Fotodiox Collapsible Portable Backdrop Kit with 2.1m Stand, 8x14' Muslin Black Background
$ 124.95
Fotodiox Collapsible Portable Backdrop Kit with 2.1m Stand, 8x14' Muslin Black Background
MFR SKU: Background-8x14-Kit-BLK | Helix SKU: FXBackground8x14KitBLK
Overview
Product Highlights:
• Super sized for most of the studio and location situations; Pro-Grade Material, Heavy Duty Construction
• Optional stand can used to support the background anywhere, adjustable heights from 6-8 ft
• Optimized Black or Chromakey Green Color for Quick Location Backgrounds
• Collapsible Design for Quick Setup, transportation, and Storage
• Limited 2-Year Manufacturer Warranty
Fotodiox Collapsible Portable Backdrop Kit is the perfect addition to any studio that shoots portraits, video or TV work. These over-sized backgrounds set up and collapse with ease. They can readily be stored in the carry bag which can then be tossed into the trunk of your car.
In The Box:
• 8x14' Muslin Background• Storage Case
• 2.1m Stand (if chosen above)
Specifications:
| Materials | Cotton/Poly Blend Fabric w/ Collapsible Metal Frame |
| Shipping Dimensions | Background Only - 38 x 38 x 6 in (97 x 97 x 16 cm) @ 16 lb (256 oz) With 2.1m Stand - 38 x 38 x 6 in (97 x 97 x 16 cm) @ 17 lb (272 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox Collapsible Portable Backdrop Kit with 2.1m Stand, 8x14' Muslin Chromakey Green Background
$ 124.95 - Vendido
Fotodiox Collapsible Portable Backdrop Kit with 2.1m Stand, 8x14' Muslin Chromakey Green Background
MFR SKU: Background-8x14-Kit-GN | Helix SKU: FXBackground8x14KitGN
Overview
Product Highlights:
• Super sized for most of the studio and location situations; Pro-Grade Material, Heavy Duty Construction
• Optional stand can used to support the background anywhere, adjustable heights from 6-8 ft
• Optimized Black or Chromakey Green Color for Quick Location Backgrounds
• Collapsible Design for Quick Setup, transportation, and Storage
• Limited 2-Year Manufacturer Warranty
Fotodiox Collapsible Portable Backdrop Kit is the perfect addition to any studio that shoots portraits, video or TV work. These over-sized backgrounds set up and collapse with ease. They can readily be stored in the carry bag which can then be tossed into the trunk of your car.
In The Box:
• 8x14' Muslin Background• Storage Case
• 2.1m Stand (if chosen above)
Specifications:
| Materials | Cotton/Poly Blend Fabric w/ Collapsible Metal Frame |
| Shipping Dimensions | Background Only - 38 x 38 x 6 in (97 x 97 x 16 cm) @ 16 lb (256 oz) With 2.1m Stand - 38 x 38 x 6 in (97 x 97 x 16 cm) @ 17 lb (272 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox Lens Mount Adapter - Olympus Zuiko (OM) 35mm SLR Lens to Micro Four Thirds (MFT, M4/3) Mount Mirrorless Camera Body
$ 24.95
Fotodiox Lens Mount Adapter - Olympus Zuiko (OM) 35mm SLR Lens to Micro Four Thirds (MFT, M4/3) Mount Mirrorless Camera Body
Fotodiox SKU: OM35-MFT | Helix SKU: FXOM35MFT
Overview
Features:
Compatible Cameras
MFT Mirrorless Cameras - Popular models include:
Olympus PEN E-PL1, E-PL1s, E-PL2, E-PL3, E-P2, E-P3, E-M, OM-D, E-M5, E-M10
Panasonic Lumix DMC-G1, G2, G3, G10, GX1, GH1, GH2, GF1, GF2, GF3, GF5, GH4
Panasonic AG-AF100 Mirrorless Digital Cameras
Black Magic Pocket Cinema Camera (BMPCC)
Mirrorless cameras aren't only revolutionary because of their compact size; they're even more versatile for mounting lenses than their full-sized counterparts! Fotodiox offers strong support for mirrorless camera platforms with hundreds of options for mounting both modern and vintage lenses. Our adapters deliver infinity focus, manual aperture control, and a sturdy build for lasting quality.
| Lens Mount: | Olympus Zuiko (OM) 35mm SLR Lens |
| Body Mount: | Micro Four Thirds (MFT, M4/3) Mount Mirrorless Camera Body |
| Manufacturer: | Fotodiox Inc. |
| Warranty: | 24 Months |
Note:
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox Macro Bellows for Canon EOS (EF, EF-S) Mount D/SLR Camera System for Extreme Close-up Photography
$ 59.95
Fotodiox Macro Bellows for Canon EOS (EF, EF-S) Mount D/SLR Camera System for Extreme Close-up Photography
MFR SKU: Macro-Bellows-EOS | Helix SKU: FXMacroBellowsEOS
Overview
Fotodiox Pro Autofocus 2X Teleconverter Compatible with Canon EOS EF Full Frame Lenses and EF/EFs Cameras
$ 99.95 - Vendido
Fotodiox Pro Autofocus 2X Teleconverter Compatible with Canon EOS EF Full Frame Lenses and EF/EFs Cameras
MFR SKU: EOS-2x-AF-Tele | Helix SKU: FXEOS2xAFTele
Overview
The Fotodiox 2x Teleconverter for Canon cameras is a precision optical component designed to expand your photographic capabilities. This premium quality 2x teleconverter, effectively doubles the focal length of the lens it's used with and maintains the resolution and contrast of any fine optic.
The teleconverter will multiply the focal length of the existing lens by 2x, and will cut back the amount of light by 2 f/stops. For example, using a 2x teleconverter with a 300 mm lens will effectively increase the focal length to 600 mm and a lens set to f/2.8 will now be f/5.6.
A maximum aperture of f/4 or greater is required in order to fully utilize the autofocus capabilities. Please be aware that AF will work properly only if there is enough light and contrast on the subject to activate the camera's AF sensors. Manual focusing is recommended when using lenses with a smaller open f-stop value than those given above.
A teleconverter is a portable, high-quality and versatile accessory that's well worth having in your camera bag!
Product Highlights:
Doubles the focal length of a Canon EF lenses (2.0x Magnification Factor) (Will not fit all EFs lenses due to long rear element length)
Communication between lens & camera enables auto focus, auto iris & image stabilization
Lens construction features 4 elements in 3 groups for sharp images
A maximum aperture of f/4 or greater is required in order to fully utilize the autofocus capabilities.
Limited 2-Year Manufacturer Warranty
Compatibility:
Canon EOS (EF, EF-S) Mount SLR Cameras - Popular models include:
- EOS 10D, 20D, 20Da, 30D, 40D, 50D, 60D, 60Da, 70D, 80D, 90D
- EOS 5D/II/III/IV, 5DS/R, 6D/II, 7D/II
- EOS 1D/II/IIN/III/IV, 1Ds/II/III, 1D C, 1D X/II
- EOS Rebel, XT, XS, T1i-T7i, SL1, SL2, SL3
- Blackmagic Pocket Cinema Camera 6K (Canon EF)
- Z CAM E2-S6 Super 35 6K, E2-F6 Full-Frame 6K,
E2-F8 Full-Frame 8K Cinema Cameras
Specifications:
| Lens Mount | Canon EOS (EF) Mount D/SLR Lenses |
| Body Mount | Canon EOS (EF / EFs) Mount D/SLR Cameras |
| Teleconversion | 2.0x Magnification Factor |
| Product Dimensions | 2.8 x 2.6 x 1.3 in (7 x 6.5 x 3.3 cm) @ 0.3 lb (4.4 oz) |
| Shipping Dimensions | 5 x 5 x 5 in (12.7 x 12.7 x 12.7 cm) @ 0.5 lb (8 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox Pro FlapJack LED Edge Light C-200L - 4x11-Inch Long Rectangle Ultrathin, Ultrabright Professional Daylight LED Dimmable Photo/Video Light Kit with Case, Battery and Charger
$ 179.95
Fotodiox Pro FlapJack LED Edge Light C-200L - 4x11-Inch Long Rectangle Ultrathin, Ultrabright Professional Daylight LED Dimmable Photo/Video Light Kit with Case, Battery and Charger
MFR SKU: LED-Flpjk-C200L | Helix SKU: FXLEDFlpjkC200L
Overview
**Clearance Item**
This is a Clearance Item, and as such is not eligible for any returns; exchanges only for defective product. Warranty will be limited by availability of replacements and repairs.
Product Highlights:
• Ultra-Bright LED Edgelights; Color Rendering Index ≥92• 5600k Daylight Color Temperature Rating
• 10-100% Power Dimmer Dial; Built-in Battery Life Indicator
• Removable Stand Mount w/ Ball Joint
• Limited 2-Year Manufacturer Warranty
Fotodiox presents the newest idea in LED lighting; the FlapJack LED Edgelight. The challenge was to create something different; an LED light that is more portable than ever, faster and easier to set up, and offers a complete lighting solution right out of the box. The FlapJack LED Edgelights deliver on all this and more.
Instead of forward-facing LEDs like in a conventional panel, the FlapJack's LEDs are mounted around the outer edge, aimed inward at layers of diffusion material. Instead of a direct beam, the FlapJack's bounced light approach produces a soft, even glow with no hotspots. It's perfect for filling in shadows, or using as a glamor light. All of this within an elegant form factor - less than 1/2" at its thinnest point.
Every Flapjack light runs on either AC power or a NP-F style rechargeable battery, both of which are included in the kit. The light is fully dimmable, with no change in color temperature, from 10-100%. A back-lit LCD indicator shows both light level and battery life status.
The internally bounced light is easier on the eyes - your subject can look directly toward the light with no discomfort. Hide a FlapJack in a lamp to mimic an on-set practical light, or take advantage of the compact size to light up cramped spaces; like a car interior or an office cubicle. The Flapjack is also perfect for tabletop food or product photography. Enjoy the look of a big soft light without melting your subject!
