lovers stand out with multi-coated lenses and prisms for crystal-clear, extra bright and sharp high-resolution images even in low light. Advanced coating technologies ensure superior transmittance across the visible range resulting in lifelike images with more natural colours. ZERO Coating, developed for interchangeable camera and microscope lenses, is applied to all lens surfaces to reduce ghosting and flares. The inclusion of an ED lens means that chromatic aberration responsible for image blurring is kept to an absolute minimum. A closest focusing distance of 1.5m dramatically broadens subjects for observation. Superb ergonomic controls and grip guarantees maximum comfort and steadiness when observing, even over long periods of time. The slim, simple design resulting in a sharp profile line is the characteristic look of the OM-D interchangeable lens camera and improves functionality making the PRO binoculars a joy to operate.

Specifications

Item Includes

Box Content

• All Olympus binoculars come complete with case, neckstrap and protective lens covers

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Olympus M.Zuiko Digital 14-42mm f3.5-5.6 EZ - Silver

$ 299.99

Olympus M.Zuiko Digital 14-42mm f3.5-5.6 EZ - Silver

Olympus SKU: V314070SU000 | Helix SKU: OYV314070SU000

Overview

This extremely portable 3X Electronic Zoom pancake-style lens complements the compact design of any PEN or OM-D body. Less than 1 inch thick and packed with sophisticated lens technology, this lens features an MSC focusing mechanism for near silent operation. The Electronic Retraction feature automatically extends and retracts the lens when the camera is powered on or off. And the two-step variable Electronic Zoom delivers smooth consistent zooming control that’s especially desirable when shooting HD movies. An auto-opening protective lens cap is optionally available.

EZ PORTABLE LENS

The key advantage of the M. Zuiko 14-42mm EZ is its portability. You can capture a broad range of images – from wide-angle landscapes to portraits and architecture – without lugging around multiple lenses – it is an awesome travel lens. And a compact camera like an Olympus OM-D E-M10 Mark II coupled with the 14-42mm EZ is small enough to fit in your jacket pocket, so you’re always ready for the next photo opp. This is also an especially good lens for video.

MOVIE & STILL COMPATIBLE MECHANISM

One of this lens’s most interesting features is the unique-to-Olympus Movie & Still Compatible mechanism, or MSC. This technology provides amazingly fast and nearly silent autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens moving as it focuses.

GREAT LENS FOR SHOOTING VIDEO

This is an especially good lens for video. You can track moving subjects with the smooth two speed zoom so there are no abrupt transitions as your distance from the action changes.

Specifications

Lens Element Diagram

Item Includes

Lens Cap (LC-37B)

Lens Rear Cap (LR-2)

Instruction Manual

Olympus Worldwide Warranty Card

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Olympus M.Zuiko Digital 45mm f1.8 - Silver

$ 399.99

Olympus M.Zuiko Digital 45mm f1.8 - Silver

Olympus SKU: V311030SU000 | Helix SKU: OYV311030SU000

Overview

The 45mm f1.8 is an affordable fixed focal length prime lens that’s bright enough to excel in low-light interiors, fast enough for pro-quality action shots, and second to none when it comes to creating the lovely defocused background effects you want in your portraits.

BUILT FOR BEAUTIFUL BOKEH

Photographers who shoot a lot of portraits and still-lives are always seeking good bokeh. Lenses with relatively shallow depth of field – like the 45mm – are especially well suited to capture the combination of tack-sharp subject and beautifully soft, defocused background that exemplifies bokeh.

PRO-LEVEL PHOTO QUALITY

You’ve seen a lot of professional-level photos with sharply rendered subjects and artistic defocused backgrounds. This is the lens that will help you achieve the same kind of shots. It’s especially good for portraits, but also works well for stills, action and video. In short, it’s a great addition to your Olympus photographic system.

MOVIE & STILL COMPATIBLE MECHANISM

One of this lens’s most interesting features is the unique-to-Olympus Movie & Still Compatible mechanism, or MSC. This technology provides amazingly fast – and nearly silent – autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens focusing. This lens is perfect for tracking action. With MSC and the super-bright f1.8 aperture, you can film a school play or indoor sporting event in low light and still get excellent results.

Specifications

Item Includes

Lens Cap (LC-37B)

Lens Rear Cap (LR-2)

Decoration Ring (DR-40)

Instruction Manual

Olympus Worldwide Warranty Card

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Olympus M.Zuiko Digital ED 12mm f2.0 - Black

$ 799.99

Olympus M.Zuiko Digital ED 12mm f2.0 - Black

Olympus SKU: V311020BU001 | Helix SKU: OYV311020BU001

Overview

This high-speed, single-focal-length, wide-angle lens is ideal for shooting high-quality, dramatic landscapes and street scenes in low-light conditions. It has a beautiful full-metal body and a snap ring that enables photographers to pan focus with a distance indicator.

