Photo-Video

Olympus M.Zuiko Digital 25mm f1.8 - Silver

$ 399.99

Olympus M.Zuiko Digital 25mm f1.8 - Silver

Olympus SKU: V311060SU000 | Helix SKU: OYV311060SU000

Overview

The M.Zuiko 25mm f1.8 is your ideal ideal all-around lens for shooting stunning images both day and night. With a 25mm focal length and 47 degree angle of view, this lens sits right between wide and telephoto design. Its fast f1.8 circular aperture delivers beautifully soft defocused backgrounds, perfect for portraits. It also delivers superb detail even when lighting is less than optimal, which means you can skip the flash in many low-light situations – even when the subject is moving.

WHAT YOU SEE IS WHAT YOU GET

The 25mm focal length of this lens reflects the way you see the world: natural, straightforward and undistorted. Its angle of view is closest to the human visual field, so what you see with your eyes matches the perspective of the images you capture. This makes the 25mm f1.8 a perfect fit for “snap shot” photography, as you can easily take images as you see them without thinking about the composition of the photograph.

BUILT FOR BEAUTIFUL BOKEH

Photographers who shoot a lot of portraits and still-lifes are always seeking good bokeh. You may not know it by this term, which comes from the Japanese word for “blur” or “haze,” but you’ve no doubt admired photos where the subject is in focus while the background is seriously blurred. Lenses with relatively shallow depth of field – like the 25mm – are especially well suited to capture the combination of tack-sharp subject and beautifully soft, defocused background that exemplifies bokeh.

ALL-AROUND PORTABILITY

Adding a lens like the 25mm f1.8 to your kit is a great idea if you’re interested in taking beautiful images of your family and friends, or even your food when you’re out to eat! In fact, this lens is a terrific walking-around for everyday photography lens – it’s compact, lightweight and flexible enough to freeze action one minute and capture candid portraits the next. It’s an excellent choice for the photographer who’s looking to expand his or her creative options.

SHHHHH, AMAZING PHOTOGRAPHY IN PROGRESS

The inclusion of the Movie & Still Compatible (MSC) mechanism makes AF operations completely silent. In combination with the OM-D's Silent Mode (electronic shutter), you can photograph skittish nature subjects as well as indoor events that require complete silence like musical performances. The size and weight of the OM-D system and these silent features open up a whole new world of shooting possibilities!

Specifications

Item Includes

Lens Cap (LC-46)

Lens Rear Cap (LR-2)

Lens Hood (LH-49B)

Decoration Ring (DR-49)

Instruction Manual

Olympus Worldwide Warranty Card

Voir la description complète du produit →

Olympus M.Zuiko Digital ED 12-40mm F2.8 PRO II

$ 999.99 - Épuisé

Olympus M.Zuiko Digital ED 12-40mm F2.8 PRO II

Olympus SKU: V335030BW000 | Helix SKU: OYV335030BW000

Overview

Overview

This high-resolution, large-aperture zoom offers incredible versatility from wide angle to mid-range telephoto shots. It’s even great for macro photography. Put it in your gear bag and you’ll find yourself reaching for it over and over again. Even with all that imaging power, it’s still lightweight and compact enough to comfortably fit in your hand. The IP53-rating means its highly weather-sealed so you can shoot without worry in the most adverse conditions. One of the most versatile lenses you’ll ever own.

Specifications

Specifications

Item Includes

Item Includes:

Lens Hood, Lens Cap, Lens Rear Cap, Lens Wrapping Cloth, Instruction Manual, Warranty Card

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Olympus M.Zuiko Digital ED 17mm f1.2 PRO

$ 1,399.99

Olympus M.Zuiko Digital ED 17mm f1.2 PRO

Olympus SKU: V311100BU000 | Helix SKU: OYV311100BU000

Overview

We understand how capturing the very best landscape, street, and documentary photography presents unique challenges. Like fleeting split-second moments, poor lighting conditions, and all day treks. That’s why we’ve created the M.Zuiko 17mm F1.2 PRO (34mm 35mm equivalent) for you. Shoot wide open at f1.2 and easily capture sharp subjects, smooth feathered bokeh, and natural three dimensional effects for incredible depth. The advanced ED-DSA element is truly unique, reducing the lens’ size while improving performance, and the lightweight focusing mechanism is quiet, fast, and accurate. With splashproof dustproof metal construction and superior low-light performance, this versatile pro prime will be one of your go-to lenses for every assignment and adventure.

SHARP AT F1.2

At Olympus, we bring the very best optics to life. Tools designed to work better so your photography is better. This advanced F1.2 PRO lens combines ultra shallow depth of field and ultra high resolution at the maximum f1.2 aperture setting. Unlike other fast prime lenses, we’ve removed the need to stop down for improved performance, so you capture brighter more beautiful photographs. The advanced ED-DSA element eliminates aberrations, distortion, and color bleeding while reducing the lens’ overall size, and our very best Z Coating Nano suppresses flares from in-frame light sources. All to ensure that every shot is sharp, clear, and exactly as you envisioned.

FEATHERED BOKEH

Beautiful background bokeh makes all the difference in a professionally shot image. To give you complete creative control, the 17mm F1.2 PRO provides two types of bokeh effects. Shoot wide open at f1.2 to produce feathered bokeh that transitions smoothly from sharp to defocused areas. The softer background appearance enhances your subject. Or, produce traditional solid bokeh by stopping down the aperture, enhancing shapes in the background. Combined with the razor sharp subject, you’ll create a natural three dimensional effect. And because the 17mm F1.2 PRO doesn’t use filters in its optics, light transmission is maximized for sharp details and stunning bokeh effects in both bright and low light.

FAST & ACCURATE AF

Outstanding spur of the moment street and portrait photography requires sharp focus. Some fast primes compromise AF speed by using large focusing mechanisms with multiple elements. Fortunately, the 17mm F1.2 PRO is specially designed to be compromise-free. It uses a lightweight inner focusing mechanism to provide fast and sharp AF performance, even at the lens’ widest f1.2 aperture. Excellent close-up shooting capabilities help you to capture larger, more dramatic bokeh areas. And the Movie and Still Compatible mechanism provides quiet, smooth focusing – ideal for shooting video.