The compact FlapJack can mount practically anywhere. use the included ball-head to mount to a light stand, or to the camera's accessory shoe. The built in 1/4-20" mounting points let you attach the FlapJack directly to a tabletop tripod, or lighting clamp. These lights are so lightweight, you can can mount them with velcro, cord, even tape! Finally, you can get more creative with light placement than ever before.
FlapJack lights are ready to shoot with, right out of the case. The FlapJack produces bounced light rather than a full spotlight, so you don't have to work hard to create soft, beautiful light. It's almost like having a softbox built right in. Great for fasts setups, as for interview situations. In a few minutes you can be ready to roll with beautiful soft lighting, requiring just minimal setup. An entire light kit can fit easily in a messenger bag or camera bag.
The Flapjack lights produce little heat (the edges where the LEDs are housed may get a little warm after after running consistently at 100%), and have a very low current draw. You can easily run several Flapjacks on a conventional household electrical circuit. Leave them running all day without fear of cooking your subject, or breaking the bank on your electrical bill.
Each FlapJack includes a rechargeable Sony NP-F style lithium-ion battery, charging station, and an AC adapter - all in a fitted hard-shell case with a handle. Each FlapJack is made of durable lightweight metal, and is backed Fotodiox's standard 2 year warranty.
In The Box:
• C-200L Dimmable Flapjack, 5600k Color Temperature• 1x NP-F740 Style Battery (7.4v - 4400 mAh - 32.56 Wh) w/ Dual Charging Cradle
• 110-240v Power Supply Cable
• Light Stand Mounting Bracket with Ball Joint
• Fitted Custom Hard Carry Case w/Shoulder Strap
Specifications:
| Color Balance | Daylight ~5500k (±200) |
| Luminous Intensity1 | 5600k - 165lx |
| EV100 @ 1m2 | 5600k - 5.5 ΔEV |
| Dimmable Range | 10-100% Dimmer Dial |
| Housing Dimension | 4 x 11 x ½ inch (10.2 x 28.3 x 1.3 cm) |
| Illumination Panel Dimension | 3 x 10 inch (7.6 x 25.5 cm) |
| Mounting Option | 1/4"-20 Female Thread |
| Power Supply | 110-240v Power Supply Cable |
| Battery Option | Included 1x NP-F740 Style Battery (7.4v - 4400 mAh - 32.56 Wh) |
| Battery Run Time3 - NPF | 50% power ~ 6hrs 100% power ~ 2hrs 20min |
| Shipping Weight | 5 lbs. |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox Pro Flash Bracket Holder with Handle for Speedlight Flash Guns and Bowen Mount Strobes
$ 19.95
Fotodiox Pro Flash Bracket Holder with Handle for Speedlight Flash Guns and Bowen Mount Strobes
Fotodiox SKU: FlshBrckt-Handled-Only | Helix SKU: FXFlshBrcktHandledOnly
Overview
Product Highlights:
Fotodiox Pro Flash Bracket Holder with Handle is an ideal way to get studio-quality light from speedlights and flash guns as well as any Bowen S-Mount strobes in a compact ultra-portable pack. A softbox or other lighting accessory securely grips onto the bracket and the built-in handle allows you or an assistant to direct the light as needed in the scene. The bottom of the handle will also fit most standard light stands for when you don't have a assistant handy. Quickly add Bowens S-mount lighting accessories to get creative lighting effects.
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox Pro Fusion Adapter, Smart AF Adapter - Compatible with Canon EOS (EF / EF-S) D/SLR Lenses to Leica L-Mount (T-Mount) Mirrorless Cameras with Full Automated Functions
$ 199.95
Fotodiox Pro Fusion Adapter, Smart AF Adapter - Compatible with Canon EOS (EF / EF-S) D/SLR Lenses to Leica L-Mount (T-Mount) Mirrorless Cameras with Full Automated Functions
MFR SKU: EF-LT-FSN | Helix SKU: FXEFLTFSN
Overview
Product Highlights:
• Mounts Canon EOS (EF / EF-S) D/SLR Lenses to Leica L-Mount (T-Mount) Mirrorless Cameras; infinity focus or beyond guaranteed
• Built-in FUSION technology enables electronic communication and control between lens and camera
• Restores automated functions on most lenses such as auto-focus, aperture control, image stabilization and more with compatible lenses
• Precise fit and solid all-metal construction with chrome plated brass mounts for secure and solid fit; lens has no play, gap or wiggling when mounted on adapter and no adjustments required
• Limited 2-Year Manufacturer Warranty
Mounts Canon EOS Lenses to Leica L-Mount Cameras
Whether you're shooting digitally or on film, Fotodiox offers the world's largest selection of lens adapters. Mix camera/lens platforms or reinvigorate vintage glass; Fotodiox has hundreds of ways to mount lenses onto your DSLR or MILC camera. Our adapters deliver infinity focus and a sturdy build for lasting quality.
The adapter is designed to offer an inexpensive system that allows for the use of a vast range of lenses. This adapter system is particularly useful for mounting tilt/shift and other specialty lenses not available in the native format to the entire range of cameras, providing for an inexpensive alternative for photographers and videographers alike.
Built-In FUSION Technology
Sometimes you need more than a simple adapter to mount a lens onto a camera - you need real power. Seize control over the electronic features of your lenses with a FUSION lens adapter. This adapter enables EXIF and aperture data to be transmitted to and controlled by the camera. Different lenses may exhibit different operating characteristics depending on lens age and manufacturer. We recommend testing individual lenses in your setup before critical shoots.
Fotodiox's Fusion line of adapters now include a micro USB port to allow for firmware updates providing a nearly future proof solution for users by including new lenses and fixing possible bugs through firmware updates. For firmware updates and directions, please see the firmware update article for this adapter in the Fotodiox technical suppport knowledge base.
Restores Automated Functions
The FUSION technology built into the adapter enables electronic communication between mixed lens and camera platforms. FUSION adapters enable auto focus, aperture control, image stabilization, and more. Although the adapter will allow you to mount any Canon EF lens, not all lenses will perform the same. Lens firmware, focusing motors, and age of lens will all affect the speed, reliability and accuracy of the adapter.
The function button on this adapter will turn off all electronic communication so that manual lenses can be used properly on L-mount cameras. The adapter draws the power it needs from the camera. Now you’re ready to take advantage of your camera’s automated functions as well as IS and EXIF data from compatible lenses.
Precise & Solid Connection; All-Metal Construction
Fotodiox employs Professional Photographers in every aspect of development and design to create products that are built to last. The Pro line of adapters is crafted to withstand the rigors and demands of the professional photographer. Our adapters are manufactured with precise tolerances, providing a solid, gap free, no wiggle connection for stress free use. No adjustments needed! Fotodiox adapters are meant to be taken off and put back on your camera as much as needed while remaining as precise as the day you bought them.
Fotodiox Pro adapters feature all-metal, no plastic construction to create a secure connection between your glass and camera that will not degrade over time, keeping the lens-camera connection secure with every use. We use chrome plated brass mounts for enhanced durability and reliability. All Fotodiox products are backed by our 24-month Fotodiox Manufacturer Warranty.
Compatibility:
Leica L-Mount Cameras - Popular models include:
- Leica T (Typ 701), Leica TL, Leica TL2
- Panasonic Lumix DC-S1, DC-S1R, DC-S1H
Note: At this time this adapter does not work with the Leica SL or CL cameras
Specifications:
| Lens Mount | Canon EOS (EF / EF-S) D/SLR Lens |
| Body Mount | Leica L-Mount (T-Mount) Cameras |
| Product Dimensions | 2.6 x 2.6 x 1.1 in (6.5 x 6.5 x 2.9 cm) 0.3 lb (4.2 oz) |
| Shipping Dimensions | 5 x 5 x 5 in (12.7 x 12.7 x 12.7 cm) 1 lb (16 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox Pro Fusion Adapter, Smart AF Lens - Canon EOS (EF / EF-S) D/SLR Lens to Sony Alpha E-Mount Mirrorless Camera Body with Full Automated Functions
$ 109.95
Fotodiox Pro Fusion Adapter, Smart AF Lens - Canon EOS (EF / EF-S) D/SLR Lens to Sony Alpha E-Mount Mirrorless Camera Body with Full Automated Functions
MFR SKU: EOS-SnyE-Pro-Fusion | Helix SKU: FXEOSSnyEProFusion
Overview
Sometimes you need more than a simple adapter to mount a lens onto a camera - you need real power. Seize control over the electronic features of your lenses with FUSION lens adapters. Technology built into each adapter enables communication between mixed lens and camera platforms. FUSION adapters enable auto focus, aperture control, image stabilization, and more.
- This product is not firmware upgradable.
- Third party lenses like Sigma or Tamron or other third party lenses have more issues with auto focus and other compatibility issues then Canon branded lenses .
- Mounts Canon EOS (EF / EF-S) D/SLR Lenses to Sony E-mount mirrorless cameras; infinity focus or beyond guaranteed
- Built-in FUSION technology enables electronic communication and control between lens and camera
- Restores automated functions on most lenses such as auto-focus, aperture control, image stabilization and more with compatible lenses
- Precision all-metal construction with chrome plated brass mounts for secure and solid fit
- 24-Month Fotodiox warranty
*weight capacity of tripod foot: 5 pounds
| Lens Mount: | Canon EOS (EF / EF-S) D/SLR Lens |
| Body Mount: | Sony Alpha E-Mount Mirrorless Camera Body |
| Manufacturer: | Fotodiox Inc. |
| Warranty: | 24 Months |
Limitation Details:
- Only Canon-branded lenses introduced in or after 2006 are officially supported, but not all lens are compatible.
- Autofocus may be disabled for older Canon lenses and most third-party lenses (including most Sigma, Tamron and Tokina lenses).
- Lens compatibility is designed to work best on Sony Alpha α6300, α7 II, α7R II, α7 III, α7R III E-Mount cameras
- Third party lenses like Sigma or Tamron lenses have more issues with auto focus.
- Switching between image and video can cause camera to freeze.
- When switching f stops in video mode can cause white flashes in video.
- Certain video modes can cause the camera to freeze.
- Auto Focus can be slow or even not function with varied model lenses and even different lenses of same model
- Continuous AF and video AF are not supported as performance may be unsatisfactory.
