$ 265.95
Benro SKU: MP80 | Helix SKU: IDMP80
MP80 Geared Macro Head 80mm Base with Arca Swiss Style Quick Release.
$ 3,699.00 - Sold Out
Canon SKU: 0581C002 | Helix SKU: CA0581C002
The Freedom of High Resolution
Marking a new standard in high-resolution digital SLR photography, the Canon EOS 5DS camera shatters the status quo with a new 50.6 Megapixel, full-frame CMOS sensor. Perfect for commercial and fine art photography, or any other application that calls for extremely high-resolution, the EOS 5DS is the ultimate combination of EOS performance and ultra-high megapixel capture. It features an advanced, 61-point High Density Reticular AF system that includes 41 cross-type AF points and EOS iTR AF for precise AF in numerous situations. An anti-flicker function helps provide consistent exposure and color during continuous shooting, while a built-in bulb timer and intervalometer expands creative opportunities without the need for an additional remote control. A refined mirror control mechanism reduces vibration and Time Release Lag setting minimizes shutter blur for sharp image capture. New features like a crop function of 1.3x and 1.6x and a Custom Quick Control screen are complemented by advanced, multi-featured Full HD Movie capture, with Time Lapse Movie, and much more. With EOS performance and 50.6 Megapixel Capture, the EOS 5DS revolutionizes high-resolution photography!
New 50.6 Megapixel Full-frame CMOS sensor
The EOS 5DS camera features Canon's newest full-frame CMOS sensor: at 50.6 Megapixels, it's the highest resolution sensor in the history of EOS. It captures 8712 x 5813 effective pixels, delivering images with an unprecedented level of realism perfect for large-scale commercial printing, fine art, significant crops and any number of other high-end applications. Thanks to this amazing sensor, engineered to work in concert with dual DIGIC 6 Image Processors, the EOS 5DS is a remarkable, high-resolution camera with impressive performance.
EOS Scene Detection System with RGB+IR Metering Sensor
The EOS 5DS camera has an amazing iSA Intelligent Subject Analysis system that employs an independent RGB light sensor with approximately 150,000-pixel resolution. This sensor enables Canon's Intelligent Tracking and Recognition system (iTR AF) that detects and tracks subjects, automatically switching the AF point to optimize tracking. With new tracking algorithms tailored to recognize faces and colors, this system serves as a brilliant foundation to the EOS 5DS's AF system.
61-point High Density Reticular AF
For fast, precise AF with sophisticated tracking performance, the EOS 5DS camera has an advanced, 61-point High Density Reticular AF system with 41 cross-type AF points. The EOS 5DS's AF system is incredibly sensitive to changes in composition, making adjustments quickly to help ensure consistent, sharp AF. A new RGB+IR AE (with approximately 150,000 dots) sensor monitors subject motion, and Canon's iTR Intelligent Tracking and Recognition system synchronizes the active AE point with the subject's motion, helping to ensure that AF precision is maintained. With focus modes dedicated to the particulars of the shooting environment, the EOS 5DS realizes a level of focus accuracy befitting its 50.6 Megapixel sensor.
Advanced Mirror control mechanism and shutter release time lag
The camera shake that occurs from the impact of an SLR's mirror can leave blurred details in the recorded image. This effect is magnified when working with a super high-resolution sensor like the one found in the EOS 5DS camera. To counter the effects of conventional, spring-driven SLR mirrors, the EOS 5DS features a newly developed Mirror Vibration Control system. The camera's mirror is not controlled by springs but instead is driven by a small motor and cams. This system suppresses the impact typical of the camera's mirror, significantly reducing impact and its effects on the image. A new Time Release Lag setting, easily accessed on the EOS 5DS's menu system offers an added protection against camera shake by setting the shutter release time intentionally longer so the camera does not begin the next exposure until after the impact of the camera's mirror has diffused.
Compatible with the new optional Wi-Fi Adapter* W-E1 accessory**, which enables Wi-Fi® capabilities including easy transfer of images to a compatible smartphone or tablet***, and remote still shooting.
The EOS 5DS camera is compatible with the new optional Wi-Fi Adapter* W-E1 accessory** for convenient Wi-Fi® capabilities. When inserted into the camera's SD card slot, the W-E1 enables you to wirelessly view and transfer images when connected to a compatible smart device with the Camera Connect mobile app*** installed, along with remote shooting for stills and the ability to remotely change camera settings. These Wi-Fi® functions can also be utilized when wirelessly connected to a computer equipped with the EOS Utility software.