LEAVE THE RAIN GEAR BEHIND

Easily capture shots in challenging conditions without worrying about your gear. The 17mm F1.2 PRO’s premium metal construction is hermetically sealed to be splashproof, dustproof, and freezeproof (all the way down to 14°F / -10°C). Its optics are efficiently designed so that overall size and weight are significantly less than what you’ll find with other fast prime lenses. It’s the perfect complement to a compact weatherproof OM-D camera, a combination that’s ideal for all day handheld shooting in any environment.

PRO CONVENIENCE & CONTROL

We’ve designed the 17mm F1.2 PRO to give you efficient and convenient control of your gear. The customizable Lens Function Button (L-Fn) lets you control your choice of camera functions right from the lens barrel. Programmable functions include Focus Peaking, AF Stop, and Magnify. The Manual Focus Clutch on the lens’ focus ring lets you instantly shift between auto and manual focus. You can preset a focus position using the easy-to-read distance meter, and by pulling the ring toward you, instantly return to that position from AF mode.

F1.2 PRO SERIES

We’ve designed the F1.2 PRO series with you in mind. No matter which focal length you choose – the 17mm for landscape and street photography, the normal 25mm, or the 45mm for portraiture – you’ll find a compact weathersealed design engineered to exacting standards. Each lens produces sharp resolution and smooth feathered bokeh at the maximum f1.2 aperture setting. And with the highest AF speed and accuracy, you’ll enjoy consistent beautiful results over and over again.

1. MTF 17mm F1.2 Chart
   
2. Lens Element Diagram
   

Specifications

Item Includes

• Lens Hood (LH-66C)
• Lens Cap (LC-62F)
• Lens Rear Cap (LR-2)
• Lens Case (LSC-0811)
• Instruction Manual
• Olympus Local Warranty Card

Voir la description complète du produit →

Olympus M.Zuiko Digital ED 45mm f1.2 PRO

$ 1,399.99

Olympus M.Zuiko Digital ED 45mm f1.2 PRO

Olympus SKU: V311090BU000 | Helix SKU: OYV311090BU000

Overview

We’ve designed the M.Zuiko 45mm F1.2 PRO (90mm 35mm equivalent) with one goal in mind: to make your sharpest, most beautiful portraits effortless. You’ll shoot wide open at f1.2 and capture tack sharp subjects and smooth feathered bokeh with a depictive three dimensional result. We’ve included autofocus that’s fast and accurate, even at f1.2. Our most advanced lens coating virtually eliminates flares. And with splashproof and dustproof metal construction, a compact lightweight design, and our brightest aperture for superior low-light performance, this ultimate portrait prime will be one of your go-to lenses in every shooting environment.

SHARP AT F1.2

At Olympus, we bring the very best optics to life. Tools designed to work better so your photography is better. This advanced F1.2 PRO lens combines ultra shallow depth of field and ultra high resolution at the maximum f1.2 aperture setting. Unlike other fast prime lenses, we’ve removed the need to stop down for improved performance, so you capture more beautiful photographs. 14 lens elements in 10 groups eliminate spherical and chromatic aberrations and suppress color fringing, and our very best Z Coating Nano suppresses flares from in-frame light sources. All to ensure that every portrait is sharp, clear, and exactly as you envisioned.

FEATHERED BOKEH

Beautiful background bokeh is a must for perfect portraits. To give you complete creative control, the 45mm F1.2 PRO provides two types of bokeh effects. Shoot wide open at f1.2 to produce feathered bokeh that transitions smoothly from sharp to defocused areas. The softer background appearance enhances your subject. Or, produce traditional solid bokeh by stopping down the aperture, enhancing shapes in the background. Combined with the razor sharp subject, you’ll create a natural three dimensional effect. And because the 45mm F1.2 PRO doesn’t use filters in its optics, light transmission is maximized for sharp details and stunning bokeh effects in both bright and low light.

FAST & ACCURATE AF

One of the keys to beautiful sharp portraits is focus. Some fast prime lenses compromise AF speed by using a large focusing mechanism with multiple elements. Fortunately, the 45mm F1.2 PRO is specially designed to be compromise-free. It uses a lightweight inner focusing mechanism with a single lens element to provide fast and sharp AF performance, even at the lens’ widest f1.2 aperture. Excellent close-up shooting capabilities help you to capture larger, more dramatic bokeh areas. And the Movie and Still Compatible mechanism provides quiet, smooth focusing – ideal for shooting video.

LEAVE THE RAIN GEAR BEHIND

Easily capture shots in challenging conditions without worrying about your gear. The 45mm F1.2 PRO’s premium metal construction is hermetically sealed to be splashproof, dustproof, and freezeproof (all the way down to 14°F / -10°C). Its optics are efficiently designed so that overall size and weight are significantly less than what you’ll find with other fast prime lenses. It’s the perfect complement to a compact weatherproof OM-D camera, a combination that’s ideal for all day handheld shooting in any environment.

PRO CONVENIENCE & CONTROL

We’ve designed the 45mm F1.2 PRO to give you efficient and convenient control of your gear. The customizable Lens Function Button (L-Fn) lets you control your choice of camera functions right from the lens barrel. Programmable functions include Focus Peaking, AF Stop, and Magnify. The Manual Focus Clutch on the lens’ focus ring lets you instantly shift between auto and manual focus. You can preset a focus position using the easy-to-read distance meter, and by pulling the ring toward you, instantly return to that position from AF mode.

F1.2 PRO SERIES

We’ve designed the F1.2 PRO series with you in mind. No matter which focal length you choose – the 17mm for landscape and street photography, the normal 25mm, or the 45mm for portraiture – you’ll find a compact weathersealed design engineered to exacting standards. Each lens produces sharp resolution and smooth feathered bokeh at the maximum f1.2 aperture setting. And with the highest AF speed and accuracy, you’ll enjoy consistent beautiful results over and over again.

Specifications

1. MTF 45mm F1.2 Chart
   
2. Lens Element Diagram
   

Item Includes

Lens Hood (LH-66B), Lens Cap (LC-62F)

Lens Rear Cap (LR-2)

Lens Case (LSC-0811)

Instruction Manual

Olympus Local Warranty Card

Voir la description complète du produit →

Olympus M.Zuiko Digital ED 8-25mm f4.0 PRO

$ 1,099.99

Olympus M.Zuiko Digital ED 8-25mm f4.0 PRO

Olympus SKU: V313030BU000 | Helix SKU: OYV313030BU000

Overview

It’s an ultra-wide world. The M.Zuiko 8-25mm F4.0 PRO is perfect for capturing outdoor scenes and dramatic landscapes. It easily fits in your hand, weighs under a pound and features powerful magnification. No-worry, weather-sealed construction lets you shoot spectacular images in all conditions. Ultra-wide. Portable. Perfect.

