$ 979.99
Canon SKU: 5331C002 | Helix SKU: CA5331C002
More Than A Upgrade
The EOS R10 is perfect for content creators looking to take their creativity to the next level. Featuring a high-speed shooting 15 FPS mechanical shutter1,2, a 24.2 Megapixel CMOS (APS-C) sensor, and lightning fast autofocus, the EOS R10 camera brings some of the best features from the growing EOS R Series to a sleek, lightweight design.
CAPTURE SHARP PHOTOS AND VIDEO
Offering high sensitivity, nuanced image quality, and fast overall performance, a 24.2 Megapixel CMOS (APS-C) sensor delivers stunning resolution to fast-action photos taken day or night. Plus, the efficient DIGIC X advanced image processor powers 4K video capture and reduces noise, so you can continuously shoot without worrying about capturing the shot.
FULL FEATURES, SLEEK DESIGN
The easy-to-carry EOS R10 packs advanced features into a lightweight, compact design. Pair with a Canon RF-S/RF lens (or EF/EF-S lens using the Mount Adapter EF-EOS R*) for a high performance setup that fits easily and comfortably in your hand.
CAPTURE FAST-MOVING SUBJECTS IN BRILLIANT DETAIL
With a high-speed shooting 15 FPS mechanical shutter1,2, the EOS R10 can capture the perfect moment between your subject's movement. This is ideal for dynamic action photos such as sports, animals, cars – or life just as it happens.
SMART, SPEEDY AUTOFOCUS
Canon's Dual Pixel CMOS AF technology with people, animal3, and vehicle subject detection lets you keep your eye on the action while it holds your subject in crystal clear focus.
RECORD EACH CLIP OVER 30 MINUTES
Set up your video without worrying about it stopping after 30-minutes4.
OPTIMIZED FOR VIDEO
Get professional-grade 4K video on-the-go with Movie Servo AF, an autofocus system that includes subject detection and subject tracking for quicker shooting and a stronger focus.
COMPATIBILITY WITH FULL RANGE OF CANON RF-S, RF, EF, EF-S MOUNTS*
Backwards compatible, future proof. Enjoy full compatibility with Canon's legendary line up of lenses past, present and future.
| Type | Digital single-lens non-reflex AF/AE camera |
| Image Processor | DIGIC X |
| Recording Media |
SD card
|
| Compatible Lenses |
Canon RF-S/RF lens group (excluding EF, EF-S and EF-M lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF Mount |
| Type | CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Effective Pixels | Approx. 24.2 megapixels |
| Sensor Size | Approx. 22.3 x 14.9 mm |
| Pixel Size | Approx. 3.72 µm square |
| Total Pixels | Approx. 25.5 megapixels |
| Aspect Ratio | 3:2 (Horizontal: Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature |
|
| Settings |
2Setting method options include [Custom White Balance] and [Shoot to set WB]. |
| Auto White Balance | Option between ambience priority and white priority settings. |
| White Balance Shift |
Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels
|
| Type | OLED color electronic viewfinder; approx. 2.36 million dots resolution |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 22mm eyepoint). |
| Magnification/Angle of View | Approx. 0.95x / Approx. 28 degrees (with 3:2 display, a 50mm lens at infinity, -1 m--1) |
| Eye Point | Approx. 22mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -3.0 to + 1.0 m-1 (dpt) |
Autofocus
| Focus Method | Dual Pixel CMOS AF | |||||||
| Number of AF Zones Available for Automatic Selection |
AF area: Horizontal: Approx. 100% x Vertical: Approx. 100%* Stills: Max. 651 zones (31 x 21) Movies: Max. 527 zones (31 x 17) |
|||||||
| AF Working Range |
EV -4 to 20 (f/1.2 lens*, center AF point, One-Shot AF, at room temperature, ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
|||||||
| Focusing Brightness Range (Movie Recording) |
Full HD 29.97fps : EV -3.5 to 20 With an f/1.2 lens*, center AF point, One-Shot AF,at room temperature, ISO 100 * Except RF lenses with a Defocus Smoothing (DS) coating. |
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| AF Methods |
|
|||||||
| Subject to Detect |
People, Animals, Vehicles, No Priority * Available with [AF Area] set to Whole area AF |
|||||||
| Focus Mode Switch |
AF / MF
|
| Metering Modes |
Real-time metering with image sensor (384 [24x16 zone metering])
|
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| Metering Range |
Still Photo Shooting : EV -2 to 20 (at room temperature, ISO 100) Movie Recording: EV 0 to 20 (at room temperature, ISO 100) |
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| Exposure Control Modes | Click here to view full specifications PDF | ||||||||||||||||||||||||||||||||||||||||||||||||||
| ISO Speed Range |
Available ISO speeds; user-set
User-defined ISO range - still photo shooting
* Expanded ISO speeds are noted as being equivalent to these speeds. User-defined Auto ISO range - still photo shooting
ISO Auto details in still photo shooting
*1 ISO 200 when [Highlight tone priority] is set to [Enable] or [Enhanced]. |
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| Exposure Compensation |
|
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| AE Lock |
|
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| Type |
* In electronic shutter shooting under conditions such as flash firing by other cameras or with fluorescent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image. |
||||||||
| Shutter Speeds |
When [Mechanical] or [Elec. 1st- curtain] is set: 1/4000-30 sec, bulb When [Electronic] is set: 1/4000-30 sec. |
||||||||
| X-Sync Speed |
Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec. |
||||||||
| Shutter Release | Soft-touch electromagnetic release | ||||||||
| Self Timer | 10-sec. delay, 2-sec. delay | ||||||||
| Shutter Lag Time |
Based on Canon testing standards. |
| IS Mode Overview |
Although the camera has no in-body IS, setting to Movie digital IS during movie recording will enable digital image stabilization.
*1: Functions when recording movies in still photo shooting mode. |
| E-TTL Balance | Ambience priority, standard, flash priority | ||||||||
| Compatible E-TTL Speedlites | Canon EX- and EL-series Speedlites | ||||||||
| E-TTL II Flash Meterings |
|
||||||||
| Slow Sync (P/AV Modes) |
|
||||||||
| Flash Function Menu | Provided for EX- and EL-series Speedlites | ||||||||
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments | ||||||||
| Continuous Flash Control |
|
| Drive Modes and Continuous Shooting Speed | Click here to view full specifications PDF |
| Still Photo File Size/Number of Possible Shots/Maximum Burst Continuous Shooting | Click here to view full specifications PDF |
| HDR PQ Shooting |
Disable / Enable * Can be used in conjunction with Auto Lighting Optimizer. |
||||||||
| HDR PQ Shooting - Still |
|
||||||||
| HDR PQ Shooting - Movie |
|
| Focusing | Dual Pixel CMOS AF II |
| Movie Digital IS | Supported |
| Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Canon Log | Not supported |
| Temperature Warning |
The camera warns of rising internal temperatures by means of icons and indicators. Click here to view full specifications PDF |
| Estimated Camera Recovery Time |
Estimated recovery times are indicated below. These are affected by various factors such as ambient temperature, continued camera operation and the selected shooting resolution. The time until full record time is available, will vary with ambient temperature. Click here to view full specifications PDF |
| Movie Recording Format | Click here to view full specifications PDF |
| Estimated Recording Time and Data | Click here to view full specifications PDF |
| Type | TFT color, liquid-crystal monitor |
| Monitor Size | 3.0-inch (screen aspect ratio of 3:2) |
| Dots | Approx. 1.04 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
| Display Format |
|
|||||||||||||||||||||||||||||||||||||
| Highlight Alert | The white areas with no image data will blink. | |||||||||||||||||||||||||||||||||||||
| Histogram | Brightness and RGB | |||||||||||||||||||||||||||||||||||||
| Function | The Quick Control screen is accessed by pressing the Quick Control button during still photo shooting. |
| Protection |
|
| Erase |
Except protected images
|
| Wireless Communications | Images can be sent via Wi-Fi to a PictBridge-compatible (Wireless LAN) printer and printed. |
| DPOF | Compliant to DPOF Version 1.1 |
| Standards Compliance | IEEE 802.11b/g/n | |||||||||||||||||||||||||
| Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n) |
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| Transition Frequency (Central Frequency) |
2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels |
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| Security |
|
|||||||||||||||||||||||||
| Communication with a Smartphone |
Images can be viewed, controlled, and received using a smartphone. Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications. Images can be sent to a smartphone. Firmware can be downloaded and saved to a card in the camera using Camera Connect. |
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| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fii® using EOS Utility. | |||||||||||||||||||||||||
| Print from Wi-Fi Printers | Supported. | |||||||||||||||||||||||||
| Send Images to a Web Service |
Still photos (RAW, C-RAW, HEIF, and JPEG) and movies (MP4) can be uploaded to image.canon server album. With the image.canon server, images can be sent to social media or a photo album link can be sent (by the image.canon specifications). |
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| Standards Compliance | Bluetooth Specification Version 4.2 compliant (Bluetooth low energy technology) |
| Transmission Method | GFSK modulation |
| Custom Functions |
|
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| Custom Dials |
Customizable Dials
|
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| My Menu Registration |
|
| USB Terminal |
Hi-Speed USB (USB 2.0) equivalent
|
| Video Out Terminal |
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
|
| Clean HDMI Output | Provided |
| Microphone Input Terminal | 3.5mm diameter stereo mini jack |
| Headphone Terminal | Not Supported |
| Remote Control Terminal | Remote Switch RS-60E3 type terminal supported |
| Wireless Remote Control | Compatible with the Wireless Remote Control BR-E1 |
| Multi-Function Shoe | Supported |
| Battery |
LP-E17
|
| Battery Check |
|
| Start-Up Time |
Approx. 0.4 sec.
|
| Dimensions (W x H x D) |
Approx. 4.82 x 3.46 x 3.28 in. / 122.5 x 87.8 x 83.4mm
|
| Weight |
Approx. 0.84 lbs (13.48 oz) Body Only Approx. 0.94 lbs (15.14 oz) With battery,and memory card |
| Working Temperature Range | 32-104° F / 0-+40°C |
| Working Humidity | 85% or less |
*Note: Prices and specifications subject to change without notice.
EOS R10
$ 1,299.00 $ 1,099.00 - Sold Out
Canon SKU: 5331C079 | Helix SKU: CA5331C079
More Than A Upgrade
The EOS R10 is perfect for content creators looking to take their creativity to the next level. Featuring a high-speed shooting 15 FPS mechanical shutter1,2, a 24.2 Megapixel CMOS (APS-C) sensor, and lightning fast autofocus, the EOS R10 camera brings some of the best features from the growing EOS R Series to a sleek, lightweight design.
CAPTURE SHARP PHOTOS AND VIDEO
Offering high sensitivity, nuanced image quality, and fast overall performance, a 24.2 Megapixel CMOS (APS-C) sensor delivers stunning resolution to fast-action photos taken day or night. Plus, the efficient DIGIC X advanced image processor powers 4K video capture and reduces noise, so you can continuously shoot without worrying about capturing the shot.
FULL FEATURES, SLEEK DESIGN
The easy-to-carry EOS R10 packs advanced features into a lightweight, compact design. Pair with a Canon RF-S/RF lens (or EF/EF-S lens using the Mount Adapter EF-EOS R*) for a high performance setup that fits easily and comfortably in your hand.
CAPTURE FAST-MOVING SUBJECTS IN BRILLIANT DETAIL
With a high-speed shooting 15 FPS mechanical shutter1,2, the EOS R10 can capture the perfect moment between your subject's movement. This is ideal for dynamic action photos such as sports, animals, cars – or life just as it happens.
SMART, SPEEDY AUTOFOCUS
Canon's Dual Pixel CMOS AF technology with people, animal3, and vehicle subject detection lets you keep your eye on the action while it holds your subject in crystal clear focus.
RECORD EACH CLIP OVER 30 MINUTES
Set up your video without worrying about it stopping after 30-minutes4.
OPTIMIZED FOR VIDEO
Get professional-grade 4K video on-the-go with Movie Servo AF, an autofocus system that includes subject detection and subject tracking for quicker shooting and a stronger focus.
COMPATIBILITY WITH FULL RANGE OF CANON RF-S, RF, EF, EF-S MOUNTS*
Backwards compatible, future proof. Enjoy full compatibility with Canon's legendary line up of lenses past, present and future.
| Type | Digital single-lens non-reflex AF/AE camera |
| Image Processor | DIGIC X |
| Recording Media |
SD card
|
| Compatible Lenses |
Canon RF-S/RF lens group (excluding EF, EF-S and EF-M lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF Mount |
| Type | CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Effective Pixels | Approx. 24.2 megapixels |
| Sensor Size | Approx. 22.3 x 14.9 mm |
| Pixel Size | Approx. 3.72 µm square |
| Total Pixels | Approx. 25.5 megapixels |
| Aspect Ratio | 3:2 (Horizontal: Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature |
|
| Settings |
2Setting method options include [Custom White Balance] and [Shoot to set WB]. |
| Auto White Balance | Option between ambience priority and white priority settings. |
| White Balance Shift |
Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels
|
| Type | OLED color electronic viewfinder; approx. 2.36 million dots resolution |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 22mm eyepoint). |
| Magnification/Angle of View | Approx. 0.95x / Approx. 28 degrees (with 3:2 display, a 50mm lens at infinity, -1 m--1) |
| Eye Point | Approx. 22mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -3.0 to + 1.0 m-1 (dpt) |
Autofocus
| Focus Method | Dual Pixel CMOS AF | |||||||
| Number of AF Zones Available for Automatic Selection |
AF area: Horizontal: Approx. 100% x Vertical: Approx. 100%* Stills: Max. 651 zones (31 x 21) Movies: Max. 527 zones (31 x 17) |
|||||||
| AF Working Range |
EV -4 to 20 (f/1.2 lens*, center AF point, One-Shot AF, at room temperature, ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
|||||||
| Focusing Brightness Range (Movie Recording) |
Full HD 29.97fps : EV -3.5 to 20 With an f/1.2 lens*, center AF point, One-Shot AF,at room temperature, ISO 100 * Except RF lenses with a Defocus Smoothing (DS) coating. |
|||||||
| AF Methods |
|
|||||||
| Subject to Detect |
People, Animals, Vehicles, No Priority * Available with [AF Area] set to Whole area AF |
|||||||
| Focus Mode Switch |
AF / MF
|
| Metering Modes |
Real-time metering with image sensor (384 [24x16 zone metering])
|
||||||||||||||||||||||||||||||||||||||||||||||||||
| Metering Range |
Still Photo Shooting : EV -2 to 20 (at room temperature, ISO 100) Movie Recording: EV 0 to 20 (at room temperature, ISO 100) |
||||||||||||||||||||||||||||||||||||||||||||||||||
| Exposure Control Modes | Click here to view full specifications PDF | ||||||||||||||||||||||||||||||||||||||||||||||||||
| ISO Speed Range |
Available ISO speeds; user-set
User-defined ISO range - still photo shooting
* Expanded ISO speeds are noted as being equivalent to these speeds. User-defined Auto ISO range - still photo shooting
ISO Auto details in still photo shooting
*1 ISO 200 when [Highlight tone priority] is set to [Enable] or [Enhanced]. |
||||||||||||||||||||||||||||||||||||||||||||||||||
| Exposure Compensation |
|
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| AE Lock |
|
||||||||||||||||||||||||||||||||||||||||||||||||||
| Type |
* In electronic shutter shooting under conditions such as flash firing by other cameras or with fluorescent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image. |
||||||||
| Shutter Speeds |
When [Mechanical] or [Elec. 1st- curtain] is set: 1/4000-30 sec, bulb When [Electronic] is set: 1/4000-30 sec. |
||||||||
| X-Sync Speed |
Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec. |
||||||||
| Shutter Release | Soft-touch electromagnetic release | ||||||||
| Self Timer | 10-sec. delay, 2-sec. delay | ||||||||
| Shutter Lag Time |
Based on Canon testing standards. |
| IS Mode Overview |
Although the camera has no in-body IS, setting to Movie digital IS during movie recording will enable digital image stabilization.
*1: Functions when recording movies in still photo shooting mode. |
| E-TTL Balance | Ambience priority, standard, flash priority | ||||||||
| Compatible E-TTL Speedlites | Canon EX- and EL-series Speedlites | ||||||||
| E-TTL II Flash Meterings |
|
||||||||
| Slow Sync (P/AV Modes) |
|
||||||||
| Flash Function Menu | Provided for EX- and EL-series Speedlites | ||||||||
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments | ||||||||
| Continuous Flash Control |
|
| Drive Modes and Continuous Shooting Speed | Click here to view full specifications PDF |
| Still Photo File Size/Number of Possible Shots/Maximum Burst Continuous Shooting | Click here to view full specifications PDF |
| HDR PQ Shooting |
Disable / Enable * Can be used in conjunction with Auto Lighting Optimizer. |
||||||||
| HDR PQ Shooting - Still |
|
||||||||
| HDR PQ Shooting - Movie |
|
| Focusing | Dual Pixel CMOS AF II |
| Movie Digital IS | Supported |
| Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Canon Log | Not supported |
| Temperature Warning |
The camera warns of rising internal temperatures by means of icons and indicators. Click here to view full specifications PDF |
| Estimated Camera Recovery Time |
Estimated recovery times are indicated below. These are affected by various factors such as ambient temperature, continued camera operation and the selected shooting resolution. The time until full record time is available, will vary with ambient temperature. Click here to view full specifications PDF |
| Movie Recording Format | Click here to view full specifications PDF |
| Estimated Recording Time and Data | Click here to view full specifications PDF |
| Type | TFT color, liquid-crystal monitor |
| Monitor Size | 3.0-inch (screen aspect ratio of 3:2) |
| Dots | Approx. 1.04 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
| Display Format |
|
|||||||||||||||||||||||||||||||||||||
| Highlight Alert | The white areas with no image data will blink. | |||||||||||||||||||||||||||||||||||||
| Histogram | Brightness and RGB | |||||||||||||||||||||||||||||||||||||
| Function | The Quick Control screen is accessed by pressing the Quick Control button during still photo shooting. |
| Protection |
|
| Erase |
Except protected images
|
| Wireless Communications | Images can be sent via Wi-Fi to a PictBridge-compatible (Wireless LAN) printer and printed. |
| DPOF | Compliant to DPOF Version 1.1 |
| Standards Compliance | IEEE 802.11b/g/n | |||||||||||||||||||||||||
| Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n) |
|||||||||||||||||||||||||
| Transition Frequency (Central Frequency) |
2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels |
|||||||||||||||||||||||||
| Security |
|
|||||||||||||||||||||||||
| Communication with a Smartphone |
Images can be viewed, controlled, and received using a smartphone. Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications. Images can be sent to a smartphone. Firmware can be downloaded and saved to a card in the camera using Camera Connect. |
|||||||||||||||||||||||||
| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fii® using EOS Utility. | |||||||||||||||||||||||||
| Print from Wi-Fi Printers | Supported. | |||||||||||||||||||||||||
| Send Images to a Web Service |
Still photos (RAW, C-RAW, HEIF, and JPEG) and movies (MP4) can be uploaded to image.canon server album. With the image.canon server, images can be sent to social media or a photo album link can be sent (by the image.canon specifications). |
|||||||||||||||||||||||||
| Standards Compliance | Bluetooth Specification Version 4.2 compliant (Bluetooth low energy technology) |
| Transmission Method | GFSK modulation |
| Custom Functions |
|
|||||||||||||||||||||||||||||||||||||||||||||||
| Custom Dials |
Customizable Dials
|
|||||||||||||||||||||||||||||||||||||||||||||||
| My Menu Registration |
|
| USB Terminal |
Hi-Speed USB (USB 2.0) equivalent
|
| Video Out Terminal |
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
|
| Clean HDMI Output | Provided |
| Microphone Input Terminal | 3.5mm diameter stereo mini jack |
| Headphone Terminal | Not Supported |
| Remote Control Terminal | Remote Switch RS-60E3 type terminal supported |
| Wireless Remote Control | Compatible with the Wireless Remote Control BR-E1 |
| Multi-Function Shoe | Supported |
| Battery |
LP-E17
|
| Battery Check |
|
| Start-Up Time |
Approx. 0.4 sec.
|
| Dimensions (W x H x D) |
Approx. 4.82 x 3.46 x 3.28 in. / 122.5 x 87.8 x 83.4mm
|
| Weight |
Approx. 0.84 lbs (13.48 oz) Body Only Approx. 0.94 lbs (15.14 oz) With battery,and memory card |
| Working Temperature Range | 32-104° F / 0-+40°C |
| Working Humidity | 85% or less |
*Note: Prices and specifications subject to change without notice.
EOS R10
$ 1,379.00 $ 1,279.00
Canon SKU: 5331C016 | Helix SKU: CA5331C016
More Than An Upgrade
The EOS R10 is perfect for content creators looking to take their creativity to the next level. Featuring a high-speed shooting 15 FPS mechanical shutter1,2, a 24.2 Megapixel CMOS (APS-C) sensor, and lightning fast autofocus, the EOS R10 camera brings some of the best features from the growing EOS R Series to a sleek, lightweight design.
CAPTURE SHARP PHOTOS AND VIDEO
Offering high sensitivity, nuanced image quality, and fast overall performance, a 24.2 Megapixel CMOS (APS-C) sensor delivers stunning resolution to fast-action photos taken day or night. Plus, the efficient DIGIC X advanced image processor powers 4K video capture and reduces noise, so you can continuously shoot without worrying about capturing the shot.
FULL FEATURES, SLEEK DESIGN
The easy-to-carry EOS R10 packs advanced features into a lightweight, compact design. Pair with a Canon RF-S/RF lens (or EF/EF-S lens using the Mount Adapter EF-EOS R*) for a high performance setup that fits easily and comfortably in your hand.
CAPTURE FAST-MOVING SUBJECTS IN BRILLIANT DETAIL
With a high-speed shooting 15 FPS mechanical shutter1,2, the EOS R10 can capture the perfect moment between your subject's movement. This is ideal for dynamic action photos such as sports, animals, cars – or life just as it happens.
SMART, SPEEDY AUTOFOCUS
Canon's Dual Pixel CMOS AF technology with people, animal3, and vehicle subject detection lets you keep your eye on the action while it holds your subject in crystal clear focus.
RECORD EACH CLIP OVER 30 MINUTES
Set up your video without worrying about it stopping after 30-minutes4.
OPTIMIZED FOR VIDEO
Get professional-grade 4K video on-the-go with Movie Servo AF, an autofocus system that includes subject detection and subject tracking for quicker shooting and a stronger focus.
COMPATIBILITY WITH FULL RANGE OF CANON RF-S, RF, EF, EF-S MOUNTS*
Backwards compatible, future proof. Enjoy full compatibility with Canon's legendary line up of lenses past, present and future.
| Type | Digital single-lens non-reflex AF/AE camera |
| Image Processor | DIGIC X |
| Recording Media |
SD card
|
| Compatible Lenses |
Canon RF-S/RF lens group (excluding EF, EF-S and EF-M lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF Mount |
| Type | CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Effective Pixels | Approx. 24.2 megapixels |
| Sensor Size | Approx. 22.3 x 14.9 mm |
| Pixel Size | Approx. 3.72 µm square |
| Total Pixels | Approx. 25.5 megapixels |
| Aspect Ratio | 3:2 (Horizontal: Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature |
|
| Settings |
2Setting method options include [Custom White Balance] and [Shoot to set WB]. |
| Auto White Balance | Option between ambience priority and white priority settings. |
| White Balance Shift |
Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels
|
| Type | OLED color electronic viewfinder; approx. 2.36 million dots resolution |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 22mm eyepoint). |
| Magnification/Angle of View | Approx. 0.95x / Approx. 28 degrees (with 3:2 display, a 50mm lens at infinity, -1 m--1) |
| Eye Point | Approx. 22mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -3.0 to + 1.0 m-1 (dpt) |
Autofocus
| Focus Method | Dual Pixel CMOS AF | |||||||
| Number of AF Zones Available for Automatic Selection |
AF area: Horizontal: Approx. 100% x Vertical: Approx. 100%* Stills: Max. 651 zones (31 x 21) Movies: Max. 527 zones (31 x 17) |
|||||||
| AF Working Range |
EV -4 to 20 (f/1.2 lens*, center AF point, One-Shot AF, at room temperature, ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
|||||||
| Focusing Brightness Range (Movie Recording) |
Full HD 29.97fps : EV -3.5 to 20 With an f/1.2 lens*, center AF point, One-Shot AF,at room temperature, ISO 100 * Except RF lenses with a Defocus Smoothing (DS) coating. |
|||||||
| AF Methods |
|
|||||||
| Subject to Detect |
People, Animals, Vehicles, No Priority * Available with [AF Area] set to Whole area AF |
|||||||
| Focus Mode Switch |
AF / MF
|
| Metering Modes |
Real-time metering with image sensor (384 [24x16 zone metering])
|
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| Metering Range |
Still Photo Shooting : EV -2 to 20 (at room temperature, ISO 100) Movie Recording: EV 0 to 20 (at room temperature, ISO 100) |
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| Exposure Control Modes | Click here to view full specifications PDF | ||||||||||||||||||||||||||||||||||||||||||||||||||
| ISO Speed Range |
Available ISO speeds; user-set
User-defined ISO range - still photo shooting
* Expanded ISO speeds are noted as being equivalent to these speeds. User-defined Auto ISO range - still photo shooting
ISO Auto details in still photo shooting
*1 ISO 200 when [Highlight tone priority] is set to [Enable] or [Enhanced]. |
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| Exposure Compensation |
|
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| AE Lock |
|
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| Type |
* In electronic shutter shooting under conditions such as flash firing by other cameras or with fluorescent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image. |
||||||||
| Shutter Speeds |
When [Mechanical] or [Elec. 1st- curtain] is set: 1/4000-30 sec, bulb When [Electronic] is set: 1/4000-30 sec. |
||||||||
| X-Sync Speed |
Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec. |
||||||||
| Shutter Release | Soft-touch electromagnetic release | ||||||||
| Self Timer | 10-sec. delay, 2-sec. delay | ||||||||
| Shutter Lag Time |
Based on Canon testing standards. |
| IS Mode Overview |
Although the camera has no in-body IS, setting to Movie digital IS during movie recording will enable digital image stabilization.
*1: Functions when recording movies in still photo shooting mode. |
| E-TTL Balance | Ambience priority, standard, flash priority | ||||||||
| Compatible E-TTL Speedlites | Canon EX- and EL-series Speedlites | ||||||||
| E-TTL II Flash Meterings |
|
||||||||
| Slow Sync (P/AV Modes) |
|
||||||||
| Flash Function Menu | Provided for EX- and EL-series Speedlites | ||||||||
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments | ||||||||
| Continuous Flash Control |
|
| Drive Modes and Continuous Shooting Speed | Click here to view full specifications PDF |
| Still Photo File Size/Number of Possible Shots/Maximum Burst Continuous Shooting | Click here to view full specifications PDF |
| HDR PQ Shooting |
Disable / Enable * Can be used in conjunction with Auto Lighting Optimizer. |
||||||||
| HDR PQ Shooting - Still |
|
||||||||
| HDR PQ Shooting - Movie |
|
| Focusing | Dual Pixel CMOS AF II |
| Movie Digital IS | Supported |
| Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Canon Log | Not supported |
| Temperature Warning |
The camera warns of rising internal temperatures by means of icons and indicators. Click here to view full specifications PDF |
| Estimated Camera Recovery Time |
Estimated recovery times are indicated below. These are affected by various factors such as ambient temperature, continued camera operation and the selected shooting resolution. The time until full record time is available, will vary with ambient temperature. Click here to view full specifications PDF |
| Movie Recording Format | Click here to view full specifications PDF |
| Estimated Recording Time and Data | Click here to view full specifications PDF |
| Type | TFT color, liquid-crystal monitor |
| Monitor Size | 3.0-inch (screen aspect ratio of 3:2) |
| Dots | Approx. 1.04 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
| Display Format |
|
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| Highlight Alert | The white areas with no image data will blink. | |||||||||||||||||||||||||||||||||||||
| Histogram | Brightness and RGB | |||||||||||||||||||||||||||||||||||||
| Function | The Quick Control screen is accessed by pressing the Quick Control button during still photo shooting. |
| Protection |
|
| Erase |
Except protected images
|
| Wireless Communications | Images can be sent via Wi-Fi to a PictBridge-compatible (Wireless LAN) printer and printed. |
| DPOF | Compliant to DPOF Version 1.1 |
| Standards Compliance | IEEE 802.11b/g/n | |||||||||||||||||||||||||
| Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n) |
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| Transition Frequency (Central Frequency) |
2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels |
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| Security |
|
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| Communication with a Smartphone |
Images can be viewed, controlled, and received using a smartphone. Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications. Images can be sent to a smartphone. Firmware can be downloaded and saved to a card in the camera using Camera Connect. |
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| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fii® using EOS Utility. | |||||||||||||||||||||||||
| Print from Wi-Fi Printers | Supported. | |||||||||||||||||||||||||
| Send Images to a Web Service |
Still photos (RAW, C-RAW, HEIF, and JPEG) and movies (MP4) can be uploaded to image.canon server album. With the image.canon server, images can be sent to social media or a photo album link can be sent (by the image.canon specifications). |
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| Standards Compliance | Bluetooth Specification Version 4.2 compliant (Bluetooth low energy technology) |
| Transmission Method | GFSK modulation |
| Custom Functions |
|
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| Custom Dials |
Customizable Dials
|
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| My Menu Registration |
|
| USB Terminal |
Hi-Speed USB (USB 2.0) equivalent
|
| Video Out Terminal |
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
|
| Clean HDMI Output | Provided |
| Microphone Input Terminal | 3.5mm diameter stereo mini jack |
| Headphone Terminal | Not Supported |
| Remote Control Terminal | Remote Switch RS-60E3 type terminal supported |
| Wireless Remote Control | Compatible with the Wireless Remote Control BR-E1 |
| Multi-Function Shoe | Supported |
| Battery |
LP-E17
|
| Battery Check |
|
| Start-Up Time |
Approx. 0.4 sec.
|
| Dimensions (W x H x D) |
Approx. 4.82 x 3.46 x 3.28 in. / 122.5 x 87.8 x 83.4mm
|
| Weight |
Approx. 0.84 lbs (13.48 oz) Body Only Approx. 0.94 lbs (15.14 oz) With battery,and memory card |
| Working Temperature Range | 32-104° F / 0-+40°C |
| Working Humidity | 85% or less |
*Note: Prices and specifications subject to change without notice.
EOS R10
$ 1,099.00 $ 999.00
Canon SKU: 5331C009 | Helix SKU: CA5331C009
More Than An Upgrade
The EOS R10 is perfect for content creators looking to take their creativity to the next level. Featuring a high-speed shooting 15 FPS mechanical shutter1,2, a 24.2 Megapixel CMOS (APS-C) sensor, and lightning fast autofocus, the EOS R10 camera brings some of the best features from the growing EOS R Series to a sleek, lightweight design.
CAPTURE SHARP PHOTOS AND VIDEO
Offering high sensitivity, nuanced image quality, and fast overall performance, a 24.2 Megapixel CMOS (APS-C) sensor delivers stunning resolution to fast-action photos taken day or night. Plus, the efficient DIGIC X advanced image processor powers 4K video capture and reduces noise, so you can continuously shoot without worrying about capturing the shot.
FULL FEATURES, SLEEK DESIGN
The easy-to-carry EOS R10 packs advanced features into a lightweight, compact design. Pair with a Canon RF-S/RF lens (or EF/EF-S lens using the Mount Adapter EF-EOS R*) for a high performance setup that fits easily and comfortably in your hand.
CAPTURE FAST-MOVING SUBJECTS IN BRILLIANT DETAIL
With a high-speed shooting 15 FPS mechanical shutter1,2, the EOS R10 can capture the perfect moment between your subject's movement. This is ideal for dynamic action photos such as sports, animals, cars – or life just as it happens.
SMART, SPEEDY AUTOFOCUS
Canon's Dual Pixel CMOS AF technology with people, animal3, and vehicle subject detection lets you keep your eye on the action while it holds your subject in crystal clear focus.
RECORD EACH CLIP OVER 30 MINUTES
Set up your video without worrying about it stopping after 30-minutes4.
OPTIMIZED FOR VIDEO
Get professional-grade 4K video on-the-go with Movie Servo AF, an autofocus system that includes subject detection and subject tracking for quicker shooting and a stronger focus.
COMPATIBILITY WITH FULL RANGE OF CANON RF-S, RF, EF, EF-S MOUNTS*
Backwards compatible, future proof. Enjoy full compatibility with Canon's legendary line up of lenses past, present and future.
| Type | Digital single-lens non-reflex AF/AE camera |
| Image Processor | DIGIC X |
| Recording Media |
SD card
|
| Compatible Lenses |
Canon RF-S/RF lens group (excluding EF, EF-S and EF-M lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF Mount |
| Type | CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Effective Pixels | Approx. 24.2 megapixels |
| Sensor Size | Approx. 22.3 x 14.9 mm |
| Pixel Size | Approx. 3.72 µm square |
| Total Pixels | Approx. 25.5 megapixels |
| Aspect Ratio | 3:2 (Horizontal: Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature |
|
| Settings |
2Setting method options include [Custom White Balance] and [Shoot to set WB]. |
| Auto White Balance | Option between ambience priority and white priority settings. |
| White Balance Shift |
Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels
|
| Type | OLED color electronic viewfinder; approx. 2.36 million dots resolution |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 22mm eyepoint). |
| Magnification/Angle of View | Approx. 0.95x / Approx. 28 degrees (with 3:2 display, a 50mm lens at infinity, -1 m--1) |
| Eye Point | Approx. 22mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -3.0 to + 1.0 m-1 (dpt) |
Autofocus
| Focus Method | Dual Pixel CMOS AF | |||||||
| Number of AF Zones Available for Automatic Selection |
AF area: Horizontal: Approx. 100% x Vertical: Approx. 100%* Stills: Max. 651 zones (31 x 21) Movies: Max. 527 zones (31 x 17) |
|||||||
| AF Working Range |
EV -4 to 20 (f/1.2 lens*, center AF point, One-Shot AF, at room temperature, ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
|||||||
| Focusing Brightness Range (Movie Recording) |
Full HD 29.97fps : EV -3.5 to 20 With an f/1.2 lens*, center AF point, One-Shot AF,at room temperature, ISO 100 * Except RF lenses with a Defocus Smoothing (DS) coating. |
|||||||
| AF Methods |
|
|||||||
| Subject to Detect |
People, Animals, Vehicles, No Priority * Available with [AF Area] set to Whole area AF |
|||||||
| Focus Mode Switch |
AF / MF
|
| Metering Modes |
Real-time metering with image sensor (384 [24x16 zone metering])
|
||||||||||||||||||||||||||||||||||||||||||||||||||
| Metering Range |
Still Photo Shooting : EV -2 to 20 (at room temperature, ISO 100) Movie Recording: EV 0 to 20 (at room temperature, ISO 100) |
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| Exposure Control Modes | Click here to view full specifications PDF | ||||||||||||||||||||||||||||||||||||||||||||||||||
| ISO Speed Range |
Available ISO speeds; user-set
User-defined ISO range - still photo shooting
* Expanded ISO speeds are noted as being equivalent to these speeds. User-defined Auto ISO range - still photo shooting
ISO Auto details in still photo shooting
*1 ISO 200 when [Highlight tone priority] is set to [Enable] or [Enhanced]. |
||||||||||||||||||||||||||||||||||||||||||||||||||
| Exposure Compensation |
|
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| AE Lock |
|
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| Type |
* In electronic shutter shooting under conditions such as flash firing by other cameras or with fluorescent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image. |
||||||||
| Shutter Speeds |
When [Mechanical] or [Elec. 1st- curtain] is set: 1/4000-30 sec, bulb When [Electronic] is set: 1/4000-30 sec. |
||||||||
| X-Sync Speed |
Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec. |
||||||||
| Shutter Release | Soft-touch electromagnetic release | ||||||||
| Self Timer | 10-sec. delay, 2-sec. delay | ||||||||
| Shutter Lag Time |
Based on Canon testing standards. |
| IS Mode Overview |
Although the camera has no in-body IS, setting to Movie digital IS during movie recording will enable digital image stabilization.
*1: Functions when recording movies in still photo shooting mode. |
| E-TTL Balance | Ambience priority, standard, flash priority | ||||||||
| Compatible E-TTL Speedlites | Canon EX- and EL-series Speedlites | ||||||||
| E-TTL II Flash Meterings |
|
||||||||
| Slow Sync (P/AV Modes) |
|
||||||||
| Flash Function Menu | Provided for EX- and EL-series Speedlites | ||||||||
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments | ||||||||
| Continuous Flash Control |
|
| Drive Modes and Continuous Shooting Speed | Click here to view full specifications PDF |
| Still Photo File Size/Number of Possible Shots/Maximum Burst Continuous Shooting | Click here to view full specifications PDF |
| HDR PQ Shooting |
Disable / Enable * Can be used in conjunction with Auto Lighting Optimizer. |
||||||||
| HDR PQ Shooting - Still |
|
||||||||
| HDR PQ Shooting - Movie |
|
| Focusing | Dual Pixel CMOS AF II |
| Movie Digital IS | Supported |
| Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Canon Log | Not supported |
| Temperature Warning |
The camera warns of rising internal temperatures by means of icons and indicators. Click here to view full specifications PDF |
| Estimated Camera Recovery Time |
Estimated recovery times are indicated below. These are affected by various factors such as ambient temperature, continued camera operation and the selected shooting resolution. The time until full record time is available, will vary with ambient temperature. Click here to view full specifications PDF |
| Movie Recording Format | Click here to view full specifications PDF |
| Estimated Recording Time and Data | Click here to view full specifications PDF |
| Type | TFT color, liquid-crystal monitor |
| Monitor Size | 3.0-inch (screen aspect ratio of 3:2) |
| Dots | Approx. 1.04 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
| Display Format |
|
|||||||||||||||||||||||||||||||||||||
| Highlight Alert | The white areas with no image data will blink. | |||||||||||||||||||||||||||||||||||||
| Histogram | Brightness and RGB | |||||||||||||||||||||||||||||||||||||
| Function | The Quick Control screen is accessed by pressing the Quick Control button during still photo shooting. |
| Protection |
|
| Erase |
Except protected images
|
| Wireless Communications | Images can be sent via Wi-Fi to a PictBridge-compatible (Wireless LAN) printer and printed. |
| DPOF | Compliant to DPOF Version 1.1 |
| Standards Compliance | IEEE 802.11b/g/n | |||||||||||||||||||||||||
| Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n) |
|||||||||||||||||||||||||
| Transition Frequency (Central Frequency) |
2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels |
|||||||||||||||||||||||||
| Security |
|
|||||||||||||||||||||||||
| Communication with a Smartphone |
Images can be viewed, controlled, and received using a smartphone. Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications. Images can be sent to a smartphone. Firmware can be downloaded and saved to a card in the camera using Camera Connect. |
|||||||||||||||||||||||||
| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fii® using EOS Utility. | |||||||||||||||||||||||||
| Print from Wi-Fi Printers | Supported. | |||||||||||||||||||||||||
| Send Images to a Web Service |
Still photos (RAW, C-RAW, HEIF, and JPEG) and movies (MP4) can be uploaded to image.canon server album. With the image.canon server, images can be sent to social media or a photo album link can be sent (by the image.canon specifications). |
|||||||||||||||||||||||||
| Standards Compliance | Bluetooth Specification Version 4.2 compliant (Bluetooth low energy technology) |
| Transmission Method | GFSK modulation |
| Custom Functions |
|
|||||||||||||||||||||||||||||||||||||||||||||||
| Custom Dials |
Customizable Dials
|
|||||||||||||||||||||||||||||||||||||||||||||||
| My Menu Registration |
|
| USB Terminal |
Hi-Speed USB (USB 2.0) equivalent
|
| Video Out Terminal |
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
|
| Clean HDMI Output | Provided |
| Microphone Input Terminal | 3.5mm diameter stereo mini jack |
| Headphone Terminal | Not Supported |
| Remote Control Terminal | Remote Switch RS-60E3 type terminal supported |
| Wireless Remote Control | Compatible with the Wireless Remote Control BR-E1 |
| Multi-Function Shoe | Supported |
| Battery |
LP-E17
|
| Battery Check |
|
| Start-Up Time |
Approx. 0.4 sec.
|
| Dimensions (W x H x D) |
Approx. 4.82 x 3.46 x 3.28 in. / 122.5 x 87.8 x 83.4mm
|
| Weight |
Approx. 0.84 lbs (13.48 oz) Body Only Approx. 0.94 lbs (15.14 oz) With battery,and memory card |
| Working Temperature Range | 32-104° F / 0-+40°C |
| Working Humidity | 85% or less |
*Note: Prices and specifications subject to change without notice.
EOS R10
$ 4,999.00 $ 4,499.00
MFR SKU: 4895C002 | Helix SKU: CA4895C002
EOS R3
Building on the success of the EOS R series of cameras and leveraging advancements in technology that have come along since, the EOS R3 combines some of the best of both the EOS R5 and EOS-1D X Mark III cameras to provide a robust, high-performance camera.* The EOS R3 is the first 3 series camera since the popular EOS-3 film camera launched in 1998.
At the heart of the EOS R3 is a Canon developed 24.1 megapixel back-illuminated stacked CMOS sensor which combines with the DIGIC X processor to deliver a higher speed readout, allowing for continuous blackout-free shooting** at up to 30 fps in electronic (silent) shutter mode with minimum rolling distortion. The combination also increases the high sensitivity light capturing efficiency of a native ISO of 102400 for still images. The improved Dual Pixel CMOS AF II with 1,053 AF Points features evolved EOS iTR tracking for subjects such as people, animals, as well as select cars and motorcycles2 down to EV -7.5. The EOS R3 also allows the user multiple ways of controlling AF using Eye Control AF, Smart Controller with home position and the classic multi-controller. The camera also includes a new multi-function hot shoe which alleviates the need for extra batteries and cables in accessories such as microphones and flash transmitters. The EOS R3 also includes flexible connectivity options with built-in wired LAN, GPS, USB, Wi-Fi and Bluetooth.
The Canon EOS R3 is designed to satisfy the most demanding expectations in a camera emphasizing speed, performance, and reliability.
Features:
• High Image Quality with a Back-illuminated Stacked 24.1 Megapixel Full-frame CMOS Sensor.
• DIGIC X Image Processor with an ISO range of 100-102400; Expandable to 204800.1
• High-speed continuous shooting of up to approx. 30 fps with electronic (silent) shutter and up to 12fps with Mechanical Shutter.
• Improved Dual Pixel CMOS AF with 1,053 AF Points featuring Vehicle Detection as well as Eye, Face, Head, and Animal Detection.2
• The First EOS Digital camera to feature Eye Control AF.
• 5.76-million-dot & 120fps blackout free EVF with quick response3 , as well as a Vari-Angle Touchscreen.
• Capable of recording 6K 60P RAW or 4K 120p 10-bit (uncropped) with Canon Log 3.
• Dual Card Slots for CFexpress and UHS-II SD Memory Cards.
• Next Generation Multi-Function Shoe plus Speedlite EL-1 synchronization.
• Enhanced Connectivity.
• Enhanced Operating Controls and Accessories.