Digital, AF/AE single-lens reflex, camera
Recording Media
Image Format
Approx. 36 mm x 24mm (35mm Full-frame)
Compatible Lenses
Canon EF Lenses (excluding EF-S Lenses)
Lens Mount
Canon EF mount
Type
High-sensitivity, high-resolution, large single-plate CMOS sensor
Pixels
Effective pixels: Approx. 50.60 megapixels
Total pixels: 53.00 megapixels
Pixel Unit
4.14µm square
Total Pixels
Total Pixels: 53.00 megapixels
Aspect Ratio
3:2 (Horizontal: Vertical)
Color Filter System
RGB primary color filters
Low Pass Filter
Fixed position in front of the image sensor
Dust Deletion Feature
Recording Format
Design Rule for Camera File System 2.0 and EXIF 2.3
Image Format
Still Image: JPEG, RAW (14-bit Canon Original), RAW, M-RAW, S-RAW, RAW+JPEG, M-RAW+JPEG, S-RAW+JPEG
Video: MOV (Image data: H.264/MPEG-4 AVC; Audio: Linear PCM)
File Size
Full Size
Crop - 1.3x
Crop - 1.6x
Aspect Ratio - 1:1
Aspect Ratio: 4:3
Aspect Ratio: 16:9
Exact file sizes depend on the subject, ISO speed, Picture Style, etc
Recording Functions
Backup Recording
Images recorded in a card can be copied to the other card
File Numbering
The following three types of file numbers can be set:
(1) Continuous numbering
* The continuous numbering of captured images will continue even after you replace the camera's card. (The numbering continues even when the folder changes.)
(2) Auto reset
* When you replace the camera's card, the numbering will be reset to start from 0001. If the new card already contains images, the numbering will continue from the last recorded image in the card.
(3) Manual reset
* Resets the file number to 0001, and creates a new folder automatically.
RAW + JPEG Simultaneous Recording
The image-recording quality can be selected in any combination of the three RAW and eight JPEG recording quality settings.
Color Space
Selectable between sRGB and Adobe RGB
Picture Style
Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined 1-3
* Scene Intelligent Auto will set [Auto] automatically.
* [Standard] is the default setting for [User Def. 1-3]
Settings
* With an EX-series Speedlite having the color temperature information transmission feature, the color temperature setting changes to match the color temperature when the flash is fired. Set to approx. 6000K if the flash unit does not have the color temperature communication feature.
Auto White Balance
Auto white balance with the image sensor
Color Temperature Compensation
*Corrected in reference to the current WB mode's color temperature
Color Temperature Information Transmission
Provided
Type
Eye-level pentaprism
Coverage
Approx. 100% vertically and horizontally (At approx. 21mm eyepoint)
Magnification
Approx. 0.71x / Angle of view 34.1° (with 50mm lens at infinity, -1 m-1 (dpt))
Eye Point
Approx. 21mm (At -1m-1 from the eyepiece lens center)
Dioptric Adjustment Correction
-3.0 to +1.0m-1 (diopter)
Focusing Screen
Fixed
Mirror
Quick-return half mirror (transmission: reflectance ratio of 40:60)
Viewfinder Information
Depth Of Field Preview
Enabled with Depth-of-field preview button
Type
TTL secondary image - registration, phase detection
AF Points
61-point High-Density Reticle AF
Cross-type AF Points | AF Points |
Dual cross-type AF points at f/2.8 and f/5.6 | 5 |
Cross-type AF points at f/4.0 + f/5.6 | 20 |
Cross-type AF points at f/5.6 | 21 |
Horizontal-line focusing AF points at f/5.6 | 20 |
Cross-type AF points at f/8 | 1 |
AF Working Range
EV -2 - 18 (at 73°F/23°C and ISO 100)
Focusing Modes
(1) Autofocus
(2) Manual focus (MF)
AF Point Selection
*The checkmark cannot be removed from this option.
Selected AF Point Display
Displayed in viewfinder with transparent LCD and on LCD panel
Active AF Point Indicator
AF area used in horizontal/vertical (grip up or down) shooting and the manually-selected AF point position can be set separately
AF Assist Beam
Metering Modes
Approx. 150,000-pixel RGB+IR metering sensor
EOS iSA System with 252-zone (18 x 14) metering
Metering Range
EV 0-20 (at 73°F / 23°C at ISO 100)
Exposure Control Systems
(1) Scene Intelligent Auto
(2) Program AE (shiftable)
(3) Shutter-priority AE (Safety shift possible)
(4) Aperture-priority AE (Safety shift possible)
(5) Manual exposure
* The metering mode can be specified with a Custom Function.
(6) Bulb
(7) Custom shooting mode, C1, C2, C3
* Evaluative metering, Averaged metering
ISO Speed Range
Manual Settings: | |
Normal ISO Speeds | ISO 100–6400 (in 1/3-stop or whole-stop increments) |
Expanded ISO Speeds | L: equivalent to ISO 50, H: equivalent to ISO 12800 |
* For (Highlight tone priority), the settable ISO speed range will be ISO 200–6400.
* ISO speed safety shift possible with Custom Function.
* For movie shooting, the maximum expanded ISO speed is also ISO 12800.
ISO 100-6400 (in 1/3-stop or whole-stop increments)
Auto Settings: | ||
Shooting Mode | ISO Settings | |
Without Flash | With Flash | |
A+ | 100–3200 | ISO 100–1600 |
P/Tv/Av/M | 100–6400*1 | ISO 400 fixed*1,*2,*3 |
B | ISO 400 fixed*1 |
*1: It depends on (Minimum) and (Maximum) of (Auto ISO range).
*2: If overexposure would occur with fill flash, the minimum ISO speed is set to ISO 100 (except for M and B).
*3: Auto set for ISO 400–1600 in the P mode with external Speedlite set for bounce flash.