FLEXIBLE FOCUSING SYSTEM

One of the most interesting features of this lens is the flexibility of its focusing system. While this is a so-called “focus-by-wire” lens – which means movement of the lenses focusing elements are controlled by an electric autofocus motor instead of a mechanical linkage – it offers two distinct manual focusing options. Choosing is as easy as moving the snap focus ring that activates the lens’s Manual Focus Clutch mechanism.

MOVIE & STILL COMPATIBLE MECHANISM

One of this lens’s most interesting features is the unique-to-Olympus Movie & Still Compatible mechanism, or MSC. This technology provides amazingly fast – and nearly silent – autofocus operation. You’ll really notice the benefit when you play back your HD video and the only thing you hear is the ambient background noise in the scene you were filming; what you won’t hear is the sound of the lens moving as it changes focus. This lens is perfect for tracking action.

THIS IS A LENS TO GROW WITH

The 12mm wide-angle is a great choice for shooting portraits, low-light landscapes and interior architecture. It’s also a lens you can grow with; as your skills improve you can use the manual focus options to take control and set up your shots just the way you want them.

ACCESSORIZE WITH LENS HOOD

You can accessorize with a special lens cap and lens hood, great for avoiding lens flares that can ruin an otherwise perfect picture.

Specifications

1. MTF 12mm F2.0 Chart
   
2. Lens Element Diagram
   

Item Includes

Lens Cap (LC-46)

Lens Rear Cap (LR-2)

Instruction Manual

Olympus Worldwide Warranty Card

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Olympus M.Zuiko Digital ED 300mm f4.0 IS PRO

$ 2,999.99

Olympus M.Zuiko Digital ED 300mm f4.0 IS PRO

Olympus SKU: V311070BU000 | Helix SKU: OYV311070BU000

Overview

At one-third the size and weight of typical 600mm DSLR lenses, the M.Zuiko 300mm f4.0 IS PRO (600mm 35mm equivalent) is nimble enough for hand-held shooting and compact enough to carry on even the most arduous expeditions at 2.8 lbs. Industry-first 5-Axis Sync IS technology employs in-body and in-lens stabilization to harmoniously deliver six shutter speed steps of compensation* and incredibly crisp, detailed photographs.

SYNCHRONIZED IMAGE STABILIZATION

The in-lens stabilization on the M.Zuiko 300mm f4.0 IS PRO lens works in complete harmony with the 5-Axis Image Stabilization in OM-D cameras* to deliver an astounding 6 shutter speed steps of compensation, ensuring crisp, clear telephoto images, even off tripod. Explore unique angles like low-to-the-ground macros and overhead nature shots. Sync IS also enables the fastest, most precise AF in its class, which includes 600mm equivalent DSLR lenses. *Sync IS is available on the E-M1, E-M5 Mark II and PEN-F.

OPTIMAL OPTICS

The M.Zuiko 300mm f4.0 IS PRO's lavish design features 3 Super ED lenses, 3 HR lenses and 1 E-HR lens to dramatically reduce the occurrence of color bleeding and chromatic aberrations that tend to occur with super-telephoto lenses. The addition of a new coating technology, Z Coating Nano, significantly reduces ghosts and flares and provides sharp, clear image quality.

READY FOR THE LONG HAUL

The M.Zuiko 300mm f4.0 IS PRO lens is right at home in harsh environments like dust and rain thanks to hermetic sealing in 17 locations. Combined with weather sealed OM-D* camera bodies, you'll never have to worry about weather or environmental conditions wherever your photographic pursuits take you. And because this lens is so compact, you can easily fit it in your carry-on luggage to ensure your gear arrives when you do and not tire out if you're using it all day long!

BIG SHOTS OF SMALL SUBJECTS

With a minimum focusing distance of just 4.5 feet (1.4m) and a maximum magnification of 0.48x (35mm equivalent), this super telephoto lens is equally adept in close quarters, delivering stunning, high magnification macros shots. With the addition of the MC-14 1.4x Teleconverter, the maximum magnification jumps to 0.67x, while maintaining the same minimum focus distance.

SHHHHH, AMAZING PHOTOGRAPHY IN PROGRESS

The inclusion of the Movie & Still Compatible (MSC) mechanism makes AF operations completely silent. In combination with the OM-D's Silent Mode (electronic shutter), you can photograph skiddish nature subjects as well as indoor events that require complete silence like musical performances. The size and weight of the OM-D system and these silent features open up a whole new world of shooting possibilities!