• Dust and drip resistance equal to the EOS-1D X Series
Specifications
| Type | Digital single-lens non-reflex AF/AE camera |
| Image Processor | DIGIC X |
| Recording Media | CFexpress card • Type B: Card slot SD card • SD card speed class-compatible. • Compatible with UHS-II • Eye-Fi cards and Multimedia cards (MMC) are not supported. |
| Compatible Lenses | Canon RF lens group When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF mount |
| Type | Full-frame back-illuminated stacked CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Effective Pixels | Approx. 24.1 megapixels |
| Sensor Size | Approx. 36.0 x 24.0 mm |
| Pixel Size | Approx. 6.00 µm square |
| Total Pixels | Approx. 26.7 megapixels |
| Aspect Ratio | 3:2 (Horizontal: Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature |
(1) Self Cleaning Sensor Unit • Removes dust adhering to the low-pass filter. • At power off only / Enable / Disable. Performed automatically (taking about approx. 2 sec. as indicated on the screen) or manually (taking about approx. 8 sec. as indicated on the screen). • After manually activated cleaning, the camera will automatically restart (Power OFF to ON). • When [Multi Shot Noise Reduction], [Multiple exposures], or [HDR mode] is set, [Clean now] and [Clean manually] cannot be selected. (2) Dust Delete Data acquisition and appending • The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images. • The dust coordinate data appended to the image is used by the EOS Canon Digital Professional Software (v. 4.14 and higher) to automatically erase the dust spots. • Not available with EF-S lenses, in cropped shooting or multi-exposure shooting. (3) Manual cleaning (by hand) |
Recording System
| Recording Format | Compliant to Design rule for Camera File system 2.0 and Exif 2.31*. *Supports time difference information |
| Image Format | JPEG, HEIF, RAW (CR3, 14 bit RAW format), C-RAW (Canon original); Movies: ALL-I, IPB (Std.), IPB (Light), RAW (Std.), RAW (Light) |
| HDR Mode-Continuous Shooting |
(1) 1 shot only (2) Continuously (3) Multiple Exposure |
| Advanced Shooting Operations |
(1) Focus Bracketing (2) Interval Timer (3) Bulb Timer (4) Multi-Shot NR |
| File Size |
3:2 Aspect Ratio Large/RAW/C-RAW: 6000 x 4000 Medium: 3984 x 2656 Small 1: 2976 x 1984 Small 2: 2400 x 1600 1.6x (Crop)* Large/RAW/C-RAW: 3744 x 2496 Small 2: 2400 x 1600 4:3 Aspect Ratio Large: 5328 x 4000 Medium: 3552 x 2664 Small 1: 2656 x 1992 Small 2: 2112 x 1600 RAW/C-RAW: 6000 x 4000 16:9 Aspect Ratio Large: 6000 x 3368 Medium: 3984 x 2240 Small 1: 2976 x 1680 Small 2: 2400 x 1344 RAW/C-RAW: 6000 x 4000 1:1 Aspect Ratio Large: 4000 x 4000 Medium: 2656 x 2656 Small 1: 1984 x 1984 Small 2: 1600 x 1600 RAW/C-RAW: 6000 x 4000 •Values for Recording Pixels are rounded to the nearest 100,000. •RAW/C-RAW images are generated in [3:3], and the set aspect ration is appended. •JPEG images are generated in the set aspect ratio. •These aspect rations (Medium / Small 2 / Small 2) and pixel counts also apply to resizing. * Effective lens focal length 1.6x marked focal length |
| File Numbering |
The following file numbers can be set: 1. File numbering methods a. Continuous numbering i. The numbering of captured images continues even after you replace the card. b. Auto reset i. When you replace or format the card, the numbering will be reset to start from 0001. If the new SD card already contains images, the numbering will continue from the last recorded image in the card. 2. Manual reset a. Resets the file number to 0001, and creates a new folder automatically. * When manually resetting the file number, folders can also be renamed. |
| RAW + JPEG / HEIF Simultaneous Recording | Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported. |
| Color Space | Selectable between sRGB and Adobe RGB |
| Picture Style |
(1) Auto (2) Standard (3) Portrait (4) Landscape (5) Fine Detail (6) Neutral (7) Faithful (8) Monochrome (9) User Defined 1–3 • In Scene Intelligent Auto, [Auto] will be set automatically. • [Standard] is the default setting for [User Def. 1–3]. |
White Balance
| Settings |
(1) Auto (Ambience priority/White priority) (2) Daylight (3) Shade (4) Cloudy* (5) Tungsten light (6) White fluorescent light (7) Flash (8) Custom (Custom WB) (9) Color temperature (user-set from 2500K ~ 10000K) * Effective also in twilight and sunset. |
| Auto White Balance | Option between ambience priority and white priority settings. |
| White Balance Shift |
Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels * Shifted from the color tempurate of the current WB mode. * Blue/amber and magenta/green shift can be set at the same time. |
Viewfinder
| Type | OLED color electronic viewfinder; approx. 5.76 million dots resolution |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 23mm eyepoint). |
| Magnification / Angle of View | Approx. 0.76x / Approx. 35.7 degrees (with 50mm lens at infinity, -1 m-1) |
| Eye Point | Approx. 23mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -4.0 to + 2.0 m-1 (dpt) |
| Viewfinder Information |
(1) Maximum burst (2) Possible shots/Sec. until self-timer shoots (3) Focus Bracketing/ Multiple-exposure/HDR shooting/Multi Shot Noise Reduction/Bulb time/Interval timer (4) Shooting mode (5) AF area (6) AF operation (7) Card (8) Image quality (9) Drive mode (10) Metering mode (11) Accessory compatible with the multi-function shoe attached (12) No. of remaining shots for focus bracketing, multiple exposures, or interval timer (13) Movie recording time available (14) Battery level (15) Image Stabilizer (IS mode) (16) Histogram (Brightness/RGB) (17) Set AF point to center (18) Quick Control button (19) Anti-flicker shooting (20) White balance/White balance correction (21) Picture style (21) Auto Lighting Optimizer (22) Subject to deter (23) Still photo cropping / Aspect ratio (24) Wi-Fi® signal strength (25) Bluetooth® function (26) Electronic level (27) AF point (Flexible Zone AF 1) (28) Wi-Fi® function (29) Airplane mode (29) AEB/FEB (30) View Assist (31) HDR PQ (32) Flash ready / FE lock / High-speed sync (33) Electronic shutter (34) Touch shutter / Create folder (35) AE lock (36) Shutter speed / Multi-function lock warning (37) Aperture value (38) Overheating warning (39) Still photo image quality warning (40) Focal length (41) Display simulation (42) Magnify button (43) ISO speed (44) Highlight tone priority (45) Exposure compensation (46) Exposure level indicator |
Autofocus
|
Focus Method |
Dual Pixel CMOS AF | ||||||||||
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Number of AF Zones Available for Automatic Selection |
AF area: Horizontal: Approx. 100% x Vertical: Approx. 100% Stills: Max. 1053 zones (39 x 27) Movies: Max. 819 zones (39 x21) |
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| Focusing Brightness Range (Still Photos) |
EV -7.5 to 20 (f/1.2 lens*, center AF point, One-Shot AF, at 73°F/23°C, ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
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| Focusing Brightness Range (In Movie Recording) |
EV -4.5 to 20 (f/1.2 lens*, center AF point, One-Shot AF,at 73°F/23°C, ISO 100, and 29.97 fps.) * Except RF lenses with a Defocus Smoothing (DS) coating. |
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| AF Area |
• Except when Whole are AF is used, a dot is displayed in the center of any AF Area (or Flexible Zone AF area) in the center of the screen. • In still photo shooting, regardless of the AF area setting when Servo AF is used with [Subject Tracking: On] set, AF is performed using [Whole area AF]. [Subject Tracking: Off] should be set if users wish AF to be performed at their preferred position when Aervo AF is used, as on previous models. |
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| Subject to Detect | People, Animals, Vehicles, No Priority | ||||||||||
| Eye Control |
On / Off • The area where eye control is supported corresponds to the area in the viewfinder's field of view available for AF (AF Area) • Eye control is not available during magnified display or manual focusing. (The focus guide frame can be moved.) • • If users move their eye away from the viewfinder, when their line of sight is not detected, subject detection and focusing is based on [Subject to detect] and [AF area] |
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Exposure Control
| Metering Modes |
Real-time metering with image sensor (384 zones [24x16 zone metering]) (1) Evaluative metering (2) Partial metering (approx. 5.9% of the area at the center of the screen) (3) Spot metering (approx. 2.9% of the area at the center of the screen) (4) Center-weighted average metering |
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| Metering Range | EV -3 – 20 (at 73°F/23°C, ISO 100) (Still Photo Shooting) | ||||
| ISO Speed Range | Please click here for full downloadable pdf specifications | ||||
| Metering Range | EV -3 – 20 (at 73°F/23°C, ISO 100) (Still Photo Shooting) | ||||
| Exposure Compensation |
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| AE Lock |
(1) Auto AE lock • (via C.Fn Menu #2 — AE lock meter. mode after focus) AE is locked after completion of One-Shot AF, in user's choice of Evaluative, Partial, Spot, and/or Center-weighted metering. (2) Manual AE lock • Use the AE lock button (update by pressing the button again) in Fv, P, Tv, Av, and M mode. • Enabled in all metering modes. • Options to cancel locked reading via Customizing Buttons — AE Lock with Hold, or Release AE Lock. |
Shutter
|
Type |
(1) Mechanical (2) Electronic 1st-Curtain (3) Electronic Shutter (1st and 2nd curtain - silent*) • When set to [Electronic], the camera makes no mechanical shutter sound. Shutter volume during Electronic Shutter is adjustable in 5 user-defined steps, plus silent — Set-up Menu #2 > Volume. Electronic Shutter sound is also disabled when Beep is set to Disable — Set-up Menu #2 > Beep. Note that the camera may make sounds other than the shutter release sound, such as sounds for aperture adjustment or the lens focus drive, or beeps. Moreover, using long exposure noise reduction with shutter speeds of 1 sec. or longer involved mechanical shutter, which producers a mechanical sound. • Bands of light may be displayed and captured images may be affected by light and dark banding when shooting under fluorescent lighting or other flickering light sources with the camera set to [Anti-flicker shoot: Disable] • The following settings are available when [Electronic] is set: • Drive mode selection (H+ / H / L), shooting with an external flash unit, anti-flicker shooting, shutter speed (no low-speed restrictions), long exposure noise reduction, AEB, Multi Shot Noise Reduction, HDR Shooting (HDR PQ), HDR mode, multiple exposures. •M or Tv modes, with Electronic Shutter: user-set shutter speeds extend to 1/64,000 sec. maximum. (Set in full-step increments from 1/8000 to 1/64000). |
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| Shutter Speeds |
• Adjustments by the camera when the shutter speed is set to 1/64000 or 1/32000 sec. in electronic shutter shooting may involve the aperture value or ISO speed in some shooting conditions, because shutter speed cannot be controlled in 1/3- or 1/2-stop increments. • If HDR mode, Focus bracketing, Hi-speed sync, or Same exposure for new aperture is set, max shutter speed limit will be 1/8000 sec. |
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| X-Sync Speed |
Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec. Electronic Shutter: 1/180 sec. |
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| Shutter Release | Soft-touch electromagnetic release | |||||||||||
| Self Timer | 10-sec. delay, 2-sec. delay | |||||||||||
| Shutter Lag Time |
*The shutter-release time lag is longer in flash photography with anti-flicker shooting. *1: Using RF or EF lenses (except EF-S lenses) *2: At maximum aperture. *3: Using EF-S lenses and electronic 1st-curtain: approx. 45 ms. *4: Using EF-S lenses and the electronic shutter: approx. 35 ms. |
Image Stabilization (IS Mode)
|
Still Photo IS |
In-body IS operation can be selected when using a non-IS lens. • Always on • Only for shot |
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| 5-Axis Image Stabilization with EF/RF Lenses |
* As of July 2021. Except RF600mm F11 IS STM and RF800mm F11 IS STM |
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| EOS R3 Coordinated In-Body Image Stabilizer Still Shooting Performance with RF Lenses |
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External Speedlite
|
E-TTL Balance |
E-TTL balance | |||||||||||||||||||
| Compatible E-TTL Speedlites | Canon EX- and EL-series Speedlites | |||||||||||||||||||
| E-TTL II Flash Metering |
(1) Evaluative (Face Priority) (2) Evaluative (3) Average |
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| Slow Sync (P/AV Modes) |
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| Flash Function Menu | Provided for EX- and EL-series Speedlites | |||||||||||||||||||
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments. Can be set on speedlite, in camera's External Speedlite Control Menu, or on camera body. | |||||||||||||||||||
| Continuous Flash Control |
1. E-TTL each shot (E-TTL flash exposure fixed after first shot in a sequence) 2. E-TTL 1st shot |
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Drive System
| Drive Modes and Continuous Shooting Speed |
1. AE, flash metering, and white balance are fixed after the first frame when using High-speed continuous shooting+, flash, and mechanical/electronic first-curtain shutter. |
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| Control Menu, or On Camera Body |
When using the electronic shutter (at 30 fps)
When using the mechanical shutter/electronic first-curtain (at 12 fps)
1. Using 32GB UHS-I SD Card |
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HDR Shooting and Movie Recording
|
HDR PQ Shooting |
Disable / Enable |
| HDR PQ Shooting - Still | Recording format: HEIF | Bit depth: 10 bit | Color sampling method: YCbCr 4:2:2 | HDR specification ITU-R BT.2100 (PQ) |
| HDR PQ Shooting - Movie | Recording format: mp4 | Bit depth: 10 bit | Color sampling method: YCbCr 4:2:2 | HDR specification: ITU-R BT.2100 (PQ) |
Video Shooting
|
Focusing |
Dual Pixel CMOS AF |
| Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Canon Log 3 | Provided (Off / Canon Log 3) |
| File Format / Estimated Cumulative Data / Card Performance Requirements | Please click here for the in depth charts in the full downloadable pdf specification document |
LCD Screen
|
Type |
TFT color, liquid-crystal monitor (Vari-angle design) |
| Monitor Size |
3.2-inch (screen aspect ratio of 3:2) 3.15 in./8.01cm diagonal (2.63 in./6.67cm width, 1.75 in./4.44cm height) |
| Dots | Approx. 4.15 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Coating |
Clear View LCD II • Anti-smudge coating applied. • Anti-reflection coating not applied. |
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
Playback
|
Display Format |
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| Highlight Alert | The white areas with no image data will blink. | ||||||||||||||||||||||||||||||
| Histogram | Brightness and RGB | ||||||||||||||||||||||||||||||
Quick Control Function
|
Function |
The Quick Control screen is accessed by pressing the Quick Control button during still photo shooting. |
Image Protection and Erase
|
Protection |
(1)Single image (select image) (2) Select range (3) All images in a folder (4) All images on card • Image browsing and image search can be based on ratings. • Ratings-based image selections also possible with DPP. (5) All found images (only during image search) |
| Erase |
Except protected images (1) Select images to erase (2) Select range (3) All images in folder (4) All images on card (5) All found images (only during image search) |
Direct Printing
|
Compatible Printers |
Not Supported |
DPOF: Digital Print Order Format
|
DPOF |
Compliant to DPOF Version 1.1 |
Wi-Fi
|
Standards Compliance |
IEEE 802.11a/ac/b/g/n |
| Transmission Method |
DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n/a/ac) |
| Transition Frequency (Central Frequency) |
2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels 5 GHz band Frequency: 5180 to 5825 MHz Channels: 36 to 165 channels |
| Connection Method |
(1) Camera access point mode (2) Infrastructure mode |
| Security |
Connection MethodAuthenticationEncryptionEncryptionKey Format and LengthCamera Access PointWPA2/WPA3-PersonalAES• ASCII 8 charactersDisableOpenWEP• Hexadecimal 10 digits • Hexadecimal 26 digits • ASCII 5 characters • ASCII 13 characters InfrastructureDisableShared keyWEPSame as WEP aboveWPA/WPA2/WPA3-PersonalTKIP AES • Hexadecimal 64 digits • ASCII 8–63 characters WPA/WPA2/WPA3-Enterprise |
| Communication with a Smart Phone |
Images can be viewed, controlled, and received using a smartphone. Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications. Images can be sent to a smartphone. |
| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fi® using EOS Utility. |
| Print from Wi-Fi Printers | Not supported. |
| Send Images to a Web Service | Still photos (RAW, C-RAW, HEIF, and JPEG) and movies (MP4) can be uploaded to image.canon server album. With the image.canon server, images can be sent to social media or a photo album link can be sent (by the image.canon specifications). |
Bluetooth
|
Standards Compliance |
Bluetooth Specification Version 5.0 compliant (Bluetooth low energy technology) |
| Transmission Method | GFSK modulation |
Customization
|
Custom Functions |
34 Custom Functions are settable. | ||||||||||||||||||||
| Custom Controls |
Customizable Buttons
Customizable Dials
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| My Menus Registration |
• Up to six items from the menu items and the top-tier items of Custom Functions can be registered to each tab.
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Interface
|
USB Terminal |
Equivalent to Hi-Speed USB (USB 3.2 Gen 2) • Terminal type: USB Type-C • For computer communication / smartphone communication • For in-camera charging with USB Power Adapter PD-E1 *Powering the camera while using PD-E1 is not supported •For in-camera charging and powering the camera with non-Canon USB PD-compliant devices for which operation has been verified. |
| Ethernet Terminal | RJ-45 Terminal |
| Video Out Terminal |
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible • Images can be displayed through the HDMI output and on screen at the same time. • Images will not be displayed unless [NTSC] or [PAL] is properly set according to the video system of the TV set. |
| Clean HDMI Output | Provided |
| Microphone Input Terminal | 3.5mm diameter stereo mini jack |
| Headphone Terminal | 3.5mm diameter stereo mini jack |
Power Source
|
Battery |
LP-E19 • LP-E4 cannot be used • LP-E4N is also compatible, but charging with Battery Charger LC-E19 is not recommended, in consideration of safety standards for AV/ICT products (as described in IEC 62368-1). |
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| USB Charging/Power Conditions |
LP-E19 battery can be charged using USB Power Adapter PD-E1 while camera is turned OFF (LP-E4N is not supported). Powering the camera while using PD-E1 is not supported. |
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| AC Power Source |
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| Number of Shots Available |
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| Battery Check |
Automatic battery check when the power switch is turned ON. Displayed in 6 levels on top LCD panel. • Battery level can be checked on the LCD panel and in the viewfinder. Battery Info display in Set-up Menu: •Type of power source used. •Remaining capacity (percentage of battery charge remaining). •Recharge performance: (3-level display of battery's ability to hold a charge) |
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| Start-Up Time |
Approx. 0.4 sec. • Based on CIPA testing standards. |
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Dimensions and Weight
|
Dimensions (W x H x D) |
Approx. 5.91 x 5.61 x 3.43 in. / 150 x 142.6 x 87.2mm • Based on CIPA standards. |
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| Weight |
* Not including body cap, eyecup, or cover for the multi-function shoe. |
Operating Environment
|
Working Temperature Range |
32–104°F / 0–+40°C |
| Working Humidity Range | 85% or less |
Video Recording Times
|
Maximum Durations of Shooting Until Recording Stops in Respective Modes by Heat. (Max. Approx.) |
1. Confirmed with a 325GB card based on Canon's testing standard |
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*As of September 2021.
**In electronic shutter mode.
1. For still images.
2. Effectiveness varies depending on the subject. In some cases, dogs, cats or birds may not be detected, while some animals other than dogs, cats or birds may be detected.
3. Blackouts may occur in some cases, such as when the built-in memory is full or when the flash battery is fully recharged after the battery ran out during continuous shooting.
$ 3,399.00 $ 2,799.00
MFR SKU: 4147C002 | Helix SKU: CA4147C002
The EOS R5 builds off of the powerful legacy of Canon’s full frame cameras offering next generation refinements in image quality, performance and reliability. It’s an ideal choice for a large range of photographic and cinematographic environments from weddings, portraits, sports, journalism, landscape, cinematography and more.
| AF Method |
| Face+Tracking AF |
| Spot AF |
| 1-point AF |
| Expand AF Area (Above, below, left and right/Around) |
| Zone AF |
| Large Zone AF (Vertical/Horizontal) |
| Normal | ISO 100-51200 (1/3- or 1-stop increments) |
| Expanded | L: equivalent to ISO 50, H: 102400 |
| ISO Speed Range | ISO Speed |
| Minimum | L (50)–51200 (in 1-stop increments) |
| Maximum | ISO 100–H (102400) (in 1-stop increments) |
| Auto Range | ISO Speed |
| Minimum | ISO 100–25600 (in 1-stop increments) |
| Maximum | ISO 200–51200 (in 1-stop increments) |
| Shooting Mode | No Flash | Using Flash |
| Auto | ISO 100-12800 | ISO 100-1600*3 |
| P | ISO 100*1*2-51200*2 | ISO 100*1*2-6400*24 |
| TV | ||
| AV | ||
| M | ||
| B | ISO 4003 | |
| Manual | ±3 stops in 1/3- or 1/2-stop increments |
| AEB | ±3 stops in 1/3- or 1/2-stop increments |
| Flash | Mechanical Shutter | Electronic 1st Curtain | Electronic shutter | |
| Shutter-release time lag *Measured with shutter button pressed fully from half-pressed position | Not used | Approx. 81 ms | Approx. 50 ms | Approx. 50 ms |
| Used | N/A | N/A | - |
| Item | Still Photo | Movie |
| - | ||
| Magnify zoom display | 1.5x-10x (5 levels) | - |
| AF point display | Yes | - |
| Grid display | Off / 3×3 / 6×4 / 3×3+diag | - |
| Rating | OFF / 1 to 5 Stars Select images / Select range / All images in folder / All images on card / All found images |
|
| Image Search | Search conditions Rating / Date / Folder / Protect / Type of file |
|
| Protect | Select images / Select range / All images in folder / Unprotect all images in folder / All images on card / Unprotect all images on card /All found images |
|
| In-camera RAW image processing | Supported | - |
| Resizing | Supported | - |
| Cropping | Supported | - |
| Still Photo Shooting |
| Shutter button |
| Movie button |
| MODE button |
| AF-ON button |
| AE lock button |
| AF point selection button |
| Depth of field preview button |
| Lens AF stop button |
| Multi-function button |
| LCD panel illumination button |
| Set button |
| Multi-controller |
| Main dial |
| Quick control dial 1 and 2 |
| Control ring |
| My Menu tab overall operations |
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| My Menu tab detailed operations |
|
$ 4,499.00 $ 3,799.00 - Sold Out
MFR SKU: 4147C013 | Helix SKU: CA4147C013
The EOS R5 advances image quality to a whole new level for stills and video with impressive resolution, fast autofocus, outstanding stability, improved dynamic range and more. The EOS R5 is where mirrorless meets magnificence.
Key Features
$ 679.99 $ 629.99
Canon SKU: 5811C002 | Helix SKU: CA5811C002
Capture the Moment Just as You Imagine It
The EOS R50 camera makes photography fun, simple, and convenient with intuitive photo functions that capture beautiful images automatically, just as you imagine them. A host of video functions such as 6K oversampled 4K 30p capture and Dual Pixel CMOS AF II makes the EOS R50 a great camera for movie recording and vlogging as well. The 24.2 Megapixel APS-C size CMOS Image sensor and DIGIC X image processor ensure high image quality in a compact and lightweight form factor.
Item Includes:
$ 2,499.00 $ 1,999.00
Canon SKU: 5666C002 | Helix SKU: CA5666C002
EOS R6 Mark II Full-Frame Mirrorless Camera
Introducing a standard full-frame camera evolved with hybrid features for still and movie shooting. The EOS R6 Mark II enables various photographic expressions that transcend boundaries between recording personal life and professional production purposes, as well as between photo shooting and movie shooting. Achieve creativity in everyday life with the EOS R6 Mark II.
High Image Quality Featuring a New 24.2 Megapixel Full-Frame CMOS Sensor
The EOS R6 Mark II features improved resolution compared to its predecessor. A Canon-developed 35mm full-frame CMOS sensor with approx. 24.2 effective megapixels enables the camera to capture sharp and detailed images, even in low-light scenarios. Regardless of conditions — whether day or night, indoor or outdoor — dark portions of the image, even at high ISO speeds and increased sensitivity, are rendered with low noise.
DIGIC X Image Processor
A powerful DIGIC X Image Processor enables high-performance operation and coordination of processes such as Dual Pixel CMOS AF II, Image Stabilization, image processing, and video functionality. The DIGIC X Image Processor helps ensure your photos and videos look sharp and maintain high-resolution with minimal noise or grain.
High-Speed Continuous Shooting
For the first time among full-frame Canon EOS cameras, the EOS R6 Mark II introduces RAW Burst Mode1 at up to 30 fps. By turning on RAW Burst Mode’s pre-shooting, shooting can start slightly before (about 0.5 seconds earlier) the shutter button is fully pressed. Coupled with high-speed continuous shooting at speeds of up to 12 fps with mechanical shutter, and up to 40 fps using electronic (silent) shutter, the camera can capture the split-second details between a subject’s movements. This is great for dynamic action photos such as athletes, animals, and vehicles in motion or even capturing momentary changes in facial expressions for portraits.
Blazing Fast Autofocus
The highly responsive Dual Pixel CMOS AF II system covers up to approximately 100% x 100% of the picture area, breaking the image into up to 1,053 automatically-selected AF zones during Whole Area AF. The result is outstanding AF coverage, and the compositional freedom to focus sharply on a subject nearly anywhere in the frame.
Highly Accurate Subject Detection
Developed using Deep Learning Technology, horses, trains, and airplanes are newly detectable, in addition to conventional subjects like people, animals including dogs, cats and birds, and vehicles — cars and motorcycles — especially in a motorsports environment.2,3 For more ease of use, Auto mode is now available, in which the camera automatically selects the type of subject without the need to switch the Subject Detection setting in the menu.
Head, Face, and Eye Detection
Even in situations where many cameras may struggle to detect a subject, the EOS R6 Mark II can locate and focus upon a person’s head, face, or eye when the Subject Detection menu is set to People, allowing more ease of use, fast acquisition of your subject, and improvements to accuracy when capturing videos or still images. Additional control is now available for detecting the subject’s left or right eye – which can be also programmed to a Custom Button making it easy to focus on the preferred eye in the moment.
Animal Detection
The EOS R6 Mark II can effectively track the whole body, face, or eye of cats, dogs, birds, and now horses, for speed and precision — regardless of the animal’s size, posture, or orientation of the face.2
Optimized for Video
With ample video recording features such as 6K oversampled uncropped 4K movie at up to 60 fps, Full-HD High-frame rate movie recording at up to 180 fps4, and AF tracking, the EOS R6 Mark II can meet the needs of hobbyists and experienced video content creators alike.
Continuous Movie Recording That Exceeds 30 Minutes
The EOS R6 Mark II can continuously record Full-HD video for up to 6 hours, allowing you to set up your video and keep your project rolling without worrying about it stopping.5 You’ll also be able to continuously record Full-HD 179.82p up to 60 minutes or more, and 4K 59.94p up to 50 minutes or more.
Features for Advanced Creators
Canon Log 3, HDR PQ, in-camera Full-HD proxy recording, and 6K 59.94p RAW data output to an external storage device6 provides the image quality to support various production purposes.
Focus breathing correction (with compatible Canon RF lenses)7 automatically compensates for changes in the angle of view caused by focus operations during movie recording.
Simultaneous recording of movies and stills to dual UHS-II SD card slots enables a backup to be created, so you can shoot with confidence.
In-body Image Stabilizer
Equipped with movie digital IS and 5-axis in-body IS, the EOS R6 Mark II enables smooth movie shooting with less camera-shake blur. With up to 8 stops of shake correction with Coordinated IS — combining In-body Image Stabilization, and optical Image Stabilization in certain Canon RF lenses — the camera makes handheld shooting easier at slower shutter speeds and in low-light situations.8 To counter large, low-frequency camera movements, such as recording while walking, there’s also electronic Movie Digital IS, which can be independently activated.
Vari-Angle Touchscreen LCD
Featuring a 3.0-inch, 1.62 million dot Clear View LCD II Vari-angle Touchscreen LCD, the EOS R6 Mark II makes it easy to compose and shoot from virtually any angle.
0.5-inch OLED EVF with Approx. 3.69 Million Dots
A high-precision 0.5-inch OLED (Organic Light-Emitting Diode) EVF with approx. 3.69 million dots and a 23mm eyepoint displays a bright image and extensive shooting information. The EOS R6 Mark II’s EVF supports up to a 120 fps refresh rate and has been designed to provide a bright, sharp and colorful 100% view of the subject at hand. There’s also an Optical Viewfinder (OVF) Simulation setting, which provides a higher dynamic range viewfinder image for superior viewing in harsh, contrasty lighting situations.
Wired and Wireless Communications
The EOS R6 Mark II supports both wired and wireless connections to your smartphone via its USB Type-C9 port, built-in Wi-Fi®, and Bluetooth® technology, making it easy to upload and share movies and photos to your favorite social networks.
Built-in Bluetooth® Capability
Bluetooth® pairing helps you connect the camera to compatible smart devices using the free Canon Camera Connect app. This low-energy wireless connection helps preserve battery life, while providing remote control of the camera. It also sends continuously updated GPS location data from your phone, letting you geotag what you've captured so you know precisely where you captured the photo.
Built-in Wi-Fi Capability
Enable wireless functions, such as file viewing and transfer, by connecting to Wi-Fi quickly and seamlessly, and exchange data with other Wi-Fi compatible Canon cameras. Using the Canon Camera Connect app, you can also transfer files to your mobile device to browse and share on social media.
USB-C Connection
New to the EOS R6 Mark II is the ability to connect the camera to a computer or smartphone via USB-C.9 All Canon Camera Connect app features that can be used with Wi-Fi are now available when the camera and smartphone are connected via USB, using a compatible cable for your device.
UVC Livestreaming
UVC/UAC compatibility allows the EOS R6 Mark II to be used as a web camera and stream live video in Full HD, without additional computer software, to applications such as Zoom™, Microsoft Teams™, Skype™, and similar on-line meeting software.9 Thanks to the full-frame CMOS sensor, you’ll be able to distribute clear live video images with low noise during remote conferences or livestreaming content.
Specifications
Type
| Type | Digital interchangeable lens, mirrorless camera |
| Image Processor | DIGIC X |
| Recording Media | (Two) SD card slots
|
| Compatible Lenses | Canon RF lens group (including RF-S lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF Mount |
| Type | Full-frame CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Effective Pixels | Approx. 24.2 megapixels |
| Screen Size | Approx. 36.0 x 24.0 mm |
| Pixel Unit | Approx. 6.00 µm square |
| Total Pixels | Approx. 25.6 megapixels |
| Aspect Ratio | 3:2 (Horizontal:Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature |
|
| Recording Format | Compliant to Design rule for Camera File system 2.0 and Exif 2.31*. *Supports time difference information in Exif 2.31. |
| Image Format | JPEG, HEIF, RAW / C-RAW / Dual Pixel RAW/ RAW burst (CR3), C-RAW (Canon original) ; Movies: ALL-I (Time-lapse video only), IPB (MP4) |
| File Size | * At H+ Drive setting (12 fps), using Mechanical or 1st-curtain Electronic shutter. *1: Number of shots using a 32 GB card that conforms to Canon testing standards. *2: Number of shots using a 32 GB UHS-II card that conforms to Canon testing standards. *3: When set to [HDR shooting (HDR PQ): Disable]. *4: When set to [HDR shooting (HDR PQ): Enable]. |
| File Numbering |
The following file numbers can be set:
|
| RAW + JPEG / HEIF Simultaneous Recording | Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported. |
| Color Space | Selectable between sRGB and Adobe RGB |
| Picture Style |
|
| Settings |
*2: White balance can be adjusted during movie recording. |
| Auto White Balance | Option between ambience priority and white priority settings, using SET button |
| White Balance Shift | Blue/amber bias: ±9 levelsMagenta/green bias: ±9 levelsCorrected in reference to the current WB modes color temperature. |
| Type | OLED color electronic viewfinder; 0.5-inch, approx. 3.69 million dots |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 23mm eyepoint). |
| Magnification / Angle of View | Approx. 0.76x / Approx. 35.2 degrees (with 50mm lens at infinity, -1 m-1) |
| Eye Point | Approx. 23mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -4.0 to + 2.0 m-1 (dpt) |
| Viewfinder Information |
|
| Focus Method | Dual Pixel CMOS AF |
| Number of AF zones available for Automatic Selection | AF area: Horizontal: Approx. 100% x Vertical: Approx. 100% (100% x 100% AF coverage in Face Detect + Tracking AF; coverage can vary, depending upon lens being used) Stills: Max. 1053 zones (39 x 27) Movies: Max. 1053 zones (39 x27) |
| Selectable Positions for AF Point | AF area: Horizontal: Approx. 90% x Vertical: Approx. 100% Stills: Max. 4897 positions (83 x 59) Movies: Max 4067 positions (83 x 49) |
| AF Working Range | EV -6.5 to 20 (f/1.2 lens*, center AF point, One-Shot AF,at 73°F/23°C, ISO 100 * Except RF lenses with a Defocus Smoothing (DS) coating. |
| Focusing brightness range (still photo shooting) | EV –6.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, and ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
| Focusing brightness range (in movie recording) | 4K: EV –4.0 to 21 Full HD: EV –4.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, ISO 100, and 29.97 / 25.00 fps.) * Except RF lenses with a Defocus Smoothing (DS) coating. |
| Available AF Areas |
|
| Available Subject Detection |
|
| Eye Detection |
Auto:
|
Exposure Control
| Metering Modes | Real-time metering from CMOS image sensor (384 [24x16] metering zones)
|
| Metering Range | EV -3 - 20 (at 73°F/23°C, ISO 100)(Still Photo Shooting) |
| Exposure Modes |
|
| ISO Speed Range |
Manually Set
ISO Auto range settings in still photo shooting *1: ISO 200 when set to [Highlight tone priority: Enable/Enhanced]. *2: Varies depending on the [Maximum] and [Minimum] settings for [Auto range]. *3: If outside the setting range, changed to the value closest to ISO 400. |
| Exposure Compensation | Click here to view the full specifications PDF. |
| AE Lock |
|
Shutter
| Type | Electronically controlled focal-plane shutter
|
| Shutter Speeds |
Mechanical / 1st-curtain Electronic shutter: 1/8000th sec – 30 seconds, in 1/3 or 1⁄2-step increments Electronic shutter: 1/8000th sec – 30 seconds, in 1/3 or 1⁄2-step increments (1/16,000th possible, if user-set in Tv or M shooting modes) |
| X-sync Speed | Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec. |
| Shutter Release | Soft-touch electromagnetic release |
| Self Timer | 10-sec. delay, 2-sec. delay |
Image Stabilization
| Still Photo IS | In-body IS operation can be selected when using a non-IS lens.
|
External Speedlite
| Accessory Shoe | Canon Multi-function accessory shoe Optional Canon AD-E1 adapter required for conventional shoe-mount flashes and accessories |
| E-TTL Balance | Ambience priority, standard, flash priority |
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Continuous flash control | E-TTL each shot / E-TTL 1st shot |
Drive System
| Drive Modes and Continuous Shooting Speed | Click here to view the full specifications PDF. |
HDR Shooting
| HDR Shooting (HDR PQ) | Disable / Enable |
| Still Photo HDR PQ | Click here to view the full specifications PDF. |
| Movie HDR PQ | Click here to view the full specifications PDF. |
| Continuous HDR Shooting (still images) | 1 shot only / Every shot |
Video Shooting
| Shooting Times |
Click here to view the full specifications PDF.
*1 Time available for continuous shooting in 23°C / 73°F environment, from a cold start. If the camera is in LV mode standby before shooting or the ambient temperature is high, the shooting time may be shorter.
*2 According to Canon measurement conditions when using UHS-II cards conforming to Canon testing standards.
*3 The maximum duration of shooting may be shorter under some circumstances even if recording begins from "cold start," due to a rise in temperature inside the camera caused by pre-shooting camera setting operations or by prolonged use of the Live View mode. When the card is full, movie recording stops automatically. In this case, duration time when you erase the data and restart shooting.
|
| File Format |
Normal Movies Click here to view the full specifications PDF.
* Recording in AAC when [Audio compression] (C.Fn4) is set to [Enable] or Linear PCM when set to [Disable]. |
| Estimated Recording time, Movie Bit Rate and File Size |
H.264/AVC (Canon Log: Off, HDR PQ: Off)
Click here to view the full specifications PDF. * Bit rate only applies to video output, not audio or metadata. * Audio is recorded when [C.Fn4 audio compression:Enable] (Audio: AAC) is set. * Movie recording stops when the maximum recording time per movie is reached. * No audio is recorded for approx. the last two frames with the compression method for movie recording quality set to IPB (Standard) or IPB (Light) and the camera set to [C.Fn4 Audio compression: Enable]. Moreover, the video and sound may be slightly out of sync when movies are played back in Windows. * Mbps — megabits per second (8 megabits = 1 megabyte) |
| Estimated Recording Time, Continued. |
H.265/HEVC (Canon Log: On or HDR PQ: On)
Click here to view the full specifications PDF. * Bit rate only applies to video output, not audio or metadata. * Audio is recorded when [C.Fn4 audio compression:Enable] (Audio: AAC) is set. * Movie recording stops when the maximum recording time per movie is reached. 31 min. * No audio is recorded for approx. the last two frames with the compression method for movie recording quality set to IPB (Standard) or IPB (Light) and the camera set to [C.Fn4 Audio compression: Enable]. Moreover, the video and sound may be slightly out of sync when movies are played back in Windows. * Mbps — megabits per second (8 megabits = 1 megabyte) |
| Card Performance Requirements | |
| Video AF |
Dual Pixel CMOS AF; Movie Servo AF available in AF Menu
|
| Exposure Compensation |
±3 stops in 1/3- or 1/2-stop increments
|
| Time Code |
Yes (Count up, Start time setting, Movie recording count, Movie play count, HDMI time code on/off, HDMI rec. command on/off, Drop frame enable/disable)
|
| Movie Pre-recording (On/Off) |
3 or 5 seconds; user-selectable
|
| Time-lapse Movie Setting |
Interval 2 sec – 99:59:59; Number of frames 2–3,600; Movie recording size 4K/Full HD; Auto exposure fixed @ first frame/auto for each frame; Beep per frame recorded (volume setting 0/silent – 5)
|
| Time-lapse Playback Frame Rate |
29.97 (set to NTSC); 25.00fps (set to PAL)
|
LCD Screen
| Type | TFT color, liquid-crystal monitor |
| Monitor Size | 3.0-inch (screen aspect ratio of 3:2) 2.95 in./7.5cm diagonal (2.44 in./6.2cm width, 1.65 in./4.2cm height) |
| Dots | Approx. 1.62 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Touch-screen Operation | Supported for AF Point selection; Touch AF; Touch Shutter; Menu selection; Quick Control Menu; Magnified view |
| Coating |
Clear View LCD II
|
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
Playback
| Highlight Alert | The white areas with no image data will blink. |
| Histogram | Brightness and RGB |
Quick Control Function
| Function | The Quick Control screen can be accessed by pressing the Quick Control button during shooting, recording, or playback. |
| Quick Control Screen |
The following settings are available for the [Quick Control screen] during movie recording.
|
Image Protection and Erase
| Protection |
|
| Erase |
Except protected images
|
Direct Printing
| Compatible Printers | Not supported |
DPOF: Digital Print Order Format
| DPOF | Compliant to DPOF Version 1.1 |
Wi-Fi
| Standards Compliance | IEEE 802.11b/g/n/a/ac |
| Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n/a/ac) |
| Transition Frequency (Central Frequency) | 2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels 5.0 GHz band Frequency: 5180 to 5825 MHz Channels: 36 to 165 channels1 |
| Connection Method | (1) Camera access point mode (2) Infrastructure mode |
| Communication with a Smartphone |
|
| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fi® or USB, with Canon EOS Utility software installed in a compatible Mac or Windows computer. |
| Print from Wi-Fi® Printers | Not supported. |
| Send Images to a Web Service | image.canon: Video files (MP4) and JPEG, HEIF, RAW or C-RAW still images can be uploaded to image.canon servers. From image.canon, images can be sent to specific social media and 3rd-party cloud image services. |
Bluetooth
| Standards Compliance | Bluetooth Specification Version 5.0 compliant (Bluetooth Low Energy technology) |
| Transmission Method | GFSK modulation |
| Bluetooth Pairing | Smartphone — up to 10 devices; BR-E1 remote controller — 1 unit |
Interface
| USB Terminal |
Equivalent to SuperSpeed USB (USB 3.1 Gen 1)
|
| HDMI Out Terminal |
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
|
| Microphone Terminal | 3.5mm diameter stereo mini jack |
| Headphone Terminal | Compatible with 3.5mm diameter stereo mini-plug |
Power Source
| Battery |
Canon LP-E6NH battery pack (also compatible with LP-E6N and LP-E6 battery packs)
|
| Optional Battery Grip | Compatible with Canon Battery Grip BG-R10 (Accepts one or two LP-E6NH, LP-E6N, or LP-E6 battery packs) |
| Battery Check |
Automatic battery check when the power switch is turned ON. Displayed in 5 levels in viewfinder, and on LCD screen. Battery info display in Set-up Menu:
|
| Start-up Time |
Approx. 0.4 sec.
|
Dimensions and Weight
| Dimensions (W x H x D) | Approx. 5.45 x 3.87 x 3.48 in. / 138 x 98.4 x 88.4mm Based on CIPA standards. |
| Weight | Approx. 1.5 lbs. / 680g (including battery, SD memory card; without body cap) Approx. 1.3 lbs. / 598g (body only; without battery, card or body cap) |
Operating Environment
| Working Temperature Range | 32-104° F / 0-+40° C |
| Working Humidity | 85% or less |
*Specifications Subject to Change
In The Box
$ 3,599.00 $ 3,399.00
Canon SKU: 5666C011 | Helix SKU: CA5666C011
EOS R6 Mark II Full-Frame Mirrorless Camera
Introducing a standard full-frame camera evolved with hybrid features for still and movie shooting. The EOS R6 Mark II enables various photographic expressions that transcend boundaries between recording personal life and professional production purposes, as well as between photo shooting and movie shooting. Achieve creativity in everyday life with the EOS R6 Mark II.
High Image Quality Featuring a New 24.2 Megapixel Full-Frame CMOS Sensor
The EOS R6 Mark II features improved resolution compared to its predecessor. A Canon-developed 35mm full-frame CMOS sensor with approx. 24.2 effective megapixels enables the camera to capture sharp and detailed images, even in low-light scenarios. Regardless of conditions — whether day or night, indoor or outdoor — dark portions of the image, even at high ISO speeds and increased sensitivity, are rendered with low noise.
DIGIC X Image Processor
A powerful DIGIC X Image Processor enables high-performance operation and coordination of processes such as Dual Pixel CMOS AF II, Image Stabilization, image processing, and video functionality. The DIGIC X Image Processor helps ensure your photos and videos look sharp and maintain high-resolution with minimal noise or grain.
High-Speed Continuous Shooting
For the first time among full-frame Canon EOS cameras, the EOS R6 Mark II introduces RAW Burst Mode1 at up to 30 fps. By turning on RAW Burst Mode’s pre-shooting, shooting can start slightly before (about 0.5 seconds earlier) the shutter button is fully pressed. Coupled with high-speed continuous shooting at speeds of up to 12 fps with mechanical shutter, and up to 40 fps using electronic (silent) shutter, the camera can capture the split-second details between a subject’s movements. This is great for dynamic action photos such as athletes, animals, and vehicles in motion or even capturing momentary changes in facial expressions for portraits.
Blazing Fast Autofocus
The highly responsive Dual Pixel CMOS AF II system covers up to approximately 100% x 100% of the picture area, breaking the image into up to 1,053 automatically-selected AF zones during Whole Area AF. The result is outstanding AF coverage, and the compositional freedom to focus sharply on a subject nearly anywhere in the frame.
Highly Accurate Subject Detection
Developed using Deep Learning Technology, horses, trains, and airplanes are newly detectable, in addition to conventional subjects like people, animals including dogs, cats and birds, and vehicles — cars and motorcycles — especially in a motorsports environment.2,3 For more ease of use, Auto mode is now available, in which the camera automatically selects the type of subject without the need to switch the Subject Detection setting in the menu.
Head, Face, and Eye Detection
Even in situations where many cameras may struggle to detect a subject, the EOS R6 Mark II can locate and focus upon a person’s head, face, or eye when the Subject Detection menu is set to People, allowing more ease of use, fast acquisition of your subject, and improvements to accuracy when capturing videos or still images. Additional control is now available for detecting the subject’s left or right eye – which can be also programmed to a Custom Button making it easy to focus on the preferred eye in the moment.
Animal Detection
The EOS R6 Mark II can effectively track the whole body, face, or eye of cats, dogs, birds, and now horses, for speed and precision — regardless of the animal’s size, posture, or orientation of the face.2
Optimized for Video
With ample video recording features such as 6K oversampled uncropped 4K movie at up to 60 fps, Full-HD High-frame rate movie recording at up to 180 fps4, and AF tracking, the EOS R6 Mark II can meet the needs of hobbyists and experienced video content creators alike.
Continuous Movie Recording That Exceeds 30 Minutes
The EOS R6 Mark II can continuously record Full-HD video for up to 6 hours, allowing you to set up your video and keep your project rolling without worrying about it stopping.5 You’ll also be able to continuously record Full-HD 179.82p up to 60 minutes or more, and 4K 59.94p up to 50 minutes or more.
Features for Advanced Creators
Canon Log 3, HDR PQ, in-camera Full-HD proxy recording, and 6K 59.94p RAW data output to an external storage device6 provides the image quality to support various production purposes.
Focus breathing correction (with compatible Canon RF lenses)7 automatically compensates for changes in the angle of view caused by focus operations during movie recording.
Simultaneous recording of movies and stills to dual UHS-II SD card slots enables a backup to be created, so you can shoot with confidence.
In-body Image Stabilizer
Equipped with movie digital IS and 5-axis in-body IS, the EOS R6 Mark II enables smooth movie shooting with less camera-shake blur. With up to 8 stops of shake correction with Coordinated IS — combining In-body Image Stabilization, and optical Image Stabilization in certain Canon RF lenses — the camera makes handheld shooting easier at slower shutter speeds and in low-light situations.8 To counter large, low-frequency camera movements, such as recording while walking, there’s also electronic Movie Digital IS, which can be independently activated.
Vari-Angle Touchscreen LCD
Featuring a 3.0-inch, 1.62 million dot Clear View LCD II Vari-angle Touchscreen LCD, the EOS R6 Mark II makes it easy to compose and shoot from virtually any angle.
0.5-inch OLED EVF with Approx. 3.69 Million Dots
A high-precision 0.5-inch OLED (Organic Light-Emitting Diode) EVF with approx. 3.69 million dots and a 23mm eyepoint displays a bright image and extensive shooting information. The EOS R6 Mark II’s EVF supports up to a 120 fps refresh rate and has been designed to provide a bright, sharp and colorful 100% view of the subject at hand. There’s also an Optical Viewfinder (OVF) Simulation setting, which provides a higher dynamic range viewfinder image for superior viewing in harsh, contrasty lighting situations.
Wired and Wireless Communications
The EOS R6 Mark II supports both wired and wireless connections to your smartphone via its USB Type-C9 port, built-in Wi-Fi®, and Bluetooth® technology, making it easy to upload and share movies and photos to your favorite social networks.