ISO Speed upper and lower limits:
(1) Manual setting range
* ISO speed expansion is set with this option.
(2) Auto ISO ranger
* ISO speed expansion not settable.
Exposure Compensation
Manual: ±5 stops in 1/3 or 1/2-stop increments
AEB: ±3 stops in 1/3 or 1/2-stop increments
* Indicated up to ±3 stops on the LCD panel and in the viewfinder.
AE Lock
(1) Auto AE lock
·In the One-Shot AF mode with evaluative metering, AE lock takes effect when focus is achieved.
(2) Manual AE lock
·With AE lock button. (AE lock is updated each time you press the button.) Enabled in all metering modes.
Type
Vertical-travel, mechanical, focal-plane shutter with all speeds electronically-controlled
Shutter Speeds
X-sync at 1/200 sec.
1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode.)
* Shutter speed's control range can be set with a Custom Function.
Shutter Release
Soft-touch electromagnetic release
Self Timer
10-sec. or 2-sec. delay
Shutter Lag Time
EOS Dedicated Speedlite
E-TTL II autoflash with all EX Series Speedlites
Zooming to Match Focal Length
Provided
Flash Exposure Compensation
±3 stops in 1/3- or 1/2-stop increments
FE Lock
Provided
External Flash Settings
The camera can set the following with Speedlite 600EX-RT, 580EX II, 430EX II, 320EX, 270EX II, or 270EX:
(1) External flash control
* Flash mode, sync setting, FEB (not possible with 270EX II/270EX), flash exposure compensation, E-TTL II, zoom, wireless master flash (not possible with 430EX II/ 270EX), and clear settings.
* With the Speedlite 600EX-RT, radio wireless control is possible.
(2) Flash Custom Function setting
PC Terminal
Provided (no polarity)
Drive Modes
Single, High-speed continuous, Low-speed continuous, Silent Single Shooting, Silent continuous shooting, and Self-timer (10 sec. self-timer/remote control, or 2-sec. self-timer/remote control)
Continuous Shooting Speed
High-speed: Maximum approx. 5.0 shots/sec.
Low-speed: Maximum approx. 3.0shots/sec.
Silent continuous shooting: Maximum approx. 3.0 shots/sec.
Maximum Burst
Image Recording Quality | Crop/Aspect Ratio | Image File Size (Approx. MB) | Possible Shots (Approx.) | Maximum Burst (Approx.) | |||
CF Card: 8 GB | SD Card: 8 GB | ||||||
Standard | High-speed (UDMA 7) | Standard | High-speed (UHS-I) | ||||
Large/Fine | Full-frame | 14.1 | 510 | 31 | 510 (Full) | 31 | 510 (Full) |
1.3x crop | 8.5 | 840 | 110 | 840 (Full) | 120 | 840 (Full) | |
1.6x crop |
5.5 | 1,310 | 1,310 (Full) | 1,310 (Full) | 1,310 (Full) | 1,310 (Full) | |
1:1 (aspect ratio) | 9.4 | 760 | 76 | 760 (Full) | 85 | 760 (Full) | |
4:3 (aspect ratio) | 12.5 | 570 | No value data for Live View shooting. | ||||
16:9 (aspect ratio) | 11.9 | 600 | |||||
Large/Normal | Full-frame | 7.0 | 1,030 | 1,030 (Full) | 1,030 (Full) | 1,030 (Full) | 1,030 (Full) |
M1/Fine | Full-frame | 10.9 | 660 | 45 | 660 (Full) | 49 | 660 (Full) |
M1/Normal | Full-frame | 5.5 | 1,310 | 1,310 (Full) | 1,310 (Full) | 1,310 (Full) | 1,310 (Full) |
M2/Fine | Full-frame | 7.1 | 1,010 | 1,010 (Full) | 1,010 (Full) | 1,010 (Full) | 1,010 (Full) |
M2/Normal | Full-frame | 3.5 | 2,030 | 2,030 (Full) | 2,030 (Full) | 2,030 (Full) | 2,030 (Full) |
S1/Fine | Full-frame | 4.5 | 1,590 | 1,590 (Full) | 1,590 (Full) | 1,590 (Full) | 1,590 (Full) |
S1/Normal | Full-frame | 2.3 | 3,120 | 3,120 (Full) | 3,120 (Full) | 3,120 (Full) | 3,120 (Full) |
S2 | Full-frame | 1.2 | 5,600 | 5,600 (Full) | 5,600 (Full) | 5,600 (Full) | 5,600 (Full) |
S3 | Full-frame | 0.3 | 20,380 | 20,380 (Full) | 20,380 (Full) | 20,380 (Full) | 20,380 (Full) |
RAW | Full-frame | 60.5 | 100 | 12 | 14 | 12 | 14 |
1.3x crop | 60.5 | 100 | 12 | 14 | 12 | 14 | |
1.6x crop |
60.5 | 100 | 12 | 14 | 12 | 14 | |
1:1 (aspect ratio) | 60.5 | 100 | 12 | 14 | 12 | 14 | |
4:3 (aspect ratio) | 60.5 | 100 | No value data for Live View shooting. | ||||
16:9 (aspect ratio) | 60.5 | 100 | |||||
mRAW | Full-frame | 44.0 | 140 | 12 | 14 | 12 | 14 |
sRAW | Full-frame | 29.8 | 190 | 14 | 15 | 14 | 14 |
RAW + Large/FINE | Full-frame | 60.5 + 14.1 | 87 | 12 | 12 | 12 | 12 |
1.3x crop | 60.5 + 8.5 | 94 | 12 | 14 | 12 | 14 | |
1.6x crop |
60.5 + 5.5 | 98 | 12 | 14 | 12 | 14 | |
1:1 (aspect ratio) | 60.5 + 9.4 | 93 | 12 | 14 | 12 | 14 | |
4:3 (aspect ratio) | 60.5 + 12.5 | 89 | No value data for Live View shooting. | ||||
16:9 (aspect ratio) | 60.5 + 11.9 | 90 | |||||
mRAW + Large/FINE | Full-frame | 44.0 + 14.1 | 110 | 11 | 12 | 11 | 12 |
sRAW + Large/FINE | Full-frame | 29.8 + 14.1 | 140 | 14 | 14 | 14 | 14 |
* The number of possible shots and maximum burst apply to an 8 GB card based on Canon's testing standards.
