$ 599.00 - Épuisé
Eliminate your camera’s internal compression and time limits – record up to 4Kp60 10-bit HDR video direct from your camera's sensor over HDMI 2.0. Teamed with a 1TB AtomX SSDmini you can now achieve up to 150 minutes of 4K recording on a single drive! And when you’re done, your edit-ready ProRes and DNxHR recordings are stored on affordable SSD drives.
The Ninja V displays 10+ stops of dynamic range in realtime from Log/ PQ/HLG signals. See your images clearly in daylight on the near edge-to-edge anti-reflection screen. Ninja V can be calibrated for perfect color accuracy every time, and also enables playout to HDR or SDR TV.
The new Ninja V features a stunningly bright 5.2” 10-bit HDR monitor with an astounding 1000 nits of output. The sleek aluminium body is crafted for maximum durability, weighing in at just 320g and measuring only 25mm thick – easily attaching to any camera rig.
AtomOS allows accurate set up and one-touch operation, ensuring a great recording every time. Of course, a recording isn't complete until checked; Ninja V allows instant playback, slow motion and frame-by-frame analysis for immediate review.
Ninja V is a stand-alone system for 4k UHD, HDR and high frame rate capture that eliminates expensive, complicated and unreliable PC setups. Ninja V enables simple recording, monitoring and instant review. Capture every detail in HDR and automatically include all the correct HDR flags ready for upload to YouTube. Ideal for games development testing, pre-release capture sessions or just to show off your skills!
Ninja V files are available immediately on your Mac or PC. Tag on-the-fly while recording for direct-to-edit look up in Final Cut Pro X, Adobe Premiere and Avid Media Composer. Both video and gaming workflows are supported for the fastest path to your audience.
We have worked closely with our drive partners at Angelbird and Sony to bring you the AtomX SSDmini. These tiny drives are only 7mm high and 80mm long. They retain the same SATA III connector as traditional SSDs and they are backward compatible with our range of Ninja, Shogun and Sumo devices.
Modularity is at the heart of the Ninja V with a bi-directional high speed expansion port breaking out connectivity for I/O of video, audio and power. Atomos created AtomX to ensure users could adapt and connect to any legacy or future wireless or wired video standard. The expansion system offers endless scalability and is demonstrated by the first of many modules - the AtomX Ethernet/NDI® $199 and the AtomX Sync $149 announced at IBC 2018. These dock into the AtomX port and instantly add important features like NDI® over ethernet and Wireless Sync and Bluetooth control to the Ninja V.
Like all Atomos Monitor/Recorders, Ninja V enables audio input directly from your camera. Choose from digital source via HDMI, or analogue input via the stereo 3.5mm line/mic socket, depending on your rig.
Weight | |
---|---|
Without batteries & media | 360g / 12.7oz |
With batteries & media | - |
Dimensions (W x H x D mm) | 151 x 91.5 x 31mm |
Construction | Aluminium alloy chassis with ABS polycarbonate back plate |
Mounting points | 1/4-20 UNCscrew mount; 1x top, 1x bottom |
Power | |
---|---|
Operating power | 10 - 19W |
Compatible batteries | NP-F series and supporting accessories |
Input voltage (battery) | 6.2V to 16.8V |
Battery time (based on 2 x 7.4V) | 5200mAh - up to 2hrs (monitor & record 4K +60p) |
7800mAh - up to 3hrs (monitor & record 4K 60p) | |
DC In | |
Continuous power * Patent pending |
Continuous power with external adaptor* |
Touchscreen | |
---|---|
Size | 5” |
Resolution | 1920 x 1080 |
PPI | 427 |
Aspect ratio | 16:9 native |
Color Gamut | REC709 HDTV |
Look up table (LUT) support | 3D LUT (.cube format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
HDR | |
---|---|
AtomHDR | Yes |
Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog |
HDR Recording (Gamut) | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ10k, HLG |
HDR Monitoring (Gamma) | Sony SGamut / SGamut3 / SGamut3.cine / BT2020 Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
HDR Monitoring (Gamut) | Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out |
Bit depth | 10-bit (8+2 FRC) |
Brightness | 1000nit (+/- 10% @ center) |
HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
Video Input/Loop Out | |
---|---|
HDMI | 1 x HDMI (2.0) |
SDI | - |
Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
Video Output (Play Out) | |
---|---|
HDMI | 1 x HDMI (2.0) |
SDI | - |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Supported Loop Out Formats | |
---|---|
HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
SDI to SDI | - |
Video Signal Conversion | |
---|---|
HDMI to SDI | - |
SDI to HDMI | - |
AtomXpansion Video Audio Power Extender In/Out | |
---|---|
Video | Up to 4Kp60 |
Audio | 12 channels digital 24-bit 96KHz |
Power | 5V-16.6V |
Supported Codecs & Frame Rates (Record & Playback) | |
---|---|
Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) |
Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K 1080p; 24/25/30/50/60/100^/120^ 1080i; 50/60i, 720p; 50/60p |
Onboard Processing | |
---|---|
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
4K UHD downscale for HD monitoring | Yes - Loop-out and playback |
Audio In/Out (48kHz PCM Audio) | |
---|---|
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | - |
Audio | Line in / Mic in / Headphone out 2ch 48kHz 24-bit |