WIDE-ANGLE ZOOM

Go wide. Get close. The 8-25mm PRO’s distance-shrinking 3.1x zoom lets you capture spectacular detail at every focal point.

BRIGHT, FIXED APERTURE

As you move through the 8-25mm PRO’s zoom range, the F4.0 constant aperture guarantees bright, high resolution images.

FLUORINE COATING

Clean your lens in a second or two thanks to an innovative coating that effectively repels dust, dirt, rain and snow.

Specifications

Item Includes

Voir la description complète du produit →

Olympus O-RING UW PPO-02 C-5060

$ 11.07

Underwater photographic equipment cannot be watertight unless the O-rings that seal it are flawless. Always carry spare O-rings in your camera case.O-rings are the most important components of your underwater camera system. If the O-ring is lubricated, it will be elastic enough to shape itself uniformly around the channel. If it is dry, there will be too much friction to allow it to reshape itself uniformly. It will not safeguard against flooding.Every time you open the camera to change film, examine the O-ring and service if necessary.Always clean and lubricate after every diving day.When in doubt about the sealing capability of an O-ring, always discard and replace.Never use a sharp or pointed object to remove an O-ring! Use the O-ring remover tool.Don't overgrease! Too much grease attracts debris that will disrupt the seal and cause flooding. Silicone grease is not a sealant; it only protects the O-ring from abrasion. A perfectly greased O-ring looks moist and shiny.

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Olympus OM-D E-M1x Mirrorless Camera Body

$ 2,999.99

Olympus OM-D E-M1x Mirrorless Camera Body (PRE-ORDER)

Olympus SKU: V207080BU000 | Helix SKU: OYV207080BU000

Overview

Specifications

Sensor / Dust Reduction

1. Sensor Type
   4/3" Live MOS Sensor
2. Effective Pixels
   20.4 million
3. Total Pixels
   21.8 million
4. Aspect Ratio & Area
   4:3 / 17.4 x 13.0mm
5. Dust Reduction
   Super Sonic Wave Filter

Processor

1. Processor Type
   Dual TruePicTM VIII

Focusing System

1. AF System Type
   High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination; When a Four Thirds lens (mount adapter sold separately necessary) is attached, imager phase detection AF is always enabled).
2. AF Working Range
   EV -3.5～20 (ISO approx.100, with a f/2.8 lens)
3. Focusing Points / Focusing Points Selection Mode
   121-point cross-type phase detection AF and 121-point contrast AF / All target, single target (normal / small), group target (5-area / 9-area / 25-area), custom target 1-4 (AF area and its increment steps selectable)
4. Focus Modes
   Single AF (S-AF)*1 / Continuous AF (C-AF)*1 / Manual Focus (MF) / AF tracking (C-AF + TR)*1 / Preset MF*2
   *1 AF+MF selectable
   *2 Distance setting values are rough estimates and not compatible lens except the AF lens.
5. AF Limiter
   Available (Fn button can be assigned to On/Off; can save 3 distance settings)
   *Distance setting values are rough estimates.
6. AF Performance
   C-AF lock (5 steps) , AF scanner (3 types) , C-AF Center Priority , C-AF Center Start
7. Magnified Frame
   3x , 5x , 7x , 10x , 14x
   *Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on/off and to activate magnification; touch icon on monitor to turn off; enables selection of focusing point from 800 or more.
8. Super spot AF
   Available*(Contrast AF in center of the monitor when magnified)
   *Available only when a Micro Four Thirds lens is attached.
9. Face Detection AF / Eye Detection
   Available
   Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority
10. Intelligent Subject Detection AF
    Available
    Motorsports (Automobiles / Motorcycles), Aircrafts, Trains
11. AF Targeting Pad
    Available (activate / deactivate with double tap on rear monitor)
12. Manual Focus Assist
    Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
13. Peaking Function
    Activate with Fn button or focus ring Change peaking settings using the Info button
    Color selection: white, black, red, yellow
    Intensity selection: high, normal, low
    Back light effect: on, off
14. AF Focus Adj.
    Adjust all, adjust by lens (for Phase detection AF only)
15. AF Illuminator
    Available

Image Stabilization

1. System Type
   Built-in 5-axis* sensor-shift image stabilization for movie and still photos
   *yaw/pitch/roll/vertical shift/horizontal shift
2. Modes
   4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
3. Live View Image Stabilization
   11 settings: 10 programmable settings (10 lenses), 1 open setting
4. IS For Live View Image
   Activation by half-pressing shutter button or enlarging view
5. 5-Axis Sync IS
   Available*
   *When using M.Zuiko Digital lenses equipped with image stabilization
6. Stabilization Performance
   7.0 EV*
   *Based on CIPA measurement conditions.
   When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length =40mm (35mm equivalent: 80mm))
   7.5 EV*
   *Based on CIPA measurement conditions.
   When using M.Zuiko Digital ED 12-100mm f/4.0 PRO (focal length =100mm (35mm equivalent: 200mm)), with camera body IS set to Off, Frame rate: High
7. Lens IS Priority
   Available