* The image file size, number of possible shots, and maximum burst will vary depending on the shooting conditions (aspect ratio 3:2, subject, memory card brand, ISO speed, Picture Style, etc.).
* The "F" after the number indicates that continuous shooting is possible until the card becomes full.
Shooting Modes
Still photo and video recording
Focusing
Metering Modes
Metering Range
Metering range: EV 0 - EV 20 (At 73°F / 23°C, ISO 100)
Grid Display
Three grid display provided
Exposure Simulation
Provided
Silent Shooting
Provided (Mode 1 and Mode 2)
File Format
MOV
MPEG-4 AVC / H.264
Variable (averaged) bit rate
File Size
Recording Sizes:
1920 x 1080 (Full HD), 1280 x 720 and 640 x 480
Frame Rates
[1920 x 1080]: 30 fps / 25 fps / 24 fps
[1280 x 720]: 60 fps / 50 fps
[640 x 480]: 30 fps / 25 fps
Continuous Shooting Time
Continuous Shooting Time Based on 8GB Memory Card: | ||||
Movie Recording Size | Total Recording Time | File Size (MB/min.) |
||
8GB | ||||
1920 x 1080 |
29.97 fps |
ALL-I | 11 min. | 654 |
29.97 fps 25.00 fps 23.98 fps |
IPB | 33 min. | 255 | |
1280 x 720 | 59.94 fps 50.00 fps |
ALL-I | 13 min. | 583 |
59.94 fps 50.00 fps |
IPB | 38 min. | 196 | |
640 x 480 |
29.97 fps 25.00 fps |
IPB | 1 hr. 37 min. | 78 |
* If the recording time reaches 29 min. 59 sec., the movie shooting will stop automatically.
* There is no 4 GB file size limit for when the shooting stops automatically.
Focusing
Same as focusing with Live View shooting
* During movie shooting or if movie cropping has been set, the image cannot be magnified for manual focusing.
Range
Manual Settings:
Normal ISO Speeds: ISO 100-6400 (in 1/3-stop or whole-stop increments)
Expanded ISO Speeds: L: equivalent to ISO 50, H: equivalent to ISO 12800
* For [Highlight tone priority], the settable ISO speed range will be ISO 200-6400.
* ISO speed safety shift possible with Custom Function.
* For movie shooting, the maximum expanded ISO speed is also ISO 12800.
Auto Settings:
A+: ISO 100-3200 (No Flash) / ISO 100-6400 (With Flash)
P/Tv/Av/M: ISO 100-6400*1 (No Flash) / ISO 400 Fixed*1,*2, *3
B: ISO 400 Fixed (No Flash) / ISO 400 Fixed*1,*2, *3
*1: It depends on [Minimum] and [Maximum] of [Auto ISO range].
*2: If overexposure would occur with fill flash, the minimum ISO speed is set to ISO 100 (except for M and B).
*3: Auto set for ISO 400-1600 in the P mode with external Speedlite set for bounce flash.
Exposure Control
Shooting Mode | Frame Rate | Shutter Speed (sec.) | Aperture | ISO Speed (Recommended Exposure Index) | |||
Auto Setting | Manual Setting | Auto Setting | Manual Setting | Auto Setting | Manual Setting | ||
A+ Program AE for movie shooting | 29.97, 25.00, 24.00, 23.98 |
1/4000–1/30 | – | Yes | – | ISO 100–6400*1 | – |
59.94, 50.00 |
1/4000–1/60 | – | – | – | |||
P, B, Program AE for movie shooting | 29.97, 25.00, 24.00, 23.98 |
1/4000–1/30 | – | Yes | – | ISO 100–6400 (H1: 12800)*1 | – |
59.94, 50.00 |
1/4000–1/60 | – | – | ||||
TV Movie Shutter-priority AE | 29.97, 25.00, 24.00, 23.98 |
– | 1/4000–1/30 | Yes | – | ISO 100–6400*2 | |
59.94, 50.00 |
– | 1/4000–1/60 | – | ||||
AV Movie aperture-priorityAE | 29.97, 25.00, 24.00, 23.98 |
1/4000–1/30 | – | – | Yes | ISO 100–6400 (H1: 12800)*1 | – |
59.94, 50.00 |
1/4000–1/60 | – | – | ||||
M Movie manual exposure | 29.97, 25.00, 24.00, 23.98 |
– | 1/4000–1/30 | – | Yes | ISO 100–6400*3 | 100–6400 1/3 or 1/-stop increments (H 12800)*3 |
59.94, 50.00 |
– | 1/4000–1/60 | – |
ISO speed for still photos during movie shooting:
*1: ISO 100 – ISO 3200
*2: ISO 100 – ISO 6400
*3: Same as the ISO speed used for movie shooting.