Headphone out | 3.5mm |
Built-in speakers | Yes |
Remote Start/Stop | |
---|---|
HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
SDI | - |
Other | LANC control - Slave |
Playback | |
---|---|
Playlist / Genlock / LTC | Yes / - / - |
CDNG (Recorded content) | N/A |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion. |
DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion. |
Recording | |
---|---|
Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes |
Meta data tagging | Yes (10 tags available) |
Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
Accessories included | Ninja V unit, Master Caddy II x 1, 12V-3A AC power supply |
Optional extras |
Accessory Kit: 2 x battery, 1 x charger, 1 x power supply, EVA case, USB dock, control cable, Dtap cable, Master Caddy x 4, Power supply, Sun hood Power Kit: 2 x battery, 1 x charger, 1 x power supply Other: Atomos HDMI cable, X-Rite i1DisplayPro calibration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
$ 1,995.00 - Épuisé
Atomos SKU: ATOMSUMO19 | Helix SKU: ATOMSUMO19
Unlock the true potential of your RAW cinema camera with the Sumo19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT. Record up to 4kp30 in CDNG.
HDR really comes to life on the Sumo19. It’s 19” 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or games consoles and precisely maps to display 10+ stops of dynamic range in real time. Use as a director or client monitor in the field, or an affordable HDR studio monitor.
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.
Live switch four 1080p channels and record each, plus the program out, as separate ISOs. Switch between feeds intuitively on-screen with cueing, cross fade and hard cuts. Use XML Metadata tags to generate instant multi-camera edits that replicate on your timeline for easy adjustment. Save space by replacing several boxes in your rack with a single Sumo19.
Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quadlink & Dual link 12G SDI in almost any combination and eliminate the need for specialist converters.
Weight | |
---|---|
Without batteries, media & stand | 5.45kg / 12.0lb |
With stand | 6.0kg / 13.2lb |
Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) |
Construction | Aluminium alloy chassis with built in armor protection |
Mounting Points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 3/8-16 screw; 2 x top, 2 x bottom, 1 x side VESA mount rear |
Power | |
---|---|
Operating power | 75W |
Compatible batteries | V-Lock / Anton Bauer via XLR terminal (optional mounting plates available) 95Wh or larger recommended. |
Input voltage (battery) | 14.4V nominal |
Battery time | Depends on Watt Hours specification of battery used |
DC In | 1 x DC in (12 - 16.8V) |
Continuous power * Patent pending |
Primary-secondary battery system. Change batteries without losing power Loop batteries continuously |
Touchscreen | |
---|---|
Size | 19” |
Resolution | 1920 x 1200 |
PPI | 120 |
Aspect ratio | 16:9 native |
Color Gamut | REC709 HDTV |
Look up table (LUT) support | 3D LUT (.cube format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
HDR | |
---|---|
AtomHDR | Yes |
Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog |
Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
Bit depth | 10-bit (8+2 FRC) |
Brightness | 1200nit (+/- 10% @ center) |
HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
Video Input/Loop Out | |
---|---|
HDMI | 1 x HDMI (2.0) |
SDI | Quad link 4 x 3G SDI* or up to 12G single link SDI |
Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
Video Output (Play Out) | |
---|---|
HDMI | 1 x HDMI (2.0) |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
Supported Loop Out Formats | |
---|---|
HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
SDI to SDI | 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
Video Signal Conversion | |
---|---|
HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
Supported Codecs & Frame Rates (Record & Playback) | |
---|---|
Raw to: ProRes RAW ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD |
Sony^^ FS700, FS-5, FS-7, FS-7MkII 4K DCI; 24/25/30/50/60p 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera Canon C300MKII/C500 CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT, EVA1 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
Onboard Processing | |
---|---|
Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
Audio In/Out (48kHz PCM Audio) | |
---|---|
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analog in/out (direct XLR connection) Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic |
Headphone Out | 3.5mm |
Built-in Speakers | Yes |
Remote Start/Stop | |
---|---|
HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
SDI | SDI trigger camera selectable |
Other | LANC control - Slave |
Playback | |
---|---|
Playlist / Genlock | Yes / Yes |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
Recording | |
---|---|
Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes |
Meta data tagging | Yes (10 tags available) |
Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
Accessories included | Sumo unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply |
Optional extras | Sunhood, VESA battery adapter plate, Atomos HDMI cable, X-Rite i1DisplayPro calibration |
Warranty | 1 year. Extended to 3 years on product registration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
^^ Optional unit (XDCA-FS7) needed for Raw output.