Shutter / Sequential Shooting

1. Shutter Type
   Focal-plane shutter (mechanical shutter): 1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1)
   *Live Bulb / LiveTime: selectable exposure time (1/2/4/8/15/20/25/30 min.), with 8-min. default setting
   *Live Composite: 3 hours maximum shooting time
   Electronic first curtain shutter (Anti-shock mode) : 1/320 - 60 sec
   Electronic shutter (Silent mode): 1/32000 - 60 sec
   Flicker Scan: Video recording 1/30 (50fps:1/50, 60fps:1/60, Highspeed: 1/120) -1/250.0 Still 1/50.0-1/7634
   *Video recording S/M mode, Still S/M silent mode only. Selectable with a minimum of 0.1
2. Sequential Shooting Maximum Speed
   [Sequential shooting H]　approx. 15 fps with selectable 10-15 fps
   [Sequential shooting L]　approx. 10 fps with selectable 1-10 fps
   [Anti-shock sequential shooting L]　approx. 8.5 fps with selectable 1-8 fps
   [Silent sequential shooting H]　approx. 60 fps with selectable 15, 20, 30, 60 fps
   [Silent sequential shooting L]　approx. 18 fps with selectable 1-10, 15, 18 fps
   [Pro Capture H]　approx 60 fps with selectable 15, 20, 30, 60 fps
   [Pro Capture L]　approx 18 fps with selectable 1-10, 15, 18 fps
   *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO
   *Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting
   *When in Pro Capture mode, slower shutter speeds and flash can not be used
   *Pro Capture L mode is available when using an Olympus Micro Four Thirds lens
   *In Pro Capture L mode, the minimum aperture is f/8.
   *When ISO is 8000 or above, 30 fps becomes the maximum sequential shooting speed, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above
   *Focus and exposure are fixed at the values of the first shot when using sequential shooting H
   *Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps
3. Max Recordable Pictures in Sequential Shooting
   [Sequential shooting H 15 fps] RAW: Max. 103 frames, JPEG (LF): Max. 132 frames
   [Sequential shooting L 10 fps] RAW: Max. 287 frames, JPEG (LF): Until card is full
   [Silent sequential shooting L 60 fps] RAW: Max. 49 frames, JPEG (LF): Max. 49 frames
   [Silent sequential shooting L 18 fps] RAW: Max. 74 frames, JPEG (LF): Max. 89 frames
   *When using the M.Zuiko Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-D032G memory card with standard card setting in slot 1.
   *Low ISO processing: Priority is given to sequential shooting
4. Sequential Shooting Frame Count
   1 - 99 frames
5. Pre-shutter Frames
   *For Pro Capture mode only
   Number of frames recorded prior to full-press of the shutter button can be set from 0 to 35 frames.
6. Self Timer
   Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF)

Viewfinder/Monitor

1. Finder Type
   Eye-level electronic viewfinder, approx. 2.36M dots
2. Field of View / Viewfinder Magnification
   Approx. 100% / Approx. 1.48x*1 - 1.65x*2 (-1m-1, 50mm lens, Infinity)
   *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3)
3. Eye Point / Diopter Adjustment Range
   Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
4. Preview
   Live View preview with depth of field preview lock
5. Display Grid
   Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
   *grid color is selectable
6. Level Gauge
   2-axis (horizontal / vertical) level gauge
7. One Touch Tele-Converter
   Available (2x)
8. Finder Style
   3 styles
9. Brightness / Color Temp Control
   Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control
10. S-OVF (Simulated OVF)
    Expands the Live View dynamic range. *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
11. Rear Monitor Size
    3.0-inch vari-angle monitor*
    *Approx.1037k dots (3:2), electrostatic capacitance touch panel
12. Touch Control
    Shutter release, Touch AF (AF area selection, AF area size adjustment) AF targeting pad, frame forward/backward, magnified playback, Super Control Panel, Wi-Fi connection, movie controls
13. Tilting Capability
    Available (mirror display when monitor is in self portrait position)
14. Brightness / Color Temp Control (Rear Monitor)
    ±7 levels / ±7 levels
15. Color Tone Select
    Vivid / Natural
16. Live View
    Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line, magnification display (x3/x5/x7/x10/x14),
17. Live View Boost
    Live View Boost 1 , Live View Boost 2* (For dark situations)
    *Settings can be specified for each shooting mode
    *Live View Boost 2: Frame Rate Priority or Quality Priority selectable
    *Off: Brightness in Live View shows specified exposure settings.

Exposure Control / Flash

1. Metering System
   Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control
   *Also available AF target spot metering
2. Metering Range
   EV -2 - 20 (ISO approx.100, with a f/2.8 lens)
3. Exposure Mode / Shooting Mode
   P: program AE (program shift can be performed), A: aperture priority AE, S: Shutter priority AE, M: Manual, B: Bulb (Live Bulb, Live Time and Live Composite are available), Custom 1～4
4. ISO Sensitivity
   AUTO ISO (default) : LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO : LOW (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
5. Exposure Compensation
   ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps
   When shooting in HDR or in video, only adjustable up to ±3 EV steps Live View only reflects up to ±3 EV steps
6. AE Lock
   Locks with a half-press of the shutter button (can be set to AEL/AFL button as well)
7. Anti-Flicker Shooting
   Available
8. Flash Intensity Control Mode
   TTL Auto, Auto*, Manual, Super FP*(FP-TTL AUTO, FP-MANUAL)
   * Available on the external flash
9. Flash Mode
   Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual（1/1（FULL）～1/64）
10. Synchronization Speed
    1/250 sec.
    *When using Super FP: 1/125-1/8000 sec. 
    *When using electronic shutter:　1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
11. Flash Intensity Control
    Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
12. Compatible External Flash
    FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR
13. Wireless Flash Control Method
    Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: FL-LM3 or separately available FL-600R and FL-900R , STF-8,FL-700WR
14. External Flash Intensity Type
    TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
15. Channel No.
    4 channels
16. Group No.
    4 groups (External flash 3 groups + commander flash)
17. Radio Wireless Control
    Available

Memory / Image Recording (File Format)

1. Compatible Memory
   SD, SDHC*1, SDXC*1
   *1 UHS-I,II compatible
2. Recording Format
   DCF2.0, Exif2.31
3. File Format
   RAW (12-bit lossless compression), JPEG, RAW+JPEG
4. Recording Image Size
   [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
5. Dual Card Slot Settings
   Standard, Auto Switch, Dual Independent, Dual Same
   *When two cards are inserted, card to be saved on to or to be viewed can be designated.
6. Folder Creation and Selection
   Available
7. Copy
   Copy single file, copy multiple files, copy all *When copied, the new file will be given a different name from that of the original file.