Built-in Bluetooth® Capability
Bluetooth® pairing helps you connect the camera to compatible smart devices using the free Canon Camera Connect app. This low-energy wireless connection helps preserve battery life, while providing remote control of the camera. It also sends continuously updated GPS location data from your phone, letting you geotag what you've captured so you know precisely where you captured the photo.
Built-in Wi-Fi Capability
Enable wireless functions, such as file viewing and transfer, by connecting to Wi-Fi quickly and seamlessly, and exchange data with other Wi-Fi compatible Canon cameras. Using the Canon Camera Connect app, you can also transfer files to your mobile device to browse and share on social media.
USB-C Connection
New to the EOS R6 Mark II is the ability to connect the camera to a computer or smartphone via USB-C.9 All Canon Camera Connect app features that can be used with Wi-Fi are now available when the camera and smartphone are connected via USB, using a compatible cable for your device.
UVC Livestreaming
UVC/UAC compatibility allows the EOS R6 Mark II to be used as a web camera and stream live video in Full HD, without additional computer software, to applications such as Zoom™, Microsoft Teams™, Skype™, and similar on-line meeting software.9 Thanks to the full-frame CMOS sensor, you’ll be able to distribute clear live video images with low noise during remote conferences or livestreaming content.
Specifications
Type
| Type | Digital interchangeable lens, mirrorless camera |
| Image Processor | DIGIC X |
| Recording Media | (Two) SD card slots
|
| Compatible Lenses | Canon RF lens group (including RF-S lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF Mount |
| Type | Full-frame CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Effective Pixels | Approx. 24.2 megapixels |
| Screen Size | Approx. 36.0 x 24.0 mm |
| Pixel Unit | Approx. 6.00 µm square |
| Total Pixels | Approx. 25.6 megapixels |
| Aspect Ratio | 3:2 (Horizontal:Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature |
|
| Recording Format | Compliant to Design rule for Camera File system 2.0 and Exif 2.31*. *Supports time difference information in Exif 2.31. |
| Image Format | JPEG, HEIF, RAW / C-RAW / Dual Pixel RAW/ RAW burst (CR3), C-RAW (Canon original) ; Movies: ALL-I (Time-lapse video only), IPB (MP4) |
| File Size | * At H+ Drive setting (12 fps), using Mechanical or 1st-curtain Electronic shutter. *1: Number of shots using a 32 GB card that conforms to Canon testing standards. *2: Number of shots using a 32 GB UHS-II card that conforms to Canon testing standards. *3: When set to [HDR shooting (HDR PQ): Disable]. *4: When set to [HDR shooting (HDR PQ): Enable]. |
| File Numbering |
The following file numbers can be set:
|
| RAW + JPEG / HEIF Simultaneous Recording | Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported. |
| Color Space | Selectable between sRGB and Adobe RGB |
| Picture Style |
|
| Settings |
*2: White balance can be adjusted during movie recording. |
| Auto White Balance | Option between ambience priority and white priority settings, using SET button |
| White Balance Shift | Blue/amber bias: ±9 levelsMagenta/green bias: ±9 levelsCorrected in reference to the current WB modes color temperature. |
| Type | OLED color electronic viewfinder; 0.5-inch, approx. 3.69 million dots |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 23mm eyepoint). |
| Magnification / Angle of View | Approx. 0.76x / Approx. 35.2 degrees (with 50mm lens at infinity, -1 m-1) |
| Eye Point | Approx. 23mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -4.0 to + 2.0 m-1 (dpt) |
| Viewfinder Information |
|
| Focus Method | Dual Pixel CMOS AF |
| Number of AF zones available for Automatic Selection | AF area: Horizontal: Approx. 100% x Vertical: Approx. 100% (100% x 100% AF coverage in Face Detect + Tracking AF; coverage can vary, depending upon lens being used) Stills: Max. 1053 zones (39 x 27) Movies: Max. 1053 zones (39 x27) |
| Selectable Positions for AF Point | AF area: Horizontal: Approx. 90% x Vertical: Approx. 100% Stills: Max. 4897 positions (83 x 59) Movies: Max 4067 positions (83 x 49) |
| AF Working Range | EV -6.5 to 20 (f/1.2 lens*, center AF point, One-Shot AF,at 73°F/23°C, ISO 100 * Except RF lenses with a Defocus Smoothing (DS) coating. |
| Focusing brightness range (still photo shooting) | EV –6.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, and ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
| Focusing brightness range (in movie recording) | 4K: EV –4.0 to 21 Full HD: EV –4.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, ISO 100, and 29.97 / 25.00 fps.) * Except RF lenses with a Defocus Smoothing (DS) coating. |
| Available AF Areas |
|
| Available Subject Detection |
|
| Eye Detection |
Auto:
|
Exposure Control
| Metering Modes | Real-time metering from CMOS image sensor (384 [24x16] metering zones)
|
| Metering Range | EV -3 - 20 (at 73°F/23°C, ISO 100)(Still Photo Shooting) |
| Exposure Modes |
|
| ISO Speed Range |
Manually Set
ISO Auto range settings in still photo shooting *1: ISO 200 when set to [Highlight tone priority: Enable/Enhanced]. *2: Varies depending on the [Maximum] and [Minimum] settings for [Auto range]. *3: If outside the setting range, changed to the value closest to ISO 400. |
| Exposure Compensation | Click here to view the full specifications PDF. |
| AE Lock |
|
Shutter
| Type | Electronically controlled focal-plane shutter
|
| Shutter Speeds |
Mechanical / 1st-curtain Electronic shutter: 1/8000th sec – 30 seconds, in 1/3 or 1⁄2-step increments Electronic shutter: 1/8000th sec – 30 seconds, in 1/3 or 1⁄2-step increments (1/16,000th possible, if user-set in Tv or M shooting modes) |
| X-sync Speed | Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec. |
| Shutter Release | Soft-touch electromagnetic release |
| Self Timer | 10-sec. delay, 2-sec. delay |
Image Stabilization
| Still Photo IS | In-body IS operation can be selected when using a non-IS lens.
|
External Speedlite
| Accessory Shoe | Canon Multi-function accessory shoe Optional Canon AD-E1 adapter required for conventional shoe-mount flashes and accessories |
| E-TTL Balance | Ambience priority, standard, flash priority |
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Continuous flash control | E-TTL each shot / E-TTL 1st shot |
Drive System
| Drive Modes and Continuous Shooting Speed | Click here to view the full specifications PDF. |
HDR Shooting
| HDR Shooting (HDR PQ) | Disable / Enable |
| Still Photo HDR PQ | Click here to view the full specifications PDF. |
| Movie HDR PQ | Click here to view the full specifications PDF. |
| Continuous HDR Shooting (still images) | 1 shot only / Every shot |
Video Shooting
| Shooting Times |
Click here to view the full specifications PDF.
*1 Time available for continuous shooting in 23°C / 73°F environment, from a cold start. If the camera is in LV mode standby before shooting or the ambient temperature is high, the shooting time may be shorter.
*2 According to Canon measurement conditions when using UHS-II cards conforming to Canon testing standards.
*3 The maximum duration of shooting may be shorter under some circumstances even if recording begins from "cold start," due to a rise in temperature inside the camera caused by pre-shooting camera setting operations or by prolonged use of the Live View mode. When the card is full, movie recording stops automatically. In this case, duration time when you erase the data and restart shooting.
|
| File Format |
Normal Movies Click here to view the full specifications PDF.
* Recording in AAC when [Audio compression] (C.Fn4) is set to [Enable] or Linear PCM when set to [Disable]. |
| Estimated Recording time, Movie Bit Rate and File Size |
H.264/AVC (Canon Log: Off, HDR PQ: Off)
Click here to view the full specifications PDF. * Bit rate only applies to video output, not audio or metadata. * Audio is recorded when [C.Fn4 audio compression:Enable] (Audio: AAC) is set. * Movie recording stops when the maximum recording time per movie is reached. * No audio is recorded for approx. the last two frames with the compression method for movie recording quality set to IPB (Standard) or IPB (Light) and the camera set to [C.Fn4 Audio compression: Enable]. Moreover, the video and sound may be slightly out of sync when movies are played back in Windows. * Mbps — megabits per second (8 megabits = 1 megabyte) |
| Estimated Recording Time, Continued. |
H.265/HEVC (Canon Log: On or HDR PQ: On)
Click here to view the full specifications PDF. * Bit rate only applies to video output, not audio or metadata. * Audio is recorded when [C.Fn4 audio compression:Enable] (Audio: AAC) is set. * Movie recording stops when the maximum recording time per movie is reached. 31 min. * No audio is recorded for approx. the last two frames with the compression method for movie recording quality set to IPB (Standard) or IPB (Light) and the camera set to [C.Fn4 Audio compression: Enable]. Moreover, the video and sound may be slightly out of sync when movies are played back in Windows. * Mbps — megabits per second (8 megabits = 1 megabyte) |
| Card Performance Requirements | |
| Video AF |
Dual Pixel CMOS AF; Movie Servo AF available in AF Menu
|
| Exposure Compensation |
±3 stops in 1/3- or 1/2-stop increments
|
| Time Code |
Yes (Count up, Start time setting, Movie recording count, Movie play count, HDMI time code on/off, HDMI rec. command on/off, Drop frame enable/disable)
|
| Movie Pre-recording (On/Off) |
3 or 5 seconds; user-selectable
|
| Time-lapse Movie Setting |
Interval 2 sec – 99:59:59; Number of frames 2–3,600; Movie recording size 4K/Full HD; Auto exposure fixed @ first frame/auto for each frame; Beep per frame recorded (volume setting 0/silent – 5)
|
| Time-lapse Playback Frame Rate |
29.97 (set to NTSC); 25.00fps (set to PAL)
|
LCD Screen
| Type | TFT color, liquid-crystal monitor |
| Monitor Size | 3.0-inch (screen aspect ratio of 3:2) 2.95 in./7.5cm diagonal (2.44 in./6.2cm width, 1.65 in./4.2cm height) |
| Dots | Approx. 1.62 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Touch-screen Operation | Supported for AF Point selection; Touch AF; Touch Shutter; Menu selection; Quick Control Menu; Magnified view |
| Coating |
Clear View LCD II
|
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
Playback
| Highlight Alert | The white areas with no image data will blink. |
| Histogram | Brightness and RGB |
Quick Control Function
| Function | The Quick Control screen can be accessed by pressing the Quick Control button during shooting, recording, or playback. |
| Quick Control Screen |
The following settings are available for the [Quick Control screen] during movie recording.
|
Image Protection and Erase
| Protection |
|
| Erase |
Except protected images
|
Direct Printing
| Compatible Printers | Not supported |
DPOF: Digital Print Order Format
| DPOF | Compliant to DPOF Version 1.1 |
Wi-Fi
| Standards Compliance | IEEE 802.11b/g/n/a/ac |
| Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n/a/ac) |
| Transition Frequency (Central Frequency) | 2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels 5.0 GHz band Frequency: 5180 to 5825 MHz Channels: 36 to 165 channels1 |
| Connection Method | (1) Camera access point mode (2) Infrastructure mode |
| Communication with a Smartphone |
|
| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fi® or USB, with Canon EOS Utility software installed in a compatible Mac or Windows computer. |
| Print from Wi-Fi® Printers | Not supported. |
| Send Images to a Web Service | image.canon: Video files (MP4) and JPEG, HEIF, RAW or C-RAW still images can be uploaded to image.canon servers. From image.canon, images can be sent to specific social media and 3rd-party cloud image services. |
Bluetooth
| Standards Compliance | Bluetooth Specification Version 5.0 compliant (Bluetooth Low Energy technology) |
| Transmission Method | GFSK modulation |
| Bluetooth Pairing | Smartphone — up to 10 devices; BR-E1 remote controller — 1 unit |
Interface
| USB Terminal |
Equivalent to SuperSpeed USB (USB 3.1 Gen 1)
|
| HDMI Out Terminal |
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
|
| Microphone Terminal | 3.5mm diameter stereo mini jack |
| Headphone Terminal | Compatible with 3.5mm diameter stereo mini-plug |
Power Source
| Battery |
Canon LP-E6NH battery pack (also compatible with LP-E6N and LP-E6 battery packs)
|
| Optional Battery Grip | Compatible with Canon Battery Grip BG-R10 (Accepts one or two LP-E6NH, LP-E6N, or LP-E6 battery packs) |
| Battery Check |
Automatic battery check when the power switch is turned ON. Displayed in 5 levels in viewfinder, and on LCD screen. Battery info display in Set-up Menu:
|
| Start-up Time |
Approx. 0.4 sec.
|
Dimensions and Weight
| Dimensions (W x H x D) | Approx. 5.45 x 3.87 x 3.48 in. / 138 x 98.4 x 88.4mm Based on CIPA standards. |
| Weight | Approx. 1.5 lbs. / 680g (including battery, SD memory card; without body cap) Approx. 1.3 lbs. / 598g (body only; without battery, card or body cap) |
Operating Environment
| Working Temperature Range | 32-104° F / 0-+40° C |
| Working Humidity | 85% or less |
*Specifications Subject to Change
In The Box
$ 2,799.00 $ 2,299.00
Canon SKU: 5666C018 | Helix SKU: CA5666C018
EOS R6 Mark II Full-Frame Mirrorless Camera
Introducing a standard full-frame camera evolved with hybrid features for still and movie shooting. The EOS R6 Mark II enables various photographic expressions that transcend boundaries between recording personal life and professional production purposes, as well as between photo shooting and movie shooting. Achieve creativity in everyday life with the EOS R6 Mark II.
High Image Quality Featuring a New 24.2 Megapixel Full-Frame CMOS Sensor
The EOS R6 Mark II features improved resolution compared to its predecessor. A Canon-developed 35mm full-frame CMOS sensor with approx. 24.2 effective megapixels enables the camera to capture sharp and detailed images, even in low-light scenarios. Regardless of conditions — whether day or night, indoor or outdoor — dark portions of the image, even at high ISO speeds and increased sensitivity, are rendered with low noise.
DIGIC X Image Processor
A powerful DIGIC X Image Processor enables high-performance operation and coordination of processes such as Dual Pixel CMOS AF II, Image Stabilization, image processing, and video functionality. The DIGIC X Image Processor helps ensure your photos and videos look sharp and maintain high-resolution with minimal noise or grain.
High-Speed Continuous Shooting
For the first time among full-frame Canon EOS cameras, the EOS R6 Mark II introduces RAW Burst Mode1 at up to 30 fps. By turning on RAW Burst Mode’s pre-shooting, shooting can start slightly before (about 0.5 seconds earlier) the shutter button is fully pressed. Coupled with high-speed continuous shooting at speeds of up to 12 fps with mechanical shutter, and up to 40 fps using electronic (silent) shutter, the camera can capture the split-second details between a subject’s movements. This is great for dynamic action photos such as athletes, animals, and vehicles in motion or even capturing momentary changes in facial expressions for portraits.
Blazing Fast Autofocus
The highly responsive Dual Pixel CMOS AF II system covers up to approximately 100% x 100% of the picture area, breaking the image into up to 1,053 automatically-selected AF zones during Whole Area AF. The result is outstanding AF coverage, and the compositional freedom to focus sharply on a subject nearly anywhere in the frame.
Highly Accurate Subject Detection
Developed using Deep Learning Technology, horses, trains, and airplanes are newly detectable, in addition to conventional subjects like people, animals including dogs, cats and birds, and vehicles — cars and motorcycles — especially in a motorsports environment.2,3 For more ease of use, Auto mode is now available, in which the camera automatically selects the type of subject without the need to switch the Subject Detection setting in the menu.
Head, Face, and Eye Detection
Even in situations where many cameras may struggle to detect a subject, the EOS R6 Mark II can locate and focus upon a person’s head, face, or eye when the Subject Detection menu is set to People, allowing more ease of use, fast acquisition of your subject, and improvements to accuracy when capturing videos or still images. Additional control is now available for detecting the subject’s left or right eye – which can be also programmed to a Custom Button making it easy to focus on the preferred eye in the moment.
Animal Detection
The EOS R6 Mark II can effectively track the whole body, face, or eye of cats, dogs, birds, and now horses, for speed and precision — regardless of the animal’s size, posture, or orientation of the face.2
Optimized for Video
With ample video recording features such as 6K oversampled uncropped 4K movie at up to 60 fps, Full-HD High-frame rate movie recording at up to 180 fps4, and AF tracking, the EOS R6 Mark II can meet the needs of hobbyists and experienced video content creators alike.
Continuous Movie Recording That Exceeds 30 Minutes
The EOS R6 Mark II can continuously record Full-HD video for up to 6 hours, allowing you to set up your video and keep your project rolling without worrying about it stopping.5 You’ll also be able to continuously record Full-HD 179.82p up to 60 minutes or more, and 4K 59.94p up to 50 minutes or more.
Features for Advanced Creators
Canon Log 3, HDR PQ, in-camera Full-HD proxy recording, and 6K 59.94p RAW data output to an external storage device6 provides the image quality to support various production purposes.
Focus breathing correction (with compatible Canon RF lenses)7 automatically compensates for changes in the angle of view caused by focus operations during movie recording.
Simultaneous recording of movies and stills to dual UHS-II SD card slots enables a backup to be created, so you can shoot with confidence.
In-body Image Stabilizer
Equipped with movie digital IS and 5-axis in-body IS, the EOS R6 Mark II enables smooth movie shooting with less camera-shake blur. With up to 8 stops of shake correction with Coordinated IS — combining In-body Image Stabilization, and optical Image Stabilization in certain Canon RF lenses — the camera makes handheld shooting easier at slower shutter speeds and in low-light situations.8 To counter large, low-frequency camera movements, such as recording while walking, there’s also electronic Movie Digital IS, which can be independently activated.
Vari-Angle Touchscreen LCD
Featuring a 3.0-inch, 1.62 million dot Clear View LCD II Vari-angle Touchscreen LCD, the EOS R6 Mark II makes it easy to compose and shoot from virtually any angle.
0.5-inch OLED EVF with Approx. 3.69 Million Dots
A high-precision 0.5-inch OLED (Organic Light-Emitting Diode) EVF with approx. 3.69 million dots and a 23mm eyepoint displays a bright image and extensive shooting information. The EOS R6 Mark II’s EVF supports up to a 120 fps refresh rate and has been designed to provide a bright, sharp and colorful 100% view of the subject at hand. There’s also an Optical Viewfinder (OVF) Simulation setting, which provides a higher dynamic range viewfinder image for superior viewing in harsh, contrasty lighting situations.
Wired and Wireless Communications
The EOS R6 Mark II supports both wired and wireless connections to your smartphone via its USB Type-C9 port, built-in Wi-Fi®, and Bluetooth® technology, making it easy to upload and share movies and photos to your favorite social networks.
Built-in Bluetooth® Capability
Bluetooth® pairing helps you connect the camera to compatible smart devices using the free Canon Camera Connect app. This low-energy wireless connection helps preserve battery life, while providing remote control of the camera. It also sends continuously updated GPS location data from your phone, letting you geotag what you've captured so you know precisely where you captured the photo.
Built-in Wi-Fi Capability
Enable wireless functions, such as file viewing and transfer, by connecting to Wi-Fi quickly and seamlessly, and exchange data with other Wi-Fi compatible Canon cameras. Using the Canon Camera Connect app, you can also transfer files to your mobile device to browse and share on social media.
USB-C Connection
New to the EOS R6 Mark II is the ability to connect the camera to a computer or smartphone via USB-C.9 All Canon Camera Connect app features that can be used with Wi-Fi are now available when the camera and smartphone are connected via USB, using a compatible cable for your device.
UVC Livestreaming
UVC/UAC compatibility allows the EOS R6 Mark II to be used as a web camera and stream live video in Full HD, without additional computer software, to applications such as Zoom™, Microsoft Teams™, Skype™, and similar on-line meeting software.9 Thanks to the full-frame CMOS sensor, you’ll be able to distribute clear live video images with low noise during remote conferences or livestreaming content.
Specifications
Type
| Type | Digital interchangeable lens, mirrorless camera |
| Image Processor | DIGIC X |
| Recording Media | (Two) SD card slots
|
| Compatible Lenses | Canon RF lens group (including RF-S lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF Mount |
| Type | Full-frame CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Effective Pixels | Approx. 24.2 megapixels |
| Screen Size | Approx. 36.0 x 24.0 mm |
| Pixel Unit | Approx. 6.00 µm square |
| Total Pixels | Approx. 25.6 megapixels |
| Aspect Ratio | 3:2 (Horizontal:Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature |
|
| Recording Format | Compliant to Design rule for Camera File system 2.0 and Exif 2.31*. *Supports time difference information in Exif 2.31. |
| Image Format | JPEG, HEIF, RAW / C-RAW / Dual Pixel RAW/ RAW burst (CR3), C-RAW (Canon original) ; Movies: ALL-I (Time-lapse video only), IPB (MP4) |
| File Size | * At H+ Drive setting (12 fps), using Mechanical or 1st-curtain Electronic shutter. *1: Number of shots using a 32 GB card that conforms to Canon testing standards. *2: Number of shots using a 32 GB UHS-II card that conforms to Canon testing standards. *3: When set to [HDR shooting (HDR PQ): Disable]. *4: When set to [HDR shooting (HDR PQ): Enable]. |
| File Numbering |
The following file numbers can be set:
|
| RAW + JPEG / HEIF Simultaneous Recording | Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported. |
| Color Space | Selectable between sRGB and Adobe RGB |
| Picture Style |
|
| Settings |
*2: White balance can be adjusted during movie recording. |
| Auto White Balance | Option between ambience priority and white priority settings, using SET button |
| White Balance Shift | Blue/amber bias: ±9 levelsMagenta/green bias: ±9 levelsCorrected in reference to the current WB modes color temperature. |
| Type | OLED color electronic viewfinder; 0.5-inch, approx. 3.69 million dots |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 23mm eyepoint). |
| Magnification / Angle of View | Approx. 0.76x / Approx. 35.2 degrees (with 50mm lens at infinity, -1 m-1) |
| Eye Point | Approx. 23mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -4.0 to + 2.0 m-1 (dpt) |
| Viewfinder Information |
|
| Focus Method | Dual Pixel CMOS AF |
| Number of AF zones available for Automatic Selection | AF area: Horizontal: Approx. 100% x Vertical: Approx. 100% (100% x 100% AF coverage in Face Detect + Tracking AF; coverage can vary, depending upon lens being used) Stills: Max. 1053 zones (39 x 27) Movies: Max. 1053 zones (39 x27) |
| Selectable Positions for AF Point | AF area: Horizontal: Approx. 90% x Vertical: Approx. 100% Stills: Max. 4897 positions (83 x 59) Movies: Max 4067 positions (83 x 49) |
| AF Working Range | EV -6.5 to 20 (f/1.2 lens*, center AF point, One-Shot AF,at 73°F/23°C, ISO 100 * Except RF lenses with a Defocus Smoothing (DS) coating. |
| Focusing brightness range (still photo shooting) | EV –6.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, and ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
| Focusing brightness range (in movie recording) | 4K: EV –4.0 to 21 Full HD: EV –4.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, ISO 100, and 29.97 / 25.00 fps.) * Except RF lenses with a Defocus Smoothing (DS) coating. |
| Available AF Areas |
|
| Available Subject Detection |
|
| Eye Detection |
Auto:
|
Exposure Control
| Metering Modes | Real-time metering from CMOS image sensor (384 [24x16] metering zones)
|
| Metering Range | EV -3 - 20 (at 73°F/23°C, ISO 100)(Still Photo Shooting) |
| Exposure Modes |
|
| ISO Speed Range |
Manually Set
ISO Auto range settings in still photo shooting *1: ISO 200 when set to [Highlight tone priority: Enable/Enhanced]. *2: Varies depending on the [Maximum] and [Minimum] settings for [Auto range]. *3: If outside the setting range, changed to the value closest to ISO 400. |
| Exposure Compensation | Click here to view the full specifications PDF. |
| AE Lock |
|
Shutter
| Type | Electronically controlled focal-plane shutter
|
| Shutter Speeds |
Mechanical / 1st-curtain Electronic shutter: 1/8000th sec – 30 seconds, in 1/3 or 1⁄2-step increments Electronic shutter: 1/8000th sec – 30 seconds, in 1/3 or 1⁄2-step increments (1/16,000th possible, if user-set in Tv or M shooting modes) |
| X-sync Speed | Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec. |
| Shutter Release | Soft-touch electromagnetic release |
| Self Timer | 10-sec. delay, 2-sec. delay |
Image Stabilization
| Still Photo IS | In-body IS operation can be selected when using a non-IS lens.
|
External Speedlite
| Accessory Shoe | Canon Multi-function accessory shoe Optional Canon AD-E1 adapter required for conventional shoe-mount flashes and accessories |
| E-TTL Balance | Ambience priority, standard, flash priority |
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Continuous flash control | E-TTL each shot / E-TTL 1st shot |
Drive System
| Drive Modes and Continuous Shooting Speed | Click here to view the full specifications PDF. |
HDR Shooting
| HDR Shooting (HDR PQ) | Disable / Enable |
| Still Photo HDR PQ | Click here to view the full specifications PDF. |
| Movie HDR PQ | Click here to view the full specifications PDF. |
| Continuous HDR Shooting (still images) | 1 shot only / Every shot |
Video Shooting
| Shooting Times |
Click here to view the full specifications PDF.
*1 Time available for continuous shooting in 23°C / 73°F environment, from a cold start. If the camera is in LV mode standby before shooting or the ambient temperature is high, the shooting time may be shorter.
*2 According to Canon measurement conditions when using UHS-II cards conforming to Canon testing standards.
*3 The maximum duration of shooting may be shorter under some circumstances even if recording begins from "cold start," due to a rise in temperature inside the camera caused by pre-shooting camera setting operations or by prolonged use of the Live View mode. When the card is full, movie recording stops automatically. In this case, duration time when you erase the data and restart shooting.
|
| File Format |
Normal Movies Click here to view the full specifications PDF.
* Recording in AAC when [Audio compression] (C.Fn4) is set to [Enable] or Linear PCM when set to [Disable]. |
| Estimated Recording time, Movie Bit Rate and File Size |
H.264/AVC (Canon Log: Off, HDR PQ: Off)
Click here to view the full specifications PDF. * Bit rate only applies to video output, not audio or metadata. * Audio is recorded when [C.Fn4 audio compression:Enable] (Audio: AAC) is set. * Movie recording stops when the maximum recording time per movie is reached. * No audio is recorded for approx. the last two frames with the compression method for movie recording quality set to IPB (Standard) or IPB (Light) and the camera set to [C.Fn4 Audio compression: Enable]. Moreover, the video and sound may be slightly out of sync when movies are played back in Windows. * Mbps — megabits per second (8 megabits = 1 megabyte) |
| Estimated Recording Time, Continued. |
H.265/HEVC (Canon Log: On or HDR PQ: On)
Click here to view the full specifications PDF. * Bit rate only applies to video output, not audio or metadata. * Audio is recorded when [C.Fn4 audio compression:Enable] (Audio: AAC) is set. * Movie recording stops when the maximum recording time per movie is reached. 31 min. * No audio is recorded for approx. the last two frames with the compression method for movie recording quality set to IPB (Standard) or IPB (Light) and the camera set to [C.Fn4 Audio compression: Enable]. Moreover, the video and sound may be slightly out of sync when movies are played back in Windows. * Mbps — megabits per second (8 megabits = 1 megabyte) |
| Card Performance Requirements | |
| Video AF |
Dual Pixel CMOS AF; Movie Servo AF available in AF Menu
|
| Exposure Compensation |
±3 stops in 1/3- or 1/2-stop increments
|
| Time Code |
Yes (Count up, Start time setting, Movie recording count, Movie play count, HDMI time code on/off, HDMI rec. command on/off, Drop frame enable/disable)
|
| Movie Pre-recording (On/Off) |
3 or 5 seconds; user-selectable
|
| Time-lapse Movie Setting |
Interval 2 sec – 99:59:59; Number of frames 2–3,600; Movie recording size 4K/Full HD; Auto exposure fixed @ first frame/auto for each frame; Beep per frame recorded (volume setting 0/silent – 5)
|
| Time-lapse Playback Frame Rate |
29.97 (set to NTSC); 25.00fps (set to PAL)
|
LCD Screen
| Type | TFT color, liquid-crystal monitor |
| Monitor Size | 3.0-inch (screen aspect ratio of 3:2) 2.95 in./7.5cm diagonal (2.44 in./6.2cm width, 1.65 in./4.2cm height) |
| Dots | Approx. 1.62 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Touch-screen Operation | Supported for AF Point selection; Touch AF; Touch Shutter; Menu selection; Quick Control Menu; Magnified view |
| Coating |
Clear View LCD II
|
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
Playback
| Highlight Alert | The white areas with no image data will blink. |
| Histogram | Brightness and RGB |
Quick Control Function
| Function | The Quick Control screen can be accessed by pressing the Quick Control button during shooting, recording, or playback. |
| Quick Control Screen |
The following settings are available for the [Quick Control screen] during movie recording.
|
Image Protection and Erase
| Protection |
|
| Erase |
Except protected images
|
Direct Printing
| Compatible Printers | Not supported |
DPOF: Digital Print Order Format
| DPOF | Compliant to DPOF Version 1.1 |
Wi-Fi
| Standards Compliance | IEEE 802.11b/g/n/a/ac |
| Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n/a/ac) |
| Transition Frequency (Central Frequency) | 2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels 5.0 GHz band Frequency: 5180 to 5825 MHz Channels: 36 to 165 channels1 |
| Connection Method | (1) Camera access point mode (2) Infrastructure mode |
| Communication with a Smartphone |
|
| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fi® or USB, with Canon EOS Utility software installed in a compatible Mac or Windows computer. |
| Print from Wi-Fi® Printers | Not supported. |
| Send Images to a Web Service | image.canon: Video files (MP4) and JPEG, HEIF, RAW or C-RAW still images can be uploaded to image.canon servers. From image.canon, images can be sent to specific social media and 3rd-party cloud image services. |
Bluetooth
| Standards Compliance | Bluetooth Specification Version 5.0 compliant (Bluetooth Low Energy technology) |
| Transmission Method | GFSK modulation |
| Bluetooth Pairing | Smartphone — up to 10 devices; BR-E1 remote controller — 1 unit |
Interface
| USB Terminal |
Equivalent to SuperSpeed USB (USB 3.1 Gen 1)
|
| HDMI Out Terminal |
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
|
| Microphone Terminal | 3.5mm diameter stereo mini jack |
| Headphone Terminal | Compatible with 3.5mm diameter stereo mini-plug |
Power Source
| Battery |
Canon LP-E6NH battery pack (also compatible with LP-E6N and LP-E6 battery packs)
|
| Optional Battery Grip | Compatible with Canon Battery Grip BG-R10 (Accepts one or two LP-E6NH, LP-E6N, or LP-E6 battery packs) |
| Battery Check |
Automatic battery check when the power switch is turned ON. Displayed in 5 levels in viewfinder, and on LCD screen. Battery info display in Set-up Menu:
|
| Start-up Time |
Approx. 0.4 sec.
|
Dimensions and Weight
| Dimensions (W x H x D) | Approx. 5.45 x 3.87 x 3.48 in. / 138 x 98.4 x 88.4mm Based on CIPA standards. |
| Weight | Approx. 1.5 lbs. / 680g (including battery, SD memory card; without body cap) Approx. 1.3 lbs. / 598g (body only; without battery, card or body cap) |
Operating Environment
| Working Temperature Range | 32-104° F / 0-+40° C |
| Working Humidity | 85% or less |
*Specifications Subject to Change
In The Box
$ 1,499.00 $ 1,299.00
Canon SKU: 5137C002 | Helix SKU: CA5137C002
As Fast As Life
With a 15 FPS mechanical shutter, the high-performance EOS R7 is the most advanced APS-C camera from Canon. Featuring a high-speed shooting 32.5 MP sensor, in-body stabilization up to 7 stops with coordinated control IS1, and 4K60p video, it offers maximum versatility for capturing photo and video of fast action, wildlife, and everything in between. The perfect all-around camera for dedicated professionals and advanced hobbyists alike.
HIGH IMAGE QUALITY WITH A 32.5 MEGAPIXEL (APS-C) CMOS SENSOR
The EOS R7 features a newly developed and high image quality 32.5 Megapixel APS-C CMOS sensor. Designed for powerful and effective telephoto reach, it empowers fast continuous shooting with high speed autofocus, so you can capture moment-by-moment images with clear and impressive detail.
HIGH-SPEED SHOOTING
Whether you're shooting speeding cars, sports, wild animals, or just life as it happens, speed is on your side. The EOS R7 lets you shoot a fast 15 fps using mechanical shutter2,3, up to 30 fps with the electronic shutter3,4, and with RAW Burst Mode with ½ second pre-shooting, you can capture the perfect moment down to the split second.
BLAZING FAST AUTOFOCUS
Capture fast moving images with accuracy and ease. Canon's highly responsive Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, covering approximately 100% width and height5 with up to 651 zones.
5-AXIS IN-BODY IMAGE STABILIZATION WITH AUTO-LEVEL TECHNOLOGY6
The EOS R7 features an IBIS (In-Body Stabilization System) with up to 7 stops of shake correction with coordinated control IS1. A game changer for hand held videos and low light photography.
RECORD EACH CLIP OVER 30 MINUTES
Set up your video without worrying about it stopping after 30-minutes7.
OPTIMIZED FOR VIDEO
Get professional quality video with Smart Shoe integration for audio and HQ 4K (oversampled from 7K). Then record it all with Dual UHS II SD memory card slots for recording to both cards.
COMPATIBILITY WITH FULL RANGE OF CANON RF-S, RF, EF, EF-S MOUNTS*
Backwards compatible, future proof. Enjoy full compatibility with Canon's legendary line up of lenses past, present and future.
UPC: 013803340617
| Type | Digital single-lens non-reflex AF/AE camera |
| Image Processor | DIGIC X |
| Recording Media |
SD card
|
| Compatible Lenses | Canon RF-S/RF lens group (excluding EF, EF-S and EF-M lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF |
| Type | CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Effective Pixels | Approx. 32.5 megapixels |
| Sensor Size | Approx. 22.3 x 14.8 mm |
| Pixel Size | Approx. 3.2 µm square |
| Total Pixels | Approx. 34.4 megapixels |
| Aspect Ratio | 3:2 (Horizontal: Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature |
|
| Recording Format | Compliant to Design rule for Camera File system 2.0 and Exif 2.31*. *Supports time difference information. |
| Image Format | Still: JPEG, HEIF, RAW, Dual Pixel RAW, Raw Burst, C-RAW (CR3); Movies: ALL-I*, IPB, IPB Light * Time-lapse movies only |
| HDR Mode-Continuous Shooting | (1) 1 shot only (2) Every shot |
| Advanced Shooting Operations | (1) Focus Bracketing (2) Interval Timer (3) Bulb Timer (4) Multi-Shot NR |
| File Size |
3:2 Aspect Ratio Large/HEIF/RAW: 6960 x 4640 Medium: 4800 x 3200 Small 1: 3472 x 2320* Small 2: 2400 x 1600 4:3 Aspect Ratio Large: 6160 x 4640* Medium: 4256 x 3200* Small 1: 3072 x 2320* Small 2: 2112 x 1600* RAW: 6960 x 4640 16:9 Aspect Ratio Large: 6960 x 3904* Medium: 4800 x 2688* Small 1: 3472 x 1952* Small 2: 2400 x 1344* RAW: 6960 x 4640 1:1 Aspect Ratio Large: 4640 x 4640 Medium: 3200 x 3200 Small 1: 2320 x 2320 Small 2: 1600 x 1600 RAW: 6960 x 4640
|
| File Numbering |
The following file numbers can be set: File numbering methods
|
| RAW + JPEG / HEIF Simultaneous Recording | Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported. |
| Color Space | Selectable between sRGB and Adobe RGB |
| Picture Style |
|
| Settings |
2Setting method options include [Custom White Balance] and [Shoot to set WB]. |
| Auto White Balance | Option between ambience priority and white priority settings. |
| White Balance Shift | Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels
|
| Type | OLED color electronic viewfinder; approx. 2.36 million dots resolution |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 22mm eyepoint). |
| Magnification / Angle of View | Approx. 1.15x / Approx. 33 degrees (with 3:2 display, an 50mm lens at infinity, -1 m--1) |
| Eye Point | Approx. 22mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -4.0 to + 2.0 m-1 (dpt) |
| Focus Method | Dual Pixel CMOS AF | |||||||
| Number of AF Zones Available for Automatic Selection | AF area: Horizontal: Approx. 100% x Vertical: Approx. 100%* Stills: Max. 651 zones (31 x 21) Movies: Max. 527 zones (31 x 17) |
|||||||
| AF Working Range | EV -5 to 20 (f/1.2 lens*, center AF point, One-Shot AF, at room temperature, ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
|||||||
| Focusing Brightness Range (Movie Recording) | Full HD 29.97fps : EV -3.5 to 20 With an f/1.2 lens*, center AF point, One-Shot AF,at room temperature, ISO 100 * Except RF lenses with a Defocus Smoothing (DS) coating. |
|||||||
| AF Methods |
|
|||||||
| Subject to Detect | People, Animals, Vehicles, No Priority * Available with [AF Area] set to Whole area AF |
|||||||
| Focus Mode Switch | AF / MF
|
| Metering Modes | Real-time metering with image sensor (384 [24x16 zone metering])
|
||||||||||||||||||||||||||||||||||||||||||||||||||
| Metering Range | Still Photo Shooting : EV -2 to 20 (at room temperature, ISO 100) Movie Recording: EV 0 to 20 (at room temperature, ISO 100) |
||||||||||||||||||||||||||||||||||||||||||||||||||
| Exposure Control Modes | Click here to view full specifications PDF | ||||||||||||||||||||||||||||||||||||||||||||||||||
| ISO Speed Range |
Available ISO speeds; user-set
User-defined ISO range - still photo shooting
* Expanded ISO speeds are noted as being equivalent to these speeds. User-defined Auto ISO range - still photo shooting
ISO Auto details in still photo shooting
*1 ISO 200 when [Highlight tone priority] is set to [Enable] or [Enhanced]. |
||||||||||||||||||||||||||||||||||||||||||||||||||
| Exposure Compensation |
|
||||||||||||||||||||||||||||||||||||||||||||||||||
| AE Lock |
|
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| Type |
* A shutter release sound is not generated. However, note that the sounds other than the shutter release sound (aperture, focusing lens drive sound/electronic sound, etc.) may be generated. * In electronic shutter shooting under conditions such as flash firing by other cameras or with fluores-cent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image. |
||||||||
| Shutter Speeds | When [Mechanical] or [Elec. 1st- curtain] is set: 1/8000-30 sec, bulb When [Electronic] is set: 1/16000-30 sec. |
||||||||
| X-Sync Speed | Mechanical Shutter: 1/250 sec. Elec. 1st-curtain: 1/320 sec. |
||||||||
| Shutter Release | Soft-touch electromagnetic release | ||||||||
| Self Timer | 10-sec. delay, 2-sec. delay | ||||||||
| Shutter Lag Time |
Based on Canon testing standards. |
| Still Photo IS | In-body IS operation can be selected when using a non-IS lens.
|
| 5-Axis Image Stabilization with RF/RF-S, EF/EF-S Lenses | Click here to view full specifications PDF |
| EOS R7 Co-ordinated In-Body Image Stabilizer Still Shooting Performance with RF & RF-S Lenses | Click here to view full specifications PDF |
| E-TTL Balance | Ambience priority, standard, flash priority | ||||||||
| Compatible E-TTL Speedlites | Canon EX- and EL-series Speedlites | ||||||||
| E-TTL II Flash Meterings |
|
||||||||
| Slow Sync (P/AV Modes) |
|
||||||||
| Flash Function Menu | Provided for EX- and EL-series Speedlites | ||||||||
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments | ||||||||
| Continuous Flash Control |
|
| Drive Modes and Continuous Shooting Speed | Click here to view full specifications PDF |
| Still Photo File Size/Number of Possible Shots/Maximum Burst for Continuous Shooting | Click here to view full specifications PDF |
| HDR PQ | Disable / Enable * Can be used in conjunction with Auto Lighting Optimizer. |
||||||||
| HDR PQ Shooting - Still |
|
||||||||
| HDR PQ Shooting - Movie |
|
| Focusing | Dual Pixel CMOS AF II |
| Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Canon Log | Canon Log 3 |
| Temperature Warning |
The camera warns of rising internal temperatures by means of icons and indicators. Click here to view full specifications PDF |
| Estimated Camera Recovery Time |
Estimated recovery times are indicated below. These are affected by various factors such as ambient temperature, continued camera operation and the selected shooting resolution. The time until full record time is available, will vary with ambient temperature. Click here to view full specifications PDF |
| Movie Recording Format | Click here to view full specifications PDF |
| Estimated Recording Time & Data | Click here to view full specifications PDF |
| Type | TFT color, liquid-crystal monitor |
| Monitor Size | 3.0-inch (screen aspect ratio of 3:2) |
| Dots | Approx. 1.62 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Coating |
|
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
| Display Format |
|
|||||||||||||||||||||||||||||||||||||
| Highlight Alert | The white areas with no image data will blink. | |||||||||||||||||||||||||||||||||||||
| Histogram | Brightness and RGB | |||||||||||||||||||||||||||||||||||||
| Function | The Quick Control screen is accessed by pressing the Quick Control button during still photo shooting. |
| Protection |
|
| Erase |
Except protected images
|
| Compatible Printers | Not Supported |
| DPOF | Not Supported |
| Standards Compliance | IEEE 802.11b/g/n | |||||||||||||||||||||||||
| Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n/a/ac) |
|||||||||||||||||||||||||
| Transition Frequency (Central Frequency) | 2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels |
|||||||||||||||||||||||||
| Security |
|
|||||||||||||||||||||||||
| Communication with a Smart Phone |
Images can be viewed, controlled, and received using a smartphone. Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications. Images can be sent to a smartphone. Firmware can be downloaded and saved to a card in the camera using Camera Connect. |
|||||||||||||||||||||||||
| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fii® using EOS Utility. | |||||||||||||||||||||||||
| Print from Wi-Fi Printers | Supported | |||||||||||||||||||||||||
| Send Images to a Web Service |
Still photos (RAW, C-RAW, HEIF, and JPEG) and movies (MP4) can be uploaded to image.canon server album. With the image.canon server, images can be sent to social media or a photo album link can be sent (by the image.canon specifications). |
|||||||||||||||||||||||||
| Standards Compliance | Bluetooth Specification Version 4.2 compliant (Bluetooth low energy technology) |
| Transmission Method | GFSK modulation |
| Custom Functions |
Customizable Dials
|
||||||||||||||||||||||||||||||||||||||||||||||||
| Custom Dials |
|
||||||||||||||||||||||||||||||||||||||||||||||||
| My Menu Registration |
|
| USB Terminal |
Equivalent to Superspeed PLus USB (USB 3.2 Gen 2)
|
| Video Out Terminal |
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
|
| Clean HDMI Output |
Provided |
| Microphone Input Terminal |
3.5mm diameter stereo mini jack |
| Headphone Terminal |
3.5mm diameter stereo mini jack |
| Remote Control Terminal |
Remote Switch RS-60E3 type terminal supported |
| Wireless Remote Control |
Compatible with the Wireless Remote Control BR-E1 |
| Multi-Function Shoe |
Supported |
| Battery |
LP-E6NH/LP-E6N/LP-E6*
|
| Battery Check |
Automatic battery check when the power switch is turned ON.
|
| Start-Up Time |
Approx. 0.4 sec.
|
| Dimensions (W x H x D) | Approx. 5.20 x 3.56 x 3.61 in. / 132.0 x 90.4 x 91.7 mm
|
| Weight |
Approx. 1.1 lbs (18.70 oz) Body Only Approx. 1.3 lbs (21.59 oz) With battery,and memory card |
| Working Temperature Range | 32-104° F / 0-+40°C |
| Working Humidity Range | 85% or less |
*Note: Prices and specifications subject to change without notice.
EOS R7
$ 2,099.00 $ 1,799.00 - Sold Out
Canon SKU: 5137C055 | Helix SKU: CA5137C055
As Fast As Life
With a 15 FPS mechanical shutter, the high-performance EOS R7 is the most advanced APS-C camera from Canon. Featuring a high-speed shooting 32.5 MP sensor, in-body stabilization up to 7 stops with coordinated control IS1, and 4K60p video, it offers maximum versatility for capturing photo and video of fast action, wildlife, and everything in between. The perfect all-around camera for dedicated professionals and advanced hobbyists alike.
HIGH IMAGE QUALITY WITH A 32.5 MEGAPIXEL (APS-C) CMOS SENSOR
The EOS R7 features a newly developed and high image quality 32.5 Megapixel APS-C CMOS sensor. Designed for powerful and effective telephoto reach, it empowers fast continuous shooting with high speed autofocus, so you can capture moment-by-moment images with clear and impressive detail.
HIGH-SPEED SHOOTING
Whether you're shooting speeding cars, sports, wild animals, or just life as it happens, speed is on your side. The EOS R7 lets you shoot a fast 15 fps using mechanical shutter2,3, up to 30 fps with the electronic shutter3,4, and with RAW Burst Mode with ½ second pre-shooting, you can capture the perfect moment down to the split second.
BLAZING FAST AUTOFOCUS
Capture fast moving images with accuracy and ease. Canon's highly responsive Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, covering approximately 100% width and height5 with up to 651 zones.