$ 34.49
AZDEN EX505U Uni-Directional Lavaliere Microphone
$ 83.89
This Azden microphone is a good choice for indulging you with realistic audio tracks time and time again. It's equal parts comfortable and pro-grade. This Azden microphone is intended for many different uses, which means you are able to use it for speeches, sermons, and ceremonies. Weighing in at 3.4 ounces, this condenser microphone is very light, enabling you to quickly hold it for long periods of time at concerts or recording sessions. The Azden WLT-PRO is extremely sensitive, enabling you to catch all kinds of sounds from the subtle to the loud. Since this Azden microphone includes an omnidirectional pattern, you can pick up your subjects equally well from any direction around the mic. The expanded 50 Hz to 18 kHz frequency response of this condenser microphone helps you to easily catch ultra-low bass notes and crystalline treble tones. Plus, the Azden WLT-PRO is wireless, featuring a 76.2 meter transmit range, which means you are able to benefit from tangle-free performances.
$ 158.95
The "all-time" best selling wireless microphone for videography. This versatile system consists of the WM-PRO belt-pack transmitter 2 plug-in electret condenser microphones, a lavalier (EX-503) and handheld (EX-413) and the WR-PRO receiver which comes with both shoe-mount and hook and loop fastener. All receivers and transmitters in the "PRO" Series are on the same 2 frequencies (169.445MHz and 170.245MHz).
$ 219.95 - Épuisé
Benro SKU: HH75AV | Helix SKU: IDHH75AV
The Benro 75mm Hi-Hat is a versatile video production tool that allows for unique camera placement and comes in a portable package. This aluminumleg/magnesium bowl hi-hat can be placed low to the ground, on stairs or evensecured to a wooden board.
The small footprint allows the hi-hat to be used in tight spaces and onsmaller surface areas. Each leg can be independently positioned at one of thethree locks located on the outside of the bowl. In addition, each leg featuresoversized rubber twist locks and is telescoping for adjusting the height. When you combine these two features, you can easily set up the hi-hat for use onuneven terrain and even stairs.
The 75mm version will accept a 75mm video head and includes a 3/8"-16 low profile tie down adapter forgetting low to the ground shots. You can add a 75mm half-ball adapter (BL75) to mount any standard 3/8"-16 flat basevideo head or photo head. The large rubber feet are attached to a metal balljoint for quick positioning, which can be removed for attaching the includedmetal spiked feet. The feet also have pre-drilled holes for securing to woodenoctagon boards when using on top of apple boxes or securing the board to thetop of a ladder. There are three accessory mounts on the outside of the bowlcome in handy for attaching monitor arms. Each 3/8"-16 male to ¼"-20 female insert can be used to convertany standard ¼"-20 screw to 3/8"-16 in addition to being removed forattaching 3/8"-16 accessories. Transportingthe hi-hat is easy with the included carrying case.