White Balance / Color Mode

1. White Balance Mode
   Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
2. White Balance Compensation*
   ±7 steps along A-B / G-M axis * Except for Custom WB
3. Preset White Balance
   7 preset WBs (3000K - 7500K) - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
4. CWB (Kelvin Setting)
   2000 - 14000K
5. Capture White Balance
   4 custom settings can be registered
6. Color Mode
   sRGB, Adobe RGB

Bracketing / HDR

1. Exposure Bracketing
   2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
2. ISO Bracketing
   3 frames in 0.3/0.7/1.0EV steps selectable
3. White Balance Bracketing
   3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
4. Flash Bracketing
   3 frames in 0.3/0.7/1.0EV step selectable
5. Art Filter Bracketing
   i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator　selectable
6. Focus Bracketing
   3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
7. Focus Stacking Mode
   8 shots are taken at different focus points and automatically composited together into a single image
   * Angle of view becomes slightly smaller (The cut area guide is displayed)
   * Compatible with :
   M.Zuiko Digital ED 60mm f/2.8 Macro
   M.Zuiko Digital ED 12-40mm f/2.8 PRO
   M.Zuiko Digital ED 40-150mm f/2.8 PRO
   M.Zuiko Digital ED 30mm f/3.5 Macro
   M.Zuiko Digital ED 7-14mm f/2.8 PRO
   M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
   M.Zuiko Digital ED 300mm f/4.0 IS PRO
   M.Zuiko Digital ED 12-100mm F4.0 IS PRO
8. HDR (Auto Composite)
   HDR1, HDR2 (painting-like) ※ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. ※Exposure compensation can be performed.
9. Bracketing for HDR post-process
   3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps. 
   *This sequential shooting H AE bracketing is specifically designed for shooting images that will be HDR-processed on a PC.

Creative Features

1. Picture Mode
   i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Color Creator, Art Filters
2. Gradation
   Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Art Filters, Color Creator]
3. Highlight and Shadow Control
   ±7 steps each for highlight, shadow, midtone
4. Picture Tone
   Neutral, Sepia, Blue, Purple, Green for Monotone
5. Art Filter
   (Variation / Art Effect)
   Pop Art (I, II / a.b.c.d.e)
   Soft Focus ( - / c.e)
   Pale & Light Color (I, II / a.b.c.d)
   Light Tone ( - / d)
   Grainy Film (I, II / b.c.d.f.g)
   Pin Hole (I, II, III / d.)
   Diorama ( - / d.)
   Cross Process (I, II / b.c.d.)
   Gentle Sepia ( - / a.b.c.d.f.)
   Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
   Key Line (I, II / a.b.c.d.e.)
   Watercolor　(I, II / a.b.c.d.)
   Vintage (I, II, III / a.b.c.d.e.f.i)
   Partial Color　(I, II, III / a.b.c.d.e.f)
   Bleach Bypass (I, II / a.b.c.d.e.f.i)
   Instant Film (- / a.b.c.d.e.f.i)
6. Art Effect
   a. Soft Focus Effect
   b. Pin-Hole Effect
   c. White Edge Effect
   d. Frame Effect
   e. Star Light Effect
   f. Blur Effect (Top & bottom, Left & Right)
   g. B&W Effect (None, Yellow, Orange, Red, Green)
   h. Picture Tone (None, Sepia, Blue, Purple, Green)
   i. Shade Effect (Top & bottom, Left & Right)
7. Color Ring (for partial color)
   18 color selectable
8. Live Bulb / Live Time
   Update Interval Time - 0.5 sec – 60 sec
9. Live Composite
   Update Interval Time / composite method – 0.5 sec – 60 sec / Lighten Mode (Bright area prioritization)
10. Interval Shooting
    Interval Time 1sec. - 24 Hours, Max 999 frames. Available on making Time-lapse movie automatically
11. Multiple Exposure (number of pictures / function)
    2 frames / Auto gain, Exposing on Recorded picture(RAW)
12. Fisheye Compensation
    3 styles (can be confirmed in Live View)
    *Underwater correction compatible
    * Enabled when M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO is used.
13. High Res Shot
    Equivalent to 50 megapixels / 25 megapixels
    *Available in P/A/S/M mode, RAW+JPEG or JPEG.
    *JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 10368 x 7776
    *RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC.
    *Electronic Shutter 1/8000 - 60 sec.
14. Handheld High Res Shot
    Equivalent to 50 megapixels / 25 megapixels
    *Available in P/A/S/M mode, RAW+JPEG or JPEG.
    *JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 8160 x 6120
    *Flash can not be used
    *RAW data can be developed in-camera. You need to install Olympus Workspace to develop on a PC.
    *Electronic Shutter 1/8000 - 60 sec.
15. Keystone Compensation
    Available (can be confirmed in Live View)
    *Horizontal and vertical compensation can be performed simultaneously.

Video / Audio Recording

1. Video Recording Format
   MOV(MPEG-4AVC/H.264)
2. Movie Mode / Frame Rate / Compression Method
   4096 × 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
   3840 × 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
   1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
   1920 x 1080 (FHD) / 60p, 50p / IPB (SF, F, N)
   1280 x 720 (HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I),　IPB (SF, F, N)
   60p： 59.94 fps, 50p： 50.00 fps, 30p： 29.97 fps, 25p： 25.00 fps,
   24p： 23.98 fps, C4K 24.00 fps
   FHD ALL-I (A-I： ALL-Intra / approx. 202 Mbps),
   FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx.. 30 Mbps,
   N: Normal / approx. 18 Mbps)
   HD ALL-I (A-I：ALL-Intra　/　approx. 102 Mbps),
   HD IPB(SF：SuperFine　/　approx.26Mbps, 
   F:Fine　/　approx.14Mbps、N：Normal　/　approx.10Mbps)
   HD (1280 x 720) / 30p
   *Frame rates may drop when particular Art Filters and Movie Effects are used.
   *Class 10 or higher SD card is recommended for shooting movies.
   *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.
3. Maximum Video Recording Time
   Approx. 29min
4. Movie Tele-converter
   Approx. 3x (enlarges view of selected area)
5. Art Filter Movie
   Available
   (Frame rates may drop when certain Art Filters are used)
6. Movie Effect
   One-shot Echo / Multi-echo / Art Fade / Old Film
7. Timelapse Movie
   [AVI ]
   3840×2160（4K）/ 5fps
   1920×1080（FHD)/ 5fps，10fps，15fps
   1280×720（HD)/ 5fps、10fps、15fps、30fps
8. Quick Movie / Slow Movie
   With (Both or either of the two may not be available depending on the frame rates.
9. High speed movie
   120fps (1920×1080/MOV
10. IS for Movie
    M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS), 
    M-IS2(Image sensor shift with multi motion IS), Off
    *While using M-IS1, field of view may be affected.
11. AE Lock
    Available
12. Video Exposure Control
    Program AE, aperture priority AE, shutter priority AE, manual
13. Grid Lines / Focus Peaking
    4 types of grid lines / 4 colors for focus peaking
14. Time Code
    Rec run/free run, drop frame/non-drop frame
15. Live View Output via HDMI
    Monitor Mode (outputs video and info display to a connected monitor) *1
    Record Mode (outputs video only, with no info display) *2
    *1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two.
    While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged).
    　　 However, the image can not be enlarged on the camera when a movie is being recorded.
    *2 Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded.
16. Movie Picture Mode
    Flat,OM-Log400 *View assist compatible
17. Audio Recording Format
    Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
18. Microphone / Speaker
    Built-in stereo microphone / built-in mono speaker 
    *External stereo microphone can be attached
19. Microphone Function
    Wind noise reduction, recording volume, microphone volume limiter
    Audio dubbing possible for still pictures (up to 30 sec.)
    *May affect audio quality.
20. IC Recorder Linkage
    Slate Tone / Synchronized Audio Rec-Movie Rec
    *LS-100 compatible