Exposure Compensation
Up to ±3 stops in 1/3-stop increments
* For movies, even if exposure compensation has been set beyond ±3 stops, exposure compensation up to only ±3 stops will be applied.
* For still photos, exposure compensation up to ±5 stops can be applied.
Type
TFT color, liquid-crystal monitor
Monitor Size
3.2-inches (Screen aspect ratio 3:2)
Approx. 8.11cm (7.13cm width, 5.19cm height)
Pixels
Approx. 1.04 million dots
Coverage
Approx. 100%
Approx. 170° vertically and horizontally
Brightness Control
Auto: Brightness adjusted automatically by the light sensor
* Adjustable to one of three levels: Darker, Standard, Brighter
Manual: Adjustable to one of seven brightness levels
Coating
Clear View LCD II
* Glass surface has an anti-reflective AR coating.
Interface Languages
25 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Japanese)
Display Format
Single image, Single image + Image-recording quality/shooting information, histogram, 4- or 9-image index, magnified view (approx. 1.5x-10x), rotated image (auto/manual), image jump (by 10/100 images, index screen, by shooting date, by folder), two-image comparative display, slide show (all images/selected by date/folder), star rating
Highlight Alert
With single-image display (Info.) and single-image display, overexposed highlight areas will
Items
The following functions can be set:
Shutter speed, aperture, ISO speed, exposure compensation, AEB, flash exposure compensation, AF point selection (including AF area selection modes), Picture Style, White Balance, WB Correction, metering mode, Auto Lighting Optimizer, recording function switching, image-recording quality, AF mode, drive mode, and Custom Controls (camera controls/buttons customization).
Protection
Erase protection can be applied or canceled for a single image, all images in a folder or all images in the card
Erase
Erase a single image, selected images, all images in a folder, all images in a card or erase only unprotected images
Compatible Printers
PictBridge-compatible printers
Printable Images
RAW and JPEG images complying to Design rule for Camera File System
·Movies cannot be printed
DPOF
Version 1.1 compatible
Compatible Images
JPEG and RAW images and movie
For RAW+JPEG, only the RAW or JPEG image or both images can be transferred
Custom Functions
16 Custom Functions settable with the camera
Custom Controls
The following camera controls can be customized by assigning the desired function:
Shutter button halfway pressing, AF-ON button, AE lock button, Depth-of-field preview button, lens AF Stop button, Multifunction button, SET button, Main Dial, Quick Control Dial, and Multi-controller
Camera User Settings
Current camera settings can be registered to C1, C2 and C3 on the Mode Dial (Automatic registration update is possible)
My Menu Registration
Up to six top-tier menu options and Custom Function settings can be registered
USB Terminal
For personal computer communication and direct printing (USB 3.0)
Video Out Terminal
(1) Video OUT terminal: NTSC/PAL selectable
(2) mini-HDMI OUT terminal
Extension System Terminal
For connection to WFT-E7A (Version 2) and GPS Receiver GP-E2
Gigabit-Ethernet
The RJ-45 jack is not built-in and is only available via the Wireless File Transmitter WFT-E7A (version 2)
Battery
One Battery Pack LP-E6
AC power can be supplied with the AC Adapter Kit ACK-E6
Dimensions (W x H x D)
Approx. 5.98 x 4.58 x 3.01 in. (152.0 x 116.4 x 76.4mm)
Weight
Approx. 32.80 oz. / 930g (Based on CIPA standards)
$ 69.99 - Sold Out
ETX-80 Hard Carry Case #07385. This heavy-duty case enhances the portability of your scope and protects your investment during transport. Includes custom cut foam inserts for your telescope, eyepieces and accessories.
Product carries full one year Meade limited factory warranty.
$ 99.99
Meade SKU:07545 | Helix SKU: ME07545
Meade f 6.3 Focal Reducer/Field Flattener #07545. For Meade Schmidt-Cassegrain models. Improves edge-of-field correction and reduces exposure times by close to 50%. Threads into rear cell of any Meade SCT. Threads into rear cell of any Meade SCT. May be used to increase field of view and reduce magnification for visual applications.