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox Pro Honeycomb Grid for Jupiter 12 Pro Factor LED Light
$ 134.95
Fotodiox Pro Honeycomb Grid for Jupiter 12 Pro Factor LED Light
MFR SKU: LED-FctrJ12-Grid | Helix SKU: FXLEDFctrJ12Grid
Overview
Product Highlights:
- Allows light to be easily directed towards your subject
- Narrows light angle on Factor LED Lights to 90°
- Easy snap-in design controls spill light
- ABS Plastic Frame w/ Powder-Coated Aluminum Honeycomb
- Limited 2-Year Manufacturer Warranty
The Fotodiox Pro Honeycomb Grid for Fotodiox Pro FACTOR Studio Lights focuses the existing light source into a more contained area to fit challenging light requirements. The grid also provides directional control of the light letting you keep light on your subject and off the background, controlling spillage. Simply clip a Honeycomb Grid into place for easily controlled light.
Specifications:
| Materials | ABS Plastic Frame w/ Powder-Coated Aluminum Honeycomb |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox Pro Lens Mount Adapter - Hasselblad H-Mount Digital Backs to Large Format 4x5 View Cameras with a Graflok Rear Standard - Shift / Stitch Adapter with Focusing Screen
$ 439.95
Fotodiox Pro Lens Mount Adapter - Hasselblad H-Mount Digital Backs to Large Format 4x5 View Cameras with a Graflok Rear Standard - Shift / Stitch Adapter with Focusing Screen
MFR SKU: HBH-4x5-Pro | Helix SKU: FX HBH4x5Pro
Overview
Product Highlights:
- Mount a modern camera sensor onto 4x5 view cameras and utilize correction movements (tilts/shifts/swings)
- Preview the full image before taking the first shot with the built in composition screen
- Composition screen has dovetail tracks for various focusing accessories
- Multiple exposures are in a linear array, perfect for flat-stitching to reduce distortion errors inherent in spherical stitching
- 24 Month Manufacturer Warranty
Ever think about using a fantastic Large Format 4x5 camera with a Hasselblad H-Mount film or digital back? Here is your solution! With this adapter you can mount your film or digital back onto popular large format 4x5 view cameras (works on all 4x5 cameras with the standard with graflok back, such as: Cambo, Linhof, Calumet, Horseman, Omega, Toyo, Kodak). This adapter board mounts the backs in a vertical position and slides from side to side allowing more of the scene to be scanned and captured. The sliding board allows focusing and shooting to be done without mounting a separate focusing screen then swapping it out for a digital/film back and vice verse; just slide the full frame focusing screen into place to make the needed tilt/swing/shift adjustments on the camera, then slide the back over to the appropriate marks to fire the shots.
The entire digital image can be compiled using your computer. The sliding adapter allows you to 'scan' the 4x5 back so the multiple images can be stitched together using image editing software into a giant mega-file with amazing detail and clarity! The sliding board has incremental markings to help with positioning and a tension screw lock to keep the sliding board in place during shooting. This Fotodiox Pro-Series mount adapter is machined with pristine precision for the best possible fit. As with all Pro-series adapters, these have been specially crafted to endure professional lenses and repeated use. With unique styling, the lens mount adapter maintains/enhances the professional appearance.
Compatible Cameras:
Cambo, Linhof, Calumet, Horseman, Omega, Toyo, Kodak with graflok back
| Lens Mount | Large Format 4x5 View Cameras with a Graflok Rear Standard |
| Camera Mount | Hasselblad H-Mount Film/Digital Back |
| Manufacturer | Fotodiox Inc. |
| Warranty | 24 Months |
Note:
- The appropriate cable to connect the digital back to the lens is required for use, the cable is not included.
- This is a manual adapter, so lens functions that rely on electronic communication with the camera body (autofocus, AE metering, image stabilization, etc.) will be disrupted.
- 'Focus-By-Wire' lenses (such as Canon's STM or Nikons AF-P) requires power to engage the manual focus rings on the lens, since manual lens mount adapters do not power the lens, those lenses will not be able to focus.
- Set your exposure manually or meter using your camera's Aperture Priority (stop-down) mode.
- If your lens does not have a manual aperture control ring, the lens aperture will revert to its default position, which depending on the lens is either stopped down to its largest f-stop or opened up to its smallest f-stop.
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox Pro Lens Mount Adapter - Mamiya RB67/RZ67 Mount Lens to Nikon F Mount SLR Camera Body with Built-In Focusing Helicoid
$ 199.95 - Vendido
Fotodiox Pro Lens Mount Adapter - Mamiya RB67/RZ67 Mount Lens to Nikon F Mount SLR Camera Body with Built-In Focusing Helicoid
Overview
Features:
Compatible Cameras
Nikon F Mount SLR Cameras - Popular models include:
D7100, D7000, D5300, D5200, D5100, D5000, D3300, D3200, D3100, D3000, D800, D800E, D700, D610, D600, D300, D300S, D200, D100, D50, D60, D70, D80, D90, D40, D40x, N70s, D4, D4S, D3, D3S, D3X, D2, D2H, D2Hs, D2X, D2Xs, D1, D1H, D1X, DF
Whether you're shooting digitally or on film, Fotodiox offers the world's largest selection of lens adapters. Mix camera/lens platforms or reinvigorate vintage glass; Fotodiox has hundreds of ways to mount lenses onto your DSLR or SLR camera. Our adapters deliver infinity focus, manual aperture control, and a sturdy build for lasting quality.
| Lens Mount: | Mamiya RB67/RZ67 Mount Lens |
| Body Mount: | Nikon F Mount SLR Camera |
| Manufacturer: | Fotodiox Inc. |
| Warranty: | 24 Months |
Note:
This is a manual adapter, so lens functions that rely on electronic communication with the camera body (autofocus, AE metering, image stabilization, etc.) will be disrupted.
'Focus-By-Wire' lenses (such as Canon's STM or Nikons AF-P) requires power to engage the manual focus rings on the lens, since manual lens mount adapters do not power the lens, those lenses will not be able to focus
Set your exposure manually or meter using your camera's Aperture Priority (stop-down) mode.
If your lens does not have a manual aperture control ring, the lens aperture will revert to its default position, which depending on the lens is either stopped down to its largest f-stop or opened up to its smallest f-stop.
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox Pro Lens Mount Adapter - Olympus Zuiko (OM) 35mm SLR Lens to Micro Four Thirds (MFT, M4/3) Mount Mirrorless Camera Body
$ 64.95
Fotodiox Pro Lens Mount Adapter - Olympus Zuiko (OM) 35mm SLR Lens to Micro Four Thirds (MFT, M4/3) Mount Mirrorless Camera Body
Fotodiox SKU: OM-MFT-Pro | Helix SKU: FXOMMFTPro
Overview
Features:
Compatible Cameras
MFT Mirrorless Cameras - Popular models include:
Olympus PEN E-PL1, E-PL1s, E-PL2, E-PL3, E-P2, E-P3, E-M, OM-D, E-M5, E-M10
Panasonic Lumix DMC-G1, G2, G3, G10, GX1, GH1, GH2, GF1, GF2, GF3, GF5, GH4
Panasonic AG-AF100 Mirrorless Digital Cameras
Black Magic Pocket Cinema Camera (BMPCC)
Mirrorless cameras aren't only revolutionary because of their compact size; they're even more versatile for mounting lenses than their full-sized counterparts! Fotodiox offers strong support for mirrorless camera platforms with hundreds of options for mounting both modern and vintage lenses. Our adapters deliver infinity focus, manual aperture control, and a sturdy build for lasting quality.
| Lens Mount: | Olympus Zuiko (OM) 35mm SLR Lens |
| Body Mount: | Micro Four Thirds (MFT, M4/3) Mount Mirrorless Camera Body |
| Manufacturer: | Fotodiox Inc. |
| Warranty: | 24 Months |
Note:
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox Pro Lens Mount Adapter Compatible with Canon FD & FL 35mm SLR lens to Canon EOS (EF, EF-S)
$ 59.95
Fotodiox Pro Lens Mount Adapter Compatible with Canon FD & FL 35mm SLR lens to Canon EOS (EF, EF-S)
Fotodiox SKU: FD-EOS-Pro-FC10 | Helix SKU: FXFDEOSProFC10
Overview
Whether you're shooting digitally or on film, Fotodiox offers the world's largest selection of lens adapters. Mix camera/lens platforms or reinvigorate vintage glass; Fotodiox has hundreds of ways to mount lenses onto your DSLR or SLR camera. Our adapters deliver infinity focus and a sturdy build for lasting quality. From standard to portrait, tilt/shift to wide angle - Fotodiox adapters are designed to offer an inexpensive system that enables you to choose from a vast range of lenses to better suit your needs.
One of the problems of using manual focus lenses on Canon EOS bodies is that focus confirmation is disabled. When AF lenses are used - even in manual focus mode - all Canon EOS bodies confirm focus with a green dot in the viewfinder and an (optional) audible beep. However when non-EF compatible lenses are used via an adapter, the focus confirmation is disabled. Unless the camera thinks that an EF compatible lens is attached to it, it switches off both visual and audible focus indication.
Focus confirmation chips 'trick' the Canon EOS body into thinking an EF lens was attached, so that the focus confirmation indicators work with any lens attached. Focus confirmation chips are great because:
- Without live focus, all that is available is a smooth dim viewfinder
- Even with live focus screen it's really hard to see when focus is properly achieved on the subject you want.
Those old split prism viewfinders made a huge difference when focusing, kind of like your own phase detect focusing system.
The leaf spring design in the adapter holds the lens tight to the adapter, mimicking the leaf springs in the camera body, ensuring there is no play between the camera and the lens. The all metal design and polished surface are designed to guarantee a smooth mounting experience for years to come. The depth of the adapters are designed to take into account the differences in focal flange distances between the lens and camera ensuring that all lenses, both brand name and third party, will focus at least to infinity (if not slightly past).
Fotodiox Pro adapters are designed with tight tolerances to create a solid, gap free, no play, no wiggle connection with no adjustments ever needed. The precision all-metal construction with chrome plated brass mounts for a secure and solid fit are backed by the Fotodiox 24-month warranty.