5-AXIS IN-BODY IMAGE STABILIZATION WITH AUTO-LEVEL TECHNOLOGY6
The EOS R7 features an IBIS (In-Body Stabilization System) with up to 7 stops of shake correction with coordinated control IS1. A game changer for hand held videos and low light photography.
RECORD EACH CLIP OVER 30 MINUTES
Set up your video without worrying about it stopping after 30-minutes7.
OPTIMIZED FOR VIDEO
Get professional quality video with Smart Shoe integration for audio and HQ 4K (oversampled from 7K). Then record it all with Dual UHS II SD memory card slots for recording to both cards.
COMPATIBILITY WITH FULL RANGE OF CANON RF-S, RF, EF, EF-S MOUNTS*
Backwards compatible, future proof. Enjoy full compatibility with Canon's legendary line up of lenses past, present and future.
UPC: 013803340617
| Type | Digital single-lens non-reflex AF/AE camera |
| Image Processor | DIGIC X |
| Recording Media |
SD card
|
| Compatible Lenses | Canon RF-S/RF lens group (excluding EF, EF-S and EF-M lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF |
| Type | CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Effective Pixels | Approx. 32.5 megapixels |
| Sensor Size | Approx. 22.3 x 14.8 mm |
| Pixel Size | Approx. 3.2 µm square |
| Total Pixels | Approx. 34.4 megapixels |
| Aspect Ratio | 3:2 (Horizontal: Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature |
|
| Recording Format | Compliant to Design rule for Camera File system 2.0 and Exif 2.31*. *Supports time difference information. |
| Image Format | Still: JPEG, HEIF, RAW, Dual Pixel RAW, Raw Burst, C-RAW (CR3); Movies: ALL-I*, IPB, IPB Light * Time-lapse movies only |
| HDR Mode-Continuous Shooting | (1) 1 shot only (2) Every shot |
| Advanced Shooting Operations | (1) Focus Bracketing (2) Interval Timer (3) Bulb Timer (4) Multi-Shot NR |
| File Size |
3:2 Aspect Ratio Large/HEIF/RAW: 6960 x 4640 Medium: 4800 x 3200 Small 1: 3472 x 2320* Small 2: 2400 x 1600 4:3 Aspect Ratio Large: 6160 x 4640* Medium: 4256 x 3200* Small 1: 3072 x 2320* Small 2: 2112 x 1600* RAW: 6960 x 4640 16:9 Aspect Ratio Large: 6960 x 3904* Medium: 4800 x 2688* Small 1: 3472 x 1952* Small 2: 2400 x 1344* RAW: 6960 x 4640 1:1 Aspect Ratio Large: 4640 x 4640 Medium: 3200 x 3200 Small 1: 2320 x 2320 Small 2: 1600 x 1600 RAW: 6960 x 4640
|
| File Numbering |
The following file numbers can be set: File numbering methods
|
| RAW + JPEG / HEIF Simultaneous Recording | Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported. |
| Color Space | Selectable between sRGB and Adobe RGB |
| Picture Style |
|
| Settings |
2Setting method options include [Custom White Balance] and [Shoot to set WB]. |
| Auto White Balance | Option between ambience priority and white priority settings. |
| White Balance Shift | Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels
|
| Type | OLED color electronic viewfinder; approx. 2.36 million dots resolution |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 22mm eyepoint). |
| Magnification / Angle of View | Approx. 1.15x / Approx. 33 degrees (with 3:2 display, an 50mm lens at infinity, -1 m--1) |
| Eye Point | Approx. 22mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -4.0 to + 2.0 m-1 (dpt) |
| Focus Method | Dual Pixel CMOS AF | |||||||
| Number of AF Zones Available for Automatic Selection | AF area: Horizontal: Approx. 100% x Vertical: Approx. 100%* Stills: Max. 651 zones (31 x 21) Movies: Max. 527 zones (31 x 17) |
|||||||
| AF Working Range | EV -5 to 20 (f/1.2 lens*, center AF point, One-Shot AF, at room temperature, ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
|||||||
| Focusing Brightness Range (Movie Recording) | Full HD 29.97fps : EV -3.5 to 20 With an f/1.2 lens*, center AF point, One-Shot AF,at room temperature, ISO 100 * Except RF lenses with a Defocus Smoothing (DS) coating. |
|||||||
| AF Methods |
|
|||||||
| Subject to Detect | People, Animals, Vehicles, No Priority * Available with [AF Area] set to Whole area AF |
|||||||
| Focus Mode Switch | AF / MF
|
| Metering Modes | Real-time metering with image sensor (384 [24x16 zone metering])
|
||||||||||||||||||||||||||||||||||||||||||||||||||
| Metering Range | Still Photo Shooting : EV -2 to 20 (at room temperature, ISO 100) Movie Recording: EV 0 to 20 (at room temperature, ISO 100) |
||||||||||||||||||||||||||||||||||||||||||||||||||
| Exposure Control Modes | Click here to view full specifications PDF | ||||||||||||||||||||||||||||||||||||||||||||||||||
| ISO Speed Range |
Available ISO speeds; user-set
User-defined ISO range - still photo shooting
* Expanded ISO speeds are noted as being equivalent to these speeds. User-defined Auto ISO range - still photo shooting
ISO Auto details in still photo shooting
*1 ISO 200 when [Highlight tone priority] is set to [Enable] or [Enhanced]. |
||||||||||||||||||||||||||||||||||||||||||||||||||
| Exposure Compensation |
|
||||||||||||||||||||||||||||||||||||||||||||||||||
| AE Lock |
|
||||||||||||||||||||||||||||||||||||||||||||||||||
| Type |
* A shutter release sound is not generated. However, note that the sounds other than the shutter release sound (aperture, focusing lens drive sound/electronic sound, etc.) may be generated. * In electronic shutter shooting under conditions such as flash firing by other cameras or with fluores-cent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image. |
||||||||
| Shutter Speeds | When [Mechanical] or [Elec. 1st- curtain] is set: 1/8000-30 sec, bulb When [Electronic] is set: 1/16000-30 sec. |
||||||||
| X-Sync Speed | Mechanical Shutter: 1/250 sec. Elec. 1st-curtain: 1/320 sec. |
||||||||
| Shutter Release | Soft-touch electromagnetic release | ||||||||
| Self Timer | 10-sec. delay, 2-sec. delay | ||||||||
| Shutter Lag Time |
Based on Canon testing standards. |
| Still Photo IS | In-body IS operation can be selected when using a non-IS lens.
|
| 5-Axis Image Stabilization with RF/RF-S, EF/EF-S Lenses | Click here to view full specifications PDF |
| EOS R7 Co-ordinated In-Body Image Stabilizer Still Shooting Performance with RF & RF-S Lenses | Click here to view full specifications PDF |
| E-TTL Balance | Ambience priority, standard, flash priority | ||||||||
| Compatible E-TTL Speedlites | Canon EX- and EL-series Speedlites | ||||||||
| E-TTL II Flash Meterings |
|
||||||||
| Slow Sync (P/AV Modes) |
|
||||||||
| Flash Function Menu | Provided for EX- and EL-series Speedlites | ||||||||
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments | ||||||||
| Continuous Flash Control |
|
| Drive Modes and Continuous Shooting Speed | Click here to view full specifications PDF |
| Still Photo File Size/Number of Possible Shots/Maximum Burst for Continuous Shooting | Click here to view full specifications PDF |
| HDR PQ | Disable / Enable * Can be used in conjunction with Auto Lighting Optimizer. |
||||||||
| HDR PQ Shooting - Still |
|
||||||||
| HDR PQ Shooting - Movie |
|
| Focusing | Dual Pixel CMOS AF II |
| Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Canon Log | Canon Log 3 |
| Temperature Warning |
The camera warns of rising internal temperatures by means of icons and indicators. Click here to view full specifications PDF |
| Estimated Camera Recovery Time |
Estimated recovery times are indicated below. These are affected by various factors such as ambient temperature, continued camera operation and the selected shooting resolution. The time until full record time is available, will vary with ambient temperature. Click here to view full specifications PDF |
| Movie Recording Format | Click here to view full specifications PDF |
| Estimated Recording Time & Data | Click here to view full specifications PDF |
| Type | TFT color, liquid-crystal monitor |
| Monitor Size | 3.0-inch (screen aspect ratio of 3:2) |
| Dots | Approx. 1.62 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Coating |
|
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
| Display Format |
|
|||||||||||||||||||||||||||||||||||||
| Highlight Alert | The white areas with no image data will blink. | |||||||||||||||||||||||||||||||||||||
| Histogram | Brightness and RGB | |||||||||||||||||||||||||||||||||||||
| Function | The Quick Control screen is accessed by pressing the Quick Control button during still photo shooting. |
| Protection |
|
| Erase |
Except protected images
|
| Compatible Printers | Not Supported |
| DPOF | Not Supported |
| Standards Compliance | IEEE 802.11b/g/n | |||||||||||||||||||||||||
| Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n/a/ac) |
|||||||||||||||||||||||||
| Transition Frequency (Central Frequency) | 2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels |
|||||||||||||||||||||||||
| Security |
|
|||||||||||||||||||||||||
| Communication with a Smart Phone |
Images can be viewed, controlled, and received using a smartphone. Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications. Images can be sent to a smartphone. Firmware can be downloaded and saved to a card in the camera using Camera Connect. |
|||||||||||||||||||||||||
| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fii® using EOS Utility. | |||||||||||||||||||||||||
| Print from Wi-Fi Printers | Supported | |||||||||||||||||||||||||
| Send Images to a Web Service |
Still photos (RAW, C-RAW, HEIF, and JPEG) and movies (MP4) can be uploaded to image.canon server album. With the image.canon server, images can be sent to social media or a photo album link can be sent (by the image.canon specifications). |
|||||||||||||||||||||||||
| Standards Compliance | Bluetooth Specification Version 4.2 compliant (Bluetooth low energy technology) |
| Transmission Method | GFSK modulation |
| Custom Functions |
Customizable Dials
|
||||||||||||||||||||||||||||||||||||||||||||||||
| Custom Dials |
|
||||||||||||||||||||||||||||||||||||||||||||||||
| My Menu Registration |
|
| USB Terminal |
Equivalent to Superspeed PLus USB (USB 3.2 Gen 2)
|
| Video Out Terminal |
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
|
| Clean HDMI Output |
Provided |
| Microphone Input Terminal |
3.5mm diameter stereo mini jack |
| Headphone Terminal |
3.5mm diameter stereo mini jack |
| Remote Control Terminal |
Remote Switch RS-60E3 type terminal supported |
| Wireless Remote Control |
Compatible with the Wireless Remote Control BR-E1 |
| Multi-Function Shoe |
Supported |
| Battery |
LP-E6NH/LP-E6N/LP-E6*
|
| Battery Check |
Automatic battery check when the power switch is turned ON.
|
| Start-Up Time |
Approx. 0.4 sec.
|
| Dimensions (W x H x D) | Approx. 5.20 x 3.56 x 3.61 in. / 132.0 x 90.4 x 91.7 mm
|
| Weight |
Approx. 1.1 lbs (18.70 oz) Body Only Approx. 1.3 lbs (21.59 oz) With battery,and memory card |
| Working Temperature Range | 32-104° F / 0-+40°C |
| Working Humidity Range | 85% or less |
*Note: Prices and specifications subject to change without notice.
EOS R7 Content Creator Kit
$ 1,899.00 $ 1,699.00
Canon SKU: 5137C009 | Helix SKU: CA5137C009
As Fast As Life
With a 15 FPS mechanical shutter, the high-performance EOS R7 is the most advanced APS-C camera from Canon. Featuring a high-speed shooting 32.5 MP sensor, in-body stabilization up to 7 stops with coordinated control IS1, and 4K60p video, it offers maximum versatility for capturing photo and video of fast action, wildlife, and everything in between. The perfect all-around camera for dedicated professionals and advanced hobbyists alike.
HIGH IMAGE QUALITY WITH A 32.5 MEGAPIXEL (APS-C) CMOS SENSOR
The EOS R7 features a newly developed and high image quality 32.5 Megapixel APS-C CMOS sensor. Designed for powerful and effective telephoto reach, it empowers fast continuous shooting with high speed autofocus, so you can capture moment-by-moment images with clear and impressive detail.
HIGH-SPEED SHOOTING
Whether you're shooting speeding cars, sports, wild animals, or just life as it happens, speed is on your side. The EOS R7 lets you shoot a fast 15 fps using mechanical shutter2,3, up to 30 fps with the electronic shutter3,4, and with RAW Burst Mode with ½ second pre-shooting, you can capture the perfect moment down to the split second.
BLAZING FAST AUTOFOCUS
Capture fast moving images with accuracy and ease. Canon's highly responsive Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, covering approximately 100% width and height5 with up to 651 zones.
5-AXIS IN-BODY IMAGE STABILIZATION WITH AUTO-LEVEL TECHNOLOGY6
The EOS R7 features an IBIS (In-Body Stabilization System) with up to 7 stops of shake correction with coordinated control IS1. A game changer for hand held videos and low light photography.
RECORD EACH CLIP OVER 30 MINUTES
Set up your video without worrying about it stopping after 30-minutes7.
OPTIMIZED FOR VIDEO
Get professional quality video with Smart Shoe integration for audio and HQ 4K (oversampled from 7K). Then record it all with Dual UHS II SD memory card slots for recording to both cards.
COMPATIBILITY WITH FULL RANGE OF CANON RF-S, RF, EF, EF-S MOUNTS*
Backwards compatible, future proof. Enjoy full compatibility with Canon's legendary line up of lenses past, present and future.
UPC: 013803340631
| Type | Digital single-lens non-reflex AF/AE camera |
| Image Processor | DIGIC X |
| Recording Media |
SD card
|
| Compatible Lenses | Canon RF-S/RF lens group (excluding EF, EF-S and EF-M lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF |
| Type | CMOS sensor (compatible with Dual Pixel CMOS AF) |
| Effective Pixels | Approx. 32.5 megapixels |
| Sensor Size | Approx. 22.3 x 14.8 mm |
| Pixel Size | Approx. 3.2 µm square |
| Total Pixels | Approx. 34.4 megapixels |
| Aspect Ratio | 3:2 (Horizontal: Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature |
|
| Recording Format | Compliant to Design rule for Camera File system 2.0 and Exif 2.31*. *Supports time difference information. |
| Image Format | Still: JPEG, HEIF, RAW, Dual Pixel RAW, Raw Burst, C-RAW (CR3); Movies: ALL-I*, IPB, IPB Light * Time-lapse movies only |
| HDR Mode-Continuous Shooting | (1) 1 shot only (2) Every shot |
| Advanced Shooting Operations | (1) Focus Bracketing (2) Interval Timer (3) Bulb Timer (4) Multi-Shot NR |
| File Size |
3:2 Aspect Ratio Large/HEIF/RAW: 6960 x 4640 Medium: 4800 x 3200 Small 1: 3472 x 2320* Small 2: 2400 x 1600 4:3 Aspect Ratio Large: 6160 x 4640* Medium: 4256 x 3200* Small 1: 3072 x 2320* Small 2: 2112 x 1600* RAW: 6960 x 4640 16:9 Aspect Ratio Large: 6960 x 3904* Medium: 4800 x 2688* Small 1: 3472 x 1952* Small 2: 2400 x 1344* RAW: 6960 x 4640 1:1 Aspect Ratio Large: 4640 x 4640 Medium: 3200 x 3200 Small 1: 2320 x 2320 Small 2: 1600 x 1600 RAW: 6960 x 4640
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| File Numbering |
The following file numbers can be set: File numbering methods
|
| RAW + JPEG / HEIF Simultaneous Recording | Simultaneous recording of any combination of RAW/C-RAW and JPEG/HEIF image-recording quality is supported. |
| Color Space | Selectable between sRGB and Adobe RGB |
| Picture Style |
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| Settings |
2Setting method options include [Custom White Balance] and [Shoot to set WB]. |
| Auto White Balance | Option between ambience priority and white priority settings. |
| White Balance Shift | Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels
|
| Type | OLED color electronic viewfinder; approx. 2.36 million dots resolution |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 22mm eyepoint). |
| Magnification / Angle of View | Approx. 1.15x / Approx. 33 degrees (with 3:2 display, an 50mm lens at infinity, -1 m--1) |
| Eye Point | Approx. 22mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -4.0 to + 2.0 m-1 (dpt) |
| Focus Method | Dual Pixel CMOS AF | |||||||
| Number of AF Zones Available for Automatic Selection | AF area: Horizontal: Approx. 100% x Vertical: Approx. 100%* Stills: Max. 651 zones (31 x 21) Movies: Max. 527 zones (31 x 17) |
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| AF Working Range | EV -5 to 20 (f/1.2 lens*, center AF point, One-Shot AF, at room temperature, ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
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| Focusing Brightness Range (Movie Recording) | Full HD 29.97fps : EV -3.5 to 20 With an f/1.2 lens*, center AF point, One-Shot AF,at room temperature, ISO 100 * Except RF lenses with a Defocus Smoothing (DS) coating. |
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| AF Methods |
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| Subject to Detect | People, Animals, Vehicles, No Priority * Available with [AF Area] set to Whole area AF |
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| Focus Mode Switch | AF / MF
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| Metering Modes | Real-time metering with image sensor (384 [24x16 zone metering])
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| Metering Range | Still Photo Shooting : EV -2 to 20 (at room temperature, ISO 100) Movie Recording: EV 0 to 20 (at room temperature, ISO 100) |
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| Exposure Control Modes | Click here to view full specifications PDF | ||||||||||||||||||||||||||||||||||||||||||||||||||
| ISO Speed Range |
Available ISO speeds; user-set
User-defined ISO range - still photo shooting
* Expanded ISO speeds are noted as being equivalent to these speeds. User-defined Auto ISO range - still photo shooting
ISO Auto details in still photo shooting
*1 ISO 200 when [Highlight tone priority] is set to [Enable] or [Enhanced]. |
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| Exposure Compensation |
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| AE Lock |
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| Type |
* A shutter release sound is not generated. However, note that the sounds other than the shutter release sound (aperture, focusing lens drive sound/electronic sound, etc.) may be generated. * In electronic shutter shooting under conditions such as flash firing by other cameras or with fluores-cent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image. |
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| Shutter Speeds | When [Mechanical] or [Elec. 1st- curtain] is set: 1/8000-30 sec, bulb When [Electronic] is set: 1/16000-30 sec. |
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| X-Sync Speed | Mechanical Shutter: 1/250 sec. Elec. 1st-curtain: 1/320 sec. |
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| Shutter Release | Soft-touch electromagnetic release | ||||||||
| Self Timer | 10-sec. delay, 2-sec. delay | ||||||||
| Shutter Lag Time |
Based on Canon testing standards. |
| Still Photo IS | In-body IS operation can be selected when using a non-IS lens.
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| 5-Axis Image Stabilization with RF/RF-S, EF/EF-S Lenses | Click here to view full specifications PDF |
| EOS R7 Co-ordinated In-Body Image Stabilizer Still Shooting Performance with RF & RF-S Lenses | Click here to view full specifications PDF |
| E-TTL Balance | Ambience priority, standard, flash priority | ||||||||
| Compatible E-TTL Speedlites | Canon EX- and EL-series Speedlites | ||||||||
| E-TTL II Flash Meterings |
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| Slow Sync (P/AV Modes) |
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| Flash Function Menu | Provided for EX- and EL-series Speedlites | ||||||||
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments | ||||||||
| Continuous Flash Control |
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| Drive Modes and Continuous Shooting Speed | Click here to view full specifications PDF |
| Still Photo File Size/Number of Possible Shots/Maximum Burst for Continuous Shooting | Click here to view full specifications PDF |
| HDR PQ | Disable / Enable * Can be used in conjunction with Auto Lighting Optimizer. |
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| HDR PQ Shooting - Still |
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| HDR PQ Shooting - Movie |
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| Focusing | Dual Pixel CMOS AF II |
| Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Canon Log | Canon Log 3 |
| Temperature Warning |
The camera warns of rising internal temperatures by means of icons and indicators. Click here to view full specifications PDF |
| Estimated Camera Recovery Time |
Estimated recovery times are indicated below. These are affected by various factors such as ambient temperature, continued camera operation and the selected shooting resolution. The time until full record time is available, will vary with ambient temperature. Click here to view full specifications PDF |
| Movie Recording Format | Click here to view full specifications PDF |
| Estimated Recording Time & Data | Click here to view full specifications PDF |
| Type | TFT color, liquid-crystal monitor |
| Monitor Size | 3.0-inch (screen aspect ratio of 3:2) |
| Dots | Approx. 1.62 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Coating |
|
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
| Display Format |
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| Highlight Alert | The white areas with no image data will blink. | |||||||||||||||||||||||||||||||||||||
| Histogram | Brightness and RGB | |||||||||||||||||||||||||||||||||||||
| Function | The Quick Control screen is accessed by pressing the Quick Control button during still photo shooting. |
| Protection |
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| Erase |
Except protected images
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| Compatible Printers | Not Supported |
| DPOF | Not Supported |
| Standards Compliance | IEEE 802.11b/g/n | |||||||||||||||||||||||||
| Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n/a/ac) |
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| Transition Frequency (Central Frequency) | 2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels |
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| Security |
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| Communication with a Smart Phone |
Images can be viewed, controlled, and received using a smartphone. Remote control of the camera using a smartphone is possible depending on the Camera Connect specifications. Images can be sent to a smartphone. Firmware can be downloaded and saved to a card in the camera using Camera Connect. |
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| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fii® using EOS Utility. | |||||||||||||||||||||||||
| Print from Wi-Fi Printers | Supported | |||||||||||||||||||||||||
| Send Images to a Web Service |
Still photos (RAW, C-RAW, HEIF, and JPEG) and movies (MP4) can be uploaded to image.canon server album. With the image.canon server, images can be sent to social media or a photo album link can be sent (by the image.canon specifications). |
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| Standards Compliance | Bluetooth Specification Version 4.2 compliant (Bluetooth low energy technology) |
| Transmission Method | GFSK modulation |
| Custom Functions |
Customizable Dials
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| Custom Dials |
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| My Menu Registration |
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| USB Terminal |
Equivalent to Superspeed PLus USB (USB 3.2 Gen 2)
|
| Video Out Terminal |
HDMI micro OUT terminal Type D (Resolution switches automatically) / CEC not compatible
|
| Clean HDMI Output |
Provided |
| Microphone Input Terminal |
3.5mm diameter stereo mini jack |
| Headphone Terminal |
3.5mm diameter stereo mini jack |
| Remote Control Terminal |
Remote Switch RS-60E3 type terminal supported |
| Wireless Remote Control |
Compatible with the Wireless Remote Control BR-E1 |
| Multi-Function Shoe |
Supported |
| Battery |
LP-E6NH/LP-E6N/LP-E6*
|
| Battery Check |
Automatic battery check when the power switch is turned ON.
|
| Start-Up Time |
Approx. 0.4 sec.
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| Dimensions (W x H x D) | Approx. 5.20 x 3.56 x 3.61 in. / 132.0 x 90.4 x 91.7 mm
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| Weight |
Approx. 1.1 lbs (18.70 oz) Body Only Approx. 1.3 lbs (21.59 oz) With battery,and memory card |
| Working Temperature Range | 32-104° F / 0-+40°C |
| Working Humidity Range | 85% or less |
*Note: Prices and specifications subject to change without notice.
EOS R7
$ 1,499.00 $ 1,299.00 - Sold Out
Canon SKU: 5803C002 | Helix SKU: CA5803C002
Step Up to Full-Frame
The EOS R8 camera combines high-performance full-frame capabilities with a lightweight and compact design for creators ready to step up their content creation. With a 24.2 megapixel full-frame CMOS image sensor, RF mount allowing access to various creative lenses, and powerful stills and video functionality, the EOS R8 camera helps you capture stunning imagery to empower your creative vision.
The Lightest Full-Frame Canon EOS Camera1
Weighing less than a pound (body only), the EOS R8 camera is incredibly lightweight and compact while offering a high-quality full-frame imaging experience, utilizing the RF lens mount and providing access to a catalog of high-performance creative lens options. This offers photographers and content creators a convenient and portable camera in a comfortable, ergonomic package for travel, hiking or everyday shooting.
High Image Quality Featuring a 24.2 Megapixel Full-Frame CMOS Sensor
The EOS R8 camera captures stunning, detailed images with speed and accuracy, even in low light, due to the Canon-developed 24.2-million-pixel CMOS image sensor and DIGIC X Image Processor. The full-frame sensor allows for improved resolution at low ISO speeds and low noise at high ISO speeds, wide dynamic range of still pictures, and significant improvement in rolling shutter compared to previous Canon cameras when shooting fast-moving subjects and quick panning.
In-Camera Compositing
With its built-in image processing, the EOS R8 camera provides in-camera compositing including Moving Subject HDR, Depth Compositing, Panoramic Shot, HDR Night Scene, and HDR Backlight control so you can capture creative imagery that is challenging with conventional single-shot techniques.
High-Speed, High-Precision Autofocus
Dual Pixel CMOS AF II is a highly responsive system that covers up to approximately 100% x 100% of the picture area, breaking the image into up to 1,053 automatically-selected AF zones during Whole Area AF. This enables outstanding AF coverage on the EOS R8 camera, and the compositional freedom to focus sharply on a subject nearly anywhere in the frame.
Accurate Subject Detection and Tracking
Developed using Deep Learning Technology, horses, trains, and airplanes are detectable, in addition to conventional subjects like people, animals including dogs, cats and birds, and vehicles — cars and motorcycles — especially in a motorsports environment2,3. For more ease of use, Auto mode is now available, in which the camera automatically selects the type of subject without the need to switch the Subject Detection setting in the menu. The EOS R8 camera will continue to track the movement and continuously focus on the subject.
Item Includes:
$ 999.99 $ 899.99 - Sold Out
Canon SKU: 3380C002AA | Helix SKU: CA3380C002
Stepping up to a full-frame camera has never been easier. The mirrorless EOS RP – the lightest and most compact full-frame EOS camera to date* - includes a 26.2 MP CMOS sensor, fast and accurate autofocus, 4K video, and our powerful DIGIC 8 processor for exceptional results, even in low light. Explore vast creative possibilities with RF lenses as well as all EF/EF-S lenses**. Get impressive results using the camera’s helpful Feature Assistant and Creative Assist functions. Be imaginative with a number of special scene modes. And quickly adjust settings with the convenient Mode Dial. With its compact size, comfortable grip, vari-angle touchscreen LCD and electronic viewfinder, operation is familiar and easy. Whether you travel near or far, the EOS RP helps you capture your world with the quality, control and ease you crave.
| AF Method | AF Point Selection | AF Operation |
| Face+Tracking AF | Automatic selection (auto detection), or AF points can be set manually and freely in the AF area. | AF prioritizing subjects targeted by Face+Tracking. If no Face+Tracking subject is detected, the entire AF area is used for auto selection AF. |
| Spot AF* | Autofocuses targeting any specified AF points. | |
| 1-point AF | AF points can be set manually and freely in the AF area. | AF targeting specified AF points. (If there are faces in the area, they take precedence.) |
| Expand AF Area (Above, below, left and right/Around) | AF points can be set manually and freely in the AF area. | AF prioritizing specified AF points, supplemented by AF points above, below, left and right or around in the expansion area. (If there are faces in the center frame area, they take precedence.) |
| Zone AF Large Zone AF (Vertical/Horizontal) | Zones covering specific areas can be set manually and freely in the AF area. | Automatic AF point selection in the specified zone. (Prioritizes subjects at close range, but any faces in the area take precedence.) |
Manual Setting
| Normal | ISO 100-40000 (in 1/3-stop or whole-stop increments) |
| Expanded | L: equivalent to ISO 50, H1: 51200, H2: 102400 |
Auto
| Shooting Mode | ISO Settings | |
| No Flash | With Flash | |
| Scene Intelligent Auto | ISO 10012800 | ISO 1001600 |
| Fv/P/Tv/Av/M | ISO 10040000*1 | ISO 1001600*1 |
| Silent Mode | ISO 100-12800 | -(Except with AF-assist beam) |
| B | ISO 400 fixed*1*2 | ISO 400 fixed |
*1 Depending on [Minimum] and [Maximum] of [ISO speed settings] or [Range for stills].
*2 If outside the range set for ISO Auto, the value nearest ISO 400 is used.
| Manual | ±3 stops in 1/3- or 1/2-stop increments |
| AEB | ±3 stops in 1/3- or 1/2-stop increments |
| Image Quality | Image File Size (approx. MB) |
Possible Shots (approx.) |
Maximum Burst (approx.) | |
| Standard | High-speed (UHS-II) | |||
| Large (Fine) | 9.1 | 3320 | Full | Full |
| Large (Normal) | 4.9 | 6060 | Full | Full |
| Medium (Fine) | 5.1 | 5820 | Full | Full |
| Medium (Normal) | 2.9 | 10280 | Full | Full |
| Small 1 (Fine) | 3.4 | 8750 | Full | Full |
| Small 1 (Normal) | 2.0 | 14620 | Full | Full |
| Small 2 | 1.9 | 15760 | Full | Full |
| RAW | 29.1 | 1040 | 50 | Full |
| C-RAW | 17.1 | 1780 | 130 | Full |
| RAW + Large (Fine) | 29.1 + 9.1 | 790 | 42 | 98 |
| C-RAW + Large (Fine) | 17.1 + 9.1 | 1160 | 66 | 170 |
| NTSC | ||
| 4K (UHD) 3840 x 2160 |
23.98 fps | IPB |
| Full HD 1920 x 1080 |
59.94 fps | IPB |
| 29.97 fps | IPB | |
| HD 1280 x 720 |
59.94 fps | IPB |
| 29.97 fps | IPB | |
| Video Recording Size | Total Recording Time on Card (approx.) | Bit Rate/File Size (approx.) | ||||
| 8GB | 32GB | 128GB | ||||
| 4K (UHD) 3840 x 2160 |
23.98 fps 25.00 fps |
IPB | 8 min. | 35 min. | 2 hr. 20 min. |
120 Mbps |
| Full HD 1920 x 1080 |
59.94 fps 50.00 fps |
IPB | 17 min. | 1 hr. 09 min. | 4 hr. 37 min. |
60 Mbps |
| 29.97 fps 25.00 fps HDR Movies |
IPB | 33 min. | 2 hr. 15 min. | 9 hr. 01 min. |
30 Mbps |
|
| 29.97 fps 25.00 fps |
IPB | 1 hr. 26 min. | 5 hr. 47 min. | 23 hr. 11 min. |
12 Mbps |
|
| HD 1280 x 720 |
59.94 fps 50.00 fps |
IPB | 38 min. | 2 hr. 34 min. | 10 hr. 19 min. |
26 Mbps |
| 29.97 fps 25.00 fps HDR Movies |
IPB | 1 hr. 13 min. | 4 hr. 53 min. | 19 hr. 34 min. |
13 Mbps |
|
| Shooting Mode | Shutter Speed (sec.) | Aperture | ||
| Auto Setting | Manual Setting | Auto | Manual | |
| Movie auto exposure | Yes | – | Yes | – |
| Movie manual exposure | – | Yes | - | Yes |
Customizable Buttons
| Still Photo Shooting | Movie Shooting |
| Shutter button | - |
| Movie button | - |
| Multi-function button | Multi-function button |
| AF-ON button | AF-ON button |
| AE lock button | AE lock button |
| AF point selection button | AF point selection button |
| Lens AF stop button | Lens AF stop button |
| Up key (cross keys) | Up key (cross keys) |
| Left key | Left key |
| Right key | Right key |
| Down key | Down key |
| SET button | SET button |
Customizable Dials
| Main dial |
| Quick control dial |
| Control ring |
$ 1,299.00 $ 1,199.00 - Sold Out
Canon SKU: 3380C132 | Helix SKU: CA3380C132
From stunning portraits to breathtaking landscapes, capture high-quality images with the EOS RP RF24-105mm F4-7.1 IS STM Lens Kit. Our lightest and smallest full-frame EOS camera to date*, the EOS RP is packed with impressive features, including a 26.2 MP CMOS sensor, 4K video and DIGIC 8 image processor. Plus, with the RF24-105mm F4-7.1 IS STM’s compact size, versatile zoom range^ and optical image stabilization with up to 5 stops of shake correction^^, this lens kit will make the perfect match for capturing a variety of subjects.
$ 2,499.95
Fuji SKU: 16756924 | Helix SKU: FJ16756924
Never miss a decisive moment.
Featuring a stunning 5th generation X-Trans CMOS 5 HS sensor and X-Processor 5 in a beautifully designed body, photographers and filmmakers alike can now create at the pace of life and the speed of their imaginations.
| Model name | FUJIFILM X-H2S | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HS with primary color filter | |
| Number of effective pixels | 26.16 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB) *Please check Compatibilityfor more detail. *Please check the list of the operation confirmed CFexpress Type B Card |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈3:2〉 6240 x 4160 〈16:9〉 6240 x 3512 〈1:1〉 4160 x 4160 |
| ［M］ | 〈3:2〉 4416 x 2944 〈16:9〉 4416 x 2488 〈1:1〉 2944 x 2944 | |
| ［S］ | 〈3:2〉 3120 x 2080 〈16:9〉 3120 x 1760 〈1:1〉 2080 x 2080 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO160 - 12800 (1/3 step) Extended Output: ISO80 / ISO100 / ISO125 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO160 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb: 1sec. Fixed |
|
| Electronic front curtain shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
|
| Mechanical + Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower Electronic shutter: 1/125sec. or slower |
|
| Continuous shooting | CH Electronic shutter Approx. 40fps (JPEG: 184 frames, Compressed RAW: 175 frames, Lossless compressed RAW: 170 frames, Uncompressed RAW: 140 frames) CH Electronic shutter Approx. 30fps (JPEG: 1000+ frames, Compressed RAW: 270 frames, Lossless compressed RAW: 250 frames, Uncompressed RAW: 180 frames) CH Electronic shutter Approx. 20fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 800 frames) CH Electronic shutter Approx. 15fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000 frames) CH Mechanical shutter Approx. 15fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000 frames) CH Mechanical shutter Approx. 10fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames) CL Mechanical shutter Approx. 8.0fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames) Pre-shot Electronic shutter Approx. 40fps (While half press: 40 frames, After full press: 110 frames, Total: 150 frames) Pre-shot Electronic shutter Approx. 30fps (While half press: 30 frames, After full press: 1000+ frames) Pre-shot Electronic shutter Approx. 20fps (While half press: 20 frames, After full press: 1000+ frames) Pre-shot Electronic shutter Approx. 15fps (While half press: 15 frames, After full press: 1000+ frames) *No. of recordable frames are calculated based on CFexpress Type B card in a cold start *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 5.76 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 40° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch vari-angle Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Sub LCD monitor | 1.28 inch Monochrome LCD Monitor Aspect Ratio: 1:1 Dots: 128x128-dot |
|
| Movie recording | File format | MOV: Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(3:2)] 6240 x 4160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9) High speed rec.] 4096 x 2160 120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) [4K(16:9) High speed rec.] 3840 x 2160 120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) *For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher. *For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher. *Selectable bitrate will be changed depends on the setting. *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | ||
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO320 or more、DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO320 or more、DR400%: ISO640 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI connector (Type A) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terninal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 720 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 70min. (59.94p), Approx. 60min (120p) Full HD: Approx. 95min. (59.94p) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 120min. (29.97p) 4K: Approx. 105min. (59.94p) Full HD: Approx. 165min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 136.3mm Height: 92.9mm Depth: 84.6mm (Minimum Depth) 42.8mm |
|
| Weight | including battery and memory card: Approx. 660g excluding battery and memory card: Approx. 579g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories Included | Li-ion battery NP-W235S AC power adapter AC-5VJ Plug adapter USB cable Shoulder strap Body cap Hot shoe cover File transmitter/vertical battery grip connector cover Memory card slot cover Sync terminal cover Cooling fan connector cover Cable protector |
|
$ 899.95 - Sold Out
Fuji SKU: 16759615 | Helix SKU: FJ16759615
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
| Model Name | FUJIFILM X-T30 II | |
|---|---|---|
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
| Number of effective pixels | 26.1 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility. |
|
| File format of still image | DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
|
| Number of recorded pixels | L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080 |
|
| Panorama | L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440 |
|
| Sensitivity | Still Image | Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200 |
| Movie | Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600 |
|
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted | |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) | |
| Exposure compensation | Still | -5.0EV ~ +5.0EV 1/3EV step |
| Movie | -2.0EV ~ +2.0EV 1/3EV step | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min. |
| Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. |
|
| Continuous shooting | Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | |
| Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames) | ||
| Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames) | ||
| Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames) | ||
| Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) | ||
| Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) | ||
| Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames) | ||
| * Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames |
||
| Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% 200% 400% |
|
| ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
| White Balance Bracketing | ±1 ±2 ±3 |
|
| Focus Bracketing | AUTO MANUAL |
|
| Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
| HDR Mode | AUTO 200% 400% 800% 800% + |
|
| Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV *XF50mmF1.0 attached Phase Detection: -7.0EV *XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Flash | Built-in flash | Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting mode | Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting |
| Playback Mode | Swipe / Pinch-in / Pinch-out / Double-tap / Drag | |
| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | Long GOP | |
| File size / Frame rate / Recording time | [DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 18 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
|
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color chrome effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
|
| White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
|
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure |
|
| Bluetooth® | Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz |
|
| Terminal | Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe |
|
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames *When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
|
| Dimensions | Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm) |
|
| Weight | including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g |
|
| Operation Environment | Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation) |
|
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual | |
Item Includes:
$ 899.95 - Sold Out
Fuji SKU: 16759641 | Helix SKU: FJ16759641
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
| Model Name | FUJIFILM X-T30 II | |
|---|---|---|
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
| Number of effective pixels | 26.1 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility. |
|
| File format of still image | DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
|
| Number of recorded pixels | L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080 |
|
| Panorama | L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440 |
|
| Sensitivity | Still Image | Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200 |
| Movie | Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600 |
|
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted | |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) | |
| Exposure compensation | Still | -5.0EV ~ +5.0EV 1/3EV step |
| Movie | -2.0EV ~ +2.0EV 1/3EV step | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min. |
| Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. |
|
| Continuous shooting | Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | |
| Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames) | ||
| Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames) | ||
| Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames) | ||
| Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) | ||
| Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) | ||
| Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames) | ||
| * Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames |
||
| Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% 200% 400% |
|
| ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
| White Balance Bracketing | ±1 ±2 ±3 |
|
| Focus Bracketing | AUTO MANUAL |
|
| Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
| HDR Mode | AUTO 200% 400% 800% 800% + |
|
| Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV *XF50mmF1.0 attached Phase Detection: -7.0EV *XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Flash | Built-in flash | Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting mode | Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting |
| Playback Mode | Swipe / Pinch-in / Pinch-out / Double-tap / Drag | |
| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | Long GOP | |
| File size / Frame rate / Recording time | [DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 18 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
|
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color chrome effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
|
| White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
|
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure |
|
| Bluetooth® | Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz |
|
| Terminal | Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe |
|
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames *When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
|
| Dimensions | Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm) |
|
| Weight | including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g |
|
| Operation Environment | Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation) |
|
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual | |
Item Includes:
$ 999.95 - Sold Out
Fuji SKU: 16759732 | Helix SKU: FJ16759732
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
| Model Name | FUJIFILM X-T30 II | |
|---|---|---|
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
| Number of effective pixels | 26.1 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility. |
|
| File format of still image | DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
|
| Number of recorded pixels | L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080 |
|
| Panorama | L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440 |
|
| Sensitivity | Still Image | Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200 |
| Movie | Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600 |
|
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted | |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) | |
| Exposure compensation | Still | -5.0EV ~ +5.0EV 1/3EV step |
| Movie | -2.0EV ~ +2.0EV 1/3EV step | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min. |
| Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. |
|
| Continuous shooting | Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | |
| Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames) | ||
| Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames) | ||
| Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames) | ||
| Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) | ||
| Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) | ||
| Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames) | ||
| * Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames |
||
| Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% 200% 400% |
|
| ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
| White Balance Bracketing | ±1 ±2 ±3 |
|
| Focus Bracketing | AUTO MANUAL |
|
| Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
| HDR Mode | AUTO 200% 400% 800% 800% + |
|
| Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV *XF50mmF1.0 attached Phase Detection: -7.0EV *XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Flash | Built-in flash | Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting mode | Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting |
| Playback Mode | Swipe / Pinch-in / Pinch-out / Double-tap / Drag | |
| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | Long GOP | |
| File size / Frame rate / Recording time | [DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 18 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
|
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color chrome effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
|
| White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
|
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure |
|
| Bluetooth® | Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz |
|
| Terminal | Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe |
|
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames *When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
|
| Dimensions | Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm) |
|
| Weight | including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g |
|
| Operation Environment | Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation) |
|
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual | |
Item Includes:
$ 999.95 - Sold Out
Fuji SKU: 16759768 | Helix SKU: FJ16759768
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
| Model Name | FUJIFILM X-T30 II | |
|---|---|---|
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
| Number of effective pixels | 26.1 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility. |
|
| File format of still image | DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
|
| Number of recorded pixels | L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080 |
|
| Panorama | L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440 |
|
| Sensitivity | Still Image | Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200 |
| Movie | Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600 |
|
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted | |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) | |
| Exposure compensation | Still | -5.0EV ~ +5.0EV 1/3EV step |
| Movie | -2.0EV ~ +2.0EV 1/3EV step | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min. |
| Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. |
|
| Continuous shooting | Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | |
| Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames) | ||
| Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames) | ||
| Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames) | ||
| Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) | ||
| Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) | ||
| Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames) | ||
| * Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames |
||
| Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% 200% 400% |
|
| ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
| White Balance Bracketing | ±1 ±2 ±3 |
|
| Focus Bracketing | AUTO MANUAL |
|
| Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
| HDR Mode | AUTO 200% 400% 800% 800% + |
|
| Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV *XF50mmF1.0 attached Phase Detection: -7.0EV *XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Flash | Built-in flash | Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting mode | Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting |
| Playback Mode | Swipe / Pinch-in / Pinch-out / Double-tap / Drag | |
| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | Long GOP | |
| File size / Frame rate / Recording time | [DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 18 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
|
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color chrome effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
|
| White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
|
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure |
|
| Bluetooth® | Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz |
|
| Terminal | Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe |
|
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames *When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
|
| Dimensions | Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm) |
|
| Weight | including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g |
|
| Operation Environment | Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation) |
|
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual | |
Item Includes:
$ 1,299.95 - Sold Out
Fuji SKU: 16759677 | Helix SKU: FJ16759677
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
| Model Name | FUJIFILM X-T30 II | |
|---|---|---|
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
| Number of effective pixels | 26.1 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility. |
|
| File format of still image | DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
|
| Number of recorded pixels | L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080 |
|
| Panorama | L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440 |
|
| Sensitivity | Still Image | Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200 |
| Movie | Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600 |
|
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted | |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) | |
| Exposure compensation | Still | -5.0EV ~ +5.0EV 1/3EV step |
| Movie | -2.0EV ~ +2.0EV 1/3EV step | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min. |
| Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. |
|
| Continuous shooting | Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | |
| Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames) | ||
| Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames) | ||
| Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames) | ||
| Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) | ||
| Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) | ||
| Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames) | ||
| * Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames |
||
| Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% 200% 400% |
|
| ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
| White Balance Bracketing | ±1 ±2 ±3 |
|
| Focus Bracketing | AUTO MANUAL |
|
| Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
| HDR Mode | AUTO 200% 400% 800% 800% + |
|
| Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV *XF50mmF1.0 attached Phase Detection: -7.0EV *XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Flash | Built-in flash | Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting mode | Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting |
| Playback Mode | Swipe / Pinch-in / Pinch-out / Double-tap / Drag | |
| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | Long GOP | |
| File size / Frame rate / Recording time | [DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 18 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
|
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color chrome effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
|
| White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
|
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure |
|
| Bluetooth® | Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz |
|
| Terminal | Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe |
|
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames *When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
|
| Dimensions | Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm) |
|
| Weight | including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g |
|
| Operation Environment | Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation) |
|
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual | |
Item Includes:
$ 1,299.95 - Sold Out
Fuji SKU: 16759706 | Helix SKU: FJ16759706
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
| Model Name | FUJIFILM X-T30 II | |
|---|---|---|
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
| Number of effective pixels | 26.1 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility. |
|
| File format of still image | DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
|
| Number of recorded pixels | L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080 |
|
| Panorama | L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440 |
|
| Sensitivity | Still Image | Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200 |
| Movie | Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600 |
|
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted | |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) | |
| Exposure compensation | Still | -5.0EV ~ +5.0EV 1/3EV step |
| Movie | -2.0EV ~ +2.0EV 1/3EV step | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min. |
| Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. |
|
| Continuous shooting | Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | |
| Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames) | ||
| Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames) | ||
| Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames) | ||
| Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) | ||
| Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) | ||
| Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames) | ||
| * Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames |
||
| Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% 200% 400% |
|
| ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
| White Balance Bracketing | ±1 ±2 ±3 |
|
| Focus Bracketing | AUTO MANUAL |
|
| Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
| HDR Mode | AUTO 200% 400% 800% 800% + |
|
| Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV *XF50mmF1.0 attached Phase Detection: -7.0EV *XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Flash | Built-in flash | Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting mode | Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting |
| Playback Mode | Swipe / Pinch-in / Pinch-out / Double-tap / Drag | |
| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | Long GOP | |
| File size / Frame rate / Recording time | [DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 18 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
|
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color chrome effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
|
| White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
|
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure |
|
| Bluetooth® | Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz |
|
| Terminal | Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe |
|
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames *When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
|
| Dimensions | Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm) |
|
| Weight | including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g |
|
| Operation Environment | Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation) |
|
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual | |
Item Includes:
$ 1,699.95 - Sold Out
Fujifilm SKU: 16782301 | Helix SKU: FJ16782301
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
Item Includes
$ 1,699.95 - Sold Out
Fujifilm SKU: 16782337 | Helix SKU: FJ16782337
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
Item Includes
$ 2,199.00 - Sold Out
Fujifilm SKU: 16782636 | Helix SKU: FJ16782636
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
Item Includes
$ 2,199.00 - Sold Out
Fujifilm SKU: 16782662 | Helix SKU: FJ16782662
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
Item Includes
$ 2,099.00 - Sold Out
Fujifilm SKU: 16783082 | Helix SKU: FJ16783082
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
Item Includes
$ 2,099.00 - Sold Out
Fujifilm SKU: 16783111 | Helix SKU: FJ16783111
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
Item Includes
$ 959.95 - Sold Out
Nikon SKU: 1671 | Helix SKU: NK1671
Nikon Z fc
Iconic Nikon design. Modern Z series technology. 4K videos with full-time Eye-Detection AF. A flip out vlogger screen with live streaming capabilities. Small size with big image quality. This is a camera you think you’ve seen before. But the performance is entirely new.