An important advancement in high-resolution focal reduction systems, the Meade 4-element, multi-coated f/6.3 Focal Reducer/Field Flattener threads on to the rear cell of any LX90, LX200 or other Schmidt-Cassegrain or Advanced Coma-Free model and is typically used with an Off-Axis Guider or T-Adapter. Reduces the telescope's focal ratio by a factor of 0.63: f/10 telescopes are converted to f/6.3. Simultaneously, the 41mm-diameter lens system helps flatten the field of Schmidt-Cassegrain models, significantly improving edge-of-field corrections.
This handy accessory enables a reduction of photographic exposure times by about 50%, while producing an actual field diameter of 1.5" at the film plane. Use of this focal reducer is not recommended for 35mm photography or larger CCD chips with Meade Advanced Coma-Free (ACF) models as field correction is not needed.
Product carries full one year Meade limited factory warranty.
$ 1,599.95 - Sold Out
Phase-correction: Enhances resolution for excellent detail.
Silver coated prisms: High-reflection silver coating on the prism surface for the brightest images.
Quick, central focus knob: For fast subject acquisition.
Sturdy, die-cast magnesium-alloy body: Cuts weight without sacrificing durability.
Waterproof/fogproof: Nitrogen filled and O-ring sealed.
Nikon’s exclusive field flattener and eyepiece design: For remarkably sharp, clear viewing.
Fully multicoated optics: Multiple layers of anti-reflective compounds on every glass surface for bright, vivid sight pictures.
Durable and protective, rubber-armored coating: Provides a non-slip grip, wet or dry.
Turn-and-slide rubber eyecups: With multi-click adjustments are extremely eyeglass-friendly.
Manufactured responsibly with lead- and arsenic-free Eco-Glass™
Specification:
Focusing System Central Focus
Magnification 10 x
Objective Diameter 42 mm
Angular Field of View (Real) 6 °
Angular Field of View (Apparent) 55.3 °
FOV at 1000 yds 314 ft
Close Focus Distance 9.8 ft
Exit Pupil 4.2 mm
Relative Brightness 17.6
Eye Relief 18.5 mm
Size (Length x Width) 6.2 x 5.5 in
Weight 27.9 oz
Interpupilary Distance 56 - 72 mm
Phase Coating Yes
Waterproof/Fogproof Yes
Prism Roof
$ 156.95 - Sold Out
Aluminum High-reflective Multilayer Prism Coating: With phase correction coating on roof prism for excellent brightness and resolution.
Durable and Protective, Rubber-Armored Coating: Provide a non-slip grip, wet or dry.
Tripod Adaptable
Multi-Click Turn-and-Slide eyecups: For a clear and comfortable view, with or without eyeglasses.
Smooth Central Focus Eyecups: Fast range of focus for quick viewing.
Waterproof/Fogproof
Specifications:
Focusing System Central Focus
Magnification 10 x
Objective Diameter 42 mm
Angular Field of View (Real) 6 °
Angular Field of View (Apparent) 55.3 °
FOV at 1000 yds 314 ft
Close Focus Distance 13.1 ft
Exit Pupil 4.2 mm
Relative Brightness 17.6
Eye Relief 15.5 mm
Size (Length x Width) 6.8 x 5.1 in
Interpupilary Distance 56 - 72 mm
Phase Coating Yes
Waterproof/Fogproof Yes
Prism Roof
$ 149.95 - Sold Out
Multicoated, aspherical eyepiece lenses and BaK4 prisms: Deliver bright, high-resolution images under all lighting conditions.
Generous eye relief: For a clear and comfortable view, especially for eyeglass wearers. Includes turn-and-slide rubber eyecups.
Fully waterproof/fogproof: Nitrogen-filled and O-ring sealed.
Smooth central focus knob: Fast range of focus for quick viewing.
Durable and protective, rubber-armored coating: Provides a sure, non-slip grip, wet or dry.
Specifications:
Focusing System Central Focus
Magnification 12 x
Objective Diameter 25 mm
Angular Field of View (Real) 4.2 °
Angular Field of View (Apparent) 47.5 °
FOV at 1000 yds 220 ft
Close Focus Distance 9.2 ft
Exit Pupil 2.1 mm
Relative Brightness 4.4
Eye Relief 15.9 mm
Size (Length x Width) 4.1 x 4.5 in
Weight 12.9 oz
Interpupilary Distance 56 - 72 mm
Prism Porro
$ 1,799.95 - Sold Out
$ 3,199.95 - Sold Out
Nikon’s exclusive and legendary ED (Extra-low Dispersion) glass lenses: Deliver superior sharpness and color correction for unmatched detail resolution.
Fully multicoated optics: Multiple layers of anti-reflective compounds on every glass surface for bright, vivid sight pictures.
EDG Eyepieces: Features a zoom eyepiece and are compatible with optional eyepieces.
Manufactured responsibly with lead- and arsenic-free Eco-Glass™
Larger, 65mm objective lenses: Deliver an expansive field of view so you can catch more of the action.
High grade optics and multicoating technology: Carefully cut and polished glass is coated in multiple layers of anti-reflective compounds for bright resolution and brilliant color.
Waterproof/fogproof: Nitrogen filled and O-ring sealed.