Compatibility
Canon EOS (EF, EF-S) Mount Camera Compatibility - Popular models include:
• 5D Mk IV / 1Ds / 1Ds Mk II / 1Ds Mk III / 1D X / 1D X Mk II
• 5D / 5D Mk II / 5D Mrk III / 6D - Firmware v1.3.3 (later versions not tested)
• 40D / 50D / 60D / 70D / 80D / 77D / 6D Mk II / 7D / 7D Mk II - Firmware v1.0.3 (later versions not tested)
• 100D / 200D / 350D / 400D / 450D / 500D / 600D / 650D / 700D / 750D / 760D / 800D / 1200D / 1300D - Firmware v1.0.3 (later versions not tested)
Fotodiox Pro Lens Mount Adapter Compatible with Nikon Nikkor F Mount G-Type D/SLR Lenses to Nikon Z-Mount
$ 69.95
Fotodiox Pro Lens Mount Adapter Compatible with Nikon Nikkor F Mount G-Type D/SLR Lenses to Nikon Z-Mount
MFR SKU: NikGNikZPRO | Helix SKU: FXNikGNikZPRO
Overview
Features:
Fotodiox Pro Lens Mount Adapter, Canon RF Mount Mirrorless Camera Body to Large Format 4x5 View Cameras with a Graflok Rear Standard - Shift / Stitch Adapter
$ 219.95 - Vendido
Fotodiox Pro Lens Mount Adapter, Canon RF Mount Mirrorless Camera Body to Large Format 4x5 View Cameras with a Graflok Rear Standard - Shift / Stitch Adapter
MFR SKU: 4x5-CRF-P | Helix SKU: FX4x5CRFP
Overview
Product Highlights:
Ever think about using a fantastic Large Format 4x5 camera with a Sony E-Mount D/SLR camera? Here is your solution! With this adapter you can mount your film or digital back onto popular large format 4x5 view cameras (works on all 4x5 cameras with the standard with graflok back, such as: Cambo, Linhof, Calumet, Horseman, Omega, Toyo, Kodak). This adapter board mounts the backs in a vertical position and slides from side to side allowing more of the scene to be scanned and captured.
The entire digital image can be compiled using your computer. The sliding adapter allows you to 'scan' the 4x5 back so the multiple images can be stitched together using image editing software into a giant mega-file with amazing detail and clarity! The sliding board has incremental markings to help with positioning and a tension screw lock to keep the sliding board in place during shooting. This Fotodiox Pro-Series mount adapter is machined with pristine precision for the best possible fit. As with all Pro-series adapters, these have been specially crafted to endure professional lenses and repeated use. With unique styling, the lens mount adapter maintains/enhances the professional appearance.
Specifications:
| Lens Mount | Large Format 4x5 View Cameras with a Graflok Rear Standard |
| Camera Mount | Canon RF Mount Mirrorless Camera Body |
| Product Dimensions | 1.7 x 4.8 x 7.5 in (4.3 x 12.1 x 19 cm) 1 lb (15.8 oz) |
| Shipping Dimensions | 3 x 6 x 9 in (7.6 x 15.2 x 22.9 cm) 2 lb (32 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox Pro Lens Mount Auto Adapter - Canon EOS (EF / EF-S) D/SLR Lens to Canon EOS M (EF-M Mount) Mirrorless Camera Body - with Full Automated Functions
$ 49.95
Fotodiox Pro Lens Mount Auto Adapter - Canon EOS (EF / EF-S) D/SLR Lens to Canon EOS M (EF-M Mount) Mirrorless Camera Body - with Full Automated Functions
Fotodiox SKU: EOS-EOSM-Pro-Auto | Helix SKU: FXEOSEOSMProAuto
Overview
Features:
Compatible Cameras
Canon EF-M Cameras - Popular models include:
Canon EOS M, M2, M3, M5, M10
Mirrorless cameras aren't only revolutionary because of their compact size; they're even more versatile for mounting lenses than their full-sized counterparts! Fotodiox offers strong support for mirrorless camera platforms with hundreds of options for mounting both modern and vintage lenses. Our adapters deliver infinity focus, manual aperture control, and a sturdy build for lasting quality.
| Lens Mount: | Canon EOS (EF / EF-S) D/SLR Lens |
| Body Mount: | Canon EOS M (EF-M) Mount Mirrorless Camera Body |
| Manufacturer: | Fotodiox Inc. |
| Warranty: | 24 Months |
Note:
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox Pro TLT ROKR - Tilt / Shift Lens Mount Adapter for Nikon Nikkor F Mount G-Type D/SLR Lenses to Sony Alpha E-Mount Mirrorless Camera Body
$ 219.95
Fotodiox Pro TLT ROKR - Tilt / Shift Lens Mount Adapter for Nikon Nikkor F Mount G-Type D/SLR Lenses to Sony Alpha E-Mount Mirrorless Camera Body
MFR SKU: TLTROKR-NikG-SnyE | Helix SKU: FXTLTROKRNikGSnyE
Overview
Product Highlights:
• Adapter allows lens to 20mm total shift and 10 degrees of tilt
• 360 degrees of rotation built in
• Bring new life to vintage work horse lenses
• Enhanced craftsmanship and high-tolerance construction for demanding professionals
• Limited 2-Year Manufacturer Warranty
Adapter allows lens to 20mm total shift and 10 degrees of tilt
The Fotodiox Pro TLT ROKR adapters allow for a 10mm shift left and right as well as the ability to tilt 10 degrees one way for perspective correction. The shift functionality of the TLT ROKR allows for distortion control and the ability to experiment with creative effects. As well as providing correction for parallax issues, the tilt correction will allow for greater composition control by allowing the separation of objects within the same plane. This will help to highlight the key items in the composition without the need to rearrange or rethink your setup. Utilizing both tilt and shift provides new levels of technical control.
360 degrees of rotation built in
The addition of 360 degree rotating mechanism allows for tilt or shift in any direction desired. The simple mechanism will allow you to adjust tilt and shift in landscape orientation and rotate 90 degrees to achieve the same correction in portrait with no further adjustments.
Bring new life to vintage work horse lenses
Use our TLT ROKR adapter to mount Nikon Nikkor F Mount G-Type D/SLR Lenses to Sony Alpha E-Mount mirrorless camera bodies with the added benefit of distortion control. The TLT ROKR adapters add the ability to tilt and shift these legendary lenses on your Fuji system giving you even more control of your images.
Whether you're shooting digitally or on film, Fotodiox offers the world's largest selection of lens adapters. Mix camera/lens platforms or reinvigorate vintage glass; Fotodiox has hundreds of ways to mount lenses onto your DSLR or SLR camera. Our adapters deliver infinity focus, manual aperture control, and a sturdy build for lasting quality.
Enhanced craftsmanship for demanding professionals
Our TLT ROKR adapters are designed with precision tolerance that creates a solid, gap free, no play, no wiggle connection with no adjustments needed. Precision all-metal construction with chrome plated brass mounts for a secure and solid fit backed by our 24 month Fotodiox warranty.
Compatibility:
Sony Alpha E-Mount Cameras - Popular models include:
• Sony Alpha α7/7R/7S, α7/7R/7S II, α7/7R/7S III, α9
• Sony Alpha a5000, a5100, a6000,a6300, a6500
• Sony Alpha NEX-3, NEX-5/5N/5R/5T, NEX-6, NEX-7, NEX-C3, NEX-F3
• Sony Alpha QX1
Specifications:
| Lens Mount: | Nikon Nikkor F Mount G-Type D/SLR Lens |
| Body Mount: | Sony Alpha E-Mount Mirrorless Camera Body |
| Product Dimensions | 4.1" (10.5cm) x 3.7" (9.3cm) x 1.7" (4.3cm) @ 0.59 lb (9.5 oz) |
| Shipping Dimensions | 5.1" (13cm) x 4" (10.3cm) x 2.2" (5.6cm) @ 0.875 lb (14 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox Universal Barn Door Barndoor Kit with Honeycomb grid (45 Degree), Diffusion and Color Gels for Strobe Light with 5.5" - 7" Reflector
$ 29.95
Fotodiox Universal Barn Door Barndoor Kit with Honeycomb grid (45 Degree), Diffusion and Color Gels for Strobe Light with 5.5" - 7" Reflector
Fotodiox SKU: BarndoorKit-Universal | Helix SKU: FXBarndoorKitUniversal
Overview
The Universal Barndoor Kit comes with a grid and three color gels within metal frames. Barndoor devices alter the shape, amount, or color of the light output from the flash heads. The universal barndoor fits a reflector diameter of 5.5-7in and also has a built-in holder for metal and color gels.
Using a barndoor set attached to the front of the reflector of your light source will allow you to control the light cast on a subject. The more leaves on a barndoor set and the longer the leaves are, the more the light 'beam' may be specifically controlled. Positioning of the leaves will determine the size of the light shaft. Rotating the leaves will determine the angle of the shaft of light. A 4-leaf barndoor provides more light control than a 2-leaf barndoor set.
Product Highlights:
In the Box
Fotodiox WonderPana 145 Core Filter Holder Compatible with Rokinon / Samyang AF 14mm f/2.8 RF & FE Lenses - Ultra Wide Angle Lens Filter Adapter
$ 124.95
Fotodiox WonderPana 145 Core Filter Holder Compatible with Rokinon / Samyang AF 14mm f/2.8 RF & FE Lenses - Ultra Wide Angle Lens Filter Adapter
MFR SKU: WPFA-Core-SY14F28 | Helix SKU: FXWPFACoreSY14F28
Overview
FreeArc Core + Cap
de $ 49.95
Fotodiox WonderPana 145 Step-Up Ring from Fotodiox Pro - Anodized Black Metal Step Up Ring for 77mm, 82mm or 95mm Lens Threads to WonderPana 145mm Round Filters
$ 49.95 $ 49.95
Product Highlights:
The WonderPana 145 Step-Up Ring provides the freedom to use and share 145mm round filters on all of your regular lenses. Fotodiox step-up rings are made with precision out of premium grade aluminum. Every ring is inspected to ensure smooth mounting and is polished and finished with anodized matte surface for professional appearance. Step up rings allow larger sized filters to fit on lenses with smaller sized filter threads.