Capture Your Iconic Moments
Z fc fuses classic design with Z series technology. Small size with big image quality. 4K videos with full-time Eye-Detection AF. A flip out vlogger screen with live streaming capabilities. This is a camera you think you’ve seen before. But the performance is entirely new.
Quality that thrills.
What sets the Z fc apart is the 20.9MP DX CMOS sensor paired with the EXPEED 6 engine and the light-gathering advantages of the wider Z mount. Together, they give you clean, professional looking videos and stills, even in low light.
It all starts with the Z mount.
The Z fc is designed around Nikon’s revolutionary Z mount, the widest lens mount of any comparable camera system. A wider mount means more light, and more light means more of everything good—sharpness, contrast, accurate focus, low-light performance and image quality.
Freedom to compose.
Take a moment and appreciate the world around you from fresh perspectives. The Z fc employs a 3.0-in Vari-angle monitor—the first in a Z series camera. Effortlessly shoot vertical shots from low angles.
Set your sights.
The Z fc’s sensor is practically covered in focus points—87% coverage to be precise. That means wherever your subject is within the frame, a focus point is locked on. Compose the way you want.
Lock eyes.
Nikon’s intelligent Eye-Detection AF for video and stills quickly locks onto eyes—humans, dogs or cats—and follows them. This is especially useful when you can’t be behind the camera, for first-person videos and selfies.
Get your shot.
Whatever the light.
ISO sensitivity goes all the way up to ISO 51,200 (expandable to ISO 204,800) with superb sharpness, detail and clarity. Create after hours and in less-than-ideal lighting.
Get creative.
In camera.
Add uniqueness to your videos and stills with 20 Creative Picture Controls, all visible in real-time while you shoot through the viewfinder or Vari-angle display. Now, filters are part of the vision rather than an afterthought.
Video done right.
Comprehensive video, vlogging and streaming capabilities. Record 4K Ultra HD video at 30p, 25p or 24p full pixel readout with no cropping. Combined with NIKKOR Z lenses, you’ll maximize the sensor’s resolution and produce videos with lifelike depth and clarity.
The vlogger monitor you’ve been waiting for.
The Z fc’s Vari-angle display can face forward for easier vlogging and first-person recording. This activates self-portrait mode, bringing key camera controls to the monitor so you can conveniently touch and tap adjustments.
Live streaming and web conferencing.
Look your absolute best with the Z fc and a NIKKOR Z lens. Simply connect the camera to your computer with a USB Type-C cable (sold separately)—it provides power too—and compatible software like the free Nikon Webcam Utility. You’ll get sharpness, clarity and flattering depth of field unlike a typical webcam.
Autofocus. Automated.
The whole time you’re recording, the autofocus system is working, making precise adjustments to keep your subject in sharp focus. This means you can be the one in front of the camera, even streaming live, with total confidence in your footage.
Add an external mic.
Capture high quality sound in-camera using the Z fc’s built-in stereo mic or a dedicated third-party external mic. The 3.5mm stereo mini-pin jack provides plug-in power. Monitor your audio levels on-screen, including a clipping indicator, and make gain adjustments in real-time.
Image transfers. Wireless and automatic.
Pair your smart device to the Z fc from the SnapBridge app once, and your phone and camera are always connected. You can transfer videos and stills manually or set the app to automatically import every still you take, then edit and post your work with your favorite phone apps.
Grab the remote.
When you can’t be behind the camera, pull out your compatible smartphone and use it to control the Z fc. See what the camera sees, change camera settings like aperture and shutter speed, then take the video or still.
Set-up is a snap.
Open the SnapBridge app
Tap Remote Photography
Allow phone to switch to Wi-Fi®
Start capturing videos and stills!
Always up to date.
SnapBridge wirelessly updates the Z fc’s firmware to the latest and greatest. When paired, the app will notify you of any updates and send the firmware directly to your camera’s memory card for a quick and easy—and totally wireless—install.
Magnesium alloy frame.
Tough, lightweight magnesium alloy frame protects the Z fc against life.
Hideaway touchscreen.
When you don’t need the touchscreen LCD, it’s safely protected within the camera.
Classic round eyepiece.
OLED viewfinder with 100% frame coverage. 1.02x magnification. Real-time preview of exposure, settings and effects.
Auto mode with Nikon intelligence.
Prefer to let the camera determine the best exposure settings for your situation? Switch the camera to Auto and Nikon’s serious onboard intelligence will take over for you.
Help at the touch
of a button.
Not sure what a setting does? Just tap the (?) button and a brief explanation will pop up in the viewfinder or on the Vari-angle display. It’s like having a quick reference guide built into your camera.
i-Menu. Your menu.
Assign the menu items you use most to the i-Menu. Create separate i-Menu settings for video and still modes. You’ll have a one-click dashboard of the settings you rely on most.
|
Type |
Digital camera with support for interchangeable lenses |
| Lens Mount | Nikon Z Mount |
| Effective Pixels (Megapixels) | 20.9 Million |
| Sensor Size |
15.7mm x 23.5mm
|
| Image Sensor Format | DX |
| Image Sensor Type | CMOS |
| Total Pixels | 21.51 Million |
| Dust-Reduction System | Image Dust Off reference data (NX Studio software required) |
| Image Area (Pixels) |
DX-format
(L) 5,568 x 3,712 (M) 4,176 x 2,784 (S) 2,784 x 1,856
1:1 (16 x 16)
(L) 3,712 x 3,712 (M) 2,784 x 2,784 (S) 1,856 x 1,856
16:9 (24 x 24)
(L) 5,568 x 3,128 (M) 4,176 x 2,344 (S) 2,784 x 1,560
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160
Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080 |
|
File Format Still Images |
NEF (RAW): 12 or 14 bit JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Storage Media | SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards |
| File System |
DCF 2.0 Exif 2.31 |
|
Viewfinder |
1.0-cm/0.39-in. approx. 2360k-dot (XGA) OLED electronic viewfinder with color balance and auto and 7-level manual brightness controls |
| Viewfinder Frame Coverage |
Approx. 100% horizontal 100% vertical |
| Viewfinder Magnification | Approx. 1.02x (50 mm lens at infinity, −1.0 m−1) |
| Viewfinder Diopter Adjustment | -3 to +3 m−1 |
|
Shutter Type |
Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | Using the main command dial: 1/4000 to 30 s (1/3 step, can be extended up to 900 s in mode M), Bulb, Time, X (Flash sync) |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
| Top Continuous Shooting Speed at Full Resolution | 11 frames per second |
|
Exposure Metering System |
TTL metering using camera image sensor |
| Metering Range | Matrix or center-weighted metering: -4 to +17 EV |
| Exposure Compensation | –3 to +3 EV (–5 to +5 EV when the exposure compensation dial is set to [c]), Increment: 1/3 step. Available in modes P, S, A, M |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control |
Auto Flat Landscape Monochrome Neutral Portrait Standard Vivid Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) Selected Picture Control can be modified Storage for custom Picture Controls |
| Multiple Exposure |
Add Average Lighten Darken |
|
ISO Sensitivity |
ISO 100 - 51,200 in steps of 1/3 or 1/2 EV Can also be set to approx. 1 or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control available |
| Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
|
Autofocus System |
Hybrid phase-detection/contrast AF with AF assist |
| Detection Range |
-4.5 to +19 EV (without low-light AF: -3 to +19 EV) Measured in photo mode at ISO 100 and a temperature of 20 °C/68 °F using single-servo AF (AF-S) and a lens with a maximum aperture of f/1.8 |
| Lens Servo |
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); AF mode auto-switch (AF-A; available only in photo mode); full-time AF (AF-F; available only in movie mode); predictive focus tracking Manual focus (M): Electronic rangefinder can be used |
| Focus Point | 209 (Single-Point AF) |
| AF-Area Mode |
Pinpoint
Single-Point Dynamic-area AF Wide-area AF (S) Wide-area AF (L) Wide-area AF (L-people) Wide-area AF (L-animals) Auto-area AF Auto-area AF (people) Auto-area AF (animals) |
| Focus Lock | Yes |
| Vibration Reduction | Lens shift using voice coil motors (VCMs) |
| Flash Control | TTL: i-TTL flash control; i-TTL balanced fill-flash for digital SLR is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash for digital SLR with spot metering |
| Flash Sync Modes | Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow sync Flash off |
| Flash Compensation | -3 to +1 EV in increments of 1/3 or 1/2 EV available |
| Flash-Ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control |
|
White Balance |
Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (3 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all except choose color temperature with fine-tuning Shade |
| White Balance Bracketing | Yes |
|
Movie Metering |
TTL exposure metering using main image sensor |
| Movie Maximum Recording Time | 29 minutes 59 seconds |
| Movie File Format |
MOV MP4 |
| Movie Video Compression | H.264/MPEG-4 Advanced Video Coding |
| Movie Audio Recording Format |
Linear PCM AAC |
| Movie |
4K UHD 3,840x2,160 / 30 fps 4K UHD 3,840x2,160 / 25 fps 4K UHD 3,840x2,160 / 24 fps Full HD 1,920x1,080 / 120 fps Full HD 1,920x1,080 / 100 fps Full HD 1,920x1,080 / 60 fps Full HD 1,920x1,080 / 50 fps Full HD 1,920x1,080 / 30 fps Full HD 1,920x1,080 / 25 fps Full HD 1,920x1,080 / 24 fps Full HD 1,920x1,080 slow-mo / 30 fps x4 Full HD 1,920x1,080 slow-mo / 25 fps x4 Full HD 1,920x1,080 slow-mo / 24 fps x5 Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection available at all sizes except 3,840 x 2,160, 1,920 x 1,080 120p/100p, and 1,920 x 1,080 slow-mo, when quality is fixed at high |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO |
Auto ISO sensitivity control (ISO 100 to 25,600) M: Manual selection (ISO 100 to 25,600 in steps of 1/3 or 1/2 EV); auto ISO sensitivity control (ISO 100 to 25,600) available with selectable upper limit P, S, A: Auto ISO sensitivity control (ISO 100 to 25,600) with selectable upper limit |
| Movie Active D-Lighting |
Can be selected from: Extra High High Normal Low Off |
| Time Code | Yes |
| Movie e-VR | Yes |
| Movie HDMI Output | Yes |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Yes |
| AF for Movie | Yes |
|
Monitor Size |
3.0 in. diagonal |
| Monitor Resolution | 1040 dots |
| Monitor Type | Vari-angle TFT |
| Playback Functions |
Auto Image Rotation Full-frame and thumbnail (4, 9, or 72 images or calendar) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom Playback Zoom Cropping |
|
Interface |
USB: Type C USB connector (SuperSpeed USB); connection to built-in USB port is recommended Type D HDMI connector; Stereo mini-pin jack (3.5 mm diameter; plug-in power supported) |
| Wi-Fi Functionality |
Standards: IEEE 802.11b/g/n/a/ac Operating frequency: 2412–2472 MHz (channel 13) and 5180–5700 MHz Maximum output power (EIRP): 2.4 GHz band: 7.0 dBm 5 GHz band: 12.1 dBm Authentication: Open system, WPA2-PSK |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth | Yes |
|
Supported Languages |
Spanish |
|
Battery / Batteries |
One EN-EL25 Rechargeable Li-ion Battery |
| Battery Life (Shots per Charge) |
300 shots (CIPA)
Movies: Approx. 75 min. of movie recording |
| AC Adapter |
EH-7P Charging AC Adapter
|
| Battery Charger | MH-32 Battery Charger |
|
Tripod Socket |
1/4 in. (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth) |
5.3in. (134.5mm) x 3.7in. (93.5mm) x 1.8in. (43.5mm)
|
| Approx. Weight |
14.0oz. (390g)
|
| Operating Environment |
Temperature: 32 to 104°F (0 to 40°C) Humidity: Less than 85% (no condensation) |
*For a full list of the technical specifications please refer to the product manual.
Z fc Body Only (Black)
$ 1,099.95 $ 999.95 - Sold Out
Nikon SKU: 1675 | Helix SKU: NK1675
Nikon Z fc
Iconic Nikon design. Modern Z series technology. 4K videos with full-time Eye-Detection AF. A flip out vlogger screen with live streaming capabilities. Small size with big image quality. This is a camera you think you’ve seen before. But the performance is entirely new.
Capture Your Iconic Moments
Z fc fuses classic design with Z series technology. Small size with big image quality. 4K videos with full-time Eye-Detection AF. A flip out vlogger screen with live streaming capabilities. This is a camera you think you’ve seen before. But the performance is entirely new.
Quality that thrills.
What sets the Z fc apart is the 20.9MP DX CMOS sensor paired with the EXPEED 6 engine and the light-gathering advantages of the wider Z mount. Together, they give you clean, professional looking videos and stills, even in low light.
It all starts with the Z mount.
The Z fc is designed around Nikon’s revolutionary Z mount, the widest lens mount of any comparable camera system. A wider mount means more light, and more light means more of everything good—sharpness, contrast, accurate focus, low-light performance and image quality.
Freedom to compose.
Take a moment and appreciate the world around you from fresh perspectives. The Z fc employs a 3.0-in Vari-angle monitor—the first in a Z series camera. Effortlessly shoot vertical shots from low angles.
Set your sights.
The Z fc’s sensor is practically covered in focus points—87% coverage to be precise. That means wherever your subject is within the frame, a focus point is locked on. Compose the way you want.
Lock eyes.
Nikon’s intelligent Eye-Detection AF for video and stills quickly locks onto eyes—humans, dogs or cats—and follows them. This is especially useful when you can’t be behind the camera, for first-person videos and selfies.
Get your shot.
Whatever the light.
ISO sensitivity goes all the way up to ISO 51,200 (expandable to ISO 204,800) with superb sharpness, detail and clarity. Create after hours and in less-than-ideal lighting.
Get creative.
In camera.
Add uniqueness to your videos and stills with 20 Creative Picture Controls, all visible in real-time while you shoot through the viewfinder or Vari-angle display. Now, filters are part of the vision rather than an afterthought.
Video done right.
Comprehensive video, vlogging and streaming capabilities. Record 4K Ultra HD video at 30p, 25p or 24p full pixel readout with no cropping. Combined with NIKKOR Z lenses, you’ll maximize the sensor’s resolution and produce videos with lifelike depth and clarity.
The vlogger monitor you’ve been waiting for.
The Z fc’s Vari-angle display can face forward for easier vlogging and first-person recording. This activates self-portrait mode, bringing key camera controls to the monitor so you can conveniently touch and tap adjustments.
Live streaming and web conferencing.
Look your absolute best with the Z fc and a NIKKOR Z lens. Simply connect the camera to your computer with a USB Type-C cable (sold separately)—it provides power too—and compatible software like the free Nikon Webcam Utility. You’ll get sharpness, clarity and flattering depth of field unlike a typical webcam.
Autofocus. Automated.
The whole time you’re recording, the autofocus system is working, making precise adjustments to keep your subject in sharp focus. This means you can be the one in front of the camera, even streaming live, with total confidence in your footage.
Add an external mic.
Capture high quality sound in-camera using the Z fc’s built-in stereo mic or a dedicated third-party external mic. The 3.5mm stereo mini-pin jack provides plug-in power. Monitor your audio levels on-screen, including a clipping indicator, and make gain adjustments in real-time.
Image transfers. Wireless and automatic.
Pair your smart device to the Z fc from the SnapBridge app once, and your phone and camera are always connected. You can transfer videos and stills manually or set the app to automatically import every still you take, then edit and post your work with your favorite phone apps.
Grab the remote.
When you can’t be behind the camera, pull out your compatible smartphone and use it to control the Z fc. See what the camera sees, change camera settings like aperture and shutter speed, then take the video or still.
Set-up is a snap.
Open the SnapBridge app
Tap Remote Photography
Allow phone to switch to Wi-Fi®
Start capturing videos and stills!
Always up to date.
SnapBridge wirelessly updates the Z fc’s firmware to the latest and greatest. When paired, the app will notify you of any updates and send the firmware directly to your camera’s memory card for a quick and easy—and totally wireless—install.
Magnesium alloy frame.
Tough, lightweight magnesium alloy frame protects the Z fc against life.
Hideaway touchscreen.
When you don’t need the touchscreen LCD, it’s safely protected within the camera.
Classic round eyepiece.
OLED viewfinder with 100% frame coverage. 1.02x magnification. Real-time preview of exposure, settings and effects.
Auto mode with Nikon intelligence.
Prefer to let the camera determine the best exposure settings for your situation? Switch the camera to Auto and Nikon’s serious onboard intelligence will take over for you.
Help at the touch
of a button.
Not sure what a setting does? Just tap the (?) button and a brief explanation will pop up in the viewfinder or on the Vari-angle display. It’s like having a quick reference guide built into your camera.
i-Menu. Your menu.
Assign the menu items you use most to the i-Menu. Create separate i-Menu settings for video and still modes. You’ll have a one-click dashboard of the settings you rely on most.
|
Type |
Digital camera with support for interchangeable lenses |
| Lens Mount | Nikon Z Mount |
| Effective Pixels (Megapixels) | 20.9 Million |
| Sensor Size |
15.7mm x 23.5mm
|
| Image Sensor Format | DX |
| Image Sensor Type | CMOS |
| Total Pixels | 21.51 Million |
| Dust-Reduction System | Image Dust Off reference data (NX Studio software required) |
| Image Area (Pixels) |
DX-format
(L) 5,568 x 3,712 (M) 4,176 x 2,784 (S) 2,784 x 1,856
1:1 (16 x 16)
(L) 3,712 x 3,712 (M) 2,784 x 2,784 (S) 1,856 x 1,856
16:9 (24 x 24)
(L) 5,568 x 3,128 (M) 4,176 x 2,344 (S) 2,784 x 1,560
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160
Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080 |
|
File Format Still Images |
NEF (RAW): 12 or 14 bit JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Storage Media | SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards |
| File System |
DCF 2.0 Exif 2.31 |
|
Viewfinder |
1.0-cm/0.39-in. approx. 2360k-dot (XGA) OLED electronic viewfinder with color balance and auto and 7-level manual brightness controls |
| Viewfinder Frame Coverage |
Approx. 100% horizontal 100% vertical |
| Viewfinder Magnification | Approx. 1.02x (50 mm lens at infinity, −1.0 m−1) |
| Viewfinder Diopter Adjustment | -3 to +3 m−1 |
|
Shutter Type |
Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | Using the main command dial: 1/4000 to 30 s (1/3 step, can be extended up to 900 s in mode M), Bulb, Time, X (Flash sync) |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
| Top Continuous Shooting Speed at Full Resolution | 11 frames per second |
|
Exposure Metering System |
TTL metering using camera image sensor |
| Metering Range | Matrix or center-weighted metering: -4 to +17 EV |
| Exposure Compensation | –3 to +3 EV (–5 to +5 EV when the exposure compensation dial is set to [c]), Increment: 1/3 step. Available in modes P, S, A, M |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control |
Auto Flat Landscape Monochrome Neutral Portrait Standard Vivid Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) Selected Picture Control can be modified Storage for custom Picture Controls |
| Multiple Exposure |
Add Average Lighten Darken |
|
ISO Sensitivity |
ISO 100 - 51,200 in steps of 1/3 or 1/2 EV Can also be set to approx. 1 or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control available |
| Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
|
Autofocus System |
Hybrid phase-detection/contrast AF with AF assist |
| Detection Range |
-4.5 to +19 EV (without low-light AF: -3 to +19 EV) Measured in photo mode at ISO 100 and a temperature of 20 °C/68 °F using single-servo AF (AF-S) and a lens with a maximum aperture of f/1.8 |
| Lens Servo |
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); AF mode auto-switch (AF-A; available only in photo mode); full-time AF (AF-F; available only in movie mode); predictive focus tracking Manual focus (M): Electronic rangefinder can be used |
| Focus Point | 209 (Single-Point AF) |
| AF-Area Mode |
Pinpoint
Single-Point Dynamic-area AF Wide-area AF (S) Wide-area AF (L) Wide-area AF (L-people) Wide-area AF (L-animals) Auto-area AF Auto-area AF (people) Auto-area AF (animals) |
| Focus Lock | Yes |
| Vibration Reduction | Lens shift using voice coil motors (VCMs) |
| Flash Control | TTL: i-TTL flash control; i-TTL balanced fill-flash for digital SLR is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash for digital SLR with spot metering |
| Flash Sync Modes | Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow sync Flash off |
| Flash Compensation | -3 to +1 EV in increments of 1/3 or 1/2 EV available |
| Flash-Ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control |
|
White Balance |
Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (3 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all except choose color temperature with fine-tuning Shade |
| White Balance Bracketing | Yes |
|
Movie Metering |
TTL exposure metering using main image sensor |
| Movie Maximum Recording Time | 29 minutes 59 seconds |
| Movie File Format |
MOV MP4 |
| Movie Video Compression | H.264/MPEG-4 Advanced Video Coding |
| Movie Audio Recording Format |
Linear PCM AAC |
| Movie |
4K UHD 3,840x2,160 / 30 fps 4K UHD 3,840x2,160 / 25 fps 4K UHD 3,840x2,160 / 24 fps Full HD 1,920x1,080 / 120 fps Full HD 1,920x1,080 / 100 fps Full HD 1,920x1,080 / 60 fps Full HD 1,920x1,080 / 50 fps Full HD 1,920x1,080 / 30 fps Full HD 1,920x1,080 / 25 fps Full HD 1,920x1,080 / 24 fps Full HD 1,920x1,080 slow-mo / 30 fps x4 Full HD 1,920x1,080 slow-mo / 25 fps x4 Full HD 1,920x1,080 slow-mo / 24 fps x5 Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection available at all sizes except 3,840 x 2,160, 1,920 x 1,080 120p/100p, and 1,920 x 1,080 slow-mo, when quality is fixed at high |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO |
Auto ISO sensitivity control (ISO 100 to 25,600) M: Manual selection (ISO 100 to 25,600 in steps of 1/3 or 1/2 EV); auto ISO sensitivity control (ISO 100 to 25,600) available with selectable upper limit P, S, A: Auto ISO sensitivity control (ISO 100 to 25,600) with selectable upper limit |
| Movie Active D-Lighting |
Can be selected from: Extra High High Normal Low Off |
| Time Code | Yes |
| Movie e-VR | Yes |
| Movie HDMI Output | Yes |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Yes |
| AF for Movie | Yes |
|
Monitor Size |
3.0 in. diagonal |
| Monitor Resolution | 1040 dots |
| Monitor Type | Vari-angle TFT |
| Playback Functions |
Auto Image Rotation Full-frame and thumbnail (4, 9, or 72 images or calendar) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom Playback Zoom Cropping |
|
Interface |
USB: Type C USB connector (SuperSpeed USB); connection to built-in USB port is recommended Type D HDMI connector; Stereo mini-pin jack (3.5 mm diameter; plug-in power supported) |
| Wi-Fi Functionality |
Standards: IEEE 802.11b/g/n/a/ac Operating frequency: 2412–2472 MHz (channel 13) and 5180–5700 MHz Maximum output power (EIRP): 2.4 GHz band: 7.0 dBm 5 GHz band: 12.1 dBm Authentication: Open system, WPA2-PSK |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth | Yes |
|
Supported Languages |
Spanish |
|
Battery / Batteries |
One EN-EL25 Rechargeable Li-ion Battery |
| Battery Life (Shots per Charge) |
300 shots (CIPA)
Movies: Approx. 75 min. of movie recording |
| AC Adapter |
EH-7P Charging AC Adapter
|
| Battery Charger | MH-32 Battery Charger |
|
Tripod Socket |
1/4 in. (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth) |
5.3in. (134.5mm) x 3.7in. (93.5mm) x 1.8in. (43.5mm)
|
| Approx. Weight |
14.0oz. (390g)
|
| Operating Environment |
Temperature: 32 to 104°F (0 to 40°C) Humidity: Less than 85% (no condensation) |
*For a full list of the technical specifications please refer to the product manual.
Z fc Body Only (Black)
NIKKOR Z DX 16-50mm f/3.5-6.3 VR - Silver
$ 1,199.95 $ 1,099.95 - Sold Out
Nikon SKU: 1673 | Helix SKU: NK1673
Nikon Z fc
Iconic Nikon design. Modern Z series technology. 4K videos with full-time Eye-Detection AF. A flip out vlogger screen with live streaming capabilities. Small size with big image quality. This is a camera you think you’ve seen before. But the performance is entirely new.
Capture Your Iconic Moments
Z fc fuses classic design with Z series technology. Small size with big image quality. 4K videos with full-time Eye-Detection AF. A flip out vlogger screen with live streaming capabilities. This is a camera you think you’ve seen before. But the performance is entirely new.
Quality that thrills.
What sets the Z fc apart is the 20.9MP DX CMOS sensor paired with the EXPEED 6 engine and the light-gathering advantages of the wider Z mount. Together, they give you clean, professional looking videos and stills, even in low light.
It all starts with the Z mount.
The Z fc is designed around Nikon’s revolutionary Z mount, the widest lens mount of any comparable camera system. A wider mount means more light, and more light means more of everything good—sharpness, contrast, accurate focus, low-light performance and image quality.
Freedom to compose.
Take a moment and appreciate the world around you from fresh perspectives. The Z fc employs a 3.0-in Vari-angle monitor—the first in a Z series camera. Effortlessly shoot vertical shots from low angles.
Set your sights.
The Z fc’s sensor is practically covered in focus points—87% coverage to be precise. That means wherever your subject is within the frame, a focus point is locked on. Compose the way you want.
Lock eyes.
Nikon’s intelligent Eye-Detection AF for video and stills quickly locks onto eyes—humans, dogs or cats—and follows them. This is especially useful when you can’t be behind the camera, for first-person videos and selfies.
Get your shot.
Whatever the light.
ISO sensitivity goes all the way up to ISO 51,200 (expandable to ISO 204,800) with superb sharpness, detail and clarity. Create after hours and in less-than-ideal lighting.
Get creative.
In camera.
Add uniqueness to your videos and stills with 20 Creative Picture Controls, all visible in real-time while you shoot through the viewfinder or Vari-angle display. Now, filters are part of the vision rather than an afterthought.
Video done right.
Comprehensive video, vlogging and streaming capabilities. Record 4K Ultra HD video at 30p, 25p or 24p full pixel readout with no cropping. Combined with NIKKOR Z lenses, you’ll maximize the sensor’s resolution and produce videos with lifelike depth and clarity.
The vlogger monitor you’ve been waiting for.
The Z fc’s Vari-angle display can face forward for easier vlogging and first-person recording. This activates self-portrait mode, bringing key camera controls to the monitor so you can conveniently touch and tap adjustments.
Live streaming and web conferencing.
Look your absolute best with the Z fc and a NIKKOR Z lens. Simply connect the camera to your computer with a USB Type-C cable (sold separately)—it provides power too—and compatible software like the free Nikon Webcam Utility. You’ll get sharpness, clarity and flattering depth of field unlike a typical webcam.
Autofocus. Automated.
The whole time you’re recording, the autofocus system is working, making precise adjustments to keep your subject in sharp focus. This means you can be the one in front of the camera, even streaming live, with total confidence in your footage.
Add an external mic.
Capture high quality sound in-camera using the Z fc’s built-in stereo mic or a dedicated third-party external mic. The 3.5mm stereo mini-pin jack provides plug-in power. Monitor your audio levels on-screen, including a clipping indicator, and make gain adjustments in real-time.
Image transfers. Wireless and automatic.
Pair your smart device to the Z fc from the SnapBridge app once, and your phone and camera are always connected. You can transfer videos and stills manually or set the app to automatically import every still you take, then edit and post your work with your favorite phone apps.
Grab the remote.
When you can’t be behind the camera, pull out your compatible smartphone and use it to control the Z fc. See what the camera sees, change camera settings like aperture and shutter speed, then take the video or still.
Set-up is a snap.
Open the SnapBridge app
Tap Remote Photography
Allow phone to switch to Wi-Fi®
Start capturing videos and stills!
Always up to date.
SnapBridge wirelessly updates the Z fc’s firmware to the latest and greatest. When paired, the app will notify you of any updates and send the firmware directly to your camera’s memory card for a quick and easy—and totally wireless—install.
Magnesium alloy frame.
Tough, lightweight magnesium alloy frame protects the Z fc against life.
Hideaway touchscreen.
When you don’t need the touchscreen LCD, it’s safely protected within the camera.
Classic round eyepiece.
OLED viewfinder with 100% frame coverage. 1.02x magnification. Real-time preview of exposure, settings and effects.
Auto mode with Nikon intelligence.
Prefer to let the camera determine the best exposure settings for your situation? Switch the camera to Auto and Nikon’s serious onboard intelligence will take over for you.
Help at the touch
of a button.
Not sure what a setting does? Just tap the (?) button and a brief explanation will pop up in the viewfinder or on the Vari-angle display. It’s like having a quick reference guide built into your camera.
i-Menu. Your menu.
Assign the menu items you use most to the i-Menu. Create separate i-Menu settings for video and still modes. You’ll have a one-click dashboard of the settings you rely on most.
|
Type |
Digital camera with support for interchangeable lenses |
| Lens Mount | Nikon Z Mount |
| Effective Pixels (Megapixels) | 20.9 Million |
| Sensor Size |
15.7mm x 23.5mm
|
| Image Sensor Format | DX |
| Image Sensor Type | CMOS |
| Total Pixels | 21.51 Million |
| Dust-Reduction System | Image Dust Off reference data (NX Studio software required) |
| Image Area (Pixels) |
DX-format
(L) 5,568 x 3,712 (M) 4,176 x 2,784 (S) 2,784 x 1,856
1:1 (16 x 16)
(L) 3,712 x 3,712 (M) 2,784 x 2,784 (S) 1,856 x 1,856
16:9 (24 x 24)
(L) 5,568 x 3,128 (M) 4,176 x 2,344 (S) 2,784 x 1,560
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160
Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080 |
|
File Format Still Images |
NEF (RAW): 12 or 14 bit JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Storage Media | SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards |
| File System |
DCF 2.0 Exif 2.31 |
|
Viewfinder |
1.0-cm/0.39-in. approx. 2360k-dot (XGA) OLED electronic viewfinder with color balance and auto and 7-level manual brightness controls |
| Viewfinder Frame Coverage |
Approx. 100% horizontal 100% vertical |
| Viewfinder Magnification | Approx. 1.02x (50 mm lens at infinity, −1.0 m−1) |
| Viewfinder Diopter Adjustment | -3 to +3 m−1 |
|
Shutter Type |
Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | Using the main command dial: 1/4000 to 30 s (1/3 step, can be extended up to 900 s in mode M), Bulb, Time, X (Flash sync) |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
| Top Continuous Shooting Speed at Full Resolution | 11 frames per second |
|
Exposure Metering System |
TTL metering using camera image sensor |
| Metering Range | Matrix or center-weighted metering: -4 to +17 EV |
| Exposure Compensation | –3 to +3 EV (–5 to +5 EV when the exposure compensation dial is set to [c]), Increment: 1/3 step. Available in modes P, S, A, M |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control |
Auto Flat Landscape Monochrome Neutral Portrait Standard Vivid Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) Selected Picture Control can be modified Storage for custom Picture Controls |
| Multiple Exposure |
Add Average Lighten Darken |
|
ISO Sensitivity |
ISO 100 - 51,200 in steps of 1/3 or 1/2 EV Can also be set to approx. 1 or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control available |
| Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
|
Autofocus System |
Hybrid phase-detection/contrast AF with AF assist |
| Detection Range |
-4.5 to +19 EV (without low-light AF: -3 to +19 EV) Measured in photo mode at ISO 100 and a temperature of 20 °C/68 °F using single-servo AF (AF-S) and a lens with a maximum aperture of f/1.8 |
| Lens Servo |
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); AF mode auto-switch (AF-A; available only in photo mode); full-time AF (AF-F; available only in movie mode); predictive focus tracking Manual focus (M): Electronic rangefinder can be used |
| Focus Point | 209 (Single-Point AF) |
| AF-Area Mode |
Pinpoint
Single-Point Dynamic-area AF Wide-area AF (S) Wide-area AF (L) Wide-area AF (L-people) Wide-area AF (L-animals) Auto-area AF Auto-area AF (people) Auto-area AF (animals) |
| Focus Lock | Yes |
| Vibration Reduction | Lens shift using voice coil motors (VCMs) |
| Flash Control | TTL: i-TTL flash control; i-TTL balanced fill-flash for digital SLR is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash for digital SLR with spot metering |
| Flash Sync Modes | Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow sync Flash off |
| Flash Compensation | -3 to +1 EV in increments of 1/3 or 1/2 EV available |
| Flash-Ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control |
|
White Balance |
Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (3 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all except choose color temperature with fine-tuning Shade |
| White Balance Bracketing | Yes |
|
Movie Metering |
TTL exposure metering using main image sensor |
| Movie Maximum Recording Time | 29 minutes 59 seconds |
| Movie File Format |
MOV MP4 |
| Movie Video Compression | H.264/MPEG-4 Advanced Video Coding |
| Movie Audio Recording Format |
Linear PCM AAC |
| Movie |
4K UHD 3,840x2,160 / 30 fps 4K UHD 3,840x2,160 / 25 fps 4K UHD 3,840x2,160 / 24 fps Full HD 1,920x1,080 / 120 fps Full HD 1,920x1,080 / 100 fps Full HD 1,920x1,080 / 60 fps Full HD 1,920x1,080 / 50 fps Full HD 1,920x1,080 / 30 fps Full HD 1,920x1,080 / 25 fps Full HD 1,920x1,080 / 24 fps Full HD 1,920x1,080 slow-mo / 30 fps x4 Full HD 1,920x1,080 slow-mo / 25 fps x4 Full HD 1,920x1,080 slow-mo / 24 fps x5 Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection available at all sizes except 3,840 x 2,160, 1,920 x 1,080 120p/100p, and 1,920 x 1,080 slow-mo, when quality is fixed at high |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO |
Auto ISO sensitivity control (ISO 100 to 25,600) M: Manual selection (ISO 100 to 25,600 in steps of 1/3 or 1/2 EV); auto ISO sensitivity control (ISO 100 to 25,600) available with selectable upper limit P, S, A: Auto ISO sensitivity control (ISO 100 to 25,600) with selectable upper limit |
| Movie Active D-Lighting |
Can be selected from: Extra High High Normal Low Off |
| Time Code | Yes |
| Movie e-VR | Yes |
| Movie HDMI Output | Yes |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Yes |
| AF for Movie | Yes |
|
Monitor Size |
3.0 in. diagonal |
| Monitor Resolution | 1040 dots |
| Monitor Type | Vari-angle TFT |
| Playback Functions |
Auto Image Rotation Full-frame and thumbnail (4, 9, or 72 images or calendar) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom Playback Zoom Cropping |
|
Interface |
USB: Type C USB connector (SuperSpeed USB); connection to built-in USB port is recommended Type D HDMI connector; Stereo mini-pin jack (3.5 mm diameter; plug-in power supported) |
| Wi-Fi Functionality |
Standards: IEEE 802.11b/g/n/a/ac Operating frequency: 2412–2472 MHz (channel 13) and 5180–5700 MHz Maximum output power (EIRP): 2.4 GHz band: 7.0 dBm 5 GHz band: 12.1 dBm Authentication: Open system, WPA2-PSK |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth | Yes |
|
Supported Languages |
Spanish |
|
Battery / Batteries |
One EN-EL25 Rechargeable Li-ion Battery |
| Battery Life (Shots per Charge) |
300 shots (CIPA)
Movies: Approx. 75 min. of movie recording |
| AC Adapter |
EH-7P Charging AC Adapter
|
| Battery Charger | MH-32 Battery Charger |
|
Tripod Socket |
1/4 in. (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth) |
5.3in. (134.5mm) x 3.7in. (93.5mm) x 1.8in. (43.5mm)
|
| Approx. Weight |
14.0oz. (390g)
|
| Operating Environment |
Temperature: 32 to 104°F (0 to 40°C) Humidity: Less than 85% (no condensation) |
*For a full list of the technical specifications please refer to the product manual.
Z fc Body Only (Black)
NIKKOR Z 28mm f/2.8 (SE)
$ 149.95
Nikon SKU: 13567 | Helix SKU: NK13567
Complete your Z 30 setup with the essential video accessories for content creators, vloggers and streamers. (Also compatible with the Z fc.)
$ 709.95 $ 609.95 - Sold Out
Nikon SKU: 1737 | Helix SKU: NK1737
Compact, lightweight 4K setup for creators, vloggers and streamers.
Packed with the features creators, vloggers and streamers want. Crisp, clean 4K video that will help you stand out. A flip-out touchscreen to keep you in front of the camera. Fast, reliable autofocus, crystal clear audio, creative in-camera filters and convenient controls—all in a compact, lightweight package that will inspire your best work yet.
Effortless live streaming up to 60p.
Stand out among a competitive field of streamers with Full HD 60p and 4K 30p video quality. Also works great with compatible web conferencing applications.
*Third party capture device and USB-C to USB-C cable is required for optimal streaming performance.
Eye and Face Tracking
Locks on to and follows the eyes of people, dogs, and cats.
*Eye-Detect AF Mode
Product Close-Ups
Focus automatically repositions when you hold something up to the camera.
*Auto Area AF Mode
Image Sensor
| Effective Pixels | 20.9 million |
| Sensor Size | 23.5mm x 15.7mm |
| Image Sensor Format | DX (APS-C) |
| Image Sensor Type | CMOS Sensor |
| Total Pixels | 21.51 million |
| Dust Reduction System | Image Dust Off reference data (NX Studio software required) |
| Image Area (Pixels) |
DX-format
(L) 5,568 x 3,712 (M) 4,176 x 2,784 (S) 2,784 x 1,856
1:1 (16 x 16)
(L) 3,712 x 3,712 (M) 2,784 x 2,784 (S) 1,856 x 1,856
16:9 (36 x 20)
(L) 5,568 x 3,128 (M) 4,176 x 2,344 (S) 2,784 x 1,560
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160
Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080 |
File System
|
File Format (Still Images) |
NEF (RAW): 12 or 14 bit JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Storage Media | SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards |
| File System |
DCF 2.0 Exif 2.31 |
Viewfinder
|
Viewfinder |
None |
Shutter
|
Shutter Type |
Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | 1/4000 – 30 sec. (step of 1/3 EV), bulb, time |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
| Top Continuous Shooting Speed at Full Resolution | 11 Frames per Second |
| Top Continuous Shooting Speed | 11 Frames per Second |
Exposure
|
Exposure Metering System |
TTL metering using camera image sensor |
| Metering Range | Spot metering: -4 to +17 EV |
| Exposure Compensation | –5 – +5 EV, Increment of 1/3 EV |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control |
Auto Flat Landscape Monochrome Neutral Portrait Standard Vivid Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) Selected Picture Control can be modified Storage for custom Picture Controls |
| Multiple Exposure |
Yes Add Average Lighten Darken |
Sensitivity
|
ISO Sensitivity |
ISO 100 - 51,200 in steps of 1/3 EV Can also be set to approx. 1 EV above ISO 51200 (ISO 102400 equivalent) or to approx. 2 EV above ISO 51200 (ISO 204800 equivalent) Auto ISO sensitivity control available |
| Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low |
| Active D-Lighting Bracketing | Yes |
Focus/Autofocus
|
Autofocus System |
Hybrid phase-detection/contrast AF |
| Detection Range |
-4.5 to +19 EV (without low-light AF: -3 to +19 EV) Measured in photo mode at ISO 100 and a temperature of 20 °C/68 °F using single-servo AF (AF-S) and a lens with a maximum aperture of f/1.8 |
| Lens Servo |
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); AF mode auto-switch (AF-A; available only in photo mode); full-time AF (AF-F; available only in movie mode); predictive focus tracking Manual focus (M): Electronic rangefinder can be used |
| Focus Point |
209 (single-point AF) Number of focus points available in photo mode with single-point AF selected for AF-area mode and DX selected for image area |
| AF-Area Mode |
Pinpoint Single-Point Dynamic-area AF Wide-area AF (S) Wide-area AF (L) Wide-area AF (L-people) Wide-area AF (L-animals) Auto-area AF Auto-area AF (people) Auto-area AF (animals) |
| Focus Lock | Yes |
Flash
|
Flash Control |
TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering |
| Flash Sync Modes |
Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow sync Off |
| Flash-Ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | i-TTL flash control, optical Advanced Wireless Lighting, FV lock, Color Information Communication, Auto FP High-Speed Sync |
White Balance
|
White Balance |
Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (3 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all except choose color temperature with fine-tuning Shade |
| White Balance Bracketing | Yes |
Movie
|
Movie Metering |
TTL exposure metering using main image sensor |
| Maximum Recording Time (Movie) | Up to 125 minutes |
| Movie File Format |
MOV MP4 |
| Movie Video Compression | H.264/MPEG-4 Advanced Video Coding |
| Movie Audio Recording Format |
Linear PCM AAC |
| Movie |
4K UHD 3,840 × 2,160 /30p/25p/24p Full HD 1,920 x 1,080 /120p/100p/60p/50p/30p/25p/24p Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection (normal/m) available at all sizes except 3840 × 2160, 1920 × 1080 120p/100p, and 1920 × 1080 slow-motion, when quality is fixed at m |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO |
Auto ISO sensitivity control (ISO 100 to 25,600) M: Manual selection (ISO 100 to 25,600 in steps of 1/3 or 1/2 EV); auto ISO sensitivity control (ISO 100 to 25,600) available with selectable upper limit Auto ISO sensitivity control (ISO 100–25600) |
| Movie Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
| Time Code | Yes |
| Movie e-VR | Yes |
| Movie HDMI Output | Yes |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Yes |
| AF for Movie | Yes |
Monitor
|
Monitor Size |
3.0in. Diagonal |
| Monitor Resolution | 1040 k dots |
| Monitor Type |
Vari-angle TFT touch-sensitive LCD with 170° viewing angle, approximately 100% frame coverage Color balance and 11-level manual brightness controls |
Playback
|
Playback Functions |
Full-frame and thumbnail (4, 9, or 72 images or calendar) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom Playback Zoom Cropping Photo and/or video slide shows |
Interface
|
Interface |
USB: Type C USB connector (SuperSpeed USB); connection to built-in USB port is recommended Type D HDMI connector; Stereo mini-pin jack (3.5 mm diameter; plug-in power supported) |
| Wi-Fi Functionality |
Standards: IEEE 802.11b/g/n (Africa, Asia, Bolivia, and Oceania) Standards: IEEE 802.11b/g/n/a/ac (Europe, U.S.A., Canada, Mexico) Standards: IEEE 802.11b/g/n/a (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11; Africa, Asia, Bolivia, and Oceania) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico) Authentication: Open system, WPA2-PSK Maximum output power (EIRP): 2.4 GHz band: 4.5 dBm 5 GHz band: 6.8 dBm (countries in the Americas) |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth |
Communication protocols: Bluetooth Specification Version 4.2 Operating frequency: Bluetooth: 2402–2480 MHz Bluetooth Low Energy: 2402–2480 MHz Maximum output power (EIRP) Bluetooth –1.0 dBm Bluetooth Low Energy: –2.5 dBm |
Menus
|
Supported Languages |
English French Portuguese (Brazil) Spanish |
Power
|
Battery/Batteries |
One EN-EL25 rechargeable Li-ion battery |
| Battery Life (Shots per Charge) |
330 shots (CIPA)
Movies: Approx. 75 min. of movie recording |
| AC Adapter |
EH-7P charging AC adapter (available separately)
|
| Battery Charger | MH-32 Battery Charger (available separately) |
Miscellaneous
|
Tripod Socket |
1/4"-20 (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth) |
5.1 in. (128mm) x 2.9 in. (73.5mm) x 2.4 in. (59.5mm)
|
| Approx. Weight |
12.4 oz. (350g)
|
| Operating Environment |
Temperature 0 °C–40 °C (+32 °F–104 °F)
Humidity: Less than 85% (no condensation) |
*For a full list of the technical specifications please refer to the product manual.
Z 30 Body Only
BF-N1 Body Cap
EN-EL25 Rechargeable Lithium-ion Battery
AN-DC25 Camera Strap
UC-E24 USB Cable
Optional Accessories:
$ 849.95 $ 699.95 - Sold Out
Nikon SKU: 1749 | Helix SKU: NK1749
Nikon Z30 Mirrorless Camera with 16-50mm lens packed with the features creators, vloggers and streamers want. Crisp, clean 4K video that will help you stand out. A flip-out touchscreen to keep you in front of the camera. Fast, reliable autofocus, crystal clear audio, creative in-camera filters and convenient controls—all in a compact, lightweight package that will inspire your best work yet.