MAXIMUM CONTROL OPTIONS

The M.Zuiko 300mm f4.0 IS PRO is equipped with a Manual Focus Clutch mechanism which makes switching from auto to manual focus extremely quick. The side of the lens barrel also features a Focus Limit switch (4m to infinity, full range, and 1.4 to 4m) as well as an IS On/Off switch and L-Fn button which can be programmed to perform one of 27 different functions. A built-in, retractable lens hood offers additional protection from stray light and the removable tripod base plate features a quick shoe compatible rail.

Specifications

Item Includes

Lens Cap (LC-77B)

Lens Rear Cap (LR-2)

Decoration Ring (DR-79)

Lens Case (LSC-1127)

Instruction Manual

Olympus Local Warranty Card

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Olympus M.Zuiko Digital ED 7-14mm f2.8 PRO

$ 1,399.99

Olympus M.Zuiko Digital ED 7-14mm f2.8 PRO

Olympus SKU: V313020BU000 | Helix SKU: OYV313020BU000

Overview

Heavyweight performance, lightweight portability. Though it is amazingly light and compact at 1.18 lbs., the M.Zuiko Digital ED 7-14mm PRO lens (14 - 28mm 35mm equivalent) is a heavy hitter in the field. This lens is portable and weatherproof so you can take it anywhere. And with an ultra-wide angle of view and a bright f2.8 maximum aperture, you’ll capture more of every scene, from sprawling daytime panoramas to electric, super-sharp night scenes.

PRO-LEVEL PRECISION

There’s a lot of very sophisticated technology tucked inside the M.Zuiko 7-14mm PRO lens. 14 individual lens elements in 11 groups featuring 3 Super ED lenses, 1 ED lens and 2 EDA lenses work in complete harmony to reduce chromatic aberration for pinpoint-sharp starscapes. And Olympus’ proprietary Z.E.R.O. (Zuiko Extra-Low Reflecting Optical) coating practically eliminates ghosting and flaring in back-lit scenes.

A LENS FOR ALL SEASONS

Weatherproof seals in 11 separate locations on the lens body make the M.Zuiko 7-14mm PRO lens virtually impervious to dust and moisture. Capture stunning images of nature in the raw without worrying about ocean spray, waterfalls or torrential downpours!

MACRO SCOPE

The M.Zuiko PRO 7-14mm’s working distance of just under 2.9 inches (7.5cm) from the front of the lens – allows you to move in tight on macro subjects, while the lens’s ultra-wide field of view captures more of the background for added drama. Maximum image magnification is 0.12x (0.24x 35mm equivalent).

THE SILENCE OF THE LENS

Videographers and street shooters will really appreciate the M.Zuiko 7-14mm PRO’s unique MSC (Movie-Still Compatible) mechanism, which provides swift, nearly silent autofocus operation. Capture candid shots without startling your subjects, and enjoy the full spectrum of sound in filmed scenes without the distracting “whirr” of the lens element moving back and forth as the focus shifts.

SHOOT IT YOUR WAY

If you like adjusting camera settings on the fly, the M.Zuiko 7-14mm PRO makes it as easy as pushing a button – the L-Fn button. Assign any of 27 functions to the button, which is positioned right on the lens barrel for easy access. Another cool feature is the Manual Focus Clutch mechanism; switch instantly between auto and manual focus by simply pulling the focus ring toward you.

Specifications

1. MTF 7mm F2.8 Chart
   
2. MTF 14mm F2.8 Chart
   
3. Lens Element Diagram
   

Item Includes

Lens Cap (LC-79)

Lens Rear Cap (LR-2)

Lens Case (LSC-0914)

Instruction Manual

Olympus Local Warranty Card

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Olympus M.Zuiko Digital ED 9-18mm f4.0-5.6

$ 699.99

Olympus M.Zuiko Digital ED 9-18mm f4.0-5.6

Olympus SKU: 261503 | Helix SKU: OY261503

Overview

Until now, super-wide-angle lenses tended to be big, heavy, and expensive, making it difficult for most camera users to take advantage of them. The ZUIKO DIGITAL ED 9-18mm F4.0-5.6 promises to change all this. With its ultra compact and lightweight design and the outstanding portability, thanks to the DSA (Dual Super Aspherical) lens, available only with the Four Thirds System, this lens will make super-wide-angle photography friendlier and more affordable. Despite its compact size — it's just 49.5mm long and weighs a mere 155 grams — this lens boasts a long focusing range equivalent to 18-36 mm on a 35-mm camera lens.