This step ring will allow the WonderPana145 filters (with a 145mm thread) to fit on lenses with a 77mm, 82mm or 95mm threaded front. Smaller step up rings can be used to adapt to smaller sized lenses (ie; if your lens has a 58mm filter thread, the 58-77mm and 77-145mm step up rings would be used together) and can be purchased separately.
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WonderPana 145 Step-Up Ring Options
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|
|
WonderPana 145
Step-Up Ring Only |
WonderPana FreeArc
Step-Up Kit |
|
|
|
| Materials | Premium Grade Anodized Aluminum |
| Product Dimensions | 5.9 x 5.9 x 0.4 in (14.9 x 14.9 x 1 cm) @ 0.3 lb (4.2 oz) |
| Shipping Dimensions | Ring: 7 x 8 x 2 in (17.8 x 20.3 x 5.1 cm) @ 0.6 lb (10 oz) Kit: 7 x 8 x 4 in (17.8 x 20.3 x 10.2 cm) @ 1.4 lb (22 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
WonderPana 145 & FreeArc Filter Holder Systems (145mm/168x216mm)
WonderPana 145 Step-Up Rings (145mm/168x216mm)
WonderPana 145 & FreeArc Round Filters (145mm)
WonderPana 66 Rectangular Filters (168x216mm)
WonderPana 66 Upgrade Bracket - For Adding 6.6in Rectangular Filters to the WonderPana Holder
WonderPana 145mm Replacement Lens Cap for the WonderPana 145 or FreeArc Systems
WonderPana 145mm Replacement Metal Lens Cap for the WonderPana 145 or FreeArc Systems
Fotodiox WonderPana 186mm Slim Circular Polarizer (CPL) Filter
$ 149.95
Fotodiox WonderPana 186mm Slim Circular Polarizer (CPL) Filter
MFR SKU: WndPn186-CPL | Helix SKU: FXWndPn186CPL
Overview
Product Highlights:
Fotodiox Pro 186mm Slim CPL Filter is a double threaded circular polarizer (CPL) filter made of optical glass and featuring a rotating ring to allow for light ray selection. Remove unwanted reflections from non-metallic surfaces such as water or glass. CPL Filters are used to select which light rays enter your camera lens. CPL filters can also be used to saturate colors and to provide better contrast. The effect can be seen through the cameras viewfinder and changed by rotating the filter ring. The filter factor varies according to how the filter is rotated and its orientation to the sun or light source (approx. 0.3-3 stops). Typical applications include darkening skies and adding contrast to clouds, eliminating water reflection and window/glass/eyeglass reflection. CPL filters are specifically designed for use with auto-focus SLR cameras (They will also work on manual focus systems and video cameras without problems).
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Product Dimensions | 7.5 x 7.5 x 0.4 in (19 x 19 x 1 cm) 0.4 lb (6.9 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 186mm Slim Multi-Coated Ultra Violet (MC-UV) Filter
$ 99.95
Fotodiox WonderPana 186mm Slim Multi-Coated Ultra Violet (MC-UV) Filter for WonderPana 186 Systems
MFR SKU: WndPn186-UV | Helix SKU: FXWndPn186UV
Overview
Product Highlights:
- Premium grade optical glass filter; high quality, double threaded, slim UV filter
- Premium grade anodized aluminum ring; 186mm x 1mm standard filter thread
- Protects the lens from damage and dust while minimizing haze
- Other 186mm Filters Include: UV, CPL, MC-CPL, Slim ND4/8/16/32/1000
- Limited 2-Year Manufacturer Warranty
Fotodiox Pro 186mm Slim UV Filter is designed to prevent glare and provide the lens with additional protection. The filter is double threaded and thinner than a standard filter to minimize any possibility of vignetting when used with a WonderPana filter system. Helpful when photographing mountain and marine scenes, where increased haze threatens to make your photographs indistinct in color and clarity, UV filters are wise investments. They help protect your camera from dust, moisture and scratches. If desired, they may be left on the lens at all times for protection. UV filters provide additional benefits of correction for Ultraviolet (UV) light, which can register on film and videotape as a bluish cast and can obscure distant details. Ultraviolet filters allow you to correct for the UV effect to varying degrees.
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Product Dimensions | 7.5 x 7.5 x 0.3 in (19 x 19 x 0.8 cm) 0.3 lb (5.2 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 186mm Slim Neutral Density 1000 (10-Stop) Filter - Slim ND1000 Filter
$ 299.95
Fotodiox WonderPana 186mm Slim Neutral Density 1000 (10-Stop) Filter - Slim ND1000 Filter (Works with WonderPana 186 Systems)
MFR SKU: WndPn186-ND1000 | Helix SKU: FXWndPn186ND1000
Overview
Product Highlights:
Fotodiox Pro 186mm Slim ND1000 Filter is a true neutral density filter designed to darken the image by 10 stops. The filter is double threaded and thinner than a standard filter to minimize any possibility of vignetting when used with a WonderPana 186 filter system. It features an even, neutral gray color for creative photography applications. ND1000 filter offers a 10-stop EV value which allows you to slow down the shutter speed or use a larger aperture in bright light conditions. Neutral Density filters have their unique applications and offer the possibility of achieving otherwise impossible results. ND filters reduces the amount of light reaching the film/CCD. Fotodiox ND filters are neutral grey and do not color cast the images.
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Density | +10 Stop EV Value |
| Product Dimensions | 7.5 x 7.5 x 0.3 in (19 x 19 x 0.8 cm) 0.3 lb (5.4 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 186mm Slim Neutral Density 16 (4-Stop) Filter - Slim ND16 Filter
$ 139.95
Fotodiox WonderPana 186mm Slim Neutral Density 16 (4-Stop) Filter - Slim ND16 Filter (Works with WonderPana 186 Systems)
MFR SKU: WndPn186-ND16 | Helix SKU: FXWndPn186ND16
Overview
Product Highlights:
- Premium Grade Optical Glass Filter; High Quality, Single Threaded, Slim ND16 Filter
- Premium Grade Anodized Aluminum Ring, 186mm x 1mm Standard Filter Thread
- Enables slow shutter speeds to be used, allowing film to record movement in subjects such as waterfalls, clouds, or cars
- Decrease depth of field by allowing wider apertures to be used, in turn helping to separate subjects from their background
- Decrease the effective ISO of high-speed film and allow it to be used outdoors in bright situations
- Allows video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes that can cause overexposure
- Other 186mm Filters Include: UV, CPL, MC-CPL, Slim ND4/8/16/32/1000
- Limited 2-Year Manufacturer Warranty
Fotodiox Pro 186mm Slim ND16 Filter is a true neutral density filter designed to darken the image by 4 stops. The filter is double threaded and thinner than a standard filter to minimize any possibility of vignetting when used with a WonderPana 186 filter system. It features an even, neutral gray color for creative photography applications. ND16 filter offers a 4-stop EV value which allows you to slow down the shutter speed or use a larger aperture in bright light conditions. Neutral Density filters have their unique applications and offer the possibility of achieving otherwise impossible results. ND filters reduces the amount of light reaching the film/CCD. Fotodiox ND filters are neutral grey and do not color cast the images.
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Density | +4 Stop EV Value |
| Product Dimensions | 7.5 x 7.5 x 0.3 in (19 x 19 x 0.8 cm) 0.3 lb (5.4 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 186mm Slim Neutral Density 32 (5-Stop) Filter - Slim ND32 Filter
$ 139.95
Fotodiox WonderPana 186mm Slim Neutral Density 32 (5-Stop) Filter - Slim ND32 Filter (Works with WonderPana 186 Systems)
MFR SKU: WndPn186-ND32 | Helix SKU: FXWndPn186ND32
Overview
Product Highlights:
- Premium Grade Optical Glass Filter; High Quality, Single Threaded, Slim ND32 Filter
- Premium Grade Anodized Aluminum Ring, 186mm x 1mm Standard Filter Thread
- Enables slow shutter speeds to be used, allowing film to record movement in subjects such as waterfalls, clouds, or cars
- Decrease depth of field by allowing wider apertures to be used, in turn helping to separate subjects from their background
- Decrease the effective ISO of high-speed film and allow it to be used outdoors in bright situations
- Allows video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes that can cause overexposure
- Other 186mm Filters Include: UV, CPL, MC-CPL, Slim ND4/8/16/32/1000
- Limited 2-Year Manufacturer Warranty
Fotodiox Pro 186mm Slim ND32 Filter is a true neutral density filter designed to darken the image by 5 stops. The filter is double threaded and thinner than a standard filter to minimize any possibility of vignetting when used with a WonderPana 186 filter system. It features an even, neutral gray color for creative photography applications. ND32 filter offers a 5-stop EV value which allows you to slow down the shutter speed or use a larger aperture in bright light conditions. Neutral Density filters have their unique applications and offer the possibility of achieving otherwise impossible results. ND filters reduces the amount of light reaching the film/CCD. Fotodiox ND filters are neutral grey and do not color cast the images.
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Density | +5 Stop EV Value |
| Product Dimensions | 7.5 x 7.5 x 0.3 in (19 x 19 x 0.8 cm) 0.3 lb (5.4 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 186mm Slim Neutral Density 4 (2-Stop) Filter - Slim ND4 Filter
$ 99.95
Fotodiox WonderPana 186mm Slim Neutral Density 4 (2-Stop) Filter - Slim ND4 Filter (Works with WonderPana 186 Systems)
MFR SKU: WndPn186-ND4 | Helix SKU: FXWndPn186ND4
Overview
Product Highlights:
- Premium Grade Optical Glass Filter; High Quality, Single Threaded, Slim ND4 Filter
- Premium Grade Anodized Aluminum Ring, 186mm x 1mm Standard Filter Thread
- Enables slow shutter speeds to be used, allowing film to record movement in subjects such as waterfalls, clouds, or cars
- Decrease depth of field by allowing wider apertures to be used, in turn helping to separate subjects from their background
- Decrease the effective ISO of high-speed film and allow it to be used outdoors in bright situations
- Allows video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes that can cause overexposure
- Other 186mm Filters Include: UV, CPL, MC-CPL, Slim ND4/8/16/32/1000
- Limited 2-Year Manufacturer Warranty
Fotodiox Pro 186mm Slim ND4 Filter is a true neutral density filter designed to darken the image by 2 stops. The filter is double threaded and thinner than a standard filter to minimize any possibility of vignetting when used with a WonderPana 186 filter system. It features an even, neutral gray color for creative photography applications. ND4 filter offers a 2-stop EV value which allows you to slow down the shutter speed or use a larger aperture in bright light conditions. Neutral Density filters have their unique applications and offer the possibility of achieving otherwise impossible results. ND filters reduces the amount of light reaching the film/CCD. Fotodiox ND filters are neutral grey and do not color cast the images.