Image Sensor
| Effective Pixels | 20.9 million |
| Sensor Size | 23.5mm x 15.7mm |
| Image Sensor Format | DX (APS-C) |
| Image Sensor Type | CMOS Sensor |
| Total Pixels | 21.51 million |
| Dust Reduction System | Image Dust Off reference data (NX Studio software required) |
| Image Area (Pixels) |
DX-format
(L) 5,568 x 3,712 (M) 4,176 x 2,784 (S) 2,784 x 1,856
1:1 (16 x 16)
(L) 3,712 x 3,712 (M) 2,784 x 2,784 (S) 1,856 x 1,856
16:9 (36 x 20)
(L) 5,568 x 3,128 (M) 4,176 x 2,344 (S) 2,784 x 1,560
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160
Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080 |
File System
|
File Format (Still Images) |
NEF (RAW): 12 or 14 bit JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Storage Media | SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards |
| File System |
DCF 2.0 Exif 2.31 |
Viewfinder
|
Viewfinder |
None |
Shutter
|
Shutter Type |
Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | 1/4000 – 30 sec. (step of 1/3 EV), bulb, time |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
| Top Continuous Shooting Speed at Full Resolution | 11 Frames per Second |
| Top Continuous Shooting Speed | 11 Frames per Second |
Exposure
|
Exposure Metering System |
TTL metering using camera image sensor |
| Metering Range | Spot metering: -4 to +17 EV |
| Exposure Compensation | –5 – +5 EV, Increment of 1/3 EV |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control |
Auto Flat Landscape Monochrome Neutral Portrait Standard Vivid Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) Selected Picture Control can be modified Storage for custom Picture Controls |
| Multiple Exposure |
Yes Add Average Lighten Darken |
Sensitivity
|
ISO Sensitivity |
ISO 100 - 51,200 in steps of 1/3 EV Can also be set to approx. 1 EV above ISO 51200 (ISO 102400 equivalent) or to approx. 2 EV above ISO 51200 (ISO 204800 equivalent) Auto ISO sensitivity control available |
| Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low |
| Active D-Lighting Bracketing | Yes |
Focus/Autofocus
|
Autofocus System |
Hybrid phase-detection/contrast AF |
| Detection Range |
-4.5 to +19 EV (without low-light AF: -3 to +19 EV) Measured in photo mode at ISO 100 and a temperature of 20 °C/68 °F using single-servo AF (AF-S) and a lens with a maximum aperture of f/1.8 |
| Lens Servo |
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); AF mode auto-switch (AF-A; available only in photo mode); full-time AF (AF-F; available only in movie mode); predictive focus tracking Manual focus (M): Electronic rangefinder can be used |
| Focus Point |
209 (single-point AF) Number of focus points available in photo mode with single-point AF selected for AF-area mode and DX selected for image area |
| AF-Area Mode |
Pinpoint Single-Point Dynamic-area AF Wide-area AF (S) Wide-area AF (L) Wide-area AF (L-people) Wide-area AF (L-animals) Auto-area AF Auto-area AF (people) Auto-area AF (animals) |
| Focus Lock | Yes |
Flash
|
Flash Control |
TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering |
| Flash Sync Modes |
Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow sync Off |
| Flash-Ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | i-TTL flash control, optical Advanced Wireless Lighting, FV lock, Color Information Communication, Auto FP High-Speed Sync |
White Balance
|
White Balance |
Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (3 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all except choose color temperature with fine-tuning Shade |
| White Balance Bracketing | Yes |
Movie
|
Movie Metering |
TTL exposure metering using main image sensor |
| Maximum Recording Time (Movie) | Up to 125 minutes |
| Movie File Format |
MOV MP4 |
| Movie Video Compression | H.264/MPEG-4 Advanced Video Coding |
| Movie Audio Recording Format |
Linear PCM AAC |
| Movie |
4K UHD 3,840 × 2,160 /30p/25p/24p Full HD 1,920 x 1,080 /120p/100p/60p/50p/30p/25p/24p Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection (normal/m) available at all sizes except 3840 × 2160, 1920 × 1080 120p/100p, and 1920 × 1080 slow-motion, when quality is fixed at m |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO |
Auto ISO sensitivity control (ISO 100 to 25,600) M: Manual selection (ISO 100 to 25,600 in steps of 1/3 or 1/2 EV); auto ISO sensitivity control (ISO 100 to 25,600) available with selectable upper limit Auto ISO sensitivity control (ISO 100–25600) |
| Movie Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
| Time Code | Yes |
| Movie e-VR | Yes |
| Movie HDMI Output | Yes |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Yes |
| AF for Movie | Yes |
Monitor
|
Monitor Size |
3.0in. Diagonal |
| Monitor Resolution | 1040 k dots |
| Monitor Type |
Vari-angle TFT touch-sensitive LCD with 170° viewing angle, approximately 100% frame coverage Color balance and 11-level manual brightness controls |
Playback
|
Playback Functions |
Full-frame and thumbnail (4, 9, or 72 images or calendar) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom Playback Zoom Cropping Photo and/or video slide shows |
Interface
|
Interface |
USB: Type C USB connector (SuperSpeed USB); connection to built-in USB port is recommended Type D HDMI connector; Stereo mini-pin jack (3.5 mm diameter; plug-in power supported) |
| Wi-Fi Functionality |
Standards: IEEE 802.11b/g/n (Africa, Asia, Bolivia, and Oceania) Standards: IEEE 802.11b/g/n/a/ac (Europe, U.S.A., Canada, Mexico) Standards: IEEE 802.11b/g/n/a (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11; Africa, Asia, Bolivia, and Oceania) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico) Authentication: Open system, WPA2-PSK Maximum output power (EIRP): 2.4 GHz band: 4.5 dBm 5 GHz band: 6.8 dBm (countries in the Americas) |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth |
Communication protocols: Bluetooth Specification Version 4.2 Operating frequency: Bluetooth: 2402–2480 MHz Bluetooth Low Energy: 2402–2480 MHz Maximum output power (EIRP) Bluetooth –1.0 dBm Bluetooth Low Energy: –2.5 dBm |
Menus
|
Supported Languages |
English French Portuguese (Brazil) Spanish |
Power
|
Battery/Batteries |
One EN-EL25 rechargeable Li-ion battery |
| Battery Life (Shots per Charge) |
330 shots (CIPA)
Movies: Approx. 75 min. of movie recording |
| AC Adapter |
EH-7P charging AC adapter (available separately)
|
| Battery Charger | MH-32 Battery Charger (available separately) |
Miscellaneous
|
Tripod Socket |
1/4"-20 (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth) |
5.1 in. (128mm) x 2.9 in. (73.5mm) x 2.4 in. (59.5mm)
|
| Approx. Weight |
12.4 oz. (350g)
|
| Operating Environment |
Temperature 0 °C–40 °C (+32 °F–104 °F)
Humidity: Less than 85% (no condensation) |
*For a full list of the technical specifications please refer to the product manual.
Z 30 Body
Optional Accessories:
$ 1,199.95 $ 949.95
Nikon SKU: 1743 | Helix SKU: NK1743
Packed with the features creators, vloggers and streamers want. Crisp, clean 4K video that will help you stand out. A flip-out touchscreen to keep you in front of the camera. Fast, reliable autofocus, crystal clear audio, creative in-camera filters and convenient controls—all in a compact, lightweight package that will inspire your best work yet.
Image Sensor
| Effective Pixels | 20.9 million |
| Sensor Size | 23.5mm x 15.7mm |
| Image Sensor Format | DX (APS-C) |
| Image Sensor Type | CMOS Sensor |
| Total Pixels | 21.51 million |
| Dust Reduction System | Image Dust Off reference data (NX Studio software required) |
| Image Area (Pixels) |
DX-format
(L) 5,568 x 3,712 (M) 4,176 x 2,784 (S) 2,784 x 1,856
1:1 (16 x 16)
(L) 3,712 x 3,712 (M) 2,784 x 2,784 (S) 1,856 x 1,856
16:9 (36 x 20)
(L) 5,568 x 3,128 (M) 4,176 x 2,344 (S) 2,784 x 1,560
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160
Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080 |
File System
|
File Format (Still Images) |
NEF (RAW): 12 or 14 bit JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Storage Media | SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards |
| File System |
DCF 2.0 Exif 2.31 |
Viewfinder
|
Viewfinder |
None |
Shutter
|
Shutter Type |
Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | 1/4000 – 30 sec. (step of 1/3 EV), bulb, time |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
| Top Continuous Shooting Speed at Full Resolution | 11 Frames per Second |
| Top Continuous Shooting Speed | 11 Frames per Second |
Exposure
|
Exposure Metering System |
TTL metering using camera image sensor |
| Metering Range | Spot metering: -4 to +17 EV |
| Exposure Compensation | –5 – +5 EV, Increment of 1/3 EV |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control |
Auto Flat Landscape Monochrome Neutral Portrait Standard Vivid Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) Selected Picture Control can be modified Storage for custom Picture Controls |
| Multiple Exposure |
Yes Add Average Lighten Darken |
Sensitivity
|
ISO Sensitivity |
ISO 100 - 51,200 in steps of 1/3 EV Can also be set to approx. 1 EV above ISO 51200 (ISO 102400 equivalent) or to approx. 2 EV above ISO 51200 (ISO 204800 equivalent) Auto ISO sensitivity control available |
| Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low |
| Active D-Lighting Bracketing | Yes |
Focus/Autofocus
|
Autofocus System |
Hybrid phase-detection/contrast AF |
| Detection Range |
-4.5 to +19 EV (without low-light AF: -3 to +19 EV) Measured in photo mode at ISO 100 and a temperature of 20 °C/68 °F using single-servo AF (AF-S) and a lens with a maximum aperture of f/1.8 |
| Lens Servo |
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); AF mode auto-switch (AF-A; available only in photo mode); full-time AF (AF-F; available only in movie mode); predictive focus tracking Manual focus (M): Electronic rangefinder can be used |
| Focus Point |
209 (single-point AF) Number of focus points available in photo mode with single-point AF selected for AF-area mode and DX selected for image area |
| AF-Area Mode |
Pinpoint Single-Point Dynamic-area AF Wide-area AF (S) Wide-area AF (L) Wide-area AF (L-people) Wide-area AF (L-animals) Auto-area AF Auto-area AF (people) Auto-area AF (animals) |
| Focus Lock | Yes |
Flash
|
Flash Control |
TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering |
| Flash Sync Modes |
Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow sync Off |
| Flash-Ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | i-TTL flash control, optical Advanced Wireless Lighting, FV lock, Color Information Communication, Auto FP High-Speed Sync |
White Balance
|
White Balance |
Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (3 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all except choose color temperature with fine-tuning Shade |
| White Balance Bracketing | Yes |
Movie
|
Movie Metering |
TTL exposure metering using main image sensor |
| Maximum Recording Time (Movie) | Up to 125 minutes |
| Movie File Format |
MOV MP4 |
| Movie Video Compression | H.264/MPEG-4 Advanced Video Coding |
| Movie Audio Recording Format |
Linear PCM AAC |
| Movie |
4K UHD 3,840 × 2,160 /30p/25p/24p Full HD 1,920 x 1,080 /120p/100p/60p/50p/30p/25p/24p Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection (normal/m) available at all sizes except 3840 × 2160, 1920 × 1080 120p/100p, and 1920 × 1080 slow-motion, when quality is fixed at m |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO |
Auto ISO sensitivity control (ISO 100 to 25,600) M: Manual selection (ISO 100 to 25,600 in steps of 1/3 or 1/2 EV); auto ISO sensitivity control (ISO 100 to 25,600) available with selectable upper limit Auto ISO sensitivity control (ISO 100–25600) |
| Movie Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
| Time Code | Yes |
| Movie e-VR | Yes |
| Movie HDMI Output | Yes |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Yes |
| AF for Movie | Yes |
Monitor
|
Monitor Size |
3.0in. Diagonal |
| Monitor Resolution | 1040 k dots |
| Monitor Type |
Vari-angle TFT touch-sensitive LCD with 170° viewing angle, approximately 100% frame coverage Color balance and 11-level manual brightness controls |
Playback
|
Playback Functions |
Full-frame and thumbnail (4, 9, or 72 images or calendar) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom Playback Zoom Cropping Photo and/or video slide shows |
Interface
|
Interface |
USB: Type C USB connector (SuperSpeed USB); connection to built-in USB port is recommended Type D HDMI connector; Stereo mini-pin jack (3.5 mm diameter; plug-in power supported) |
| Wi-Fi Functionality |
Standards: IEEE 802.11b/g/n (Africa, Asia, Bolivia, and Oceania) Standards: IEEE 802.11b/g/n/a/ac (Europe, U.S.A., Canada, Mexico) Standards: IEEE 802.11b/g/n/a (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11; Africa, Asia, Bolivia, and Oceania) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico) Authentication: Open system, WPA2-PSK Maximum output power (EIRP): 2.4 GHz band: 4.5 dBm 5 GHz band: 6.8 dBm (countries in the Americas) |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth |
Communication protocols: Bluetooth Specification Version 4.2 Operating frequency: Bluetooth: 2402–2480 MHz Bluetooth Low Energy: 2402–2480 MHz Maximum output power (EIRP) Bluetooth –1.0 dBm Bluetooth Low Energy: –2.5 dBm |
Menus
|
Supported Languages |
English French Portuguese (Brazil) Spanish |
Power
|
Battery/Batteries |
One EN-EL25 rechargeable Li-ion battery |
| Battery Life (Shots per Charge) |
330 shots (CIPA)
Movies: Approx. 75 min. of movie recording |
| AC Adapter |
EH-7P charging AC adapter (available separately)
|
| Battery Charger | MH-32 Battery Charger (available separately) |
Miscellaneous
|
Tripod Socket |
1/4"-20 (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth) |
5.1 in. (128mm) x 2.9 in. (73.5mm) x 2.4 in. (59.5mm)
|
| Approx. Weight |
12.4 oz. (350g)
|
| Operating Environment |
Temperature 0 °C–40 °C (+32 °F–104 °F)
Humidity: Less than 85% (no condensation) |
*For a full list of the technical specifications please refer to the product manual.
Z 30 Body
Optional Accessories:
$ 1,399.95 $ 999.95 - Sold Out
Nikon SKU: 1649 | Helix SKU: NK1649
The full picture.
Harness the entire view of expansive full frame lenses, and capture over 50% more image area than crop-sensor cameras. Z 5’s 24.3 MP full frame CMOS sensor produces intensively detailed images, lifelike 4K UHD video, ultra shallow depth-of-field and particularly clean low-light shots.
Super powered.Z 5 is powered by Nikon’s fast, comprehensive EXPEED 6 image processing system. It’s the secret behind the camera’s sensational photo and video quality, autofocus performance, low-light capabilities, distortion control, image clarity, color reproduction and more.
The stability you crave.Sharpness starts with stability, and Z 5 has one of the best in-camera image stabilization systems available. NIKKOR Z lenses activate 5-axis VR image stabilization—up to five stops* of stabilization in up to five directions: yaw, pitch, roll, X and Y. Compatible F-Mount NIKKOR lenses**—even those without built-in VR—activate 3-axis VR image stabilization. Great for stills, even better for video.
In the blink of an iris.Freeze time with shutter speeds as fast as 1/8000 of a second—fast enough to capture moments invisible to the naked eye. When shooting with wide aperture settings for shallow depth-of-field and blurred backgrounds, that speed can also be used to control your shot’s brightness.
Right in any light.Creativity doesn’t wait for perfect lighting, so neither does Z 5. Its ISO sensitivity goes all the way up to ISO 51,200 (expandable to ISO 102,400) with superb sharpness, detail and clarity. Keep shooting into the night, and bring a new mood to your style with the drama of low light.
Fully automatic. Totally manual.Sometimes you need to just point and shoot. Other times you want to fine tune every little detail. Z 5 is up for either challenge, going from fully automatic to totally manual with the turn of a dial.
Go quiet.In can’t miss moments—like weddings, speeches or performances—turn on Silent Mode and capture photo after photo without drawing any attention. This is also great for photographing pets and wildlife.
The eyes say it all.Great portraits put focus on the eyes. Z 5’s powerful Eye-Detection Autofocus quickly finds your subject’s eyes—humans, cats and dogs alike—and puts them in sharp focus. It even follows them as they move behind objects in the frame.
Focus anywhere.Z 5’s sensor is practically covered in focus points—273 of them, to be precise. That means wherever your subject is within the frame, there’s almost certainly a focus point locked on them.
Flash of genius.
Z 5 is compatible with Nikon’s Creative Lighting System. Fill in shadows, make subjects stand out, enhance natural light and add artistry with an optional external Nikon Speedlight flash.
Two for the road.Z 5 includes dual UHS-II SD card slots. Use them together for overflow storage, automatic back up or separating file types like RAW and JPEG or stills and videos.
You see it. You get it.See your shot clearly through Z 5’s outstanding electronic viewfinder. It activates when you put your eye to it, offering a high-resolution glare-free view of how your shot will actually look—exposure, ISO, white balance and Picture Controls are all visible in realtime.
Shift your focus.*Requires third-party image-stacking software sold separately.
Your entry to video.Z 5 records beautiful videos. Shoot 4K Ultra HD footage using all the advantages of mirrorless technology and the Z system’s high-performance optics.
Z 5 makes it easy to create beautiful timelapse movies. Set up Z 5 on a tripod or stable surface, compose your shot, set your time interval and number of shots and let the camera do the rest. You can simultaneously create your timelapse movie in-camera and save the full resolution stills. And for longer shoots, power Z 5 with the optional USB Type C cable and any compatible power bank.
Up your live stream.Great content deserves a great-looking live stream. With the Z 5, you’ll get incredible sharpness, amazing clarity, and flattering depth of field when you use it with compatible webcam software and/or hardware (sold separately). Discover next-level quality when streaming on social, gaming, and web conference platforms.
| Type | Digital mirrorless camera with support for interchangeable lenses |
| Lens Mount | Nikon Z Mount |
| Effective Pixels (Megapixels) | 24.3 Million |
| Sensor Size | 35.9mm x 23.9mm |
| Image Sensor Format | FX |
| Image Sensor Type | CMOS |
| Total Pixels | 24.93 Million |
| Dust-Reduction System | Image Dust Off reference data (requires Capture NX-D); image sensor cleaning |
| Image Area (pixels) |
FX-Format: (L) 6,016 x 4,016 | (M) 4,512 x 3,008 | (S) 3,008 x 2,008. DX-Format: (L) 3,936 x 2,624 | (M) 2,944 x 1,968 | (S) 1,968 x 1,312. 1:1 Format: (L) 4,016 x 4,016 | (M) 3,008 x 3,008 | (S) 2,000 x 2,000. 16:9 Format: (L) 6,016 x 3,384 | (M) 4,512 x 2,536 | (S) 3,008 x 1,688. Photographs taken during movie recording at a frame size of 3,840 x 2,160: 3,840 x 2,160. Photographs taken during movie recording at a frame size of 1,920 x 1,080: 1,920 x 1,080 |
File System
| File Format Still Images |
NEF (RAW): 12 or 14 bit (lossless compressed or compressed) JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression; size-priority and optimal-quality compression available NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Storage Media | SD (Secure Digital) and UHS-II compliant SDHC and SDXC memory cards |
| File System | DCF 2.0 | Exif 2.31 |
Viewfinder
| Viewfinder | 1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED with color balance and auto and 11-level manual brightness controls |
| Viewfinder Frame Coverage |
Approx. 100% horizontal 100% vertical |
| Viewfinder Magnification | Approx. 0.8x (50 mm lens at infinity, -1.0 m -1) |
| Viewfinder Eye Point | 21mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) |
| Viewfinder Diopter Adjustment | -4 to +2 m−1 |
| Eye Sensor | Automatically switches between monitor and viewfinder displays |
| Shutter Type | Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | 1/8000 to 30 sec. in steps of 1/3 or 1/2 EV, bulb, time, X200 |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
Exposure
| Exposure Metering System | TTL metering using camera image sensor |
| Metering Range | Matrix or center-weighted metering: -3 to +17 EV |
| Exposure Compensation | -5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control |
Auto Flat Landscape Monochrome Neutral Portrait Standard Vivid Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) Selected Picture Control can be modified Storage for custom Picture Controls |
Sensitivity
| ISO Sensitivity |
SO 100 - 51,200 in steps of 1/3 or 1/2 EV Can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1 EV (ISO 102,400 equivalent) above ISO 51,200; auto ISO sensitivity control available |
| Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
| Active D-Lighitng Bracketing | Yes |
Focus/Autofocus
| Autofocus System | Hybrid phase-detection/contrast AF with AF assist |
| Detection Range |
-3 to +19 EV (without low-light AF: -2 to +19 EV) Measured in photo mode at ISO 100 and a temperature of 20 °C/68 °F using single-servo AF (AF-S) and a lens with a maximum aperture of f/2.0 |
| Lens Servo |
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); full-time AF (AF-F; available only in movie mode); predictive focus tracking Manual focus (M): Electronic rangefinder can be used |
| Focus Point |
273 (single-point AF)
|
| AF-Area Mode |
Pinpoint
Single-Point Dynamic-area AF Wide-area AF (S) Wide-area AF (L) Auto-area AF |
| Focus Lock | Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing center of sub-selector |
| Vibration Reduction | 5-axis image sensor shift, lens shift available with VR lenses |
Flash
| Flash Control | TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering |
| Flash Sync Modes |
Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow sync Off |
| Flash Compensation | -3 to +1 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Flash Ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System | i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control |
White Balance
| White Balance |
Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (7 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all with fine-tuning Shade |
| White Balance Bracketing | Yes |
Movie
| Movie Metering | TTL exposure metering using main image sensor |
| Movie Maximum Recording Time | 29 minutes 59 seconds |
| Movie File Format |
MOV MP4 |
| Movie Audio Recording Format |
Linear PCM AAC |
| Movie |
4K UHD 3,840x2,160 / 30 fps 4K UHD 3,840x2,160 / 25 fps 4K UHD 3,840x2,160 / 24 fps Full HD 1,920x1,080 / 60 fps Full HD 1,920x1,080 / 50 fps Full HD 1,920x1,080 / 30 fps Full HD 1,920x1,080 / 25 fps Full HD 1,920x1,080 / 24 fps Actual frame rates for 60p, 50p, 30p, 25p, and 24p are 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection available at all sizes except 3,840 x 2,160 when quality is fixed at high |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO |
Auto ISO sensitivity control (ISO 100 to 25,600) M: Manual selection (ISO 100 to 25,600 in steps of 1/3 or 1/2 EV); auto ISO sensitivity control (ISO 100 to 25,600) available with selectable upper limit P, S, A: Auto ISO sensitivity control (ISO 100 to 25,600) with selectable upper limit |
| Movie Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
| Time Code |
Yes Drop frame |
| Movie e-VR | Yes |
| Movie HDMI Output |
Yes Start/Stop supported |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Up to 4K UHD; Silent mode option |
| AF for Movie | AF Speed and AF Tracking Sensitivity can be adjusted |
Monitor
| Monitor Size | 3.2in Diagonal |
| Monitor Resolution | 1,010,000 Dots |
| Monitor Type | Tilting TFT, Touch-Sensitive LCD |
| Playback Functions |
Auto Image Rotation Full-frame and thumbnail (4, 9, or 72 images or calendar) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom Playback Zoom Cropping |
Interface
| Wi-Fi Functionality |
Standards: IEEE 802.11b/g/n/a/ac 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico) 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas) Maximum output power (EIRP): 2.4 GHz band: 7.4 dBm 5 GHz band: 12.2 dBm Authentication: Open system, WPA2-PSK |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth |
Communication protocols: Bluetooth Specification Version 4.2 Operating frequency: Bluetooth: 2402–2480 MHz Bluetooth Low Energy: 2402–2480 MHz Approximately 10 m (32 ft.) without interference; range may vary with signal strength and presence or absence of obstacles |
| GPS | Via the SnapBridge app |
Menus
| Supported Languages |
English
French Portuguese (Brazil) Spanish |
Power
| Battery / Power |
One EN-EL15c rechargeable Li-ion battery EN-EL15b/EN-EL15a/EN-EL15 batteries can also be used. Note, however, that fewer pictures can be taken on a single charge than with the EN-EL15c. The EH-7P charging AC adapter can be used to charge EN-EL15c/EN-EL15b batteries only. |
| Battery Life |
[Viewfinder only]: Approx. 390 shots
[Monitor only]: Approx. 470 shots Movies: [Viewfinder only]: Approx. 115 min. of movie recording [Monitor only]: Approx. 120 min. of movie recording |
| AC Adapter |
EH-7P Charging AC Adapter EH-5d/EH-5c/EH-5b AC Adapter (requires EP-5B power connector, available separately) |
| Battery Charger | MH-25A Battery Charger |
Miscellaneous
| Tripod Socket | 1/4 in. (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth | 5.3in (134mm) x 4.0in (100.5mm) x 2.8in (69.5mm) |
| Approx. Weight | 20.9ox (590g) |
| Operating Environment |
Temperature: 32 to 104°F (0 to 40°C) Humidity: Less than 85% (no condensation) |
Z 5 Body Only
$ 2,199.95 $ 1,699.95 - Sold Out
Nikon SKU: 1641 | Helix SKU: NK1641
The full picture.
Harness the entire view of expansive full frame lenses, and capture over 50% more image area than crop-sensor cameras. Z 5’s 24.3 MP full frame CMOS sensor produces intensively detailed images, lifelike 4K UHD video, ultra shallow depth-of-field and particularly clean low-light shots.
Super powered.Z 5 is powered by Nikon’s fast, comprehensive EXPEED 6 image processing system. It’s the secret behind the camera’s sensational photo and video quality, autofocus performance, low-light capabilities, distortion control, image clarity, color reproduction and more.
The stability you crave.Sharpness starts with stability, and Z 5 has one of the best in-camera image stabilization systems available. NIKKOR Z lenses activate 5-axis VR image stabilization—up to five stops* of stabilization in up to five directions: yaw, pitch, roll, X and Y. Compatible F-Mount NIKKOR lenses**—even those without built-in VR—activate 3-axis VR image stabilization. Great for stills, even better for video.
In the blink of an iris.Freeze time with shutter speeds as fast as 1/8000 of a second—fast enough to capture moments invisible to the naked eye. When shooting with wide aperture settings for shallow depth-of-field and blurred backgrounds, that speed can also be used to control your shot’s brightness.
Right in any light.Creativity doesn’t wait for perfect lighting, so neither does Z 5. Its ISO sensitivity goes all the way up to ISO 51,200 (expandable to ISO 102,400) with superb sharpness, detail and clarity. Keep shooting into the night, and bring a new mood to your style with the drama of low light.
Fully automatic. Totally manual.Sometimes you need to just point and shoot. Other times you want to fine tune every little detail. Z 5 is up for either challenge, going from fully automatic to totally manual with the turn of a dial.
Go quiet.In can’t miss moments—like weddings, speeches or performances—turn on Silent Mode and capture photo after photo without drawing any attention. This is also great for photographing pets and wildlife.
The eyes say it all.Great portraits put focus on the eyes. Z 5’s powerful Eye-Detection Autofocus quickly finds your subject’s eyes—humans, cats and dogs alike—and puts them in sharp focus. It even follows them as they move behind objects in the frame.
Focus anywhere.Z 5’s sensor is practically covered in focus points—273 of them, to be precise. That means wherever your subject is within the frame, there’s almost certainly a focus point locked on them.
Flash of genius.
Z 5 is compatible with Nikon’s Creative Lighting System. Fill in shadows, make subjects stand out, enhance natural light and add artistry with an optional external Nikon Speedlight flash.
Two for the road.Z 5 includes dual UHS-II SD card slots. Use them together for overflow storage, automatic back up or separating file types like RAW and JPEG or stills and videos.
You see it. You get it.See your shot clearly through Z 5’s outstanding electronic viewfinder. It activates when you put your eye to it, offering a high-resolution glare-free view of how your shot will actually look—exposure, ISO, white balance and Picture Controls are all visible in realtime.
Shift your focus.*Requires third-party image-stacking software sold separately.
Your entry to video.Z 5 records beautiful videos. Shoot 4K Ultra HD footage using all the advantages of mirrorless technology and the Z system’s high-performance optics.
Z 5 makes it easy to create beautiful timelapse movies. Set up Z 5 on a tripod or stable surface, compose your shot, set your time interval and number of shots and let the camera do the rest. You can simultaneously create your timelapse movie in-camera and save the full resolution stills. And for longer shoots, power Z 5 with the optional USB Type C cable and any compatible power bank.
Up your live stream.Great content deserves a great-looking live stream. With the Z 5, you’ll get incredible sharpness, amazing clarity, and flattering depth of field when you use it with compatible webcam software and/or hardware (sold separately). Discover next-level quality when streaming on social, gaming, and web conference platforms.
| Type | Digital mirrorless camera with support for interchangeable lenses |
| Lens Mount | Nikon Z Mount |
| Effective Pixels (Megapixels) | 24.3 Million |
| Sensor Size | 35.9mm x 23.9mm |
| Image Sensor Format | FX |
| Image Sensor Type | CMOS |
| Total Pixels | 24.93 Million |
| Dust-Reduction System | Image Dust Off reference data (requires Capture NX-D); image sensor cleaning |
| Image Area (pixels) |
FX-Format: (L) 6,016 x 4,016 | (M) 4,512 x 3,008 | (S) 3,008 x 2,008. DX-Format: (L) 3,936 x 2,624 | (M) 2,944 x 1,968 | (S) 1,968 x 1,312. 1:1 Format: (L) 4,016 x 4,016 | (M) 3,008 x 3,008 | (S) 2,000 x 2,000. 16:9 Format: (L) 6,016 x 3,384 | (M) 4,512 x 2,536 | (S) 3,008 x 1,688. Photographs taken during movie recording at a frame size of 3,840 x 2,160: 3,840 x 2,160. Photographs taken during movie recording at a frame size of 1,920 x 1,080: 1,920 x 1,080 |
File System
| File Format Still Images |
NEF (RAW): 12 or 14 bit (lossless compressed or compressed) JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression; size-priority and optimal-quality compression available NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Storage Media | SD (Secure Digital) and UHS-II compliant SDHC and SDXC memory cards |
| File System | DCF 2.0 | Exif 2.31 |
Viewfinder
| Viewfinder | 1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED with color balance and auto and 11-level manual brightness controls |
| Viewfinder Frame Coverage |
Approx. 100% horizontal 100% vertical |
| Viewfinder Magnification | Approx. 0.8x (50 mm lens at infinity, -1.0 m -1) |
| Viewfinder Eye Point | 21mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) |
| Viewfinder Diopter Adjustment | -4 to +2 m−1 |
| Eye Sensor | Automatically switches between monitor and viewfinder displays |
| Shutter Type | Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | 1/8000 to 30 sec. in steps of 1/3 or 1/2 EV, bulb, time, X200 |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
Exposure
| Exposure Metering System | TTL metering using camera image sensor |
| Metering Range | Matrix or center-weighted metering: -3 to +17 EV |
| Exposure Compensation | -5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control |
Auto Flat Landscape Monochrome Neutral Portrait Standard Vivid Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) Selected Picture Control can be modified Storage for custom Picture Controls |
Sensitivity
| ISO Sensitivity |
SO 100 - 51,200 in steps of 1/3 or 1/2 EV Can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1 EV (ISO 102,400 equivalent) above ISO 51,200; auto ISO sensitivity control available |
| Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
| Active D-Lighitng Bracketing | Yes |
Focus/Autofocus
| Autofocus System | Hybrid phase-detection/contrast AF with AF assist |
| Detection Range |
-3 to +19 EV (without low-light AF: -2 to +19 EV) Measured in photo mode at ISO 100 and a temperature of 20 °C/68 °F using single-servo AF (AF-S) and a lens with a maximum aperture of f/2.0 |
| Lens Servo |
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); full-time AF (AF-F; available only in movie mode); predictive focus tracking Manual focus (M): Electronic rangefinder can be used |
| Focus Point |
273 (single-point AF)
|
| AF-Area Mode |
Pinpoint
Single-Point Dynamic-area AF Wide-area AF (S) Wide-area AF (L) Auto-area AF |
| Focus Lock | Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing center of sub-selector |
| Vibration Reduction | 5-axis image sensor shift, lens shift available with VR lenses |
Flash
| Flash Control | TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering |
| Flash Sync Modes |
Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow sync Off |
| Flash Compensation | -3 to +1 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Flash Ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System | i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control |
White Balance
| White Balance |
Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (7 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all with fine-tuning Shade |
| White Balance Bracketing | Yes |
Movie
| Movie Metering | TTL exposure metering using main image sensor |
| Movie Maximum Recording Time | 29 minutes 59 seconds |
| Movie File Format |
MOV MP4 |
| Movie Audio Recording Format |
Linear PCM AAC |
| Movie |
4K UHD 3,840x2,160 / 30 fps 4K UHD 3,840x2,160 / 25 fps 4K UHD 3,840x2,160 / 24 fps Full HD 1,920x1,080 / 60 fps Full HD 1,920x1,080 / 50 fps Full HD 1,920x1,080 / 30 fps Full HD 1,920x1,080 / 25 fps Full HD 1,920x1,080 / 24 fps Actual frame rates for 60p, 50p, 30p, 25p, and 24p are 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection available at all sizes except 3,840 x 2,160 when quality is fixed at high |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO |
Auto ISO sensitivity control (ISO 100 to 25,600) M: Manual selection (ISO 100 to 25,600 in steps of 1/3 or 1/2 EV); auto ISO sensitivity control (ISO 100 to 25,600) available with selectable upper limit P, S, A: Auto ISO sensitivity control (ISO 100 to 25,600) with selectable upper limit |
| Movie Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
| Time Code |
Yes Drop frame |
| Movie e-VR | Yes |
| Movie HDMI Output |
Yes Start/Stop supported |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Up to 4K UHD; Silent mode option |
| AF for Movie | AF Speed and AF Tracking Sensitivity can be adjusted |
Monitor
| Monitor Size | 3.2in Diagonal |
| Monitor Resolution | 1,010,000 Dots |
| Monitor Type | Tilting TFT, Touch-Sensitive LCD |
| Playback Functions |
Auto Image Rotation Full-frame and thumbnail (4, 9, or 72 images or calendar) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom Playback Zoom Cropping |
Interface
| Wi-Fi Functionality |
Standards: IEEE 802.11b/g/n/a/ac 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico) 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas) Maximum output power (EIRP): 2.4 GHz band: 7.4 dBm 5 GHz band: 12.2 dBm Authentication: Open system, WPA2-PSK |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth |
Communication protocols: Bluetooth Specification Version 4.2 Operating frequency: Bluetooth: 2402–2480 MHz Bluetooth Low Energy: 2402–2480 MHz Approximately 10 m (32 ft.) without interference; range may vary with signal strength and presence or absence of obstacles |
| GPS | Via the SnapBridge app |
Menus
| Supported Languages |
English
French Portuguese (Brazil) Spanish |
Power
| Battery / Power |
One EN-EL15c rechargeable Li-ion battery EN-EL15b/EN-EL15a/EN-EL15 batteries can also be used. Note, however, that fewer pictures can be taken on a single charge than with the EN-EL15c. The EH-7P charging AC adapter can be used to charge EN-EL15c/EN-EL15b batteries only. |
| Battery Life |
[Viewfinder only]: Approx. 390 shots
[Monitor only]: Approx. 470 shots Movies: [Viewfinder only]: Approx. 115 min. of movie recording [Monitor only]: Approx. 120 min. of movie recording |
| AC Adapter |
EH-7P Charging AC Adapter EH-5d/EH-5c/EH-5b AC Adapter (requires EP-5B power connector, available separately) |
| Battery Charger | MH-25A Battery Charger |
Miscellaneous
| Tripod Socket | 1/4 in. (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth | 5.3in (134mm) x 4.0in (100.5mm) x 2.8in (69.5mm) |
| Approx. Weight | 20.9ox (590g) |
| Operating Environment |
Temperature: 32 to 104°F (0 to 40°C) Humidity: Less than 85% (no condensation) |
Z 5 Body Only
NIKKOR Z 24-200mm f/4-6.3 VR
$ 1,699.95 $ 1,299.95
Nikon SKU: 1642 | Helix SKU: NK1642
The full picture.
Harness the entire view of expansive full frame lenses, and capture over 50% more image area than crop-sensor cameras. Z 5’s 24.3 MP full frame CMOS sensor produces intensively detailed images, lifelike 4K UHD video, ultra shallow depth-of-field and particularly clean low-light shots.
Super powered.Z 5 is powered by Nikon’s fast, comprehensive EXPEED 6 image processing system. It’s the secret behind the camera’s sensational photo and video quality, autofocus performance, low-light capabilities, distortion control, image clarity, color reproduction and more.
The stability you crave.Sharpness starts with stability, and Z 5 has one of the best in-camera image stabilization systems available. NIKKOR Z lenses activate 5-axis VR image stabilization—up to five stops* of stabilization in up to five directions: yaw, pitch, roll, X and Y. Compatible F-Mount NIKKOR lenses**—even those without built-in VR—activate 3-axis VR image stabilization. Great for stills, even better for video.
In the blink of an iris.Freeze time with shutter speeds as fast as 1/8000 of a second—fast enough to capture moments invisible to the naked eye. When shooting with wide aperture settings for shallow depth-of-field and blurred backgrounds, that speed can also be used to control your shot’s brightness.
Right in any light.Creativity doesn’t wait for perfect lighting, so neither does Z 5. Its ISO sensitivity goes all the way up to ISO 51,200 (expandable to ISO 102,400) with superb sharpness, detail and clarity. Keep shooting into the night, and bring a new mood to your style with the drama of low light.
Fully automatic. Totally manual.Sometimes you need to just point and shoot. Other times you want to fine tune every little detail. Z 5 is up for either challenge, going from fully automatic to totally manual with the turn of a dial.
Go quiet.In can’t miss moments—like weddings, speeches or performances—turn on Silent Mode and capture photo after photo without drawing any attention. This is also great for photographing pets and wildlife.
The eyes say it all.Great portraits put focus on the eyes. Z 5’s powerful Eye-Detection Autofocus quickly finds your subject’s eyes—humans, cats and dogs alike—and puts them in sharp focus. It even follows them as they move behind objects in the frame.
Focus anywhere.Z 5’s sensor is practically covered in focus points—273 of them, to be precise. That means wherever your subject is within the frame, there’s almost certainly a focus point locked on them.
Flash of genius.
Z 5 is compatible with Nikon’s Creative Lighting System. Fill in shadows, make subjects stand out, enhance natural light and add artistry with an optional external Nikon Speedlight flash.
Two for the road.Z 5 includes dual UHS-II SD card slots. Use them together for overflow storage, automatic back up or separating file types like RAW and JPEG or stills and videos.
You see it. You get it.See your shot clearly through Z 5’s outstanding electronic viewfinder. It activates when you put your eye to it, offering a high-resolution glare-free view of how your shot will actually look—exposure, ISO, white balance and Picture Controls are all visible in realtime.
Shift your focus.*Requires third-party image-stacking software sold separately.
Your entry to video.Z 5 records beautiful videos. Shoot 4K Ultra HD footage using all the advantages of mirrorless technology and the Z system’s high-performance optics.
Z 5 makes it easy to create beautiful timelapse movies. Set up Z 5 on a tripod or stable surface, compose your shot, set your time interval and number of shots and let the camera do the rest. You can simultaneously create your timelapse movie in-camera and save the full resolution stills. And for longer shoots, power Z 5 with the optional USB Type C cable and any compatible power bank.
Up your live stream.Great content deserves a great-looking live stream. With the Z 5, you’ll get incredible sharpness, amazing clarity, and flattering depth of field when you use it with compatible webcam software and/or hardware (sold separately). Discover next-level quality when streaming on social, gaming, and web conference platforms.
| Type | Digital mirrorless camera with support for interchangeable lenses |
| Lens Mount | Nikon Z Mount |
| Effective Pixels (Megapixels) | 24.3 Million |
| Sensor Size | 35.9mm x 23.9mm |
| Image Sensor Format | FX |
| Image Sensor Type | CMOS |
| Total Pixels | 24.93 Million |
| Dust-Reduction System | Image Dust Off reference data (requires Capture NX-D); image sensor cleaning |
| Image Area (pixels) |
FX-Format: (L) 6,016 x 4,016 | (M) 4,512 x 3,008 | (S) 3,008 x 2,008. DX-Format: (L) 3,936 x 2,624 | (M) 2,944 x 1,968 | (S) 1,968 x 1,312. 1:1 Format: (L) 4,016 x 4,016 | (M) 3,008 x 3,008 | (S) 2,000 x 2,000. 16:9 Format: (L) 6,016 x 3,384 | (M) 4,512 x 2,536 | (S) 3,008 x 1,688. Photographs taken during movie recording at a frame size of 3,840 x 2,160: 3,840 x 2,160. Photographs taken during movie recording at a frame size of 1,920 x 1,080: 1,920 x 1,080 |
File System
| File Format Still Images |
NEF (RAW): 12 or 14 bit (lossless compressed or compressed) JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression; size-priority and optimal-quality compression available NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Storage Media | SD (Secure Digital) and UHS-II compliant SDHC and SDXC memory cards |
| File System | DCF 2.0 | Exif 2.31 |
Viewfinder
| Viewfinder | 1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED with color balance and auto and 11-level manual brightness controls |
| Viewfinder Frame Coverage |
Approx. 100% horizontal 100% vertical |
| Viewfinder Magnification | Approx. 0.8x (50 mm lens at infinity, -1.0 m -1) |
| Viewfinder Eye Point | 21mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) |
| Viewfinder Diopter Adjustment | -4 to +2 m−1 |
| Eye Sensor | Automatically switches between monitor and viewfinder displays |
| Shutter Type | Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | 1/8000 to 30 sec. in steps of 1/3 or 1/2 EV, bulb, time, X200 |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
Exposure
| Exposure Metering System | TTL metering using camera image sensor |
| Metering Range | Matrix or center-weighted metering: -3 to +17 EV |
| Exposure Compensation | -5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control |
Auto Flat Landscape Monochrome Neutral Portrait Standard Vivid Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) Selected Picture Control can be modified Storage for custom Picture Controls |
Sensitivity
| ISO Sensitivity |
SO 100 - 51,200 in steps of 1/3 or 1/2 EV Can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1 EV (ISO 102,400 equivalent) above ISO 51,200; auto ISO sensitivity control available |
| Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
| Active D-Lighitng Bracketing | Yes |
Focus/Autofocus
| Autofocus System | Hybrid phase-detection/contrast AF with AF assist |
| Detection Range |
-3 to +19 EV (without low-light AF: -2 to +19 EV) Measured in photo mode at ISO 100 and a temperature of 20 °C/68 °F using single-servo AF (AF-S) and a lens with a maximum aperture of f/2.0 |
| Lens Servo |
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); full-time AF (AF-F; available only in movie mode); predictive focus tracking Manual focus (M): Electronic rangefinder can be used |
| Focus Point |
273 (single-point AF)
|
| AF-Area Mode |
Pinpoint
Single-Point Dynamic-area AF Wide-area AF (S) Wide-area AF (L) Auto-area AF |
| Focus Lock | Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing center of sub-selector |
| Vibration Reduction | 5-axis image sensor shift, lens shift available with VR lenses |
Flash
| Flash Control | TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering |
| Flash Sync Modes |
Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow sync Off |
| Flash Compensation | -3 to +1 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Flash Ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System | i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control |
White Balance
| White Balance |
Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (7 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all with fine-tuning Shade |
| White Balance Bracketing | Yes |
Movie
| Movie Metering | TTL exposure metering using main image sensor |
| Movie Maximum Recording Time | 29 minutes 59 seconds |
| Movie File Format |
MOV MP4 |
| Movie Audio Recording Format |
Linear PCM AAC |
| Movie |
4K UHD 3,840x2,160 / 30 fps 4K UHD 3,840x2,160 / 25 fps 4K UHD 3,840x2,160 / 24 fps Full HD 1,920x1,080 / 60 fps Full HD 1,920x1,080 / 50 fps Full HD 1,920x1,080 / 30 fps Full HD 1,920x1,080 / 25 fps Full HD 1,920x1,080 / 24 fps Actual frame rates for 60p, 50p, 30p, 25p, and 24p are 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection available at all sizes except 3,840 x 2,160 when quality is fixed at high |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO |
Auto ISO sensitivity control (ISO 100 to 25,600) M: Manual selection (ISO 100 to 25,600 in steps of 1/3 or 1/2 EV); auto ISO sensitivity control (ISO 100 to 25,600) available with selectable upper limit P, S, A: Auto ISO sensitivity control (ISO 100 to 25,600) with selectable upper limit |
| Movie Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
| Time Code |
Yes Drop frame |
| Movie e-VR | Yes |
| Movie HDMI Output |
Yes Start/Stop supported |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Up to 4K UHD; Silent mode option |
| AF for Movie | AF Speed and AF Tracking Sensitivity can be adjusted |
Monitor
| Monitor Size | 3.2in Diagonal |
| Monitor Resolution | 1,010,000 Dots |
| Monitor Type | Tilting TFT, Touch-Sensitive LCD |
| Playback Functions |
Auto Image Rotation Full-frame and thumbnail (4, 9, or 72 images or calendar) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom Playback Zoom Cropping |
Interface
| Wi-Fi Functionality |
Standards: IEEE 802.11b/g/n/a/ac 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico) 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas) Maximum output power (EIRP): 2.4 GHz band: 7.4 dBm 5 GHz band: 12.2 dBm Authentication: Open system, WPA2-PSK |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth |
Communication protocols: Bluetooth Specification Version 4.2 Operating frequency: Bluetooth: 2402–2480 MHz Bluetooth Low Energy: 2402–2480 MHz Approximately 10 m (32 ft.) without interference; range may vary with signal strength and presence or absence of obstacles |
| GPS | Via the SnapBridge app |
Menus
| Supported Languages |
English
French Portuguese (Brazil) Spanish |
Power
| Battery / Power |
One EN-EL15c rechargeable Li-ion battery EN-EL15b/EN-EL15a/EN-EL15 batteries can also be used. Note, however, that fewer pictures can be taken on a single charge than with the EN-EL15c. The EH-7P charging AC adapter can be used to charge EN-EL15c/EN-EL15b batteries only. |
| Battery Life |
[Viewfinder only]: Approx. 390 shots
[Monitor only]: Approx. 470 shots Movies: [Viewfinder only]: Approx. 115 min. of movie recording [Monitor only]: Approx. 120 min. of movie recording |
| AC Adapter |
EH-7P Charging AC Adapter EH-5d/EH-5c/EH-5b AC Adapter (requires EP-5B power connector, available separately) |
| Battery Charger | MH-25A Battery Charger |
Miscellaneous
| Tripod Socket | 1/4 in. (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth | 5.3in (134mm) x 4.0in (100.5mm) x 2.8in (69.5mm) |
| Approx. Weight | 20.9ox (590g) |
| Operating Environment |
Temperature: 32 to 104°F (0 to 40°C) Humidity: Less than 85% (no condensation) |
Z 5 Body Only
NIKKOR Z 24-50mm f/4-6.3
$ 1,149.95 - Sold Out
Nikon SKU: 13552 | Helix SKU: NK13552
The Z 50 Creator's Kit provides you with everything you need to step up your video game in one amazingly convenient bundle. The Z 50 Creator's Kit is built around the small but mighty Nikon Z 50 and compact NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens. A RØDE VideoMicro mic, Joby GorillaPod 3K kit, SmallRig Vlogging Mounting Plate and Charcoal Nikon Travel Kit Bag with hand and shoulder straps will give you all the tools needed to create your next attention grabbing video. You'll love creating your next show stopper!