Specifications:
Magnification 16 - 48 x
Objective Diameter 65 mm
Close Focus Distance 10.8 ft
Waterproof/Fogproof Yes
$ 3,199.95 - Sold Out
Nikon’s exclusive and legendary ED (Extra-low Dispersion) glass lenses: Deliver superior sharpness and color correction for unmatched detail resolution.
Larger, 65mm objective lenses: Deliver an expansive field of view so you can catch more of the action.
High grade optics and multicoating technology: Carefully cut and polished glass is coated in multiple layers of anti-reflective compounds for bright resolution and brilliant color.
Waterproof/fogproof: Nitrogen filled and O-ring sealed.
Dielectric high-reflective multilayer prism coating: Extraordinary technology delivers uncompromised low-light performance.
Fully multicoated optics: Multiple layers of anti-reflective compounds on every glass surface for bright, vivid sight pictures.
EDG Eyepieces: Features a zoom eyepiece and are compatible with optional eyepieces.
Manufactured responsibly with lead- and arsenic-free Eco-Glass™
Specifications:
Magnification 16 - 48 x
Objective Diameter 65 mm
Close Focus Distance 10.8 ft
Waterproof/Fogproof Yes
$ 1,399.95 - Sold Out
$ 3,999.95 - Sold Out
Nikon’s exclusive and legendary ED (Extra-low Dispersion) glass lenses: Deliver superior sharpness and color correction for unmatched detail resolution.
Fully multicoated optics: Multiple layers of anti-reflective compounds on every glass surface for bright, vivid sight pictures.
EDG Eyepieces: Features a zoom eyepiece and are compatible with optional eyepieces.
Manufactured responsibly with lead- and arsenic-free Eco-Glass™
Larger, 85mm objective lenses: Deliver an expansive field of view so you can catch more of the action.
High grade optics and multicoating technology: Carefully cut and polished glass is coated in multiple layers of anti-reflective compounds for bright resolution and brilliant color.
Waterproof/fogproof: Nitrogen filled and O-ring sealed.
Specifications:
Magnification 20 - 60 x
Objective Diameter 85 mm
Angular Field of View (Real) 2.4 °
Angular Field of View (Apparent) 64.3 °
Exit Pupil 2.8 mm
Relative Brightness 7.8
Eye Relief 25.4 mm
Waterproof/Fogproof Yes
$ 579.95 - Sold Out
Nikon 20x Wide EDG Spotting Scope Eyepiece fits Nikon 85mm EDG Fieldscope and gives 20x power for 85mm Spotting Scope by Nikon. Ultra-Wide Field of View of this Nikon Spottingscope Eyepiece captures all the action. This Nikon Spotting Scope Accessory features Nikon 's exclusive and legendary ED (Extra-low Dispersion) Glass Lenses that deliver superior sharpness and color correction for unmatched detail resolution. Field Scope Eyepiece from Nikon has fully Multicoated Optics and Multiple layers of anti-reflective compounds on every glass surface for bright, vivid sight pictures. Nikon 20x Wide EDG Fieldscope Eye piece is water resistant - up to 2m under water for 10 minutes.
Features:
$ 799.95 - Sold Out
PRODUCT HIGHLIGHTS
$ 9,799.95 - Sold Out
Bring the world closer to you with the Nikon 20x120III Binocular Telescope 8713. With a large 120mm objective diameter and Nikon's original coating for a bright image even in the dark, the Nikon Bino-Telescope features a sharp image realized by aberration compensation. Waterproof (up to 2m/6.6 ft. for 10 minutes), filled with nitrogen gas, fog-free and dust resistance and shock and corrosion-resistant structure, the Nikon Large Binocular Telescope also has a high-eyepoint design for a clear field of view. You'll enjoy this pair of Binoculars' easy handling with 360° azimuth and -30° +70° tilting. See the world a little differently with the Nikon 20x120III Bino-Telescope.
Specifications:
Magnification (x): | 20 |
Objective diameter (mm): | 120 |
Angular field of view (Real/degree) (°): | 3.0 |
Angular field of view (Apparent) (°): | 55.3 |
Field of view at 1,000m (m): | 52 |
Exit pupil (mm): | 6.0 |
Relative brightness: | 36.0 |
Eye relief (mm): | 20.8 |
Close focusing distance (m): | 133.0 |
Interpupillary distance adjustment (mm): | 58-74 |
Weight (kg): | 15.5 |
Length (mm): | 680 |
Width (mm): | 452 |
$ 949.95 - Sold Out
Nikon Wide Eyepiece 24x / 30x for EDG Spotting Scope is a medium power eyepiece popular with many spotting scope users for its brightness and resolution. Nikon offers two additional eyepieces for the Nikon 85mm EDG Fieldscope with 20-60x Zoom Straight or Angled and Nikon Fieldscope 65mm EDG Straight or Angeled Body with 16-48x Zoom: Nikon 24x / 30x Wide Angle Eyepiece for EDG Spotting Scope and the Nikon Long Eye Relife 20x/25x Eyepiece. Nikon 20x/25x LER Eyepieces designed specifically for situation where quick-looks through the eyepiece are necessary such as for benchrest shooting. Also you can use this Spotting Scope Accessory from Nikon when sharing your scope with others.