MAXIMUM LOAD | 165 lb (75 kg) |
MINIMUM HEIGHT | 3.1 in (8 cm) |
MAXIMUM HEIGHT | 11 in (28 cm) |
NUMBER OF LEG SECTIONS | 2 |
INDEPENDENT LEG SPREAD | Yes-with 3 stops |
WEIGHT | 2.8 lb (1.3 kg) |
$ 259.95
Dot Line SKU: RS-3124 | Helix SKU: DLRS3124
Dot Line Flo Pod Video Stabilizer by RPS Studio
$ 9.95 - Épuisé
Nikon SKU: 13569 | Helix SKU: NK13569
Overview
The Z 30 Wind Muff is designed to sit on the hot shoe of the Z 30 and covers the camera’s stereo mic to suppress wind noise when shooting video.
UPC: 018208135691
$ 9.95
Mfr SKU: 25588 | Helix SKU: PR25588
The audio cable is useful for adapting microphones having a 3.5mm male 3-pole cord to cameras using a smaller 2.5mm mic jack. It is a coiled cord approximately 1 foot in length when relaxed. The 2.5mm male portion connects to the camera while the 3.5mm femail portion connects to the microphones 3.5mm male cord.
$ 9.95
Mfr SKU: 25519 | Helix SKU: PR25519
The audio cable is useful for connecting microphones having a 3.5mm female 3-pole port to cameras using a smaller 2.5mm mic jack. It is a coiled cord approximately 1 foot in length when relaxed.
$ 69.95 - Épuisé
ProMaster SKU: 6677 | Helix SKU: PR6677
Videos from your phone look their best when they are as steady as possible. The PROMASTER AXIS is your solution to eliminate the shake. This compact motorized stabilizer works with your phone to create smooth video footage. An internal rechargeable battery powers the Axis for hours. It can even recharge your phone's battery in a pinch! Whether or not you have a protective case on your phone, the Axis connects securely in just seconds. Its compact size means you can take it everywhere and record the best video memories of once in a lifetime events.
Axis Features include:
Includes:
$ 30.00 - Épuisé
Rode SKU: SC9 | Helix SKU: RMSC9
Overview
The SC9 is a high-quality 1.5m TRRS to TRRS cable for easy and reliable connection of smartphones to the RØDECaster Pro.
Specifications:
Connector-1 1 x 1/8" / 3.5 mm TRRS Male Straight
Connector-2 1 x 1/8" / 3.5 mm TRRS Male Straight
Cable Length 4.92' / 1.5 m
$ 39.95 - Épuisé
Designed to carry the Boompole with attached mic and shock mount.
Weight | 575.00gm |
Dimensions | 960.00mmH x 200.00mmW x 20.00mmD |
Warranty | 1 year |
$ 20.00
Rode SKU: DC-USB1 | Helix SKU: RMDCUSB1
Overview
The DC-USB1 is a handy power adaptor for powering the RØDECaster Pro from any compatible USB output, making the console completely portable. A high-power (2.4A minimum) USB output is required for operation. Power bank is not included.
Specifications:
Power Requirements | USB: 5 V, 2.4 mA DC: 12 V / 1 A |
$ 29.99 - Épuisé
The DS1 is a weighted table top microphone stand.
$ 19.95 - Épuisé
Miniature (85mm) flexible goose neck for NT6. By using the GN1 with NT6 microphone stand you get an added height that allows you to have total control over the placement of the NT6.
$ 40.00 - Épuisé
The RØDE invisiLav is designed to aid the concealing of the Lavalier and smartLav microphones. Its soft construction absorbs noise and vibration, while the wide, flat profile provides coverage from the elements and allows for versatile mounting. There's two mounting points in case a redundant mic is required, and cable management on the side. Available in either a pack of three or a bulk pack of ten, the invisiLav comes with pre-cut, skinsafe adhesive that can be used to stick the invisiLav to either the body or to fabric. The invisiLav itself is also made from a medical grade skin safe material so it can be mounted on the body without fear of irritation.
Weight | 5.00gm |
Dimensions | 18.00mmH x 25.00mmW x 6.00mmD |
Warranty | 1 year |
$ 18.00 - Épuisé
Discreet skinsafe mount for lavalier microphones. Supports RODE Lavalier and smartLav. Pack of 3.