ALTERNATIVE TO EXPENSIVE ZOOM

This lens is a great alternative to previous Ultra wide-angle zoom lens designs that have traditionally been very heavy…and very expensive. The Olympus 9-18 zoom is neither. This makes it a great addition to your camera bag. With 2x magnification, it captures the full panoramic beauty of both natural landscapes and man-made architecture – great for interior shots, as well as close-up portraits of friends and family. It just might become one of your favorite lenses.

FLEXIBILITY WITH DSA

The combination of two DSA, or Dual Sided Aspherical, lenses, and aspherical, ED and HR glass helps minimize distortion and aberration and delivers excellent image quality at whatever focal length you choose. This lock button you see on the side of the lens is depressed when you want to collapse it for storage.

BAYONET CONNECTION LENS HOOD

There is a bayonet connection lens hood available for this lens – and if you’re expecting to be doing a lot of outdoor shooting in bright conditions, the hood will really help prevent strong side or stray light from causing unwanted ghosting aberration. This lens does have a 52mm filter thread and readily accepts UV, Polarizer, or just plain old protective filters if you need them.

Specifications

1. Lens Element Diagram
   

Item Includes

Lens Cap (LC-52C)

Lens Rear Cap (LR-2)

Instruction Manual

Olympus Worldwide Warranty Card

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Olympus OM-D E-M1x Mirrorless Camera Body

$ 2,999.99

Olympus OM-D E-M1x Mirrorless Camera Body (PRE-ORDER)

Olympus SKU: V207080BU000 | Helix SKU: OYV207080BU000

Overview

Specifications

Sensor / Dust Reduction

1. Sensor Type
   4/3" Live MOS Sensor
2. Effective Pixels
   20.4 million
3. Total Pixels
   21.8 million
4. Aspect Ratio & Area
   4:3 / 17.4 x 13.0mm
5. Dust Reduction
   Super Sonic Wave Filter

Processor

1. Processor Type
   Dual TruePicTM VIII

Focusing System

1. AF System Type
   High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination; When a Four Thirds lens (mount adapter sold separately necessary) is attached, imager phase detection AF is always enabled).
2. AF Working Range
   EV -3.5～20 (ISO approx.100, with a f/2.8 lens)
3. Focusing Points / Focusing Points Selection Mode
   121-point cross-type phase detection AF and 121-point contrast AF / All target, single target (normal / small), group target (5-area / 9-area / 25-area), custom target 1-4 (AF area and its increment steps selectable)
4. Focus Modes
   Single AF (S-AF)*1 / Continuous AF (C-AF)*1 / Manual Focus (MF) / AF tracking (C-AF + TR)*1 / Preset MF*2
   *1 AF+MF selectable
   *2 Distance setting values are rough estimates and not compatible lens except the AF lens.
5. AF Limiter
   Available (Fn button can be assigned to On/Off; can save 3 distance settings)
   *Distance setting values are rough estimates.
6. AF Performance
   C-AF lock (5 steps) , AF scanner (3 types) , C-AF Center Priority , C-AF Center Start
7. Magnified Frame
   3x , 5x , 7x , 10x , 14x
   *Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on/off and to activate magnification; touch icon on monitor to turn off; enables selection of focusing point from 800 or more.
8. Super spot AF
   Available*(Contrast AF in center of the monitor when magnified)
   *Available only when a Micro Four Thirds lens is attached.
9. Face Detection AF / Eye Detection
   Available
   Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
10. Intelligent Subject Detection AF
    Available
    Motorsports (Automobiles / Motorcycles), Aircrafts, Trains
11. AF Targeting Pad
    Available (activate / deactivate with double tap on rear monitor)
12. Manual Focus Assist
    Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
13. Peaking Function
    Activate with Fn button or focus ring Change peaking settings using the Info button
    Color selection: white, black, red, yellow
    Intensity selection: high, normal, low
    Back light effect: on, off
14. AF Focus Adj.
    Adjust all, adjust by lens (for Phase detection AF only)
15. AF Illuminator
    Available

Image Stabilization

1. System Type
   Built-in 5-axis* sensor-shift image stabilization for movie and still photos
   *yaw/pitch/roll/vertical shift/horizontal shift
2. Modes
   4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
3. Live View Image Stabilization
   11 settings: 10 programmable settings (10 lenses), 1 open setting
4. IS For Live View Image
   Activation by half-pressing shutter button or enlarging view
5. 5-Axis Sync IS
   Available*
   *When using M.Zuiko Digital lenses equipped with image stabilization
6. Stabilization Performance
   7.0 EV*
   *Based on CIPA measurement conditions.
   When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length =40mm (35mm equivalent: 80mm))
   7.5 EV*
   *Based on CIPA measurement conditions.
   When using M.Zuiko Digital ED 12-100mm f/4.0 PRO (focal length =100mm (35mm equivalent: 200mm)), with camera body IS set to Off, Frame rate: High
7. Lens IS Priority
   Available