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Density | +2 Stop EV Value |
| Product Dimensions | 7.5 x 7.5 x 0.3 in (19 x 19 x 0.8 cm) 0.3 lb (5.4 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 186mm Slim Neutral Density 8 (3-Stop) Filter - Slim ND8 Filter
$ 99.95
Fotodiox WonderPana 186mm Slim Neutral Density 8 (3-Stop) Filter - Slim ND8 Filter (Works with WonderPana 186 Systems)
MFR SKU: WndPn186-ND8 | Helix SKU: FXWndPn186ND8
Overview
Product Highlights:
- Premium Grade Optical Glass Filter; High Quality, Single Threaded, Slim ND8 Filter
- Premium Grade Anodized Aluminum Ring, 186mm x 1mm Standard Filter Thread
- Enables slow shutter speeds to be used, allowing film to record movement in subjects such as waterfalls, clouds, or cars
- Decrease depth of field by allowing wider apertures to be used, in turn helping to separate subjects from their background
- Decrease the effective ISO of high-speed film and allow it to be used outdoors in bright situations
- Allows video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes that can cause overexposure
- Other 186mm Filters Include: UV, CPL, MC-CPL, Slim ND4/8/16/32/1000
- Limited 2-Year Manufacturer Warranty
Fotodiox Pro 186mm Slim ND8 Filter is a true neutral density filter designed to darken the image by 3 stops. The filter is double threaded and thinner than a standard filter to minimize any possibility of vignetting when used with a WonderPana 186 filter system. It features an even, neutral gray color for creative photography applications. ND8 filter offers a 3-stop EV value which allows you to slow down the shutter speed or use a larger aperture in bright light conditions. Neutral Density filters have their unique applications and offer the possibility of achieving otherwise impossible results. ND filters reduces the amount of light reaching the film/CCD. Fotodiox ND filters are neutral grey and do not color cast the images.
Specifications:
| Materials | Hardened Anodized Aluminum Optical Grade Glass |
| Thread Size | 186mm x 1mm Standard Thread |
| Density | +3 Stop EV Value |
| Product Dimensions | 7.5 x 7.5 x 0.3 in (19 x 19 x 0.8 cm) 0.3 lb (5.4 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) 0.6 lb (10 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fotodiox WonderPana 200mm x 260mm Graduated Neutral Density 0.6 (Grad-ND4, 2-Stop) Soft Edge Filter for WonderPana 80 Filter Systems
$ 199.95
Fotodiox WonderPana 200mm x 260mm Graduated Neutral Density 0.6 (Grad-ND4, 2-Stop) Soft Edge Filter for WonderPana 80 Filter Systems
MFR SKU: 8x10ND-.6SE | Helix SKU: FX8x10ND6SE
Overview
Product Highlights:
- Provides up to a 2-stop reduction of light in selective areas
- Soft-edged line of transition between the dense and clear areas
- Filter does not affect the overall coloration of the image
- Constructed from optical polycarbonate (CR39) for clarity and durability
- Other WP80 Filters Include: 0.6 & 0.9 in Hard & Soft Edges
- Limited 2-Year Manufacturer Warranty
The Fotodiox WonderPana 80 Soft-Edge Graduated Neutral Density 0.6 Filter is designed for use with the WonderPana 80 filter holder system. It helps to darken specific areas of an image, such as bright skies, while allowing for a normal, unaffected exposure in the other regions of the image. The filter is densest at the top edge and tapers to clear by the middle, with a softer edged line of transition between the dense and clear areas. Neutral density filters do not affect the coloration of the image and this filter provides up to a 2-stop reduction in light from entering the lens.
Specifications:
| Construction | Premium Grade Optical Polycarbonate (CR39) |
| Density | +2 Stop EV Value (at Densest Edge) |
| Product Dimensions | 7.9 x 10.2 x 0.08 in (20 x 26 x 0.2 cm) @ 0.3 lb (5.2 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) @ 0.6 lb (9 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox WonderPana 200mm x 260mm Graduated Neutral Density 0.9 (Grad-ND8, 3-Stop) Hard Edge Filter for WonderPana 80 Filter Systems
$ 199.95
Fotodiox WonderPana 200mm x 260mm Graduated Neutral Density 0.9 (Grad-ND8, 3-Stop) Hard Edge Filter for WonderPana 80 Filter Systems
MFR SKU: 8x10ND-.9HE | Helix SKU: FX8x10ND9HE
Overview
Product Highlights:
- Provides up to a 3-stop reduction of light in selective areas
- Hard-edged line of transition between the dense and clear areas
- Filter does not affect the overall coloration of the image
- Constructed from optical polycarbonate (CR39) for clarity and durability
- Other WP80 Filters Include: 0.6 & 0.9 in Hard & Soft Edges
- Limited 2-Year Manufacturer Warranty
The Fotodiox WonderPana 80 Hard-Edge Graduated Neutral Density 0.9 Filter is designed for use with the WonderPana 80 filter holder system. It helps to darken specific areas of an image, such as bright skies, while allowing for a normal, unaffected exposure in the other regions of the image. The filter is densest at the top edge and tapers to clear by the middle, with a harder edged line of transition between the dense and clear areas. Neutral density filters do not affect the coloration of the image and this filter provides up to a 3-stop reduction in light from entering the lens.
Specifications:
| Construction | Premium Grade Optical Polycarbonate (CR39) |
| Density | +3 Stop EV Value (at Densest Edge) |
| Product Dimensions | 7.9 x 10.2 x 0.08 in (20 x 26 x 0.2 cm) @ 0.3 lb (5.2 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) @ 0.6 lb (9 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox WonderPana 200mm x 260mm Graduated Neutral Density 0.9 (Grad-ND8, 3-Stop) Soft Edge Filter for WonderPana XL Filter Systems
$ 199.95
Fotodiox WonderPana 200mm x 260mm Graduated Neutral Density 0.9 (Grad-ND8, 3-Stop) Soft Edge Filter for WonderPana XL Filter Systems
MFR SKU: 8x10ND-.9SE | Helix SKU: FX8x10ND9SE
Overview
Product Highlights:
- Provides up to a 3-stop reduction of light in selective areas
- Soft-edged line of transition between the dense and clear areas
- Filter does not affect the overall coloration of the image
- Constructed from optical polycarbonate (CR39) for clarity and durability
- Other WP80 Filters Include: 0.6 & 0.9 in Hard & Soft Edges
- Limited 2-Year Manufacturer Warranty
The Fotodiox WonderPana 80 Soft-Edge Graduated Neutral Density 0.9 Filter is designed for use with the WonderPana 80 filter holder system. It helps to darken specific areas of an image, such as bright skies, while allowing for a normal, unaffected exposure in the other regions of the image. The filter is densest at the top edge and tapers to clear by the middle, with a softer edged line of transition between the dense and clear areas. Neutral density filters do not affect the coloration of the image and this filter provides up to a 3-stop reduction in light from entering the lens.
Specifications:
| Construction | Premium Grade Optical Polycarbonate (CR39) |
| Density | +3 Stop EV Value (at Densest Edge) |
| Product Dimensions | 7.9 x 10.2 x 0.08 in (20 x 26 x 0.2 cm) @ 0.3 lb (5.2 oz) |
| Shipping Dimensions | 11 x 14 x 1.5 in (28 x 35.6 x 3.8 cm) @ 0.6 lb (9 oz) |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.
Fotodiox WonderPana Absolute Core Unit for the Canon 14mm Super Wide Angle EF f/2.8L II USM Lens - 130mm Adapter Ring
$ 124.95
Fotodiox WonderPana Absolute Core Unit for the Canon 14mm Super Wide Angle EF f/2.8L II USM Lens - 130mm Adapter Ring
MFR SKU: WPAB-CA14-Core | Helix SKU: FXWPABCA14Core
Overview
Product Highlights:
- For Canon EF 14mm f/2.8L II USM
- WonderPana Absolute Core Unit
- Enables Use of Lee SW-150 Holder
- Enables Use of Cokin X-Pro Holder
The kit contains a WonderPana Absolute 150mm filter holder adapter ring for the Lee SW-150 filter system, a 130mm WonderPana Absolute filter holder adapter ring and a filter holder for both the Cokin X-Pro and FotodioX Pro 130mm filter systems, a 145mm WonderPana Absolute filter adapter ring for 145mm FotodioX round filters, a lens-dedicated retention ring, plus a 145mm inner-pinch lens cap for 145mm FotodioX round filters.
Each individual adapter ring attaches directly to the lens-dedicated retention ring and will not interfere with the Canon EF 14mm f/2.8L II USM lens's zoom capability. The adapter ring for a Lee SW-150 filter holder, as well as the adapter ring for the Cokin X-Pro and FotodioX Pro 130mm filter holders, securely connect to their compatible filter holders. They each allow for a filter holder's free rotation around the lens to complement the use of LEE SW-150, Cokin X-Pro, or FotodioX Pro 130mm graduated neutral density or other filters that are enhanced by varied positioning. Compatible filters can be screwed into the filter adapter ring for 145mm FotodioX round filters. Each adapter ring is designed to help avoid any vignetting. The retention ring and adapter rings within this kit are constructed using aluminum-alloy for durability while remaining lightweight.