Operability

1. GPS Info Function
   Available (Via GPS smartphone) *Built-in GPS info given priority
2. Wireless Shooting
   Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off *P / A / S / M / B and drive mode can be selected.
   Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted.
3. Image Share
   File Type: JPEG*, MOV Marking function for image share.
4. Easy Connection
   Connect using a QR code
   Connect using Bluetooth (View, Transfer only. Enabled from the second time)
5. Tethered Shooting
   Via USB cable (camera can be operated by both PC or camera controls)
   Via Wi-Fi (Transfer of recorded images to PC via access point, 5GHz and 2.4GHz available)
   Wireless tethering available with Olympus
6. GPS / Field Sensor System
   GPS (GLONASS,QZSS), compass, manometer, temperature sensor, acceleration sensor
7. Playback Mode
   Single-frame, information display, index display (4/9/25/100 frames), calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), light box display
8. Information Display
   Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF

Custom

1. My Menu
   35 items in 5 tabs with 7 items each
2. Mode dial my set
   4 types of settings can be configured to C1-C4 modes on mode dial.
3. Menu custom set
   Available (Settings configured to C1-C4 can be called up via the menu even in P,A,S,M and B modes.
   *Some items including shooting mode may not be called up.
4. Multi Selector customization
   With
5. Dial customization
   Dial function and dial direction are customizable for both dials
6. Lever customization
   Select assignment from 3 different modes, power switch, or off (no function assignment)
7. Button Customization
   Up to 39 functions can be assigned to buttons 
   *Up to 24 functions can be assigned for movie recording
   *Buttons on lenses can also be customized from the camera
   *Some buttons may have restrictions to what functions can be assigned
8. Copyright Settings/Lens info Settings
   With / With (save up to 10 lenses)
9. Menu Languages (34 selectable)
   English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Connectivity / Power Requirements

1. USB Connector
   USB Type-C
2. Remote Connector
   φ2.5Pin Jack (when using separately available RM-CB2).
3. HDMI Connector
   Micro HDMI type D
4. Flash Attachment
   Hot shoe, sync terminal
5. Wireless LAN
   Built-in (IEEE 802.11b/g/n/ac)
6. MIC Input Jack
   φ3.5 stereo mini jack (plug-in power on/off)
7. Headphone Jack
   φ3.5 stereo mini jack
8. PC Interface
   SuperSpeed（USB3.0）
9. TV Interface
   Not Available
10. Battery
    Two BLH-1 Li-ion batteries (included)
    * Can be operated when only one BLH-1 Li-ion battery is equipped.
11. Battery Status Display
    Remaining power (4 steps, %, or by-minute display), shot count, degradation
12. AC Adapter
    AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
13. USB Bus Power
    A USB PD bus power can be used
    ※ PD compliant Camera: Rev 3.0 Ver 1.0a
14. USB Charging
    Built-in battery is charged with AC-5 / USB
    * When the camera power is off
    * Performance varies depending on different USB devices
15. Sleep Mode
    Available (1/3/5 min. off)
16. Number of Recordable Pictures
    Approx. 870 shots (using 2 BLH-1 and Toshiba SDXU-D032G with IS ON, with no flashes attached, based on CIPA test standards)
    Approx. 2,580 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards)
17. Battery Life for Movie Recording
    Approx. 170 minutes* (under standard JEITA testing)
    Approx. 350 minutes* (when zoom and other operational functions are not used)
    *When repeatedly recording at the maximum time of 29 minutes

Weights & Dimensions / Operating Environment / Box Contents

1. Weight
   Approx. 997g (with 2 BLH-1 batteries and 2 Memory cards, based on CIPA standards, without eyecup)
   Approx. 849g (body only)
2. Dimensions
   W:144.4mm H:146.8mm D:75.4mm (based on CIPA standards: excludes protrusions)
3. Environmentally Sealed
   Dust, Splash (IPX1), Freezeproof
4. Operating Temperature Range
   -10ºC ~ +40ºC (when in operation) / -20ºC ~ +60ºC (when stored)
5. Operating Humidity Range
   30 - 90% (when in operation) / 10 - 90% (when stored)

Item Includes

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Olympus Stylus Tough TG-6 Digital Camera - Black

$ 499.99 $ 449.99 - Épuisé

Olympus Stylus Tough TG-6 Digital Camera - Black

Olympus SKU: V104210BU000 | Helix SKU: OYV104210BU000

Overview

• WEATHERPROOF CONSTRUCTION

  Bad things happen to good cameras. That’s why the Tough TG-6 is fully equipped to handle extreme conditions and keep shooting.

• ANTI-FOG

  Don’t sweat if temperatures suddenly change. An anti-fogging design prevents condensation from forming inside the lenses so you’ll always be ready to shoot.

• LENS BARRIER

  Add an extra layer of protection to your TG-6 with the optional lens barrier. It keeps the lens surface free of dirt and prevents scratching.

  

   

  WEATHERPROOF CONSTRUCTION

  Weather can turn nasty in minutes. A freak downpour quickly soaks everything. Plummeting cold exposes your camera to dangerous temperatures. The Tough TG-6 handles it all. Thanks to a system of seals and double lock construction, water, dust, dirt, snow and cold stay outside where they belong. Embark on your next adventure and be confident your camera is ready for any weather, anytime.

  ANTI-FOG

  It’s happened to practically everyone with a camera. You go from air conditioning to high humidity and suddenly there’s condensation all over the lens. That won’t happen with the Tough TG-6. The lens features hermetically sealed, dual pane protective glass to prevent fogging. Your lens stays clear and ready for action.