The RØDE invisiLav is designed to aid the concealing of the Lavalier and smartLav microphones. Its soft construction absorbs noise and vibration, while the wide, flat profile provides coverage from the elements and allows for versatile mounting. There's two mounting points in case a redundant mic is required, and cable management on the side. Available in either a pack of three or a bulk pack of ten, the invisiLav comes with pre-cut, skinsafe adhesive that can be used to stick the invisiLav to either the body or to fabric. The invisiLav itself is also made from a medical grade skin safe material so it can be mounted on the body without fear of irritation.
$ 199.00 - Épuisé
Rode SKU: iXY-L | Helix SKU: RMiXYL
Digital stereo microphone (up to 24/96K recording) for lightning-compatible Apple devices including iPhone 5, 5s & 5c. Supplied with carry case and windshield.
The RØDE i-XY is the ultimate recording microphone for iPhone® and iPad®. With up to 24-bit/96k* recording and on-board high-fidelity A/D conversion, your i-XY recordings are rich, smooth and accurate. At the heart of the i-XY is a matched pair of ½” cardioid condenser capsules, fixed in a perfect 90 degree ‘near-coincident’ alignment. This results in immersive and true-to-life stereo recordings, captured in incredibly high detail. Designed and manufactured in Australia, the i-XY is available in two versions - Lightning and 30-pin. The Lightning version supports the iPhone® 5s, iPhone® 5 and iPhone® 5c. The 30-pin version supports the iPhone® 4S, iPhone® 4, iPad® (3rd generation) and iPad® 2. A foam windshield is supplied for outdoor recording as well as a reinforced protective zip case to ensure your i-XY is available whenever you need it. *RØDE Rec or RØDE Rec LE app required for 24/96 quality. iPhone and iPad are trademarks of Apple Inc., registered in the U.S. and other countries.
Acoustic Principle | Pressure Gradient |
Capsule | 0.50" |
Polar Pattern | |
Address Type | End |
Frequency Range | 20Hz - 20kHz |
Output Impedance | 0Ω |
Maximum SPL | 120dB SPL (@ 1kHz, 1% THD into 1KΩ load) |
Sensitivity | -42.0dB re 1 Volt/Pascal (8.52mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Equivalent Noise Level (A-weighted) | 18dB-A |
Weight | 40.00gm |
Dimensions | 46.00mmH x 55.00mmW x 40.00mmD |
Warranty | 1 year |
$ 32.00 - Épuisé
The RØDE MiConTM connector system provides seamless integration between the RØDE HS1 headset and Lavalier microphones and a wide range of wireless systems. Like all MiConTM cables, this 1.2m (4') length is heavy-duty, shielded and Kevlar reinforced.
Weight | 6.00gm |
Dimensions | 1200.00mmH x 1.50mmW x 1.50mmD |
Warranty | 1 year |
$ 32.00 - Épuisé
The RØDE MiConTM connector system provides seamless integration between the RØDE HS1 headset and Lavalier microphones and a wide range of wireless systems. Like all MiConTM cables, this 1.2m (4') length is heavy-duty, shielded and Kevlar reinforced.
Weight | 6.00gm |
Dimensions | 1200.00mmH x 1.50mmW x 1.50mmD |
Warranty | 1 year |
$ 18.00
The RØDE MiConTM connector system provides seamless integration between the RØDE HS1 headset,PinMic and Lavalier microphones and a wide range of wireless systems. The MICON-1 is designed to connect to the Sennheiser transmitters SK 500 G3, SK 300 G3, SK 100 G3, SK 500 G2, SK 300 G2, SK 2 Freeport Sennheiser and the Sennheiser products listed are registered names and trademarks owned by Sennheiser.
$ 23.00 - Épuisé
The RØDE MiConTM connector system provides seamless integration between the RØDE HS1 headset, PinMic and Lavalier microphones and a wide range of wireless systems. The MICON-10 is designed to connect to MIPRO transmitters with 4-pin mini XLR connector. MIPRO is a registered name and trademark owned by MIPRO Electronics.
Weight | 10.00gm |
Dimensions | 36.00mmH x 13.65mmW x 10.40mmD |
Warranty | 1 year |
$ 23.00 - Épuisé
The RØDE MiConTM connector system provides seamless integration between the RØDE HS1 headset, PinMic and Lavalier microphones and a wide range of wireless systems. The MICON-11 is designed to connect to TRRS devices such as the iPhone, iPad, iPod touch and select Android devices.