$ 859.95 $ 759.95 - Sold Out
Nikon SKU: 1634 | Helix SKU: NK1634
Features
Small but mighty, simple but powerful—a Z series camera for creating amazing online stories. Professional looking stills, 4K Ultra HD videos, slow motion, time-lapse and more. Wi-Fi® and Bluetooth enabled, plus in-camera video editing. Beautifully designed with a comfortable grip, flip-down touchscreen LCD, smart button layout, extended Electronic Viewfinder and travel-proof ruggedness.
A bigger mount. What a bright idea.
Z 50 is designed around Nikon’s revolutionary Z mount, the widest lens mount of any comparable camera system. A wider mount means more light, and more light means more of everything good—sharpness, contrast, focusing speed, low light performance and image quality.
It’s your story. Tell it beautifully.
4K Ultra HD and time-lapse, 1080p slow-motion, filters, effects and so much more.
Edit videos on the fly.
Shoot a clip, trim it right in the camera, send it to your phone and post it without missing a beat.1
Life’s more fun in slow motion.
Turn an ordinary moment into an epic 120 FPS slow motion 1080p Full HD video, great for bending time, speed ramping and more.
Little but fierce.
Slim, sleek, rugged design for every adventure.
The power of Z, only smaller.
Z 50 delivers the award-winning performance of Z series in the smallest interchangeable lens DX-format camera ever.2
Have camera, will travel.
Z 50’s strong, durable magnesium alloy construction makes it tough enough to take just about anywhere without fear. No need to baby this baby.
Works with your smartphone.
Built-in Wi-Fi® and Bluetooth make sharing a snap. Install Nikon’s SnapBridge app, and your Apple® or Android™-powered phone becomes a powerful accessory for Z 50. Easily transfer photos and videos from the camera to your phone, and even use your phone as a remote monitor to see what Z 50 sees, adjust camera settings, take pictures and record video.
Shines in low light.
With a 20.9MP DX CMOS sensor, a robust EXPEED 6 engine and the light-gathering advantages of the wider Z mount, photos and videos shot in low light look clean and professional.
See for your selfie.
Flip down the LCD screen to activate Self Portrait Mode—perfect for taking selfies and for vlogging.
Eye catching in so many ways.
When shooting photos, Z 50’s outstanding autofocus system can lock onto your subject’s eye and keep focus there, even when they’re in motion, for beautifully focused portraits.
Creative filters and effects.
Get creative with unique mood-setting filters and effects. Z 50 includes 20 high quality Creative Picture Controls and 10 Special Effects, all of which can be previewed in real-time and applied to both photos and videos.
Silence is golden.
When you need to be a fly on the wall—capturing intimate moments, candid portraits, wildlife, music and more—turn on Silent Photography Mode and shoot in complete silence.
Chic ergonomic.
Comfortable Viewing
Smart Controls
Extreme attention was paid to the placement of each button and dial for comfortable, efficient handling.
High-End Feel
You can feel the quality. Well balanced, deep grip, magnesium alloy construction...sturdy in every way.
Oh, what a viewfinder.
Feast your eyes on Z 50’s stunning high-resolution Electronic Viewfinder (EVF). It activates when you bring the camera to your eye, and it shows you exactly how your photos and videos will look—preview Creative Picture Modes, filters, effects and camera settings in real time.
A touch of genius.
Swipe through photos and videos, touch to focus, navigate camera menus as easily as using a smartphone with Z 50’s large high-resolution touchscreen.
Z mount. One size fits all.
Your lens collection can grow with your creative aspirations. Z 50 works with all the cutting-edge NIKKOR Z lenses and approx. 360 compatible DSLR lenses (with the optional Mount Adapter FTZ).
This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.
Using the SnapBridge App
System Requirements
Android 5.0 or later, 6.0.1 or later, 7.0 or later, 8.0 or later, 9.0
iOS 9.3, iOS 10.3, iOS 11, iOS 11.4, iOS 12.4
A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
Updating to Version 2.6
Images downloaded to the smart device with version 1.x will no longer be displayed in the Gallery after you upgrade to version 2, but can be viewed in the “Photos” app provided with the smart device.
Make sure your camera's firmware is updated to the current.
Compatible cameras:
D500, D7500, D5600, D3500, D3400, D850
Z 50, Z 7, Z 6
COOLPIX W150, A1000, A900, A300, B700, B600, B500, P1000, W100, W300
KeyMission 80
Compatible devices are those capable of acquiring location information and those that support BLE (iPhone® 5S and later, iPad® 5th Generation and later, iPod touch® 5th Generation and later, iPhone X or later).
For compatibility and to download the application, please visit:
Apple, the Apple logo, iPhone, iPad and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. App Store is a service mark of Apple Inc.
Android and Google Play are trademarks of Google Inc.
Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance.
All Nikon trademarks are trademarks of Nikon Corporation.
The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation and its Affiliates is under license.
1Requires the free SnapBridge app downloaded onto a compatible Apple® or Android™-powered smart device.
2As of 10/10/19.
LCD, Video and Photo Gallery images are for illustrative purposes only.
Z 50 Body Only
$ 999.95 $ 899.95 - Sold Out
Nikon SKU: 1633 | Helix SKU: NK1633
Features
Small but mighty, simple but powerful—a Z series camera for creating amazing online stories. Professional looking stills, 4K Ultra HD videos, slow motion, time-lapse and more. Wi-Fi® and Bluetooth enabled, plus in-camera video editing. Beautifully designed with a comfortable grip, flip-down touchscreen LCD, smart button layout, extended Electronic Viewfinder and travel-proof ruggedness.
A bigger mount. What a bright idea.
Z 50 is designed around Nikon’s revolutionary Z mount, the widest lens mount of any comparable camera system. A wider mount means more light, and more light means more of everything good—sharpness, contrast, focusing speed, low light performance and image quality.
It’s your story. Tell it beautifully.
4K Ultra HD and time-lapse, 1080p slow-motion, filters, effects and so much more.
Edit videos on the fly.
Shoot a clip, trim it right in the camera, send it to your phone and post it without missing a beat.1
Life’s more fun in slow motion.
Turn an ordinary moment into an epic 120 FPS slow motion 1080p Full HD video, great for bending time, speed ramping and more.
Little but fierce.
Slim, sleek, rugged design for every adventure.
The power of Z, only smaller.
Z 50 delivers the award-winning performance of Z series in the smallest interchangeable lens DX-format camera ever.2
Have camera, will travel.
Z 50’s strong, durable magnesium alloy construction makes it tough enough to take just about anywhere without fear. No need to baby this baby.
Works with your smartphone.
Built-in Wi-Fi® and Bluetooth make sharing a snap. Install Nikon’s SnapBridge app, and your Apple® or Android™-powered phone becomes a powerful accessory for Z 50. Easily transfer photos and videos from the camera to your phone, and even use your phone as a remote monitor to see what Z 50 sees, adjust camera settings, take pictures and record video.
Shines in low light.
With a 20.9MP DX CMOS sensor, a robust EXPEED 6 engine and the light-gathering advantages of the wider Z mount, photos and videos shot in low light look clean and professional.
See for your selfie.
Flip down the LCD screen to activate Self Portrait Mode—perfect for taking selfies and for vlogging.
Eye catching in so many ways.
When shooting photos, Z 50’s outstanding autofocus system can lock onto your subject’s eye and keep focus there, even when they’re in motion, for beautifully focused portraits.
Creative filters and effects.
Get creative with unique mood-setting filters and effects. Z 50 includes 20 high quality Creative Picture Controls and 10 Special Effects, all of which can be previewed in real-time and applied to both photos and videos.
Silence is golden.
When you need to be a fly on the wall—capturing intimate moments, candid portraits, wildlife, music and more—turn on Silent Photography Mode and shoot in complete silence.
Chic ergonomic.
Comfortable Viewing
Smart Controls
Extreme attention was paid to the placement of each button and dial for comfortable, efficient handling.
High-End Feel
You can feel the quality. Well balanced, deep grip, magnesium alloy construction...sturdy in every way.
Oh, what a viewfinder.
Feast your eyes on Z 50’s stunning high-resolution Electronic Viewfinder (EVF). It activates when you bring the camera to your eye, and it shows you exactly how your photos and videos will look—preview Creative Picture Modes, filters, effects and camera settings in real time.
A touch of genius.
Swipe through photos and videos, touch to focus, navigate camera menus as easily as using a smartphone with Z 50’s large high-resolution touchscreen.
Z mount. One size fits all.
Your lens collection can grow with your creative aspirations. Z 50 works with all the cutting-edge NIKKOR Z lenses and approx. 360 compatible DSLR lenses (with the optional Mount Adapter FTZ).
This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.
Using the SnapBridge App
System Requirements
Android 5.0 or later, 6.0.1 or later, 7.0 or later, 8.0 or later, 9.0
iOS 9.3, iOS 10.3, iOS 11, iOS 11.4, iOS 12.4
A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
Updating to Version 2.6
Images downloaded to the smart device with version 1.x will no longer be displayed in the Gallery after you upgrade to version 2, but can be viewed in the “Photos” app provided with the smart device.
Make sure your camera's firmware is updated to the current.
Compatible cameras:
D500, D7500, D5600, D3500, D3400, D850
Z 50, Z 7, Z 6
COOLPIX W150, A1000, A900, A300, B700, B600, B500, P1000, W100, W300
KeyMission 80
Compatible devices are those capable of acquiring location information and those that support BLE (iPhone® 5S and later, iPad® 5th Generation and later, iPod touch® 5th Generation and later, iPhone X or later).
For compatibility and to download the application, please visit:
Apple, the Apple logo, iPhone, iPad and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. App Store is a service mark of Apple Inc.
Android and Google Play are trademarks of Google Inc.
Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance.
All Nikon trademarks are trademarks of Nikon Corporation.
The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation and its Affiliates is under license.
1Requires the free SnapBridge app downloaded onto a compatible Apple® or Android™-powered smart device.
2As of 10/10/19.
LCD, Video and Photo Gallery images are for illustrative purposes only.
Z 50 Camera Body
NIKKOR Z DX 16-50mm f/3.5-6.3 VR
$ 1,349.95 $ 1,149.95 - Sold Out
Nikon SKU: 1632 | Helix SKU: NK1632
Features
Small but mighty, simple but powerful—a Z series camera for creating amazing online stories. Professional looking stills, 4K Ultra HD videos, slow motion, time-lapse and more. Wi-Fi® and Bluetooth enabled, plus in-camera video editing. Beautifully designed with a comfortable grip, flip-down touchscreen LCD, smart button layout, extended Electronic Viewfinder and travel-proof ruggedness.
A bigger mount. What a bright idea.
Z 50 is designed around Nikon’s revolutionary Z mount, the widest lens mount of any comparable camera system. A wider mount means more light, and more light means more of everything good—sharpness, contrast, focusing speed, low light performance and image quality.
It’s your story. Tell it beautifully.
4K Ultra HD and time-lapse, 1080p slow-motion, filters, effects and so much more.
Edit videos on the fly.
Shoot a clip, trim it right in the camera, send it to your phone and post it without missing a beat.1
Life’s more fun in slow motion.
Turn an ordinary moment into an epic 120 FPS slow motion 1080p Full HD video, great for bending time, speed ramping and more.
Little but fierce.
Slim, sleek, rugged design for every adventure.
The power of Z, only smaller.
Z 50 delivers the award-winning performance of Z series in the smallest interchangeable lens DX-format camera ever.2
Have camera, will travel.
Z 50’s strong, durable magnesium alloy construction makes it tough enough to take just about anywhere without fear. No need to baby this baby.
Works with your smartphone.
Built-in Wi-Fi® and Bluetooth make sharing a snap. Install Nikon’s SnapBridge app, and your Apple® or Android™-powered phone becomes a powerful accessory for Z 50. Easily transfer photos and videos from the camera to your phone, and even use your phone as a remote monitor to see what Z 50 sees, adjust camera settings, take pictures and record video.
Shines in low light.
With a 20.9MP DX CMOS sensor, a robust EXPEED 6 engine and the light-gathering advantages of the wider Z mount, photos and videos shot in low light look clean and professional.
See for your selfie.
Flip down the LCD screen to activate Self Portrait Mode—perfect for taking selfies and for vlogging.
Eye catching in so many ways.
When shooting photos, Z 50’s outstanding autofocus system can lock onto your subject’s eye and keep focus there, even when they’re in motion, for beautifully focused portraits.
Creative filters and effects.
Get creative with unique mood-setting filters and effects. Z 50 includes 20 high quality Creative Picture Controls and 10 Special Effects, all of which can be previewed in real-time and applied to both photos and videos.
Silence is golden.
When you need to be a fly on the wall—capturing intimate moments, candid portraits, wildlife, music and more—turn on Silent Photography Mode and shoot in complete silence.
Chic ergonomic.
Comfortable Viewing
Smart Controls
Extreme attention was paid to the placement of each button and dial for comfortable, efficient handling.
High-End Feel
You can feel the quality. Well balanced, deep grip, magnesium alloy construction...sturdy in every way.
Oh, what a viewfinder.
Feast your eyes on Z 50’s stunning high-resolution Electronic Viewfinder (EVF). It activates when you bring the camera to your eye, and it shows you exactly how your photos and videos will look—preview Creative Picture Modes, filters, effects and camera settings in real time.
A touch of genius.
Swipe through photos and videos, touch to focus, navigate camera menus as easily as using a smartphone with Z 50’s large high-resolution touchscreen.
Z mount. One size fits all.
Your lens collection can grow with your creative aspirations. Z 50 works with all the cutting-edge NIKKOR Z lenses and approx. 360 compatible DSLR lenses (with the optional Mount Adapter FTZ).
This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.
Using the SnapBridge App
System Requirements
Android 5.0 or later, 6.0.1 or later, 7.0 or later, 8.0 or later, 9.0
iOS 9.3, iOS 10.3, iOS 11, iOS 11.4, iOS 12.4
A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
Updating to Version 2.6
Images downloaded to the smart device with version 1.x will no longer be displayed in the Gallery after you upgrade to version 2, but can be viewed in the “Photos” app provided with the smart device.
Make sure your camera's firmware is updated to the current.
Compatible cameras:
D500, D7500, D5600, D3500, D3400, D850
Z 50, Z 7, Z 6
COOLPIX W150, A1000, A900, A300, B700, B600, B500, P1000, W100, W300
KeyMission 80
Compatible devices are those capable of acquiring location information and those that support BLE (iPhone® 5S and later, iPad® 5th Generation and later, iPod touch® 5th Generation and later, iPhone X or later).
For compatibility and to download the application, please visit:
Apple, the Apple logo, iPhone, iPad and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. App Store is a service mark of Apple Inc.
Android and Google Play are trademarks of Google Inc.
Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance.
All Nikon trademarks are trademarks of Nikon Corporation.
The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation and its Affiliates is under license.
1Requires the free SnapBridge app downloaded onto a compatible Apple® or Android™-powered smart device.
2As of 10/10/19.
LCD, Video and Photo Gallery images are for illustrative purposes only.
Z 50 Camera Body
NIKKOR Z DX 16-50mm f/3.5-6.3 VR
NIKKOR Z DX 50-250mm f/4.5-6.3 VR
$ 1,999.95 $ 1,499.95 - Sold Out
Nikon SKU: 1659 | Helix SKU: NK1659
Features
Do it all with this versatile full frame mirrorless hybrid that excels in speed, image quality and video performance. Everything a hybrid still and video mirrorless camera is meant to be. High-speed shooting with the buffer capacity to match. 4K Ultra HD video at 60p. 273-point Hybrid AF system with more options. Outstanding low-light capabilities. Dual processors. Dual card slots. Wireless connectivity with smartphones and laptops. Tons of creative features and that’s just the beginning.
This is what a hybrid still and video mirrorless camera is meant to be. 24.5MP BSI sensor and high-speed shooting with the buffer capacity to match. 4K Ultra HD video at 60p*. Outstanding low-light capabilities. Next-generation autofocus. The power of dual processors. Two card slots. Tons of creative features. Flexible power options. Compatibility with a vertical battery grip. Wireless connectivity with smartphones and laptops and so much more.
*8-Bit and DX-crop mode only
More of Everything
The Z 6II builds on the extreme versatility of the Z mirrorless platform with more autofocus options, more video capabilities, more low light performance, more buffer, more frames per second…more of everything you want in a hybrid still and video camera.
Dual processors.
For the first time in a Nikon camera, the Z 6II is powered by not one, but two EXPEED 6 processing engines. They work together for faster image processing, more buffer capacity and more overall speed.
Dual card slots.
Now you have options. One slot accepts CFExpress (Type B) and XQD cards. The other slot accepts standard SD cards. Use the format you prefer. Or use both slots and separate video and still files or RAW and JPEG, create a backup or maximize your onboard storage.
High-speed shooting.
Experience 14 FPS* continuous shooting at full resolution—RAW or JPG—with a buffer 3.5X larger than the previous generation and minimal EVF blackout between shots.
*When shooting in Continuous H (extended) and Single-point AF mode.
4K Ultra HD at 60p.
Record incredibly detailed 4K Ultra HD footage with full-pixel readout. Capture in your choice of frame rates including ultra smooth 60p* with an upcoming firmware upgrade.**
*8-Bit and DX-crop mode only
**Z 6II firmware upgrade scheduled for free download February 2021
Go vertical.
Introducing the MB-N11, the pro-level grip for the Z 6II. Shoot vertically with comfortable controls—shutter release, command dials, Fn button and more—and get up to a 1.9x increase in battery performance*.
*1.9x is achieved when two EN-EL15c batteries are used to power the MB-N11, versus using the EN-EL15c battery in the camera alone.
More autofocus power.
Optimized for stills, high-speed sequences and video work, the Z 6II’s 273-point Hybrid AF system brings performance improvements, new options for Eye-Detection AF and easier selecting of AF modes.
See in the dark.
With a big leap forward in low-light autofocus performance, the Z 6II can find your subject in half the available light as its predecessor*. Keep shooting into the evening with the same fast, accurate AF performance.
*AF detection range starts at -4.5 EV
Edge-to-edge coverage.
The AF system’s 90% frame coverage lets you compose the way you want, from the start. Either manually choose one of 273 focus points across the frame, or let subject tracking automatically select the focus points based on where your subject is within the frame—even at the far edges.
Eye-Detection. Better than ever.
Nikon’s intelligent Eye-Detection AF quickly identifies and locks onto eyes—either humans, dogs or cats—for properly focused portraits. The Z 6II builds on the system with accuracy enhancements and more flexibility.
Right on target.
Now you can use Wide-Area (L) Mode to set boundaries for eye detection. Select an area of the frame, and the Z 6II will only look for eyes there—great for busy scenes, group shots and pet portraits.
Capture the eyes. On Video.
All of these features of Eye-Detection AF are also available during video recording. Easily track moving subjects and keep footage looking sharp and professional on the eyes.
Video star.
The Z 6II builds on the Z 6’s formidable video capabilities and might just be Nikon’s most versatile video camera yet. All the benefits of the Z mirrorless system plus 4K Ultra HD at 60p*, Full HD at 120p, 4K time-lapse and so much more.
*DX-crop mode only. Z 6II firmware upgrade scheduled for free download February 2021.
Keep it simple. Or go big.
When keeping it simple, record your 4K footage in-camera on a CFexpress, XQD or SD card. Step things up by attaching an external recorder (sold separately) to capture 10-bit N-Log or HDR (HLG) footage. Or go all the way with a paid firmware upgrade and compatible external recorder* and output 12-bit ProRes RAW or Blackmagic RAW format** via HDMI.
*Such as Atomos Ninja (ProRes RAW) or Blackmagic Design’s Video Assist 12G HDR recorder (Blackmagic RAW).
**Black Magic RAW support via a paid firmware upgrade available February 2021.
Slow it way down.
Slow down time and capture every detail of movement with 120p Full HD footage that can be played back at 30p, 25p or 24p. Add silky smooth slow motion sequences to your videos to add emphasis and drama or highlight movement.
The stability you need.
Powerful 5-axis VR image stabilization keeps your photos sharp and your videos steady—up to five stops in up to five directions* (yaw, pitch, roll, X and Y). Handheld shooting made easy.
*When using NIKKOR Z lenses; based on CIPA Standards. This value is achieved when the NIKKOR Z 24-70mm f/4 S lens is attached, with zoom set at the maximum telephoto position.
Reverse focus rotation.
If you’ve been using non-Nikon lenses for video work, the Z 6II lets you reverse the focus ring rotation on NIKKOR Z lenses. Your muscle memory will thank you.
Multiple Exposure
Combine up to 10 exposures into one visionary composition. Compose and blend—right in the viewfinder—while shooting, or go back later and combine shots with in-camera Retouch features.
900-second Exposures
Paint with light. Track the paths of stars. Capture movement like never before with long exposures up to 900-seconds. Use your smartphone to trigger the shutter to avoid camera vibrations.
Focus Shift Shooting
The Z 6II will take a series of up to 300 photos, each with an incrementally adjusted focus position. Use third-party software to combine (focus stack) the photos into a single image with surreal depth of field and sharpness.
Time-Lapse
Making time-lapse sequences is as easy as setting up the camera and hitting record. The Z 6II will create a 4K time-lapse movie and save all the full resolution stills (when used with interval timer shooting).
Tweak. Shoot. Create.
Add another element of uniqueness and artistry to your photos and videos with 20 Creative Picture Controls, all visible in real time while you shoot, either through the viewfinder or on the tilting touchscreen display.
Go remote.
When you can’t be behind the lens, pull out your compatible smartphone and use it to control the Z 6II. See what the camera sees, change settings like aperture, shutter speed and white balance, then remotely fire the shutter or start and stop recording.
Any file. Any format.
Transfer full resolution RAW images, JPGs and even 4K video files right to your phone, wirelessly. Then use your favorite apps for editing, adding filters and sharing.
Upgrade on the go.
Update the Z 6II’s firmware with the SnapBridge app from almost anywhere. Keeping your camera up to date with the latest features has never been easier or more convenient.
Direct connect. PC or Mac.
The Z 6II’s connectivity doesn’t stop with the smartphone. Transfer your shots directly to a PC or Mac over Wi-Fi®*—no card readers or USB cables needed to download your photos and videos.
*Requires free Wireless Transmitter Utility software.
Live stream like a pro.
Stream the sharpest, clearest, most flattering footage from the Z 6II with Nikon’s free Webcam Utility. When using a single USB-C connection, your computer will actually power the Z 6II while capturing video. Stream for as long as you need without any extra cables, power adapters or third-party hardware.
One cable does it all.
With one universal USB Type C cable (sold separately), you can provide constant power to the Z 6II, charge your battery, stream footage and transfer photos and videos. When shooting time-lapses away from a power source, get extra shoot time with a portable power bank like the Anker1 Powercore+ 26800 mAh Portable Charger.
Get The Nikon Experience.
Every new generation of Nikon cameras brings improved handling, more intuitive operation and time-saving workflow enhancements. Yet, every generation also retains that unmistakable superior Nikon feel.
That just-right feel.
Like all Nikon cameras, the Z 6II handles like a dream. A deep grip design. Balanced weight. Sturdy build with smart button placement. Even the EVF is thoughtfully extended to prevent your nose from pressing up against the back of the camera.
Tough. As expected.
The Z 6II is ready for what’s next. Its skeleton is forged from Magnesium Alloy for an optimal balance of strength and lightness. Its exterior is fully weather sealed to keep dust, grime and moisture out. Don’t baby this baby.
More clarity. Less blackout.
Experience the best view through the Z 6II’s advanced viewfinder with minimal blackout between shots during high speed shooting (Continuous H). Nikon optics magnify the 3.6M-dot Quad-VGA EVF, and what you see is how your shot will look. Exposure, ISO, white balance, Picture Control and creative filters are all applied in real-time. You can customize what information gets shown in the viewfinder—or hide it all for a pure view.
Make it yours.
Prefer back button focus? Often switch between Picture Controls? Need a quick way to select focus area? No problem. Add your favorite functions to the i-Menu then access them from the LCD or EVF. Customize Fn buttons or reassign buttons you don’t typically use to activate your go-to modes, menus or settings. Navigating the camera’s intuitive, clean user interface is a breeze.
Help. Right at your fingertips.
Not sure what a setting does? Just tap the (?) button and a brief explanation will pop up in the viewfinder or on the LCD. It’s like having a quick reference guide built into your camera.
Made for Z-Mount lenses.
Breakthroughs of the Z Mount, the largest full frame lens mount of any system, have given way to some of the most advanced, optically pristine lenses ever—NIKKOR Z. The Z 6II is compatible with them all, each one delivering a new perspective and drawing peak performance from the camera.
Plays nice with F-Mount lenses.
Attach the optional Mount Adapter FTZ and extend full compatibility to over 90* F-Mount NIKKOR lenses: full frame fisheye lenses, macro lenses, fast primes, super telephoto zooms and everything in between.
*Approximately 360 classic F-Mount NIKKOR lenses can be used with varying compatibility.
Specifications
Type
| Type | Digital camera with support for interchangeable lenses |
| Lens Mount | Nikon Z mount |
Image Sensor
| Effective Pixels (Megapixels) | 24.5 million |
| Sensor Size | 35.9mm x 23.9mm |
| Image Sensor Format | FX |
| Image Sensor Type | CMOS |
| Total Pixels | 25.28 million |
| Dust-Reduction System | Image Dust Off reference data (requires Capture NX-D); image sensor cleaning |
| Image Area (pixels) |
FX-format
(L) 6,048 x 4,024 (M) 4,528 x 3,016
(S) 3,024 x 2,016
DX-format
(L) 3,936 x 2,624 (M) 2,944 x 1,968 (S) 1,968 x 1,312
1:1 (24 x 24)
(L) 4,016 x 4,016 (M) 3,008 x 3,008
(S) 2,000 x 2,000
16:9 (24 x 24)
(L) 6,048 x 3,400 (M) 4,528 x 2,544
(S) 3,024 x 1,696
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160 Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080 |
File System
| File Format Still Images | NEF (RAW): 12 or 14 bit (lossless compressed, compressed, or uncompressed); large, medium, and small available (medium and small images are recorded at a bit depth of 12 bits using lossless compression) TIFF (RGB) JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression; optimal quality compression available NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Storage Media | SD (Secure Digital) and UHS-II compliant SDHC and SDXC memory cards CFexpress (Type B) XQD Type Memory |
| File System | DCF 2.0 Exif 2.31 |
Viewfinder
| Viewfinder | 1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED with color balance and auto and 11-level manual brightness controls |
| Viewfinder Frame Coverage | Approx. 100% horizontal 100% vertical |
| Viewfinder Magnification | Approx. 0.8x (50 mm lens at infinity, -1.0 m -1) |
| Viewfinder Eyepoint | 21 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) |
| Viewfinder Diopter Adjustment | -4 to +2 m−1 |
| Eye Sensor | Automatically switches between monitor and viewfinder displays |
Shutter
| Shutter Type | Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | 1/8000 to 30 sec. (choose from step sizes of 1/3 and 1/2 EV, extendable to 900 sec. in mode M), bulb, time, X200 |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
| Top Continuous Shooting Speed at Full Resolution | 14 frames per second |
Exposure
| Exposure Metering System | TTL metering using camera image sensor |
| Metering Range | Highlight-weighted metering: -4 to +17 EV (ISO 100, f/2.0 lens, 20 °C/68 °F) |
| Exposure Compensation | -5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control | Auto Flat Landscape Monochrome Neutral Portrait Standard Vivid Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) Selected Picture Control can be modified Storage for custom Picture Controls |
Sensitivity
| ISO Sensitivity | ISO 100 - 51,200 in steps of 1/3 or 1/2 EV Can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1 or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control available |
| Active D-Lighting | Can be selected from: Auto Extra High High Normal Low Off |
| Active D-Lighting Bracketing | Yes |
Focus/Autofocus
| Autofocus System | Hybrid phase-detection/contrast AF with AF assist |
| Detection Range | -4.5 to +19 EV (-6 to +19 EV with low-light AF) Detection range (ISO 100, f/2.0 lens, 20 °C/68 °F) |
| Lens Servo | Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); full-time AF (AF-F; available only in movie mode); predictive focus tracking Manual focus (M): Electronic rangefinder can be used |
| Focus Point | 273 (single-point AF) |
| AF-Area Mode |
Pinpoint
Single-Point Dynamic-area AF Wide-area AF (S) Wide-area AF (L) Wide-area AF (L-people) Wide-area AF (L-animals) Auto-area AF Auto-area AF (people) Auto-area AF (animals) |
| Focus Lock | Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing center of sub-selector |
| Vibration Reduction | 5-axis image sensor shift |
Flash
| Flash Control | TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering |
| Flash Sync Modes | Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow rear-curtain sync Slow sync Off |
| Flash Compensation | -3 to +1 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Flash-ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control |
White Balance
| White Balance | Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (7 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all with fine-tuning Shade |
| White Balance Bracketing | Yes |
Movie
| Movie Metering | TTL exposure metering using main image sensor |
| Movie Maximum Recording Time | 29 minutes 59 seconds |
| Movie File Format | MOV MP4 |
| Movie Audio Recording Format | Linear PCM AAC |
| Movie | 4K UHD 3,840x2,160 / 30 fps 4K UHD 3,840x2,160 / 25 fps 4K UHD 3,840x2,160 / 24 fps Full HD 1,920x1,080 / 120 fps Full HD 1,920x1,080 / 100 fps Full HD 1,920x1,080 / 60 fps Full HD 1,920x1,080 / 50 fps Full HD 1,920x1,080 / 30 fps Full HD 1,920x1,080 / 25 fps Full HD 1,920x1,080 / 24 fps Full HD 1,920x1,080 slow-mo / 30 fps x4 Full HD 1,920x1,080 slow-mo / 25 fps x4 Full HD 1,920x1,080 slow-mo / 24 fps x5 Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection available at all sizes except 3,840 x 2,160, 1,920 x 1,080 120p/100p, and 1,920 x 1,080 slow-motion, when quality is fixed at m |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO | Auto ISO sensitivity control (ISO 100 to 51,200) M: Manual selection (ISO 100 to 51,200; choose from step sizes of 1/3 and 1/2 EV); with additional options available equivalent to approximately 0.3, 0.5, 0.7, 1, or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control (ISO 100 to Hi 2.0) available with selectable upper limit P, S, A: Auto ISO sensitivity control (ISO 100 to Hi 2) with selectable upper limit |
| Movie Active D-Lighting | Can be selected from: Auto Extra High High Normal Low Off |
| Time Code | Yes Drop frame |
| Movie Log Gamma Output | Logarithmic (N-Log) and HDR (HLG) movie output with View Assist (HDMI output only) |
| Movie e-VR | Yes |
| Movie HDMI Output | Yes, up to 12 bit Start/Stop supported |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Up to 4K UHD; Silent mode option |
| AF for Movie | AF Speed and AF Tracking Sensitivity can be adjusted |
Monitor
| Monitor Size | 3.2 in. diagonal |
| Monitor Type | Tilting TFT Touch-Sensitive LCD |
Playback
| Playback Functions | Auto Image Rotation Full-frame and Thumbnail (4, 9, or 72 images) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom |
Interface
| Wi-Fi Functionality | Standards: IEEE 802.11b/g/n (Africa, Asia, Bolivia, and Oceania) Standards: IEEE 802.11b/g/n/a/ac (Europe, U.S.A., Canada, Mexico) Standards: IEEE 802.11b/g/n/a (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11; Africa, Asia, Bolivia, and Oceania) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico) Operating frequency: 2412–2462 MHz (channel 11) and 5745–5805 MHz (Georgia) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5320 MHz (other European countries) Maximum output power (EIRP): 2.4 GHz band: 2.9 dBm Maximum output power (EIRP): 5 GHz band: 5.7 dBm (Georgia) Maximum output power (EIRP): 5 GHz band: 8.7 dBm (other countries) Authentication: Open system, WPA2-PSK |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth | Communication protocols: Bluetooth Specification Version 4.2 Operating frequency: Bluetooth: 2402–2480 MHz Bluetooth Low Energy: 2402–2480 MHz Maximum output power (EIRP) Bluetooth: –0.3 dBm Bluetooth Low Energy: –1.8 dBm |
| GPS | Via the SnapBridge app |
Menus
| Supported Languages |
English
French Portuguese (Brazil) Spanish |
Power
| Battery / Batteries | One EN-EL15c rechargeable Li-ion battery EN-EL15b/EN-EL15a/EN-EL15 batteries can also be used. Note, however, that fewer pictures can be taken on a single charge than with the EN-EL15c. The EH-7P charging AC adapter can be used to charge EN-EL15c/EN-EL15b batteries only. |
| Battery Life (shots per charge) |
Photo Mode: Number of Shots Viewfinder only with Energy saving mode enabled: Approx. 400 shots Viewfinder only with Energy saving mode disabled: Approx. 340 shots Monitor only with Energy saving mode enabled: Approx. 450 shots Monitor only with Energy saving mode disabled: Approx. 410 shots Movie Mode: Length of Footage Viewfinder only: Approx. 100 minutes Monitor only: Approx. 100 minutes |
| AC Adapter | EH-7P Charging AC Adapter EH-5d/EH-5c/EH-5b AC Adapter (requires EP-5B power connector, available separately) |
| Battery Charger | MH-25A Battery Charger |
Miscellaneous
| Tripod Socket | 1/4 in. (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth) | 5.3in. (134mm) x 4.0in. (100.5mm) x 2.8in. (69.5mm) |
| Approx. Weight | 21.7oz. (615g) camera body only |
| Operating Environment | Temperature: 32 to 104°F (0 to 40°C) Humidity: Less than 85% (no condensation) |
*For a full list of the technical specifications please refer to the product manual.
Z 6II Body Only
$ 2,599.95 $ 2,099.95 - Sold Out
Nikon SKU: 1663 | Helix SKU: NK1663
Features
Do it all with this versatile full frame mirrorless hybrid that excels in speed, image quality and video performance. Everything a hybrid still and video mirrorless camera is meant to be. High-speed shooting with the buffer capacity to match. 4K Ultra HD video at 60p. 273-point Hybrid AF system with more options. Outstanding low-light capabilities. Dual processors. Dual card slots. Wireless connectivity with smartphones and laptops. Tons of creative features and that’s just the beginning.
This is what a hybrid still and video mirrorless camera is meant to be. 24.5MP BSI sensor and high-speed shooting with the buffer capacity to match. 4K Ultra HD video at 60p*. Outstanding low-light capabilities. Next-generation autofocus. The power of dual processors. Two card slots. Tons of creative features. Flexible power options. Compatibility with a vertical battery grip. Wireless connectivity with smartphones and laptops and so much more.
*8-Bit and DX-crop mode only
More of Everything
The Z 6II builds on the extreme versatility of the Z mirrorless platform with more autofocus options, more video capabilities, more low light performance, more buffer, more frames per second…more of everything you want in a hybrid still and video camera.
Dual processors.
For the first time in a Nikon camera, the Z 6II is powered by not one, but two EXPEED 6 processing engines. They work together for faster image processing, more buffer capacity and more overall speed.
Dual card slots.
Now you have options. One slot accepts CFExpress (Type B) and XQD cards. The other slot accepts standard SD cards. Use the format you prefer. Or use both slots and separate video and still files or RAW and JPEG, create a backup or maximize your onboard storage.
High-speed shooting.
Experience 14 FPS* continuous shooting at full resolution—RAW or JPG—with a buffer 3.5X larger than the previous generation and minimal EVF blackout between shots.
*When shooting in Continuous H (extended) and Single-point AF mode.
4K Ultra HD at 60p.
Record incredibly detailed 4K Ultra HD footage with full-pixel readout. Capture in your choice of frame rates including ultra smooth 60p* with an upcoming firmware upgrade.**
*8-Bit and DX-crop mode only
**Z 6II firmware upgrade scheduled for free download February 2021
Go vertical.
Introducing the MB-N11, the pro-level grip for the Z 6II. Shoot vertically with comfortable controls—shutter release, command dials, Fn button and more—and get up to a 1.9x increase in battery performance*.
*1.9x is achieved when two EN-EL15c batteries are used to power the MB-N11, versus using the EN-EL15c battery in the camera alone.
More autofocus power.
Optimized for stills, high-speed sequences and video work, the Z 6II’s 273-point Hybrid AF system brings performance improvements, new options for Eye-Detection AF and easier selecting of AF modes.
See in the dark.
With a big leap forward in low-light autofocus performance, the Z 6II can find your subject in half the available light as its predecessor*. Keep shooting into the evening with the same fast, accurate AF performance.
*AF detection range starts at -4.5 EV
Edge-to-edge coverage.
The AF system’s 90% frame coverage lets you compose the way you want, from the start. Either manually choose one of 273 focus points across the frame, or let subject tracking automatically select the focus points based on where your subject is within the frame—even at the far edges.
Eye-Detection. Better than ever.
Nikon’s intelligent Eye-Detection AF quickly identifies and locks onto eyes—either humans, dogs or cats—for properly focused portraits. The Z 6II builds on the system with accuracy enhancements and more flexibility.
Right on target.
Now you can use Wide-Area (L) Mode to set boundaries for eye detection. Select an area of the frame, and the Z 6II will only look for eyes there—great for busy scenes, group shots and pet portraits.
Capture the eyes. On Video.
All of these features of Eye-Detection AF are also available during video recording. Easily track moving subjects and keep footage looking sharp and professional on the eyes.
Video star.
The Z 6II builds on the Z 6’s formidable video capabilities and might just be Nikon’s most versatile video camera yet. All the benefits of the Z mirrorless system plus 4K Ultra HD at 60p*, Full HD at 120p, 4K time-lapse and so much more.
*DX-crop mode only. Z 6II firmware upgrade scheduled for free download February 2021.
Keep it simple. Or go big.
When keeping it simple, record your 4K footage in-camera on a CFexpress, XQD or SD card. Step things up by attaching an external recorder (sold separately) to capture 10-bit N-Log or HDR (HLG) footage. Or go all the way with a paid firmware upgrade and compatible external recorder* and output 12-bit ProRes RAW or Blackmagic RAW format** via HDMI.
*Such as Atomos Ninja (ProRes RAW) or Blackmagic Design’s Video Assist 12G HDR recorder (Blackmagic RAW).
**Black Magic RAW support via a paid firmware upgrade available February 2021.
Slow it way down.
Slow down time and capture every detail of movement with 120p Full HD footage that can be played back at 30p, 25p or 24p. Add silky smooth slow motion sequences to your videos to add emphasis and drama or highlight movement.
The stability you need.
Powerful 5-axis VR image stabilization keeps your photos sharp and your videos steady—up to five stops in up to five directions* (yaw, pitch, roll, X and Y). Handheld shooting made easy.
*When using NIKKOR Z lenses; based on CIPA Standards. This value is achieved when the NIKKOR Z 24-70mm f/4 S lens is attached, with zoom set at the maximum telephoto position.
Reverse focus rotation.
If you’ve been using non-Nikon lenses for video work, the Z 6II lets you reverse the focus ring rotation on NIKKOR Z lenses. Your muscle memory will thank you.
Multiple Exposure
Combine up to 10 exposures into one visionary composition. Compose and blend—right in the viewfinder—while shooting, or go back later and combine shots with in-camera Retouch features.
900-second Exposures
Paint with light. Track the paths of stars. Capture movement like never before with long exposures up to 900-seconds. Use your smartphone to trigger the shutter to avoid camera vibrations.
Focus Shift Shooting
The Z 6II will take a series of up to 300 photos, each with an incrementally adjusted focus position. Use third-party software to combine (focus stack) the photos into a single image with surreal depth of field and sharpness.
Time-Lapse
Making time-lapse sequences is as easy as setting up the camera and hitting record. The Z 6II will create a 4K time-lapse movie and save all the full resolution stills (when used with interval timer shooting).
Tweak. Shoot. Create.
Add another element of uniqueness and artistry to your photos and videos with 20 Creative Picture Controls, all visible in real time while you shoot, either through the viewfinder or on the tilting touchscreen display.
Go remote.
When you can’t be behind the lens, pull out your compatible smartphone and use it to control the Z 6II. See what the camera sees, change settings like aperture, shutter speed and white balance, then remotely fire the shutter or start and stop recording.
Any file. Any format.
Transfer full resolution RAW images, JPGs and even 4K video files right to your phone, wirelessly. Then use your favorite apps for editing, adding filters and sharing.
Upgrade on the go.
Update the Z 6II’s firmware with the SnapBridge app from almost anywhere. Keeping your camera up to date with the latest features has never been easier or more convenient.
Direct connect. PC or Mac.
The Z 6II’s connectivity doesn’t stop with the smartphone. Transfer your shots directly to a PC or Mac over Wi-Fi®*—no card readers or USB cables needed to download your photos and videos.
*Requires free Wireless Transmitter Utility software.
Live stream like a pro.
Stream the sharpest, clearest, most flattering footage from the Z 6II with Nikon’s free Webcam Utility. When using a single USB-C connection, your computer will actually power the Z 6II while capturing video. Stream for as long as you need without any extra cables, power adapters or third-party hardware.
One cable does it all.
With one universal USB Type C cable (sold separately), you can provide constant power to the Z 6II, charge your battery, stream footage and transfer photos and videos. When shooting time-lapses away from a power source, get extra shoot time with a portable power bank like the Anker1 Powercore+ 26800 mAh Portable Charger.
Get The Nikon Experience.
Every new generation of Nikon cameras brings improved handling, more intuitive operation and time-saving workflow enhancements. Yet, every generation also retains that unmistakable superior Nikon feel.
That just-right feel.
Like all Nikon cameras, the Z 6II handles like a dream. A deep grip design. Balanced weight. Sturdy build with smart button placement. Even the EVF is thoughtfully extended to prevent your nose from pressing up against the back of the camera.
Tough. As expected.
The Z 6II is ready for what’s next. Its skeleton is forged from Magnesium Alloy for an optimal balance of strength and lightness. Its exterior is fully weather sealed to keep dust, grime and moisture out. Don’t baby this baby.
More clarity. Less blackout.
Experience the best view through the Z 6II’s advanced viewfinder with minimal blackout between shots during high speed shooting (Continuous H). Nikon optics magnify the 3.6M-dot Quad-VGA EVF, and what you see is how your shot will look. Exposure, ISO, white balance, Picture Control and creative filters are all applied in real-time. You can customize what information gets shown in the viewfinder—or hide it all for a pure view.
Make it yours.
Prefer back button focus? Often switch between Picture Controls? Need a quick way to select focus area? No problem. Add your favorite functions to the i-Menu then access them from the LCD or EVF. Customize Fn buttons or reassign buttons you don’t typically use to activate your go-to modes, menus or settings. Navigating the camera’s intuitive, clean user interface is a breeze.
Help. Right at your fingertips.
Not sure what a setting does? Just tap the (?) button and a brief explanation will pop up in the viewfinder or on the LCD. It’s like having a quick reference guide built into your camera.
Made for Z-Mount lenses.