   

  

  

   

  LENS BARRIER

  The Tough TG-6 features a high-speed, bright F2.0 wide angle lens. Use the optional LB-T01 Lens Barrier to keep dirt and dust off the lens and prevent scratching. Open and close the barrier with a quick turn — even with gloves.

  A SYSTEM BUILT AROUND A CAMERA

  The Tough TG-6 sits at the center of an expansive accessory system. The Sports Holder lets you shoot while the camera is secured to you. The Float Strap stops your camera from sinking while shooting on the water. The Silicone Jacket keeps the Tough TG-6 from getting scratched and lets you firmly grip the body. That’s just a few of many accessories designed to help you get the best performance from your camera.

   

  

  

   

  HANDLES THE TOUGHEST BUSINESS

  If you’re shooting in tough work conditions, we have the camera for you. That’s because it can take the abuse any construction site dishes out or survive the rigors of traveling from one crime scene to another — making it standard equipment for any law enforcement agency. Besides being nearly indestructible, the Tough TG-6 features GPS so you’ll have an accurate record of where your shots were taken. The Date Imprint feature stamps your photos with the date and time for easy cataloging.

Specifications

Sensor / Processor

1. Sensor Type
   1/2.3" BSI CMOS SENSOR
2. Effective Pixels
   12 million
3. ISO Sensitivity
   AUTO ISO: 100 ‐ 1600 with customizable upper limit from 100 to 12800
   Manual ISO: 100 - 12800 (adjustable)
4. Processor
   Olympus TruePic™ VIII

Tough Capabilities

1. Waterproof
   IJIS/IEC protection class 8 (IPX8) - Waterproof to depths of 50 ft / 15 m
2. Dustproof
   JIS/IEC protection class 6 (IP6X)
3. Freezeproof
   Freezeproof to 14°F / -10°C
4. Crushproof
   Crushproof to 220 lbf / 100 kgf
5. Shockproof
   Shockproof from 7 ft / 2.1 m
6. Lens Cover Glass
   Anti-fog dual pane

Lens / Shutter

1. Focal Length (35mm Equiv.)
   4.5mm - 18mm (25mm - 100mm)
2. Aperture Range
   f/2.0 (wide) - f/4.9 (tele)
3. Focus Range
   Throughout entire zoom range : 0.1m - infinity
   (Super Macro: less than f=5.4mm, from 0.1m to 0.3m/above 5.4mm, from 0.01m to 0.3m, microscope : 0.01m - 0.3m)
4. Shutter Speed
   1/2 - 1/2000 sec. (Night Scene, A mode: up to 4 sec.)
5. Optical Zoom
   4x
6. Image Stabilization
   2.5 EV* (Focal length set to 18mm. 35mm Equivalent Focal Length: 100mm)
   *Based on CIPA measurement conditions
7. Live View Image Stabilization
   Throughout entire zoom range : 0.1m - infinity
   (Super Macro: less than f=5.4mm, from 0.1m to 0.3m/above 5.4mm, from 0.01m to 0.3m, microscope : 0.01m - 0.3m)

Focusing System

1. AF System Type
   CMOS Contrast Detection System
2. Focusing Points
   25
3. AF Focus Modes
   Single AF (S-AF) / AF Tracking / Manual Focus (MF)
4. AF Illuminator
   Yes
5. Face Detection
   Yes
6. Manual Focus Assist
   Focus knob rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode
7. Peaking Function
   Yes; Color selection: white, black, red, yellow

Flash

1. Built-in Flash
   Yes
2. Flash Modes
   Auto, Red Eye Reduction, Slow sync. (1st curtain), Red-eye Slow sync. (1st curtain), Fill-in, Manual (1/1 (FULL)～1/64), Flash Off
3. Flash Intensity Control Method
   TTL Auto, Manual
4. Flash Intensity Control
   Up to ±2 EV in 1/3 EV steps selectable

Wireless Flash Control

1. Compatible External Flash
   FL-50R, FL-36R, FL-300R, FL-600R, FL-900R, FL-700WR
2. Control Method
   Triggered and controlled by Olympus Wireless RC Flash system
   Commander Flash: Built-in flash
3. Channel
   1 channel
4. Group No.
   1 group

Rear Monitor

1. Monitor Type
   Color LCD
2. Monitor Size
   3.0" (Aspect Ratio 3:2)
3. Monitor Resolution
   1,040k-dots
4. Touchscreen
   No
5. Monitor Brightness Adjustment
   ±7 levels
6. Live View
   Approx. 100% field of view, exposure compensation preview, WB adjustment preview, gradation preview, face detection preview (up to 8 faces), grid line.
   
   Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off.

Image Recording

1. Removable Memory Type
   SD, SDHC*1, SDXC*1
   *１ UHS-I compatible
2. Recording Format
   DCF2.0, Exif2.3
3. Still Image File Format
   RAW (12-bit lossless compression), JPEG, RAW+JPEG
4. Recording Image Size
   [RAW] 4000 x 3000
   [JPEG] 4000 x 3000 - 640 x 480
5. One Touch Tele-converter
   x2 (P, A, Movie mode), x2/x4 (Microscope mode)
6. Date / Time Stamp
   Available

Shooting Modes

1. Exposure / Shooting Modes
   Intelligent Auto (iAUTO), Program Auto (P), Aperture Priority (A), Movie (Standard, 4K, High-speed), Custom1, Custom2, Underwater (Underwater snap, Underwater wide, Underwater macro, Underwater microscope, Underwater HDR), Microscope (Microscope, Focus stacking, Focus bracket, Microscope control), Scene Mode (SCN)
2. Sequential Shooting
   [Sequential shooting H]*: approx. 20 fps with selectable 10/20 fps
   [Sequential shooting L]: approx. 5 fps
   [Pro Capture]*: approx. 10 fps
   *Electronic Shutter
3. Sequential Shooting Maximum Recordable Frames
   [Sequential shooting H] RAW: Max. 14 frames, JPEG (LN): Until card is full
   [Sequential shooting L] RAW: Max. 40 frames, JPEG (LN): Until card is full
4. Maximum Recordable Frames Prior to Full Shutter Press (Pro Capture Mode)
   Max. 5 Frames