Shutter / Sequential Shooting

1. Shutter Type
   Focal-plane shutter (mechanical shutter): 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1)
   *Live Bulb / LiveTime: selectable exposure time (1/2/4/8/15/20/25/30 min.), with 8-min. default setting
   *Live Composite: 3 hours maximum shooting time
   Electronic first curtain shutter (Anti-shock mode) : 1/320 - 60 sec
   Electronic shutter (Silent mode): 1/32000 - 60 sec
   Flicker Scan: Video recording 1/30 (50fps:1/50, 60fps:1/60, Highspeed: 1/120) -1/250.0 Still 1/50.0-1/7634
   *Video recording S/M mode, Still S/M silent mode only. Selectable with a minimum of 0.1
2. Sequential Shooting Maximum Speed
   [Sequential shooting H]　approx. 15 fps with selectable 10-15 fps
   [Sequential shooting L]　approx. 10 fps with selectable 1-10 fps
   [Anti-shock sequential shooting L]　approx. 8.5 fps with selectable 1-8 fps
   [Silent sequential shooting H]　approx. 60 fps with selectable 15, 20, 30, 60 fps
   [Silent sequential shooting L]　approx. 18 fps with selectable 1-10, 15, 18 fps
   [Pro Capture H]　approx 60 fps with selectable 15, 20, 30, 60 fps
   [Pro Capture L]　approx 18 fps with selectable 1-10, 15, 18 fps
   *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
   *Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting
   *When in Pro Capture mode, slower shutter speeds and flash can not be used
   *Pro Capture L mode is available when using an Olympus Micro Four Thirds lens
   *In Pro Capture L mode, the minimum aperture is f/8.
   *When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above
   *Focus and exposure are fixed at the values of the first shot when using sequential shooting H
   *Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps
3. Max Recordable Pictures in Sequential Shooting
   [Sequential shooting H 15 fps] RAW: Max. 103 frames, JPEG (LF): Max. 132 frames
   [Sequential shooting L 10 fps] RAW: Max. 287 frames, JPEG (LF): Until card is full
   [Silent sequential shooting L 60 fps] RAW: Max. 49 frames, JPEG (LF): Max. 49 frames
   [Silent sequential shooting L 18 fps] RAW: Max. 74 frames, JPEG (LF): Max. 89 frames
   *When using the M.Zuiko Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-D032G memory card with standard card setting in slot 1.
   *Low ISO processing: Priority is given to sequential shooting
4. Sequential Shooting Frame Count
   1 - 99 frames
5. Pre-shutter Frames
   *For Pro Capture mode only
   Number of frames recorded prior to full-press of the shutter button can be set from 0 to 35 frames.
6. Self Timer
   Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF)

Viewfinder/Monitor

1. Finder Type
   Eye-level electronic viewfinder, approx. 2.36M dots
2. Field of View / Viewfinder Magnification
   Approx. 100% / Approx. 1.48x*1 - 1.65x*2 (-1m-1, 50mm lens, Infinity)
   *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3)
3. Eye Point / Diopter Adjustment Range
   Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
4. Preview
   Live View preview with depth of field preview lock
5. Display Grid
   Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
   *grid color is selectable
6. Level Gauge
   2-axis (horizontal / vertical) level gauge
7. One Touch Tele-Converter
   Available (2x)
8. Finder Style
   3 styles
9. Brightness / Color Temp Control
   Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
10. S-OVF (Simulated OVF)
    Expands the Live View dynamic range. *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
11. Rear Monitor Size
    3.0-inch vari-angle monitor*
    *Approx.1037k dots (3:2), electrostatic capacitance touch panel
12. Touch Control
    Shutter release, Touch AF (AF area selection, AF area size adjustment) AF targeting pad, frame forward/backward, magnified playback, Super Control Panel, Wi-Fi connection, movie controls
13. Tilting Capability
    Available (mirror display when monitor is in self portrait position)
14. Brightness / Color Temp Control (Rear Monitor)
    ±7 levels / ±7 levels
15. Color Tone Select
    Vivid / Natural
16. Live View
    Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14),
17. Live View Boost
    Live View Boost 1 , Live View Boost 2* (For dark situations)
    *Settings can be specified for each shooting mode
    *Live View Boost 2: Frame Rate Priority or Quality Priority selectable
    *Off: Brightness in Live View shows specified exposure settings.