The FotodioX Pro 130mm Filter Holder is designed to accommodate multiple Cokin X-Pro series or FotodioX Pro 130mm filters in order to help create the shot you envision. In its standard front-facing position, it can hold up to two rectangular filters for the Cokin X-Pro series or FotodioX Pro 130mm filter holders. Two adjustable, rear-facing brass tension knobs allow the FotodioX Pro 130mm Filter Holder to be rotated or locked into place while installed on a compatible adapter ring and facing front. To further avoid vignetting when needed, the filter holder can be placed in a reverse-facing position where it cannot rotate, but can hold one Cokin X-Pro series or one FotodioX Pro 130mm filter closer to the front of a lens it is used with.
Rectangular Cokin X-Pro series or FotodioX Pro 130mm filters are 130mm-wide and 2.9mm-thick. A FotodioX Pro 130mm filter holder adapter ring or Cokin X-Pro series filter holder adapter ring can be used to connect this plastic filter holder to the front of a lens.
The FotodioX 145mm Center-Pinch Snap-On Lens Cap for Select WonderPana Systems and Filters is a 145mm front lens cap with a squeeze, spring, and snap-on mechanism. It is easy to install as well as remove, and can attach to a WonderPana 145, FreeArc, or Absolute filter holder system in order to protect the front element of a lens that any one of those systems are mounted on. Additionally, this lens cap can be used to protect a non-slim FotodioX WonderPana 145 filter that is mounted on a FotodioX WonderPana 145, FreeArc, or Absolute filter holder system and has no other filters placed in front of it.
Specifications:
|
Fotodiox WonderPana Filter Holder for Olympus 7-14mm f/2.8 M.ZUIKO Digital ED PRO Lens (Micro-4/3 Format) - Ultra Wide Angle Lens Filter Adapter
$ 124.95
Fotodiox WonderPana Filter Holder for Olympus 7-14mm f/2.8 M.ZUIKO Digital ED PRO Lens (Micro-4/3 Format) - Ultra Wide Angle Lens Filter Adapter
MFR SKU: WP145-Core-OM714-MFT28-Cap | Helix SKU: FXWP145CoreOM714MFT28Cap
Overview
Product Highlights:
• Provides the ability to mount a variety of 145mm filters and more!
• Doubles as a hood to help protect your lens from damage, scratches, fingerprints and the elements
• Lightweight, aluminum-alloy construction with a corrosion-resistant, black anodized finish for durability
• Attaches to the lens securely as if it was a part of the lens itself, ultra wide construction to eliminate vignetting
• Limited 2-Year Manufacturer Warranty
WonderPana Overview
Challenging shooting scenarios often call for adding a lens filter to save the shot. However when you're shooting with an Wide Angle or Ultra Wide Angle lens, the bulbous front lens element and lack of threads make it impossible to add filters - until WonderPana. The WonderPana is a complete filter system designed expressly for filtering UWA and WA lenses without vignetting.
With a selection of 20+ different custom lens mounts, plus over 25 different filters, there is a perfect creative combination for any photographer or videographer. We offer 145mm round circular polarizer filters, neutral density ND4-1000, and a selection of 6.6" soft and hard edged rotating square gradient filters.
WonderPana FreeArc Core Option
- If you want to use rectangular graduated filters or mix both round and graduated filters and rotate them to set the horizon line wherever you want, this is for you!
Comprising the dedicated filter holder and a optional bracket for attaching 6.6"-wide rectangular filters, this WonderPana FreeArc Core Filter Holder and 6.6" add-on bracket from Fotodiox enables attaching 145mm threaded filters and caps to the lens, which itself lacks filter threads, the bracket can be added for working with 6.6"-wide square and rectangular filters. Once assembled, the entire system rotates a full 360° for flexible placement of the filter in use.
The optional Fotodiox WonderPana 6.6" Holder Bracket is a two-piece assembly designed to be used in combination with a Fotodiox WonderPana FreeArc Core Unit. When attached it then allows for the convenient use of two 2.5 to 4.0mm-thick filters measuring 6.6in wide, or one 6.6in wide filter along with one 145mm round filter behind it. The WonderPana 6.6" Holder Bracket features a lightweight, aluminum-alloy construction that has a corrosion-resistant, black anodized finish for durability. A rigid pouch is included for storage and transport.
In The Box:
Specifications:
|
FreeArc Core
|
|
| Product Dims | 19 x 15 x 3.8cm @ 12.1oz |
| Shipping Dims | 18 x 18 x 18cm @ 22oz |
| Manufacturer | Fotodiox Inc. |
| Warranty | Limited 24-Months |
Fujifilm EF-X500 TTL Speedlight
$ 449.95 - Vendido
Fujifilm EF-X500 TTL Speedlight
Fuji SKU: 16514118 | Helix SKU: FJ16514118
Overview
- Low-profile, premium design that is perfectly suited to compact and lightweight X-Series cameras.
- High-speed synchronization (FP) that supports the 1/8000 sec. shutter found in the FUJIFILM X-Pro2.
- Multiple flash-unit TTL auto function unleashes users' creativity by allowing them to control any lighting conditions.
- Weather and dust resistant making it the perfect companion for the FUJIFILM X-T1 and X-Pro2, which have the same levels of protection.
FP flash (high-speed flash sync) freeing photographers from worrying about shutter speed
With cameras equipped with a focal plane shutter, when the shutter speed is high, the first and second shutter curtains move across at the same time, making the exposure through a narrow vertical slit between them. Because of this, light from a conventional flash can only reach a small section of the sensor. This is why a slower shutter speed must be used in flash photography, with the range of available shutter speeds severely limited.
EF-X500 supports the FP mode (high-speed flash sync), in which the flash outputs continuous light while the first and second curtains travel across the sensor, thereby enabling flash photography at any shutter speed.
When shooting with a near-maximum aperture to create beautiful bokeh, the shutter speed tends to go higher. This flash mode frees photographers from having to be conscious about shutter speed limitations, and instead allows them to focus on shooting.
Wireless multi-flash TTL freely controlling light on subject and background to enable creative photography
EF-X500 can be used in multi-flash setup to freely control light on a subject and background for a creative result. TTL lighting control is available with single flash and also in the multi-flash setup, so that you can start shooting without having to make cumbersome adjustments to light output.
Multiple flashes can be controlled in up to three groups, each of which can be set up to have different light output, allowing you to fine-tune the space of light. As the light output can also be adjusted from the camera, you don’t need to set it down for lighting control.
This is the first Fujifilm flash that is dust-resistant and water-resistant. Use it with the weather-sealed X Series cameras to broaden your photographic fields.
Dust-resistant and water-resistant capabilities expanding the scope of photographic fields when used with X Series cameras
Innovative design with low center of gravity creating a perfect harmony with the lightweight and compact X Series cameras
The front side of EF-X500's main body is applied with leather texture to compliment the design of the X Series cameras. It is designed with low center of gravity to maintain ease of operation when mounted on the X Series cameras, known for their lightweight and compact bodies.
Other product features
- Maximum guide number approx. 50 (ISO100·m) / 164 (ISO100·ft)
- Zooming the illumination angle for the focal lengths of 24mm - 105mm*, and covering the illumination angle of around 20mm* when the wide panel is used
- Flash head that can be tilted up by 90 degrees, down by 10 degrees, to the left by 135 degrees and to the right by 180 degrees for bouncing light
- Equipped with LED video light that can also be used as AF assist light and catchlight
- Registers up to ten combinations of various settings. Register settings to suit a specific shooting condition in advance, so that they can be activated quickly when required.
Optional accessories
The external battery pack "EF-BP1" takes eight AA batteries to shorten charging time and improve the number of flashes per charge.
Specifications
| Type |
|
|---|---|
| Flash head |
|
| Exposure control |
|
| Charge |
|
| Wireless multi-flash system |
|
| Other functions |
|
| Included items |
Soft case |
| Power source |
|
| Dimensions and weight |
|
FUJIFILM FUJINON Adapter Ring AR-X100 - Silver
$ 49.95 - Vendido
FUJIFILM FUJINON Adapter Ring AR-X100 - Silver
Fujifilm SKU: 16144559 | Helix SKU: FJ16144559
Overview
This adapter ring allows the use of 49mm filters to be used on Fujifilm X100, X100T, X100S, X100F & X100V digital cameras.
Fujifilm NP-W126S Li-Ion Battery Pack
$ 69.95 - Vendido
Fujifilm NP-W126S Li-Ion Battery Pack
Fuji SKU: 16528470 | Helix SKU: FJ16528470
Overview
Specifications
Compatible With:
Fuji X-H1
X-Pro2
X-Pro1
X-T3
X-T2
X-T1
X-T30 II
X-T30
X-T20
X-T10
X-E2S
X-E2
X-E1
X-M1
X-A2
X-A1
X100F
FinePix HS50EXR
HS30EXR
HS33EXR
Fujifilm X-E2S Mirrorless Camera & XF 18-55mm f2.8-4.0 Lens - Black
$ 849.95 - Vendido
FujiFilm X-E2S Mirrorless Camera & XF 18-55mm Lens Kit - Black
FujiFilm SKU: 16499239 | Helix SKU: FJ16499239
Overview
From X-E2 to the X-E2S - the evolution
From Film Simulation to improved performance and faster autofocus - FUJIFILM X-E2S enables you to capture your vision as true-to-life a way as possible. The improved grip, silent electronic shutter and a more intuitive GUI make this an excellent addition to a photographer’s kit.
2.36M-Dot High-Precision Electronic Viewfinder
The FUJIFILM X-E2S is equipped with a 2.36M-dot organic EL electronic viewfinder with 100% coverage. The display is incredibly clear thanks to an optical structure using two glass lenses and one double-sided aspherical lens. Also, since effects such as Film Simulation and exposure compensation can be applied, you can check how an image will look in real time.
It is also possible to display natural tones, just as the naked eye would, by turning the preview picture effects off.
The X-E2S has a viewfinder magnification of 0.62x, making it larger and clearer than entry-level SLR cameras.
16MP APS-C X Trans CMOS II sensor
Due to the X-Trans CMOS II sensor architecture that eliminates the need for an optical low-pass filter (OLPF) and integrates FUJFILM's originally developed color filter array, the FUJIFILM X-E2S reproduces scenes with resolution and clarity rivaling a larger sensor.