White Balance

1. White Balance Mode
   Auto WB, 6 Preset WBs, 3 Underwater WBs, 4 Capture WBs, Custom WB(Kelvin setting)
2. White Balance Compensation
   ±7 steps along A-B / G-M axis * Except for Custom WB

Creative Features

1. Picture Modes
   i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Art Filters
2. Gradation
   Auto, Normal, High Key, Low Key
   [except when using i-Enhance, Underwater, Art Filters, Color Creator]
3. Scene Modes
   Portrait, e-Portrait, Landscape, Portrait +Landscape, Hand-held Starlight*, Nightscape, Portrait + Nightscape, Children, Sport, Candlelight, Sunset, Fireworks, Beach & Snow, Panorama, Live Composite, Backlight HDR,
   *6 images are automatically captured and combined into a single image composite
4. Art Filters
   Pop Art (I, II / a.b.c.d.e.f.)
   Soft Focus ( - / c.e.)
   Pale & Light Color (I, II / a.b.c.d.f.)
   Light Tone ( - / d.f.)
   Grainy Film (I, II / b.c.d.g.h)
   Pin Hole (I, II, III / d.)
   Diorama ( I,II / d.)
   Cross Process (I, II / b.c.d.f.)
   Gentle Sepia ( - / a.b.c.d.f.)
   Dramatic Tone (I / b.c.d.e.f.) (II / b.c.d.e.f.g.h)
   Key Line (I, II / a.b.c.d.e.)
   Watercolor (I, II / a.b.c.d.)
   Vintage (I, II, III / a.b.c.d.e.f.i)
   Partial Color (I, II, III / a.b.c.d.e.f)
   Bleach Bypass (I, II / a, b, c, d, e, f, i)
   Instant Film (- / a, b, c, d, e, f, i)
5. Detail of Art Effect
   a. Soft Focus Effect
   b. Pin-Hole Effect
   c. White Edge Effect
   d. Frame Effect
   e. Star Light Effect
   f. Blur Effect (Top & bottom, Left & Right)
   g. B&W Effect (None, Yellow, Orange, Red, Green)
   h. Pict. Tone (None, Sepia, Blue, Purple, Green)
   i. Shade Effect (Top & bottom, Left & Right)
6. Color Ring for Partial Color
   18 Selectable Colors
7. Live Composite
   Update interval time / composite method
   .5sec - 4.0 sec / Lighten Mode (Bright area prioritization)
8. Interval Mode
   Interval Time 1 sec. - 24 hours, max 299 frames. Available when automatically creating Time-lapse video.
9. Exposure Compensation
   ±2 adjustable by 1/3 EV steps
10. Focus Bracketing
    Number of images 10 / 20 / 30 
    Focus step : Wide / Standard / Narrow
11. Focus Stacking
    Available*
    * Angle of view becomes slightly smaller

Video / Audio

1. Video File Format
   MOV (MPEG-4AVC / H.264)
2. Video Modes
   [MOV]
   
   3840x2160 (4k) / 30p, 25p (Bit rate: Approx. 102 Mbps)
   1920x1080 (FHD) / 30p, 25p / IPB (SF,F,N)
   1920x1080 (FHD) / 60p, 50p / IPB (SF,F,N)
   1280x720 (HD) / 30p,25p / IPB (SF,F,N)
   
   60p: 59.94fps, 50p: 50.00fps, 30p: 29.97fps, 25p: 25.00fps
   
   FHD IPB (SuperFine / 52Mbps, Fine / 30Mbps, Normal / 18Mbps)
   
   HD IPB (SuperFine / 52Mbps, Fine / 30Mbps, Normal / 18Mbps)
   
   *Frame rates may drop when particular Art Filters and Movie Effects are used.
   *Speed Class 10 SD card is recommended for shooting movies.
   
   *UHS-I Speed Class 3 SD card must be used for 4K video and high speed movie.
3. Maximum Video Recording Time
   [MOV]
   Approx. 29 min
4. Art Filter for Movie
   Yes
   (Frame rates may drop when certain Art Filters are used)
5. Time Lapse Movie
   [MOV]
   3840×2160 (4K) / 5fps
   1920×1080 (FHD) / 5fps, 10fps, 15fps
   1280×720 (HD) / 5fps, 10fps, 15fps, 30fps
6. High Speed Movie
   1920x1080 (FHD) / 120fps, recording time 20 sec.
   1280x720 (HD) / 240fps 20 sec., recording time 20 sec.
   640x360 (SD) / 480fps 20 sec., recording time 20 sec.
7. Image Stabilization for Video
   Digital stabilization (angle of view becomes slightly smaller)
8. Audio Recording
   Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
9. Microphone
   Built-in stereo microphone
10. Speaker
    Built-in mono speaker
11. Live View Output via HDMI
    Monitor Mode (outputs video and info display to a connected monitor)*
    *Info display is not shown on the camera while recording

Connectivity / Power Requirements

1. Wi-Fi
   Built-in (IEEE 802.11 b/g/n)
2. Action Track Sensors
   GPS (GLONASS, QZSS), compass, manometer, temperature sensor, accelerometer
3. PC Connectivity
   USB 2.0 (Micro-B)
4. HDMI
   Micro HDMI (Type D)
5. Print Function
   Print reservation (DPOF)
6. Battery Type
   LI-92B Li-ion battery
7. AC Adapter
   F-5AC
8. Sleep Mode
   Available (1 / 3 / 5 min. off)
9. Battery Life
   Approx. 340 Images (using Toshiba SDHC UHS-I Card Exceria with IS ON, based on CIPA test standards)
   Approx. 50 minutes* (under standard JEITA testing)
   Approx. 110 minutes (when zoom and other operational functions are not used)
   *When repeatedly recording at the maximum time of 29 minutes

Additional Information

1. Self Timer
   Operation time: 12 sec., 2 sec., custom (wait time: 1-30sec., number of shots: 1-10, shot interval: 0.5 / 1 / 2 / 3sec.)
2. Languages
   34 selectable languages: English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Weights / Dimensions / Bundled Items

1. Dimensions
   W: 113 mm H: 66 mm D: 32.4 mm (based on CIPA standards, excludes protrusions)
   W: 4.43 in H: 2.6 in D: 1.23 in
2. Weight
   Approx. 253 g (with battery and memory card, based on CIPA standards)
   (0.56 lb / 8.92 oz)

Item Includes

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