Exposure Control / Flash

1. Metering System
   Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control
   *Also available AF target spot metering
2. Metering Range
   EV -2 - 20 (ISO approx.100, with a f/2.8 lens)
3. Exposure Mode / Shooting Mode
   P: program AE (program shift can be performed), A: aperture priority AE, S: Shutter priority AE, M: Manual, B: Bulb (Live Bulb, Live Time and Live Composite are available), Custom 1～4
4. ISO Sensitivity
   AUTO ISO (default) : LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO : LOW (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
5. Exposure Compensation
   ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps
   When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps
6. AE Lock
   Locks with a half-press of the shutter button (can be set to AEL/AFL button as well)
7. Anti-Flicker Shooting
   Available
8. Flash Intensity Control Mode
   TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
   * Available on the external flash
9. Flash Mode
   Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual（1/1（FULL）～1/64）
10. Synchronization Speed
    1/250 sec.
    *When using Super FP: 1/125-1/8000 sec. 
    *When using electronic shutter:　1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
11. Flash Intensity Control
    Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
12. Compatible External Flash
    FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR
13. Wireless Flash Control Method
    Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: FL-LM3 or separately available FL-600R and FL-900R , STF-8,FL-700WR
14. External Flash Intensity Type
    TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
15. Channel No.
    4 channels
16. Group No.
    4 groups (External flash 3 groups + commander flash)
17. Radio Wireless Control
    Available

Memory / Image Recording (File Format)

1. Compatible Memory
   SD, SDHC*1, SDXC*1
   *1 UHS-I,II compatible
2. Recording Format
   DCF2.0, Exif2.31
3. File Format
   RAW (12-bit lossless compression), JPEG, RAW+JPEG
4. Recording Image Size
   [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
5. Dual Card Slot Settings
   Standard, Auto Switch, Dual Independent, Dual Same
   *When two cards are inserted, card to be saved on to or to be viewed can be designated.
6. Folder Creation and Selection
   Available
7. Copy
   Copy single file, copy multiple files, copy all *When copied, the new file will be given a different name from that of the original file.

White Balance / Color Mode

1. White Balance Mode
   Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
2. White Balance Compensation*
   ±7 steps along A-B / G-M axis * Except for Custom WB
3. Preset White Balance
   7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
4. CWB (Kelvin Setting)
   2000 - 14000K
5. Capture White Balance
   4 custom settings can be registered
6. Color Mode
   sRGB, Adobe RGB

Bracketing / HDR

1. Exposure Bracketing
   2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
2. ISO Bracketing
   3 frames in 0.3/0.7/1.0EV steps selectable
3. White Balance Bracketing
   3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
4. Flash Bracketing
   3 frames in 0.3/0.7/1.0EV step selectable
5. Art Filter Bracketing
   i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator　selectable
6. Focus Bracketing
   3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
7. Focus Stacking Mode
   8 shots are taken at different focus points and automatically composited together into a single image
   * Angle of view becomes slightly smaller (The cut area guide is displayed)
   * Compatible with :
   M.Zuiko Digital ED 60mm f/2.8 Macro
   M.Zuiko Digital ED 12-40mm f/2.8 PRO
   M.Zuiko Digital ED 40-150mm f/2.8 PRO
   M.Zuiko Digital ED 30mm f/3.5 Macro
   M.Zuiko Digital ED 7-14mm f/2.8 PRO
   M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
   M.Zuiko Digital ED 300mm f/4.0 IS PRO
   M.Zuiko Digital ED 12-100mm F4.0 IS PRO
8. HDR (Auto Composite)
   HDR1, HDR2 (painting-like) ※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. ※Exposure compensation can be performed.
9. Bracketing for HDR post-process
   3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps. 
   *This sequential shooting H AE bracketing is specifically designed for shooting images that will be HDR-processed on a PC.