Weight | 7.00gm |
Dimensions | 1200.00mmH x 9.00mmW x 9.00mmD |
Warranty | 1 year |
$ 18.00
The RØDE MiConTM connector system provides seamless integration between the RØDE HS1 headset,PinMic and Lavalier microphones and a wide range of wireless systems. The MICON-2 is designed to connect to a standard 3.5mm stereo minijack, with a power supply of 1V minimum.
Weight | 8.00gm |
Dimensions | 37.00mmH x 10.00mmW x 10.00mmD |
Warranty | 1 year |
$ 23.00 - Épuisé
The RØDE MiConTM connector system provides seamless integration between the RØDE HS1 headset,PinMic and Lavalier microphones and a wide range of wireless systems. The MICON-3 is designed to connect to Shure transmitters UR1, UR1M, ULX1, SLX1, PGX1 and PG1. Shure and the Shure products listed are registered names and trademarks owned by Shure.
Weight | 10.00gm |
Dimensions | 36.00mmH x 13.65mmW x 10.40mmD |
Warranty | 1 year |
$ 27.00 - Épuisé
The RØDE MiConTM connector system provides seamless integration between the RØDE HS1 headset,PinMic and Lavalier microphones and a wide range of wireless systems. The MiCon-4 is designed to connect to Audio Technica UniPakTM Body-Pack transmitters 1800, 2000 and 3000. Audio Technica, Uni-Pak and the Audio Technica products listed are registered names and trademarks owned by Audio Technica.
Weight | 13.00gm |
Dimensions | 36.00mmH x 11.60mmW x 11.60mmD |
Warranty | 1 year |
$ 23.00 - Épuisé
The RØDE MiConTM connector system provides seamless integration between the RØDE HS1 headset,PinMic and Lavalier microphones and a wide range of wireless systems. The MICON-6 is designed to connect to AKG transmitters PT40, PT60, PT61, PT80, PT400, PT2000 and PT4000, as well as the Audix RAD-360. AKG, Audix and the AKG and Audix products listed are registered names and trademarks of their respective owners.
Weight | 10.00gm |
Dimensions | 36.00mmH x 13.00mmW x 10.50mmD |
Warranty | 1 year |
$ 23.00 - Épuisé
The RØDE MiConTM connector system provides seamless integration between the RØDE HS1 headset,PinMic and Lavalier microphones and a wide range of wireless systems. The MICON-7 is designed to connect to Lectrosonics transmitters SM Series, UMa Series, LMa Series and UM450. Lectrosonics and the Lectrosonics products listed are registered names and trademarks owned by Lectrosonics Inc.
Weight | 10.00gm |
Dimensions | 36.00mmH x 13.00mmW x 10.50mmD |
Warranty | 1 year |
$ 18.00 - Épuisé
The RØDE MiConTM connector system provides seamless integration between the RØDE HS1 headset, PinMic and Lavalier microphones and a wide range of wireless systems. The MICON-8 is designed to connect to Sony UWP transmitters. Sony and the Sony products listed are registered names and trademarks owned by Sony Corp.
Weight | 10.00gm |
Dimensions | 39.00mmH x 10.00mmW x 10.00mmD |
Warranty | 1 year |
$ 60.00 - Épuisé
The RØDE MiConTM connector system provides seamless integration between the RØDE HS1 headset,PinMic and Lavalier microphones and a wide range of wireless systems. The MICON-9 is designed to connect to the Sennheiser transmitters SK 2000 and SK 5000 Sennheiser and the Sennheiser products listed are registered names and trademarks owned by Sennheiser.
Weight | 10.00gm |
Dimensions | 1200.00mmH x 9.00mmW x 9.00mmD |
Warranty | 1 year |
$ 49.00 - Épuisé
The RØDE Micro Boompole provides ultimate boom pole performance in a convenient and portable size. Intuitive twist locks allow the Micro Boompole’s three sections to smoothly extend to 2063mm (6¾’), while the ergonomic grip provides comfort during use.