Breakthroughs of the Z Mount, the largest full frame lens mount of any system, have given way to some of the most advanced, optically pristine lenses ever—NIKKOR Z. The Z 6II is compatible with them all, each one delivering a new perspective and drawing peak performance from the camera.
Plays nice with F-Mount lenses.
Attach the optional Mount Adapter FTZ and extend full compatibility to over 90* F-Mount NIKKOR lenses: full frame fisheye lenses, macro lenses, fast primes, super telephoto zooms and everything in between.
*Approximately 360 classic F-Mount NIKKOR lenses can be used with varying compatibility.
Specifications
Type
| Type | Digital camera with support for interchangeable lenses |
| Lens Mount | Nikon Z mount |
Image Sensor
| Effective Pixels (Megapixels) | 24.5 million |
| Sensor Size | 35.9mm x 23.9mm |
| Image Sensor Format | FX |
| Image Sensor Type | CMOS |
| Total Pixels | 25.28 million |
| Dust-Reduction System | Image Dust Off reference data (requires Capture NX-D); image sensor cleaning |
| Image Area (pixels) |
FX-format
(L) 6,048 x 4,024 (M) 4,528 x 3,016
(S) 3,024 x 2,016
DX-format
(L) 3,936 x 2,624 (M) 2,944 x 1,968 (S) 1,968 x 1,312
1:1 (24 x 24)
(L) 4,016 x 4,016 (M) 3,008 x 3,008
(S) 2,000 x 2,000
16:9 (24 x 24)
(L) 6,048 x 3,400 (M) 4,528 x 2,544
(S) 3,024 x 1,696
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160 Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080 |
File System
| File Format Still Images | NEF (RAW): 12 or 14 bit (lossless compressed, compressed, or uncompressed); large, medium, and small available (medium and small images are recorded at a bit depth of 12 bits using lossless compression) TIFF (RGB) JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression; optimal quality compression available NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Storage Media | SD (Secure Digital) and UHS-II compliant SDHC and SDXC memory cards CFexpress (Type B) XQD Type Memory |
| File System | DCF 2.0 Exif 2.31 |
Viewfinder
| Viewfinder | 1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED with color balance and auto and 11-level manual brightness controls |
| Viewfinder Frame Coverage | Approx. 100% horizontal 100% vertical |
| Viewfinder Magnification | Approx. 0.8x (50 mm lens at infinity, -1.0 m -1) |
| Viewfinder Eyepoint | 21 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) |
| Viewfinder Diopter Adjustment | -4 to +2 m−1 |
| Eye Sensor | Automatically switches between monitor and viewfinder displays |
Shutter
| Shutter Type | Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | 1/8000 to 30 sec. (choose from step sizes of 1/3 and 1/2 EV, extendable to 900 sec. in mode M), bulb, time, X200 |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
| Top Continuous Shooting Speed at Full Resolution | 14 frames per second |
Exposure
| Exposure Metering System | TTL metering using camera image sensor |
| Metering Range | Highlight-weighted metering: -4 to +17 EV (ISO 100, f/2.0 lens, 20 °C/68 °F) |
| Exposure Compensation | -5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control | Auto Flat Landscape Monochrome Neutral Portrait Standard Vivid Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) Selected Picture Control can be modified Storage for custom Picture Controls |
Sensitivity
| ISO Sensitivity | ISO 100 - 51,200 in steps of 1/3 or 1/2 EV Can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1 or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control available |
| Active D-Lighting | Can be selected from: Auto Extra High High Normal Low Off |
| Active D-Lighting Bracketing | Yes |
Focus/Autofocus
| Autofocus System | Hybrid phase-detection/contrast AF with AF assist |
| Detection Range | -4.5 to +19 EV (-6 to +19 EV with low-light AF) Detection range (ISO 100, f/2.0 lens, 20 °C/68 °F) |
| Lens Servo | Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); full-time AF (AF-F; available only in movie mode); predictive focus tracking Manual focus (M): Electronic rangefinder can be used |
| Focus Point | 273 (single-point AF) |
| AF-Area Mode |
Pinpoint
Single-Point Dynamic-area AF Wide-area AF (S) Wide-area AF (L) Wide-area AF (L-people) Wide-area AF (L-animals) Auto-area AF Auto-area AF (people) Auto-area AF (animals) |
| Focus Lock | Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing center of sub-selector |
| Vibration Reduction | 5-axis image sensor shift |
Flash
| Flash Control | TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering |
| Flash Sync Modes | Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow rear-curtain sync Slow sync Off |
| Flash Compensation | -3 to +1 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Flash-ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control |
White Balance
| White Balance | Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (7 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all with fine-tuning Shade |
| White Balance Bracketing | Yes |
Movie
| Movie Metering | TTL exposure metering using main image sensor |
| Movie Maximum Recording Time | 29 minutes 59 seconds |
| Movie File Format | MOV MP4 |
| Movie Audio Recording Format | Linear PCM AAC |
| Movie | 4K UHD 3,840x2,160 / 30 fps 4K UHD 3,840x2,160 / 25 fps 4K UHD 3,840x2,160 / 24 fps Full HD 1,920x1,080 / 120 fps Full HD 1,920x1,080 / 100 fps Full HD 1,920x1,080 / 60 fps Full HD 1,920x1,080 / 50 fps Full HD 1,920x1,080 / 30 fps Full HD 1,920x1,080 / 25 fps Full HD 1,920x1,080 / 24 fps Full HD 1,920x1,080 slow-mo / 30 fps x4 Full HD 1,920x1,080 slow-mo / 25 fps x4 Full HD 1,920x1,080 slow-mo / 24 fps x5 Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection available at all sizes except 3,840 x 2,160, 1,920 x 1,080 120p/100p, and 1,920 x 1,080 slow-motion, when quality is fixed at m |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO | Auto ISO sensitivity control (ISO 100 to 51,200) M: Manual selection (ISO 100 to 51,200; choose from step sizes of 1/3 and 1/2 EV); with additional options available equivalent to approximately 0.3, 0.5, 0.7, 1, or 2 EV (ISO 204,800 equivalent) above ISO 51,200; auto ISO sensitivity control (ISO 100 to Hi 2.0) available with selectable upper limit P, S, A: Auto ISO sensitivity control (ISO 100 to Hi 2) with selectable upper limit |
| Movie Active D-Lighting | Can be selected from: Auto Extra High High Normal Low Off |
| Time Code | Yes Drop frame |
| Movie Log Gamma Output | Logarithmic (N-Log) and HDR (HLG) movie output with View Assist (HDMI output only) |
| Movie e-VR | Yes |
| Movie HDMI Output | Yes, up to 12 bit Start/Stop supported |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Up to 4K UHD; Silent mode option |
| AF for Movie | AF Speed and AF Tracking Sensitivity can be adjusted |
Monitor
| Monitor Size | 3.2 in. diagonal |
| Monitor Type | Tilting TFT Touch-Sensitive LCD |
Playback
| Playback Functions | Auto Image Rotation Full-frame and Thumbnail (4, 9, or 72 images) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom |
Interface
| Wi-Fi Functionality | Standards: IEEE 802.11b/g/n (Africa, Asia, Bolivia, and Oceania) Standards: IEEE 802.11b/g/n/a/ac (Europe, U.S.A., Canada, Mexico) Standards: IEEE 802.11b/g/n/a (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11; Africa, Asia, Bolivia, and Oceania) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico) Operating frequency: 2412–2462 MHz (channel 11) and 5745–5805 MHz (Georgia) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5320 MHz (other European countries) Maximum output power (EIRP): 2.4 GHz band: 2.9 dBm Maximum output power (EIRP): 5 GHz band: 5.7 dBm (Georgia) Maximum output power (EIRP): 5 GHz band: 8.7 dBm (other countries) Authentication: Open system, WPA2-PSK |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth | Communication protocols: Bluetooth Specification Version 4.2 Operating frequency: Bluetooth: 2402–2480 MHz Bluetooth Low Energy: 2402–2480 MHz Maximum output power (EIRP) Bluetooth: –0.3 dBm Bluetooth Low Energy: –1.8 dBm |
| GPS | Via the SnapBridge app |
Menus
| Supported Languages |
English
French Portuguese (Brazil) Spanish |
Power
| Battery / Batteries | One EN-EL15c rechargeable Li-ion battery EN-EL15b/EN-EL15a/EN-EL15 batteries can also be used. Note, however, that fewer pictures can be taken on a single charge than with the EN-EL15c. The EH-7P charging AC adapter can be used to charge EN-EL15c/EN-EL15b batteries only. |
| Battery Life (shots per charge) |
Photo Mode: Number of Shots Viewfinder only with Energy saving mode enabled: Approx. 400 shots Viewfinder only with Energy saving mode disabled: Approx. 340 shots Monitor only with Energy saving mode enabled: Approx. 450 shots Monitor only with Energy saving mode disabled: Approx. 410 shots Movie Mode: Length of Footage Viewfinder only: Approx. 100 minutes Monitor only: Approx. 100 minutes |
| AC Adapter | EH-7P Charging AC Adapter EH-5d/EH-5c/EH-5b AC Adapter (requires EP-5B power connector, available separately) |
| Battery Charger | MH-25A Battery Charger |
Miscellaneous
| Tripod Socket | 1/4 in. (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth) | 5.3in. (134mm) x 4.0in. (100.5mm) x 2.8in. (69.5mm) |
| Approx. Weight | 21.7oz. (615g) camera body only |
| Operating Environment | Temperature: 32 to 104°F (0 to 40°C) Humidity: Less than 85% (no condensation) |
*For a full list of the technical specifications please refer to the product manual.
Z 6II Body Only
$ 2,999.95 $ 1,999.95 - Sold Out
Nikon SKU: 1653 | Helix SKU: NK1653
Features
The next generation Z series flagship camera. Defined by its ultra-high resolution 45.7 MP sensor and brilliant dynamic range, the Z 7II delivers the ultimate in image quality matched with intelligent workflow enhancements. Dual processors. Dual card slots. 4K Ultra HD video at 60p. 493-point Hybrid AF system with a variety of Eye Detect AF options in still and video are just some of the indispensable features you’ll find in this camera. The Z 7II is the camera of choice when every little detail matters.
This is the full frame mirrorless camera for those who sweat every little detail. There’s the ultra-high resolution of 45.7 megapixels with no optical low-pass filter. The power of dual processors. 4K Ultra HD video at 60p. The next-generation 493-point autofocus system. High-speed shooting with the buffer capacity to match. Two card slots. Tons of creative features. Flexible power options. Compatibility with a vertical battery grip. Wireless connectivity with smartphones and laptops and so much more.
More of Everything
The Z 7II builds upon the professional imaging capabilities of the Z mirrorless platform with more image quality, more dynamic range, more speed, more workflow enhancements…more of everything you want in an ultra-high performance camera.
Dual processors.
For the first time in a Nikon camera, the Z 7II is powered by not one, but two EXPEED 6 processing engines. They work together for faster image processing, more buffer capacity and more overall speed.
Dual card slots.
Now you have options. One slot accepts CFexpress (Type B) and XQD cards. The other slot accepts standard SD cards. Use the format you prefer. Or use both slots and separate RAW and JPEG files, create a backup or maximize your onboard storage.
45.7MP sensor.
The Z 7II uses Nikon’s highest resolution backside illuminated CMOS sensor with no optical low-pass filter. When paired with NIKKOR Z lenses, the result is staggering—some of the cleanest, most detail-rich RAW and JPG images imaginable.
Brilliant dynamic range.
From deep blacks to bright whites and Nikon’s superior color science, the Z 7II exhibits outstanding dynamic range in stills and videos, from ISO 64 to 25,600.
Go vertical.
Introducing the MB-N11, the pro-level grip for the Z 7II. Working professionals will love it for the vertical shooting controls—shutter release, command dials, Fn button and more—while landscape, sports, wedding and nature photographers will love the 1.9x increase in battery performance*.
*1.9x is achieved when two EN-EL15c batteries are used to power the MB-N11, versus using the EN-EL15c battery in the camera alone.
More autofocus power.
The Z 7II builds on Nikon’s flagship 493-point Hybrid AF system with improvements to low light performance, new options for Eye-Detection AF and easier selecting of AF modes.
See in the dark.
With a big leap forward in low-light autofocus performance, the Z 7II can find your subject in half the available light as its predecessor*. Keep shooting into the evening with the same fast, accurate AF performance.
*AF detection range starts at -4.5 EV
Edge-to-edge coverage.
The AF system’s 90% frame coverage lets you compose the way you want, from the start. Either manually choose one of 493 focus points across the frame, or let subject tracking automatically select the focus points based on where your subject is within the frame—even at the far edges.
Eye-Detection. Better than ever.
Nikon’s intelligent Eye-Detection AF quickly identifies and locks onto eyes—either humans, dogs or cats—for properly focused portraits. The Z 7II builds on the system with accuracy enhancements and more flexibility.
Right on target.
Now you can use Wide-Area (L) Mode to set boundaries for eye detection. Select an area of the frame, and the Z 7II will only look for eyes there—great for busy scenes, group shots and pet portraits.
Capture the eyes. On Video.
All of these features of Eye-Detection AF are also available during video recording. Easily track moving subjects and keep footage looking sharp and professional on the eyes.
Multiple Exposure
Combine up to 10 exposures into one visionary composition. Compose and blend—right in the viewfinder—while shooting, or go back later and combine shots with in-camera Retouch features.
900-second Exposures
Paint with light. Track the paths of stars. Capture movement like never before with long exposures up to 900-seconds. Use your smartphone to trigger the shutter to avoid camera vibrations.
Focus Shift Shooting
The Z 7II will take a series of up to 300 photos, each with an incrementally adjusted focus position. Use third-party software to combine (focus stack) the photos into a single image with surreal depth of field and sharpness.
10 FPS RAW with 3.3x buffer capacity*
Catch decisive views of fast action with 10 frames per second continuous shooting—in RAW or JPEG at full resolution with AE/AF tracking.
*Compared to Z 7 with recording of 12-bit Lossless compressed RAW files to a CFexpress card.
Time-Lapse
Making time-lapse sequences is as easy as setting up the camera and hitting record. The Z 7II will create a 4K time-lapse movie and save all the full resolution stills (when used with interval timer shooting).
4K Ultra HD at 60p.
It’s here. Bring the Z 7II’s superb image quality to your video work. For maximum definition and flexibility, record 4K Ultra HD at 60p*, 30p, 25p or 24p. Or create silky smooth slow motion sequences with 120p Full HD.
*8-bit and FX format (93% of sensor UHD coverage) only.
Keep it simple. Or go big.
When you want to keep it simple, record your 4K footage in-camera on a CFexpress, XQD or SD card. Step things up by attaching an external recorder (sold separately) to capture 10-bit N-Log or HDR (HLG) footage. Or go all the way with a paid firmware upgrade and compatible external recorder* and output 12-bit ProRes RAW or Blackmagic RAW format** via HDMI.
*Such as Atomos Ninja (ProRes RAW) or Blackmagic Design’s Video Assist 12G HDR recorder (Blackmagic RAW).
**Black Magic RAW support via a paid firmware upgrade available February 2021.
The stability you need.
Powerful 5-axis VR image stabilization keeps your photos sharp and your videos steady—up to five stops in up to five directions* (yaw, pitch, roll, X and Y). Handheld shooting made easy.
*When using NIKKOR Z lenses; based on CIPA Standards. This value is achieved when the NIKKOR Z 24-70mm f/4 S lens is attached, with zoom set at the maximum telephoto position.
Reverse focus rotation.
If you’ve been using non-Nikon lenses for video work, the Z 7II lets you reverse the focus ring rotation on NIKKOR Z lenses. Your muscle memory will thank you.
Go remote.
When you can’t be behind the lens, pull out your compatible smartphone and use it to control the Z 7II. See what the camera sees, change settings like aperture, shutter speed and white balance, then remotely fire the shutter or start and stop recording.
Any file. Any format.
Transfer full resolution RAW images, JPGs and even 4K video files right to your phone, wirelessly. Then use your favorite apps for editing, adding filters and sharing.
Upgrade on the go.
Update the Z 7II’s firmware with the SnapBridge app from almost anywhere. Keeping your camera up to date with the latest features has never been easier or more convenient.
Direct connect. PC or Mac.
The Z 7II’s connectivity doesn’t stop with the smartphone. Transfer your shots directly to a PC or Mac over Wi-Fi®*—no card readers or USB cables needed to download your photos and videos.
*Requires free Wireless Transmitter Utility software.
Live stream like a pro.
Stream the sharpest, clearest, most flattering footage from the Z 7II with Nikon’s free Webcam Utility. When using a single USB-C connection, your computer will actually power the Z 7II while capturing video. Stream for as long as you need without any extra cables, power adapters or third-party hardware.
One cable does it all.
With one universal USB Type C cable (sold separately), you can provide constant power to the Z 7II, charge your battery, stream footage and transfer photos and videos. When shooting time-lapses away from a power source, get extra shoot time with a portable power bank like the Anker1 Powercore+ 26800 mAh Portable Charger.
Get The Nikon Experience.
Every new generation of Nikon cameras brings improved handling, more intuitive operation and time-saving workflow enhancements. Yet, every generation also retains that unmistakable superior Nikon feel.
That just-right feel.
Like all Nikon cameras, the Z 7II handles like a dream. A deep grip design. Balanced weight. Sturdy build with smart button placement. Even the EVF is thoughtfully extended to prevent your nose from pressing up against the back of the camera.
Tough. As expected.
The Z 7II is ready for what’s next. Its skeleton is forged from Magnesium Alloy for an optimal balance of strength and lightness. Its exterior is fully weather sealed to keep dust, grime and moisture out. Don’t baby this baby.
More clarity. Less blackout.
Experience the best view through the Z 7II’s advanced viewfinder with minimal blackout between shots during high speed shooting (Continuous H). Nikon optics magnify the 3.6M-dot Quad-VGA EVF, and what you see is how your shot will look. Exposure, ISO, white balance, Picture Control and creative filters are all applied in real-time. You can customize what information gets shown in the viewfinder—or hide it all for a pure view.
Make it yours.
Prefer back button focus? Often switch between Picture Controls? Need a quick way to select focus area? No problem. Add your favorite functions to the i-Menu then access them from the LCD or EVF. Customize Fn buttons or reassign buttons you don’t typically use to activate your go-to modes, menus or settings. Navigating the camera’s intuitive, clean user interface is a breeze.
Help. Right at your fingertips.
Not sure what a setting does? Just tap the (?) button and a brief explanation will pop up in the viewfinder or on the LCD. It’s like having a quick reference guide built into your camera.
Made for Z-Mount lenses.
Breakthroughs of the Z Mount, the largest full frame lens mount of any system, have given way to some of the most advanced, optically pristine lenses ever—NIKKOR Z. The Z 7II is compatible with them all, each one delivering a new perspective and drawing peak performance from the camera.
Plays nice with F-Mount lenses.
Attach the optional Mount Adapter FTZ and extend full compatibility to over 90* F-Mount NIKKOR lenses: full frame fisheye lenses, macro lenses, fast primes, super telephoto zooms and everything in between.
*Approximately 360 classic F-Mount NIKKOR lenses can be used with varying compatibility.
Specifications
Type
| Type | Digital Camera with support for interchangeable lenses |
| Lens Mount | Nikon Z Mount |
Image Sensor
| Effective Pixels (Megapixels) | 45.7 million |
| Sensor Size | 35.9mm x 23.9mm |
| Image Sensor Format | FX |
| Image Sensor Type | CMOS |
| Total Pixels | 46.89 million |
| Dust-Reduction System | Image Dust Off reference data (requires Capture NX-D); image sensor cleaning |
| Image Area (pixels) |
FX-format |
| File Format Still Images |
|
| Storage Media |
|
| File System |
|
Viewfinder
| Viewfinder | 1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED with color balance and auto and 11-level manual brightness controls |
| Viewfinder Frame Coverage |
|
| Viewfinder Magnification | Approx. 0.8x (50 mm lens at infinity, -1.0 m -1) |
| Viewfinder Eyepoint | 21 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) |
| Viewfinder Diopter Adjustment | -4 to +2 m−1 |
| Eye Sensor | Automatically switches between monitor and viewfinder displays |
Shutter
| Shutter Type | Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | 1/8000 to 30 sec. (choose from step sizes of 1/3 and 1/2 EV, extendable to 900 sec. in mode M), bulb, time, X200 |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
| Top Continuous Shooting Speed at Full Resolution | 10 frames per second |
Exposure
| Exposure Metering System | TTL metering using camera image sensor |
| Metering Range |
|
| Exposure Compensation | -5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control |
|
Sensitivity
| ISO Sensitivity | ISO 64 - 25,600 in steps of 1/3 or 1/2 EV Can also be set to approx. 0.3, 0.5, 0.7, or 1 EV (ISO 32 equivalent) below ISO 64 or to approx. 0.3, 0.5, 0.7, 1, or 2 EV (ISO 102,400 equivalent) above ISO 25,600; auto ISO sensitivity control available |
| Active D-Lighting | Can be selected from: Auto Extra High High Normal Low Off |
| Active D-Lighting Bracketing | Yes |
Focus/Autofocus
| Autofocus System | Hybrid phase-detection/contrast AF with AF assist |
| Detection Range |
|
| Lens Servo |
|
| Focus Point | 493 (single-point AF) |
| AF-Area Mode |
|
| Focus Lock | Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing center of sub-selector |
| Vibration Reduction | 5-axis image sensor shift |
Flash
| Flash Control | TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering |
| Flash Sync Modes | Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow rear-curtain sync Slow sync Off |
| Flash Compensation | -3 to +1 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Flash-ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control |
White Balance
| White Balance | Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (7 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all with fine-tuning Shade |
| White Balance Bracketing | Yes |
Movie
| Movie Metering | TTL exposure metering using main image sensor |
| Movie Maximum Recording Time | 29 minutes 59 seconds |
| Movie File Format | MOV MP4 |
| Movie Audio Recording Format | Linear PCM AAC |
| Movie | 4K UHD 3,840x2,160 / 60 fps 4K UHD 3,840x2,160 / 50 fps 4K UHD 3,840x2,160 / 30 fps 4K UHD 3,840x2,160 / 25 fps 4K UHD 3,840x2,160 / 24 fps Full HD 1,920x1,080 / 120 fps Full HD 1,920x1,080 / 100 fps Full HD 1,920x1,080 / 60 fps Full HD 1,920x1,080 / 50 fps Full HD 1,920x1,080 / 30 fps Full HD 1,920x1,080 / 25 fps Full HD 1,920x1,080 / 24 fps Full HD 1,920x1,080 slow-mo / 30 fps x4 Full HD 1,920x1,080 slow-mo / 25 fps x4 Full HD 1,920x1,080 slow-mo / 24 fps x5 Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection available at all sizes except 3,840 x 2,160, 1,920 x 1,080 120p/100p, and 1,920 x 1,080 slow-motion, when quality is fixed at m |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO | Auto ISO sensitivity control (ISO 64 to 25,600) M: Manual selection (ISO 64 to 25,600; choose from step sizes of 1/3 and 1/2 EV); with additional options available equivalent to approximately 0.3, 0.5, 0.7, 1, or 2 EV (ISO 102,400 equivalent) above ISO 25,600; auto ISO sensitivity control (ISO 64 to Hi 2.0) available with selectable upper limit P, S, A: Auto ISO sensitivity control (ISO 64 to Hi 2) with selectable upper limit |
| Movie Active D-Lighting | Can be selected from: Auto Extra High High Normal Low Off |
| Time Code | Yes Drop frame |
| Movie Log Gamma Output | Logarithmic (N-Log) and HDR (HLG) movie output with View Assist (HDMI output only) |
| Movie e-VR | Yes |
| Movie HDMI Output | Yes, up to 12 bit Start/Stop supported |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Up to 4K UHD; Silent mode option |
| AF for Movie | AF Speed and AF Tracking Sensitivity can be adjusted |
Monitor
| Monitor Size | 3.2 in. diagonal |
| Monitor Resolution | 2,100,000 dots |
| Monitor Type | Tilting TFT Touch-Sensitive LCD |
Playback
| Playback Functions | Auto Image Rotation Full-frame and Thumbnail (4, 9, or 72 images) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom Playback Zoom Cropping |
Interface
| Wi-Fi Functionality | Standards: IEEE 802.11b/g/n (Africa, Asia, Bolivia, and Oceania) Standards: IEEE 802.11b/g/n/a/ac (Europe, U.S.A., Canada, Mexico) Standards: IEEE 802.11b/g/n/a (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11; Africa, Asia, Bolivia, and Oceania) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico) Operating frequency: 2412–2462 MHz (channel 11) and 5745–5805 MHz (Georgia) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5320 MHz (other European countries) Maximum output power (EIRP): 2.4 GHz band: 2.9 dBm Maximum output power (EIRP): 5 GHz band: 5.7 dBm (Georgia) Maximum output power (EIRP): 5 GHz band: 8.7 dBm (other countries) Authentication: Open system, WPA2-PSK |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth | Communication protocols: Bluetooth Specification Version 4.2 Operating frequency: Bluetooth: 2402–2480 MHz Bluetooth Low Energy: 2402–2480 MHz Maximum output power (EIRP) Bluetooth: –2.6 dBm Bluetooth Low Energy: –4.1 dBm |
| GPS | Via the SnapBridge app |
Menus
| Supported Languages | English French Portuguese (Brazil) Spanish The languages available vary with the country or region in which the camera was originally purchased. |
Power
| Battery / Batteries | One EN-EL15c rechargeable Li-ion battery EN-EL15b/EN-EL15a/EN-EL15 batteries can also be used. Note, however, that fewer pictures can be taken on a single charge than with the EN-EL15c. The EH-7P charging AC adapter can be used to charge EN-EL15c/EN-EL15b batteries only. |
| Battery Life (shots per charge) |
Photo Mode: Number of Shots Viewfinder only with Energy saving mode enabled: Approx. 380 shots Viewfinder only with Energy saving mode disabled: Approx. 360 shots Monitor only with Energy saving mode enabled: Approx. 440 shots Monitor only with Energy saving mode disabled: Approx. 420 shots Movie Mode: Length of Footage Viewfinder only: Approx. 100 minutes Monitor only: Approx. 105 minutes Camera and Imaging Products Association (CIPA) standard. Measured at 23 °C/73.4 °F (±2 °C/3.6 °F) with a NIKKOR Z 24–70mm f/4 S lens and a SONY CEB-G128 memory card under the following test conditions: one photograph taken at default settings once every 30 seconds. Actual battery endurance as measured under conditions specified by CIPA. Measured at 23 °C/73.4 °F (±2 °C/3.6 °F) with a NIKKOR Z 24–70mm f/4 S lens and a SONY CEB-G128 memory card. Measurement performed at default settings. Each shot can be up to 29 minutes 59 seconds in length. If camera temperature rises, recording may end before maximumlength or size is reached. |
| AC Adapter | EH-7P Charging AC Adapter EH-5d/EH-5c/EH-5b AC Adapter (requires EP-5B power connector, available separately) |
| Battery Charger | MH-25A Battery Charger |
Miscellaneous
| Tripod Socket | 1/4 in. (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth) | 5.3in. (134mm) x 4.0in. (100.5mm) x 2.8in. (69.5mm) |
| Approx. Weight | 21.7oz. (615g) camera body only |
| Operating Environment | Temperature: 32 to 104°F (0 to 40°C) Humidity: Less than 85% (no condensation) |
*For a full list of the technical specifications please refer to the product manual.
Z 7II Body Only
$ 3,599.95 $ 2,599.95 - Sold Out
Nikon SKU: 1656 | Helix SKU: NK1656
Features
The next generation Z series flagship camera. Defined by its ultra-high resolution 45.7 MP sensor and brilliant dynamic range, the Z 7II delivers the ultimate in image quality matched with intelligent workflow enhancements. Dual processors. Dual card slots. 4K Ultra HD video at 60p. 493-point Hybrid AF system with a variety of Eye Detect AF options in still and video are just some of the indispensable features you’ll find in this camera. The Z 7II is the camera of choice when every little detail matters.
This is the full frame mirrorless camera for those who sweat every little detail. There’s the ultra-high resolution of 45.7 megapixels with no optical low-pass filter. The power of dual processors. 4K Ultra HD video at 60p. The next-generation 493-point autofocus system. High-speed shooting with the buffer capacity to match. Two card slots. Tons of creative features. Flexible power options. Compatibility with a vertical battery grip. Wireless connectivity with smartphones and laptops and so much more.
More of Everything
The Z 7II builds upon the professional imaging capabilities of the Z mirrorless platform with more image quality, more dynamic range, more speed, more workflow enhancements…more of everything you want in an ultra-high performance camera.
Dual processors.
For the first time in a Nikon camera, the Z 7II is powered by not one, but two EXPEED 6 processing engines. They work together for faster image processing, more buffer capacity and more overall speed.
Dual card slots.
Now you have options. One slot accepts CFexpress (Type B) and XQD cards. The other slot accepts standard SD cards. Use the format you prefer. Or use both slots and separate RAW and JPEG files, create a backup or maximize your onboard storage.
45.7MP sensor.
The Z 7II uses Nikon’s highest resolution backside illuminated CMOS sensor with no optical low-pass filter. When paired with NIKKOR Z lenses, the result is staggering—some of the cleanest, most detail-rich RAW and JPG images imaginable.
Brilliant dynamic range.
From deep blacks to bright whites and Nikon’s superior color science, the Z 7II exhibits outstanding dynamic range in stills and videos, from ISO 64 to 25,600.
Go vertical.
Introducing the MB-N11, the pro-level grip for the Z 7II. Working professionals will love it for the vertical shooting controls—shutter release, command dials, Fn button and more—while landscape, sports, wedding and nature photographers will love the 1.9x increase in battery performance*.
*1.9x is achieved when two EN-EL15c batteries are used to power the MB-N11, versus using the EN-EL15c battery in the camera alone.
More autofocus power.
The Z 7II builds on Nikon’s flagship 493-point Hybrid AF system with improvements to low light performance, new options for Eye-Detection AF and easier selecting of AF modes.
See in the dark.
With a big leap forward in low-light autofocus performance, the Z 7II can find your subject in half the available light as its predecessor*. Keep shooting into the evening with the same fast, accurate AF performance.
*AF detection range starts at -4.5 EV
Edge-to-edge coverage.
The AF system’s 90% frame coverage lets you compose the way you want, from the start. Either manually choose one of 493 focus points across the frame, or let subject tracking automatically select the focus points based on where your subject is within the frame—even at the far edges.
Eye-Detection. Better than ever.
Nikon’s intelligent Eye-Detection AF quickly identifies and locks onto eyes—either humans, dogs or cats—for properly focused portraits. The Z 7II builds on the system with accuracy enhancements and more flexibility.
Right on target.
Now you can use Wide-Area (L) Mode to set boundaries for eye detection. Select an area of the frame, and the Z 7II will only look for eyes there—great for busy scenes, group shots and pet portraits.
Capture the eyes. On Video.
All of these features of Eye-Detection AF are also available during video recording. Easily track moving subjects and keep footage looking sharp and professional on the eyes.
Multiple Exposure
Combine up to 10 exposures into one visionary composition. Compose and blend—right in the viewfinder—while shooting, or go back later and combine shots with in-camera Retouch features.
900-second Exposures
Paint with light. Track the paths of stars. Capture movement like never before with long exposures up to 900-seconds. Use your smartphone to trigger the shutter to avoid camera vibrations.
Focus Shift Shooting
The Z 7II will take a series of up to 300 photos, each with an incrementally adjusted focus position. Use third-party software to combine (focus stack) the photos into a single image with surreal depth of field and sharpness.
10 FPS RAW with 3.3x buffer capacity*
Catch decisive views of fast action with 10 frames per second continuous shooting—in RAW or JPEG at full resolution with AE/AF tracking.
*Compared to Z 7 with recording of 12-bit Lossless compressed RAW files to a CFexpress card.
Time-Lapse
Making time-lapse sequences is as easy as setting up the camera and hitting record. The Z 7II will create a 4K time-lapse movie and save all the full resolution stills (when used with interval timer shooting).
4K Ultra HD at 60p.
It’s here. Bring the Z 7II’s superb image quality to your video work. For maximum definition and flexibility, record 4K Ultra HD at 60p*, 30p, 25p or 24p. Or create silky smooth slow motion sequences with 120p Full HD.
*8-bit and FX format (93% of sensor UHD coverage) only.
Keep it simple. Or go big.
When you want to keep it simple, record your 4K footage in-camera on a CFexpress, XQD or SD card. Step things up by attaching an external recorder (sold separately) to capture 10-bit N-Log or HDR (HLG) footage. Or go all the way with a paid firmware upgrade and compatible external recorder* and output 12-bit ProRes RAW or Blackmagic RAW format** via HDMI.
*Such as Atomos Ninja (ProRes RAW) or Blackmagic Design’s Video Assist 12G HDR recorder (Blackmagic RAW).
**Black Magic RAW support via a paid firmware upgrade available February 2021.
The stability you need.
Powerful 5-axis VR image stabilization keeps your photos sharp and your videos steady—up to five stops in up to five directions* (yaw, pitch, roll, X and Y). Handheld shooting made easy.
*When using NIKKOR Z lenses; based on CIPA Standards. This value is achieved when the NIKKOR Z 24-70mm f/4 S lens is attached, with zoom set at the maximum telephoto position.
Reverse focus rotation.
If you’ve been using non-Nikon lenses for video work, the Z 7II lets you reverse the focus ring rotation on NIKKOR Z lenses. Your muscle memory will thank you.
Go remote.
When you can’t be behind the lens, pull out your compatible smartphone and use it to control the Z 7II. See what the camera sees, change settings like aperture, shutter speed and white balance, then remotely fire the shutter or start and stop recording.
Any file. Any format.
Transfer full resolution RAW images, JPGs and even 4K video files right to your phone, wirelessly. Then use your favorite apps for editing, adding filters and sharing.
Upgrade on the go.
Update the Z 7II’s firmware with the SnapBridge app from almost anywhere. Keeping your camera up to date with the latest features has never been easier or more convenient.
Direct connect. PC or Mac.
The Z 7II’s connectivity doesn’t stop with the smartphone. Transfer your shots directly to a PC or Mac over Wi-Fi®*—no card readers or USB cables needed to download your photos and videos.
*Requires free Wireless Transmitter Utility software.
Live stream like a pro.
Stream the sharpest, clearest, most flattering footage from the Z 7II with Nikon’s free Webcam Utility. When using a single USB-C connection, your computer will actually power the Z 7II while capturing video. Stream for as long as you need without any extra cables, power adapters or third-party hardware.
One cable does it all.
With one universal USB Type C cable (sold separately), you can provide constant power to the Z 7II, charge your battery, stream footage and transfer photos and videos. When shooting time-lapses away from a power source, get extra shoot time with a portable power bank like the Anker1 Powercore+ 26800 mAh Portable Charger.
Get The Nikon Experience.
Every new generation of Nikon cameras brings improved handling, more intuitive operation and time-saving workflow enhancements. Yet, every generation also retains that unmistakable superior Nikon feel.
That just-right feel.
Like all Nikon cameras, the Z 7II handles like a dream. A deep grip design. Balanced weight. Sturdy build with smart button placement. Even the EVF is thoughtfully extended to prevent your nose from pressing up against the back of the camera.
Tough. As expected.
The Z 7II is ready for what’s next. Its skeleton is forged from Magnesium Alloy for an optimal balance of strength and lightness. Its exterior is fully weather sealed to keep dust, grime and moisture out. Don’t baby this baby.
More clarity. Less blackout.
Experience the best view through the Z 7II’s advanced viewfinder with minimal blackout between shots during high speed shooting (Continuous H). Nikon optics magnify the 3.6M-dot Quad-VGA EVF, and what you see is how your shot will look. Exposure, ISO, white balance, Picture Control and creative filters are all applied in real-time. You can customize what information gets shown in the viewfinder—or hide it all for a pure view.
Make it yours.
Prefer back button focus? Often switch between Picture Controls? Need a quick way to select focus area? No problem. Add your favorite functions to the i-Menu then access them from the LCD or EVF. Customize Fn buttons or reassign buttons you don’t typically use to activate your go-to modes, menus or settings. Navigating the camera’s intuitive, clean user interface is a breeze.
Help. Right at your fingertips.
Not sure what a setting does? Just tap the (?) button and a brief explanation will pop up in the viewfinder or on the LCD. It’s like having a quick reference guide built into your camera.
Made for Z-Mount lenses.
Breakthroughs of the Z Mount, the largest full frame lens mount of any system, have given way to some of the most advanced, optically pristine lenses ever—NIKKOR Z. The Z 7II is compatible with them all, each one delivering a new perspective and drawing peak performance from the camera.
Plays nice with F-Mount lenses.
Attach the optional Mount Adapter FTZ and extend full compatibility to over 90* F-Mount NIKKOR lenses: full frame fisheye lenses, macro lenses, fast primes, super telephoto zooms and everything in between.
*Approximately 360 classic F-Mount NIKKOR lenses can be used with varying compatibility.
Specifications
Type
| Type | Digital Camera with support for interchangeable lenses |
| Lens Mount | Nikon Z Mount |
Image Sensor
| Effective Pixels (Megapixels) | 45.7 million |
| Sensor Size | 35.9mm x 23.9mm |
| Image Sensor Format | FX |
| Image Sensor Type | CMOS |
| Total Pixels | 46.89 million |
| Dust-Reduction System | Image Dust Off reference data (requires Capture NX-D); image sensor cleaning |
| Image Area (pixels) |
FX-format |
| File Format Still Images |
|
| Storage Media |
|
| File System |
|
Viewfinder
| Viewfinder | 1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED with color balance and auto and 11-level manual brightness controls |
| Viewfinder Frame Coverage |
|
| Viewfinder Magnification | Approx. 0.8x (50 mm lens at infinity, -1.0 m -1) |
| Viewfinder Eyepoint | 21 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) |
| Viewfinder Diopter Adjustment | -4 to +2 m−1 |
| Eye Sensor | Automatically switches between monitor and viewfinder displays |
Shutter
| Shutter Type | Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | 1/8000 to 30 sec. (choose from step sizes of 1/3 and 1/2 EV, extendable to 900 sec. in mode M), bulb, time, X200 |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
| Top Continuous Shooting Speed at Full Resolution | 10 frames per second |
Exposure
| Exposure Metering System | TTL metering using camera image sensor |
| Metering Range |
|
| Exposure Compensation | -5 to +5 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control |
|
Sensitivity
| ISO Sensitivity | ISO 64 - 25,600 in steps of 1/3 or 1/2 EV Can also be set to approx. 0.3, 0.5, 0.7, or 1 EV (ISO 32 equivalent) below ISO 64 or to approx. 0.3, 0.5, 0.7, 1, or 2 EV (ISO 102,400 equivalent) above ISO 25,600; auto ISO sensitivity control available |
| Active D-Lighting | Can be selected from: Auto Extra High High Normal Low Off |
| Active D-Lighting Bracketing | Yes |
Focus/Autofocus
| Autofocus System | Hybrid phase-detection/contrast AF with AF assist |
| Detection Range |
|
| Lens Servo |
|
| Focus Point | 493 (single-point AF) |
| AF-Area Mode |
|
| Focus Lock | Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing center of sub-selector |
| Vibration Reduction | 5-axis image sensor shift |
Flash
| Flash Control | TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering |
| Flash Sync Modes | Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow rear-curtain sync Slow sync Off |
| Flash Compensation | -3 to +1 EV in increments of 1/3 or 1/2 EV available in modes P, S, A, and M |
| Flash-ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, Auto FP High-Speed Sync, unified flash control |
White Balance
| White Balance | Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (7 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all with fine-tuning Shade |
| White Balance Bracketing | Yes |
Movie
| Movie Metering | TTL exposure metering using main image sensor |
| Movie Maximum Recording Time | 29 minutes 59 seconds |
| Movie File Format | MOV MP4 |
| Movie Audio Recording Format | Linear PCM AAC |
| Movie | 4K UHD 3,840x2,160 / 60 fps 4K UHD 3,840x2,160 / 50 fps 4K UHD 3,840x2,160 / 30 fps 4K UHD 3,840x2,160 / 25 fps 4K UHD 3,840x2,160 / 24 fps Full HD 1,920x1,080 / 120 fps Full HD 1,920x1,080 / 100 fps Full HD 1,920x1,080 / 60 fps Full HD 1,920x1,080 / 50 fps Full HD 1,920x1,080 / 30 fps Full HD 1,920x1,080 / 25 fps Full HD 1,920x1,080 / 24 fps Full HD 1,920x1,080 slow-mo / 30 fps x4 Full HD 1,920x1,080 slow-mo / 25 fps x4 Full HD 1,920x1,080 slow-mo / 24 fps x5 Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection available at all sizes except 3,840 x 2,160, 1,920 x 1,080 120p/100p, and 1,920 x 1,080 slow-motion, when quality is fixed at m |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO | Auto ISO sensitivity control (ISO 64 to 25,600) M: Manual selection (ISO 64 to 25,600; choose from step sizes of 1/3 and 1/2 EV); with additional options available equivalent to approximately 0.3, 0.5, 0.7, 1, or 2 EV (ISO 102,400 equivalent) above ISO 25,600; auto ISO sensitivity control (ISO 64 to Hi 2.0) available with selectable upper limit P, S, A: Auto ISO sensitivity control (ISO 64 to Hi 2) with selectable upper limit |
| Movie Active D-Lighting | Can be selected from: Auto Extra High High Normal Low Off |
| Time Code | Yes Drop frame |
| Movie Log Gamma Output | Logarithmic (N-Log) and HDR (HLG) movie output with View Assist (HDMI output only) |
| Movie e-VR | Yes |
| Movie HDMI Output | Yes, up to 12 bit Start/Stop supported |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Up to 4K UHD; Silent mode option |
| AF for Movie | AF Speed and AF Tracking Sensitivity can be adjusted |
Monitor
| Monitor Size | 3.2 in. diagonal |
| Monitor Resolution | 2,100,000 dots |
| Monitor Type | Tilting TFT Touch-Sensitive LCD |
Playback
| Playback Functions | Auto Image Rotation Full-frame and Thumbnail (4, 9, or 72 images) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom Playback Zoom Cropping |
Interface
| Wi-Fi Functionality | Standards: IEEE 802.11b/g/n (Africa, Asia, Bolivia, and Oceania) Standards: IEEE 802.11b/g/n/a/ac (Europe, U.S.A., Canada, Mexico) Standards: IEEE 802.11b/g/n/a (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11; Africa, Asia, Bolivia, and Oceania) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico) Operating frequency: 2412–2462 MHz (channel 11) and 5745–5805 MHz (Georgia) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5320 MHz (other European countries) Maximum output power (EIRP): 2.4 GHz band: 2.9 dBm Maximum output power (EIRP): 5 GHz band: 5.7 dBm (Georgia) Maximum output power (EIRP): 5 GHz band: 8.7 dBm (other countries) Authentication: Open system, WPA2-PSK |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth | Communication protocols: Bluetooth Specification Version 4.2 Operating frequency: Bluetooth: 2402–2480 MHz Bluetooth Low Energy: 2402–2480 MHz Maximum output power (EIRP) Bluetooth: –2.6 dBm Bluetooth Low Energy: –4.1 dBm |
| GPS | Via the SnapBridge app |
Menus
| Supported Languages | English French Portuguese (Brazil) Spanish The languages available vary with the country or region in which the camera was originally purchased. |
Power
| Battery / Batteries | One EN-EL15c rechargeable Li-ion battery EN-EL15b/EN-EL15a/EN-EL15 batteries can also be used. Note, however, that fewer pictures can be taken on a single charge than with the EN-EL15c. The EH-7P charging AC adapter can be used to charge EN-EL15c/EN-EL15b batteries only. |
| Battery Life (shots per charge) |
Photo Mode: Number of Shots Viewfinder only with Energy saving mode enabled: Approx. 380 shots Viewfinder only with Energy saving mode disabled: Approx. 360 shots Monitor only with Energy saving mode enabled: Approx. 440 shots Monitor only with Energy saving mode disabled: Approx. 420 shots Movie Mode: Length of Footage Viewfinder only: Approx. 100 minutes Monitor only: Approx. 105 minutes Camera and Imaging Products Association (CIPA) standard. Measured at 23 °C/73.4 °F (±2 °C/3.6 °F) with a NIKKOR Z 24–70mm f/4 S lens and a SONY CEB-G128 memory card under the following test conditions: one photograph taken at default settings once every 30 seconds. Actual battery endurance as measured under conditions specified by CIPA. Measured at 23 °C/73.4 °F (±2 °C/3.6 °F) with a NIKKOR Z 24–70mm f/4 S lens and a SONY CEB-G128 memory card. Measurement performed at default settings. Each shot can be up to 29 minutes 59 seconds in length. If camera temperature rises, recording may end before maximumlength or size is reached. |
| AC Adapter | EH-7P Charging AC Adapter EH-5d/EH-5c/EH-5b AC Adapter (requires EP-5B power connector, available separately) |
| Battery Charger | MH-25A Battery Charger |
Miscellaneous
| Tripod Socket | 1/4 in. (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth) | 5.3in. (134mm) x 4.0in. (100.5mm) x 2.8in. (69.5mm) |
| Approx. Weight | 21.7oz. (615g) camera body only |
| Operating Environment | Temperature: 32 to 104°F (0 to 40°C) Humidity: Less than 85% (no condensation) |
*For a full list of the technical specifications please refer to the product manual.
Z 7II Camera Body
NIKKOR Z 24-70mm f/4 S