Creative Features

1. Picture Mode
   i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
2. Gradation
   Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator]
3. Highlight and Shadow Control
   ±7 steps each for highlight, shadow, midtone
4. Picture Tone
   Neutral, Sepia, Blue, Purple, Green for Monotone
5. Art Filter
   (Variation / Art Effect)
   Pop Art (I, II / a.b.c.d.e)
   Soft Focus ( - / c.e)
   Pale & Light Color (I, II / a.b.c.d)
   Light Tone ( - / d)
   Grainy Film (I, II / b.c.d.f.g)
   Pin Hole (I, II, III / d.)
   Diorama ( - / d.)
   Cross Process (I, II / b.c.d.)
   Gentle Sepia ( - / a.b.c.d.f.)
   Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
   Key Line (I, II / a.b.c.d.e.)
   Watercolor　(I, II / a.b.c.d.)
   Vintage (I, II, III / a.b.c.d.e.f.i)
   Partial Color　(I, II, III / a.b.c.d.e.f)
   Bleach Bypass (I, II / a.b.c.d.e.f.i)
   Instant Film (- / a.b.c.d.e.f.i)
6. Art Effect
   a. Soft Focus Effect
   b. Pin-Hole Effect
   c. White Edge Effect
   d. Frame Effect
   e. Star Light Effect
   f. Blur Effect (Top & bottom, Left & Right)
   g. B&W Effect (None, Yellow, Orange, Red, Green)
   h. Picture Tone (None, Sepia, Blue, Purple, Green)
   i. Shade Effect (Top & bottom, Left & Right)
7. Color Ring (for partial color)
   18 color selectable
8. Live Bulb / Live Time
   Update Interval Time - 0.5 sec – 60 sec
9. Live Composite
   Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
10. Interval Shooting
    Interval Time 1sec. - 24 Hours, Max 999 frames. Available on making Time-lapse movie automatically
11. Multiple Exposure (number of pictures / function)
    2 frames / Auto gain, Exposing on Recorded picture(RAW)
12. Fisheye Compensation
    3 styles (can be confirmed in Live View)
    *Underwater correction compatible
    * Enabled when M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO is used.
13. High Res Shot
    Equivalent to 50 megapixels / 25 megapixels
    *Available in P/A/S/M mode, RAW+JPEG or JPEG.
    *JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 10368 x 7776
    *RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC.
    *Electronic Shutter 1/8000 - 60 sec.
14. Handheld High Res Shot
    Equivalent to 50 megapixels / 25 megapixels
    *Available in P/A/S/M mode, RAW+JPEG or JPEG.
    *JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 8160 x 6120
    *Flash can not be used
    *RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC.
    *Electronic Shutter 1/8000 - 60 sec.
15. Keystone Compensation
    Available (can be confirmed in Live View)
    *Horizontal and vertical compensation can be performed simultaneously.

Video / Audio Recording

1. Video Recording Format
   MOV(MPEG-4AVC/H.264)
2. Movie Mode / Frame Rate / Compression Method
   4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
   3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
   1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
   1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
   1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I),　IPB (SF, F, N)
   60p： 59.94 fps, 50p： 50.00 fps, 30p： 29.97 fps, 25p： 25.00 fps,
   24p： 23.98 fps, C4K 24.00 fps
   FHD ALL-I (A-I： ALL-Intra / approx. 202 Mbps),
   FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps,
   N: Normal / approx. 18 Mbps)
   HD ALL-I (A-I：ALL-Intra　/　approx. 102 Mbps),
   HD IPB(SF：SuperFine　/　approx.26Mbps, 
   F:Fine　/　approx.14Mbps、N：Normal　/　approx.10Mbps)
   HD (1280 x 720) / 30p
   *Frame rates may drop when particular Art Filters and Movie Effects are used.
   *Class 10 or higher SD card is recommended for shooting movies.
   *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
3. Maximum Video Recording Time
   Approx. 29min
4. Movie Tele-converter
   Approx. 3x (enlarges view of selected area)
5. Art Filter Movie
   Available
   (Frame rates may drop when certain Art Filters are used)
6. Movie Effect
   One-shot Echo / Multi-echo / Art Fade / Old Film
7. Timelapse Movie
   [AVI ]
   3840×2160（4K）/ 5fps
   1920×1080（FHD)/ 5fps，10fps，15fps
   1280×720（HD)/ 5fps、10fps、15fps、30fps
8. Quick Movie / Slow Movie
   With (Both or either of the two may not be available depending on the frame rates.
9. High speed movie
   120fps (1920×1080/MOV
10. IS for Movie
    M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS), 
    M-IS2(Image sensor shift with multi motion IS), Off
    *While using M-IS1, field of view may be affected.
11. AE Lock
    Available
12. Video Exposure Control
    Program AE, aperture priority AE, shutter priority AE, manual
13. Grid Lines / Focus Peaking
    4 types of grid lines / 4 colors for focus peaking
14. Time Code
    Rec run/free run, drop frame/non-drop frame
15. Live View Output via HDMI
    Monitor Mode (outputs video and info display to a connected monitor) *1
    Record Mode (outputs video only, with no info display) *2
    *1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two.
    While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged).
    　　 However, the image can not be enlarged on the camera when a movie is being recorded.
    *2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded.
16. Movie Picture Mode
    Flat,OM-Log400 *View assist compatible
17. Audio Recording Format
    Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
18. Microphone / Speaker
    Built-in stereo microphone / built-in mono speaker 
    *External stereo microphone can be attached
19. Microphone Function
    Wind noise reduction, recording volume, microphone volume limiter
    Audio dubbing possible for still pictures (up to 30 sec.)
    *May affect audio quality.
20. IC Recorder Linkage
    Slate Tone / Synchronized Audio Rec-Movie Rec
    *LS-100 compatible