Weight | 396.00gm |
Dimensions | 844.00mmH x 33.00mmW x 33.00mmD |
Warranty | 1 year |
$ 39.00 - Épuisé
A sturdy flight case designed to house a matched pair of NT5 or NT55 microphones with stand mounts and windshields
Weight | 880.00gm |
Dimensions | 300.00mmH x 350.00mmW x 100.00mmD |
Warranty | 1 year |
$ 14.99 - Épuisé
The RM1 mic clip effectively secures your microphone to its stand without interfering with its polarity or frequency response. Includes 3/8-5/8" adaptor.
Weight | 92.00gm |
Dimensions | 95.00mmH x 40.00mmW x 65.00mmD |
Warranty | 1 year |
$ 24.99 - Épuisé
The MINIFUR-HS1 is an artificial fur wind shield designed for us on the HS1 headset microphone in outdoor or high wind conditions. The MINIFUR-HS1 is supplied in a pack of three.
Weight | 1.00gm |
Dimensions | 26.00mmH x 44.00mmW x 44.00mmD |
Warranty | 1 year |
$ 39.00
The perfect suspension shock mount for the Procaster or Podcaster, the PSM1 provides isolation from external vibrations which can translate as low frequency noise or manipulate the microphone position. The PSM1 gives you confidence when using your microphone in environments where there is any movement that may interfere with the microphones performance.
Weight | 390.00gm |
Dimensions | 122.00mmH x 110.00mmW x 155.00mmD |
Warranty | 1 year |
$ 39.00 - Épuisé
The RC1 is a rugged flight case designed to house the NT2000 and an SM2 shock mount.
Weight | 1300.00gm |
Dimensions | 330.00mmH x 40.00mmW x 170.00mmD |
Warranty | 1 year |
$ 25.00 - Épuisé
The SC1 is a premium shielded extension cable for the smartLav and smartLav+ TRRS microphones. Measuring 6m/20', the SC1 features gold plated contacts for superior audio reproduction.
Weight | 75gm |
Dimensions | 6000mmH x 3mmW x 3mmD |
Warranty | 1 year |
$ 10.00 - Épuisé
Rode SKU: XLR-ID | Helix SKU: RMXLRID
Overview
The XLR-ID is a set of eight colour-coded rings that can be affixed to any XLR plug, making them easier to identify and keep organised. The colours of the rings match the colours used for each of the microphone channels on the RØDECaster Pro.
Specifications:
Dimensions: 0.4 x 0.3 x 0.7" / 1.0 x 0.8 x 1.9 cm
$ 15.00 - Épuisé
Rode SKU: HJA-4 | Helix SKU: RMHJA4
Overview
The HJA-4 is a pack of four high-quality adaptors for converting headphones with 3.5mm plugs (as used on most consumer models) for use with the RØDECaster Pro’s ¼-inch headphone outputs.
Specifications:
Dimensions: 1.77 x 0.39 x 0.39" / 45 x 10 x 10 mm
$ 24.99 - Épuisé
A collapsible mini tripod designedfor mounting lightweight microphones that support 1/4" mounting. The tripod allows you to mount the microphone on any surface that will give you a concentrated and centralized location for picking up sound. It provides 360 degree rotation and a wide angle of vertical adjustment.
Weight | 185.00gm |
Dimensions | 195.00mmH x 175.00mmW x 175.00mmD |
Warranty | 1 year |
$ 149.00 - Épuisé
Rode SKU: VLOGVMML | Helix SKU: RMVLOGVMML
Overview
The iOS Vlogger Kit contains everything you need to get professional results when filming using your iPhone. The VideoMic Me-L microphone connects directly to your device, delivering crisp, clear, directional sound for any application. The SmartGrip secures your device firmly in place for stable recording and connects seamlessly to the Tripod 2 for either handheld or tabletop use, while the MicroLED ensures all your shots are perfectly lit.
Key Features:
IN THE BOX:
$ 149.00 - Épuisé
Rode SKU: VLOGVMMC | Helix SKU: RMVLOGVMMC
Overview
The USB-C Vlogger Kit contains everything you need to get professional results when filming using your USB-C equipped mobile phone. The VideoMic Me-C microphone connects directly to your device, delivering crisp, clear, directional sound for any application. The SmartGrip secures your device firmly in place for stable recording and connects seamlessly to the Tripod 2 for either handheld or tabletop use, while the MicroLED ensures all your shots are perfectly lit.