$ 649.95 - Sold Out
$ 49.95
$ 9.99 - Sold Out
$ 679.95 - Sold Out
$ 168.00 - Sold Out
$ 9.81 - Sold Out
$ 15.95
$ 156.95 - Sold Out
Within the many respected Nikon product lines, the PROSTAFF name is synonymous with dependable, rugged optical tools engineered to enhance every outdoor experience. The PROSTAFF 5 binocular line lives up to its name with fully multicoated optical system, multi-click, turn-and-slide rubber eyecups, long eye relief, waterproof/fogproof performance and a lightweight and rugged, yet sleek and comfortable body.
One of the best features of the PROSTAFF 5 binocular is that all of the lenses are fully multicoated coated. This is what ensures that the colors you see are rich and true to life, such as deeper blues and vibrant reds. Another advantage of have a binocular with Nikon’s multilayer coatings is that the higher light transmittance results in a clearer picture, giving you a more detailed image of that eagle nesting on a treetop or of the deer on that next ridge. Nikon also uses lead and arsenic free Eco-glass, guaranteeing that they are safe for the environment.
The PROSTAFF 5’s long eye-relief ensures a sufficient space between the user’s eye and the binocular’s eyepiece lenses to make them comfortable for everyone, even for those wearing eyeglasses. The multi-click turn-and-slide rubber eyecups make it easy to find the correct eye positioning to see the full field of view.
Thanks to a fiberglass-reinforced polycarbonate resin, the PROSTAFF 5 is light enough to take anywhere and strong enough to be trusted on even the more extreme adventures.
Because it’s Nitrogen filled and O-ring sealed, the PROSTAFF 5 is waterproof and fogproof, giving you peace of mind that your optic will hold up in any weather conditions.
$ 176.95 - Sold Out
Within the many respected Nikon product lines, the PROSTAFF name is synonymous with dependable, rugged optical tools engineered to enhance every outdoor experience. The PROSTAFF 5 binocular line lives up to its name with fully multicoated optical system, multi-click, turn-and-slide rubber eyecups, long eye relief, waterproof/fogproof performance and a lightweight and rugged, yet sleek and comfortable body.
One of the best features of the PROSTAFF 5 binocular is that all of the lenses are fully multicoated coated. This is what ensures that the colors you see are rich and true to life, such as deeper blues and vibrant reds. Another advantage of have a binocular with Nikon’s multilayer coatings is that the higher light transmittance results in a clearer picture, giving you a more detailed image of that eagle nesting on a treetop or of the deer on that next ridge. Nikon also uses lead and arsenic free Eco-glass, guaranteeing that they are safe for the environment.
The PROSTAFF 5’s long eye-relief ensures a sufficient space between the user’s eye and the binocular’s eyepiece lenses to make them comfortable for everyone, even for those wearing eyeglasses. The multi-click turn-and-slide rubber eyecups make it easy to find the correct eye positioning to see the full field of view.
Thanks to a fiberglass-reinforced polycarbonate resin, the PROSTAFF 5 is light enough to take anywhere and strong enough to be trusted on even the more extreme adventures.
Because it’s Nitrogen filled and O-ring sealed, the PROSTAFF 5 is waterproof and fogproof, giving you peace of mind that your optic will hold up in any weather conditions.
$ 729.95 - Sold Out
$ 409.95 - Sold Out
$ 299.95 - Sold Out
Oceanpro 7 x 50mm binoculars with compass.
$ 156.95 - Sold Out
ACULON A211 8-18x42 zoom binoculars are built with multi-purpose functionality and a lightweight, ergonomic design. These binoculars are perfect for those looking for versatile, mid-to-high magnification zoom capability in an economically priced, quality optic. The ACULON A211 8-18x42 zoom binoculars deliver mid to high range magnification, adjustable by an easy-to-reach fingertip zoom control knob, in a compact design; and are light enough to be carried with ease to any outing or event. Built to last with eco-safe components and designed to perform in a variety of conditions, the ACULON A211 8-18x42 zoom binoculars are sure to bring you even closer to the action and give you an experience nothing short of incredible, all at a very affordable price.
$ 29.50 - Sold Out
Haze(UV) filters are wise initial investments. The Nikon 82mm UV Haze L37C Glass Filter will help protect your valuable investment from dust, moisture and scratches, which can lead to costly repairs. If desired they can be left on the lens at all times for protection. Haze filters provide additional benefits of correction for Ultraviolet(UV) light which can register on film and videotape as a bluish cast and can obscure distant details. Ultraviolet filters allow you to correct for the UV effect to varying degrees. The UV-Haze filter is helpful when photographing mountain and marine scenes, where increased haze threatens to make your photographs indistinct in color and clarity. Nikons integrated multicoating minimizes reflection at the filter surfaces which reduces flare and ghosting.
$ 79.95 - Sold Out
$ 79.95 - Sold Out
$ 69.95 - Sold Out
$ 69.95 - Sold Out
$ 69.95 - Sold Out
$ 69.95 - Sold Out
$ 69.95 - Sold Out
$ 69.95 - Sold Out
$ 69.95 - Sold Out
$ 69.95 - Sold Out
$ 69.95 - Sold Out
$ 69.95 - Sold Out