Operability

1. GPS Info Function
   Available (Via GPS smartphone) *Built-in GPS info given priority
2. Wireless Shooting
   Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off *P / A / S / M / B and drive mode can be selected.
   Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted.
3. Image Share
   File Type: JPEG*, MOV Marking function for image share.
4. Easy Connection
   Connect using a QR code
   Connect using Bluetooth (View, Transfer only. Enabled from the second time)
5. Tethered Shooting
   Via USB cable (camera can be operated by both PC or camera controls)
   Via Wi-Fi (Transfer of recorded images to PC via access point, 5GHz and 2.4GHz available)
   Wireless tethering available with Olympus
6. GPS / Field Sensor System
   GPS (GLONASS,QZSS), compass, manometer, temperature sensor, acceleration sensor
7. Playback Mode
   Single-frame, information display, index display (4/9/25/100 frames), calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), light box display
8. Information Display
   Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF

Custom

1. My Menu
   35 items in 5 tabs with 7 items each
2. Mode dial my set
   4 types of settings can be configured to C1-C4 modes on mode dial.
3. Menu custom set
   Available (Settings configured to C1-C4 can be called up via the menu even in P,A,S,M and B modes.
   *Some items including shooting mode may not be called up.
4. Multi Selector customization
   With
5. Dial customization
   Dial function and dial direction are customizable for both dials
6. Lever customization
   Select assignment from 3 different modes, power switch, or off (no function assignment)
7. Button Customization
   Up to 39 functions can be assigned to buttons 
   *Up to 24 functions can be assigned for movie recording
   *Buttons on lenses can also be customized from the camera
   *Some buttons may have restrictions to what functions can be assigned
8. Copyright Settings/Lens info Settings
   With / With (save up to 10 lenses)
9. Menu Languages (34 selectable)
   English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Connectivity / Power Requirements

1. USB Connector
   USB Type-C
2. Remote Connector
   φ2.5Pin Jack (when using separately available RM-CB2).
3. HDMI Connector
   Micro HDMI type D
4. Flash Attachment
   Hot shoe, sync terminal
5. Wireless LAN
   Built-in (IEEE 802.11b/g/n/ac)
6. MIC Input Jack
   φ3.5 stereo mini jack (plug-in power on/off)
7. Headphone Jack
   φ3.5 stereo mini jack
8. PC Interface
   SuperSpeed（USB3.0）
9. TV Interface
   Not Available
10. Battery
    Two BLH-1 Li-ion batteries (included)
    * Can be operated when only one BLH-1 Li-ion battery is equipped.
11. Battery Status Display
    Remaining power (4 steps, %, or by-minute display), shot count, degradation
12. AC Adapter
    AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
13. USB Bus Power
    A USB PD bus power can be used
    ※ PD compliant Camera: Rev 3.0 Ver 1.0a
14. USB Charging
    Built-in battery is charged with AC-5 / USB
    * When the camera power is off
    * Performance varies depending on different USB devices
15. Sleep Mode
    Available (1/3/5 min. off)
16. Number of Recordable Pictures
    Approx. 870 shots (using 2 BLH-1 and Toshiba SDXU-D032G with IS ON, with no flashes attached, based on CIPA test standards)
    Approx. 2,580 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards)
17. Battery Life for Movie Recording
    Approx. 170 minutes* (under standard JEITA testing)
    Approx. 350 minutes* (when zoom and other operational functions are not used)
    *When repeatedly recording at the maximum time of 29 minutes

Weights & Dimensions / Operating Environment / Box Contents

1. Weight
   Approx. 997g (with 2 BLH-1 batteries and 2 Memory cards, based on CIPA standards, without eyecup)
   Approx. 849g (body only)
2. Dimensions
   W:144.4mm H:146.8mm D:75.4mm (based on CIPA standards: excludes protrusions)
3. Environmentally Sealed
   Dust, Splash (IPX1), Freezeproof
4. Operating Temperature Range
   -10ºC ~ +40ºC (when in operation) / -20ºC ~ +60ºC (when stored)
5. Operating Humidity Range
   30 - 90% (when in operation) / 10 - 90% (when stored)

Item Includes

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