Key Features:
IN THE BOX
|
$ 699.00
RØDE SKU: K2 | Helix SKU: RMK2
Seamlessly variable dual 1" condenser valve microphone featuring continually variable polar pattern (omni through cardioid to figure 8).
The RØDE K2 is a premium valve condenser microphone featuring dual 1” gold sputtered diaphragms. Infinitely variable control of the polar pattern from omnidirectional through cardioid and bidirectional/figure-8 provides the freedom and flexibility to excel in any recording situation.
High-performance specifications (including a maximum SPL of 162dB) are combined with the character and subtleties of the legendary mics of the 1950s to provide a microphone that not only provides world-class vocals but is perfectly at home recording a wide range of instruments both up-close or in a wider ‘room’ capacity.
The RØDE K2 microphone is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.
Acoustic Principle | Pressure Gradient |
Active Electronics | Valve/tube impedance converter with bipolar output buffer |
Capsule | 1.00" |
Polar Pattern | |
Address Type | Side |
Frequency Range | 20Hz - 20kHz |
Output Impedance | 200Ω |
Maximum SPL | 162dB SPL (@ 1kHz, 1% THD into 1KΩ load) |
Maximum Output Level | 30.0mV |
Sensitivity | -36.0dB re 1 Volt/Pascal (16.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Equivalent Noise Level (A-weighted) | 10dB-A |
Power Options | |
Weight | 815.00gm |
Dimensions | 208.00mmH x 55.00mmW x 55.00mmD |
Output | |
Warranty | 1 year with free extension to 10 years following registration |
$ 159.99
Sony SKU: ECM-XYST1M | Helix SKU: SYECMXYST1M
FDR-AX700/FDR-AX53/HDR-CX455/HDR-CX675/FDR-AX33/HDR-PJ670/FDR-AX100/HDR-CX900/HDR-PJ540/HDR-PJ810/HDR-MV1/HDR-CX380/HDR-CX430V/HDR-PJ380/HDR-PJ430V/HDR-PJ650V/HDR-PJ790V/HDR-TD30V/HDR-CX260V/HDR-CX580V/HDR-CX760V/HDR-PJ260V/HDR-PJ580V/HDR-PJ710V/HDR-PJ760V/HDR-TD20V/HDR-XR260V/HDR-CX160/HDR-CX360V/HDR-CX560V/HDR-CX700V/HDR-PJ10/HDR-PJ30V/HDR-PJ50V/HDR-TD10/HDR-XR160/HDR-CX550V/HDR-XR550V/HDR-XR500V/HDR-XR520V/HDR-FX1000/HDR-FX7/HDR-HC7/HDR-SR1/HDR-SR11/HDR-SR12/HDR-SR8/HDR-UX1/HDR-UX7/NEX-VG30/NEX-VG30H/NEX-VG900/NEX-VG20/NEX-VG20H/NEX-VG10/DEV-50V/DEV-3/DEV-5/DSC-RX0/DSC-RX10M4/DSC-RX10M3/DSC-RX1RM2/DSC-RX10M2/DSC-HX400V/DSC-HX60V/DSC-RX10/DSC-RX100M2/DSC-RX1R/DSC-HX50V/ILCA-99M2/ILCA-68/ILCA-68K/ILCA-77M2/ILCA-77M2M/ILCA-77M2Q/SLT-A58K/SLT-A99/SLT-A99V/SLT-A37/SLT-A57/SLT-A57K/SLT-A65V/SLT-A65VK/SLT-A65VL/SLT-A77V/SLT-A35/SLT-A35K/DSLR-A560/DSLR-A560L/DSLR-A580/SLT-A33/SLT-A33L/SLT-A55V/ILCE-6400/ILCE-6400L/ILCE-6400M/ILCE-7M3/ILCE-7M3K/ILCE-7RM3/ILCE-9/ILCE-6500/ILCE-6500M/ILCE-6300/ILCE-6300L/ILCE-6300M/ILCE-7SM2/ILCE-7RM2/ILCE-7M2/ILCE-7M2K/ILCE-7S/ILCE-6000/ILCE-6000L/ILCE-6000Y/ILCE-3500J/ILCE-3000K/ILCE-7/ILCE-7K/ILCE-7R/NEX-6/NEX-7/NEX-7K