X-Trans CMOS II sensor incorporates an original color filter array with a highly random pattern, eliminating the need for an optical low-pass filter (OLPF). These filters are used in conventional systems to inhibit moiré at the expense of resolution. The X-Trans CMOS II sensor array lets the sensor capture unfiltered light from the lens, achieving an unprecedented level of resolution.
Recreating the colors of Fujifilm's photographic films
Over decades of film manufacture Fujifilm has perfected the skill of color reproduction and it lives on in the FUJIFILM X-E2S. Pleasing skin tones, natural blues and greens, and the ability to perfectly record the diversity of white balance conditions throughout the day are all taken in the camera's stride, and it also boasts a wide dynamic range for better reproduction of detail.
Film Simulation, perfected through Fujifilm's passion and philosophy of color reproduction over 80 years of photographic film manufacturing, allows users to create the colors and tones of photographic film, delivering high quality results with ease. If you shoot RAW, the in-camera RAW processing function enables any of the 11 Film Simulation options to be applied post-capture, broadening your shooting options.
Specifications
| Model Name | FUJIFILM X-E2S |
|---|---|
| Number of effective pixels | 16.3 million pixels |
| Image sensor | 23.6mm x 15.6mm (APS-C) X-Trans CMOS II with primary color filter Total number of pixels: 16.7 million pixels
|
| Storage media | SD memory card / SDHC memory card / SDXC (UHS-I) memory card*1 |
| File format |
|
| Number of recorded pixels |
L: (3:2) 4896 x 3264 / (16:9) 4896 x 2760 / (1:1) 3264 x 3264 <Motion Panorama> |
| Lens mount | FUJIFILM X mount |
| Sensitivity | AUTO1/AUTO2/AUTO3 (Control available up to ISO 6400) Equivalent to ISO 200 - 6400 (Standard Output Sensitivity) Extended output sensitivity : Equivalent ISO 100, 12800, 25600 and 51200 |
| Exposure control | TTL 256-zone metering, Multi / Spot / Average |
| Exposure mode | Programmed AE / Shutter Speed priority AE / Aperture priority AE / Manual exposure |
| Exposure compensation | -3.0EV - +3.0EV, 1/3EV step (movie recording : -2.0EV - +2.0EV) |
| Image Stabilizer | Supported with OIS type lenses |
| Face Detection | Yes |
| Shutter type | Focal Plane Shutter |
| Shutter speed | (Electronic Shutter mode) 1sec. to 1/32000sec. *3 (P mode) 4sec. to 1/4000sec., (All other modes) 30sec. to 1/4000sec., Time 30sec. to 1/4000sec., Bulb (max.60min.), Synchronized shutter speed for flash : 1/180sec. or slower |
| Continuous shooting | Approx. 7.0 fps (JPEG : max. approx. 18 frames) Approx. 3.0 fps (JPEG : up to the capacity of the card)
|
| Auto bracketing | AE Bracketing (±1/3EV, ±2/3EV, ±1EV) Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100% · 200% · 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) |
| Focus |
|
| White balance | Automatic scene recognition Custom / Color temperature selection (K) Preset : Fine / Shade / Fluorescent light (Daylight) / Fluorescent light (Warm White) / Fluorescent light (Cool White) / Incandescent light / Underwater |
| Self-timer | 10 sec. / 2 sec. Delay |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Startinng time) |
| Flash | Manual pop-up flash (Super Intelligent Flash) Guide number : approx. 5 (ISO100 · m) / approx. 7 (ISO200 · m) |
| Flash modes | Activated when external flash is connected
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) |
| Viewfinder | 0.5-in., approx. 2.360K-dot OLED color viewfinder Coverage of viewing area vs. capturing area : approx. 100% Eye point : approx. 23mm (from the rear end of the camera's eyepiece) Diopter adjustment : -4m-1 to +2m-1 Magnification : 0.62x with 50mm lens (35mm format equivalent) at infinity and diopter set to - 1.0m-1 Diagonal angle of view : approx. 30° (Horizontal angle of view : approx. 25°) Built-in eye sensor |
| LCD monitor | 3.0-inch, aspect ratio 3:2, approx. 1,040K-dot, color LCD monitor (approx. 100% coverage) |
| Movie recording | Full HD 1920 x 1080 60p / 50p / 30p / 25p / 24p, Continuous recording : up to approx. 14 min. HD 1280 x 720 60p / 50p / 30p / 25p / 24p, Continuous recording : up to approx. 27 min.
|
| Photography functions | Advanced SR AUTO, Eye detection AF, Face Detection, Interval timer shooting, Auto Red-eye Removal, Select custom setting, Motion panorama, Color space, Setting (Color, Sharpness, D-range, Gradation), Film Simulation, Advanced Filter, Framing guideline, Frame No. memory, Histogram display, Preview depth of focus, Lens Modulatioon Optimizer, Pre-AF, Focus check, Focus Peak Highlight, Digital Split Image™ *4, Electronic level, Multiple exposure, Release priority / Focus priority selection, Fn button setting (RAW, Movie, etc.), ISO AUTO control, Instant AF setting (AF-S/AF-C), Interlock spot AE & Focus area, Selector button setting, AE-L/AF-L button setting, Edit/Save quick menu, Shutter Type |
| Film Simulation mode | 11 type (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, CLASSIC CHROME, PRO Neg Hi, PRO Neg. Std, MONOCHROME, MONOCHROME+Ye FILTER, MONOCHROME+R FILTER, MONOCHROME+G FILTER, SEPIA) |
| Dynamic range setting | AUTO, 100%, 200%, 400% |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
| Playback functions | RAW conversion, Image rotate, Auto image rotate, Face Detection, Red-eye reduction, Photobook assist, Erase selected frames, Image search, Multi-frame playback (with micro thumbnail), Slide show, Mark for upload, Protect, Crop, Resize, Panorama, Favorites |
| Wireless transmitter |
|
| Wireless function | Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, PC Autosave, instax printer print |
| Other functions | PictBridge, Exif Print, 35 Languages, Date/Time, Time difference, Sound & Flash, High Performance, Preview exp. in Manual mode, EVF Brightness, EVF Color, LCD Brightness, LCD Color, Preview Pic. Effect, DISP. Custom Setting |
| Terminal |
|
| Power supply | NP-W126 Li-ion battery (included) |
| Dimensions | 129mm (W) x 74.9mm (H) x 37.2mm (D) / 5.08in. (W) x 2.95in. (H) x 1.47in. (D) (Minimum Depth : 30.9mm / 1.22 in.) |
| Weight | Approx. 350g / 12.3 oz. (including battery and memory card) Approx. 300g / 10.6 oz. (excluding accessories, battery and memory card) |
| Operating Temperature | 0°C - 40°C (+32°F - +104°F) |
| Operating Humidity | 10 - 80% (no condensation) |
| Battery life for still images*5 | Approx. 350 frames (When XF35mmF1.4 R is set, LCD monitor on) |
| Battery life for movies*5 | Consecutive movie recording : approx. 110 min. (Face detection is set to OFF)
|
| Starting up period | Approx. 0.5 sec., when High Performance mode set to ON Approx. 1.0 sec., when High Performance mode set to OFF
|
| Accessories included | Li-ion battery NP-W126 Battery charger BC-W126 Shoulder strap Body cap Metal strap clip Protective cover Clip attaching tool Owner's manual |
- *1Please see the Fujifilm website (http://www.fujifilm.com/support/digital_cameras/compatibility/card/x/) to check memory card compatibility.
- *2Exif 2.3 is a digital camera file format that contains a variety of shooting information for optimal printing.
- *3The Electronic Shutter may not be suitable for fast-moving objects. Flash can not be used.
- *4Digital Split Image is a trademark or a registered trademark of FUJIFILM Corporation.
- *5Approximate number of frames / period that can be taken with a fully-charged battery based on CIPA standard.
Memory Card Capacity and Image Quality / Size
All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored.
| Modes | Still image (L) | ||
|---|---|---|---|
| Number of recorded pixels | 4896 x 3264 (3:2) | ||
| Quality | JPEG FINE | JPEG NORMAL | |
| SDHC memory card | 8 GB | 1210 | 1910 |
| 16 GB | 2494 | 3951 | |
| Modes | Still image (M) | ||
|---|---|---|---|
| Number of recorded pixels | 3456 x 2304 (3:2) | ||
| Quality | JPEG FINE | JPEG NORMAL | |
| SDHC memory card | 8 GB | 1910 | 3740 |
| 16 GB | 3951 | 7719 | |
| Modes | Still image (S) | ||
|---|---|---|---|
| Number of recorded pixels | 2496 x 1664 (3:2) | ||
| Quality | JPEG FINE | JPEG NORMAL | |
| SDHC memory card | 8 GB | 3570 | 6840 |
| 16 GB | 7373 | 14116 | |
| Modes | RAW | |
|---|---|---|
| SDHC memory card | 8 GB | 230 |
| 16 GB | 494 | |
| Modes | Movie | ||
|---|---|---|---|
| Quality | FULL HD (1920 x 1080) 60p | HD (1280 x 720) 60p | |
| SDHC memory card | 8 GB | 26 min. | 51 min. |
| 16 GB | 54 min. | 105 min. | |
-
*For recording movies, use a card with SD Speed Class with
or higher. - *Individual movies cannot exceed approx. 14 min. on Full HD mode, and approx. 27 min. on HD mode in length.
FujiFilm X-H2s Mirrorless Camera Body
$ 2,499.95
FujiFilm X-H2s Mirrorless Camera Body
Fuji SKU: 16756924 | Helix SKU: FJ16756924
Overview
Never miss a decisive moment.
Featuring a stunning 5th generation X-Trans CMOS 5 HS sensor and X-Processor 5 in a beautifully designed body, photographers and filmmakers alike can now create at the pace of life and the speed of their imaginations.
Specifications
Specifications
| Model name | FUJIFILM X-H2S | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HS with primary color filter | |
| Number of effective pixels | 26.16 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB) *Please check Compatibilityfor more detail. *Please check the list of the operation confirmed CFexpress Type B Card |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈3:2〉 6240 x 4160 〈16:9〉 6240 x 3512 〈1:1〉 4160 x 4160 |
| ［M］ | 〈3:2〉 4416 x 2944 〈16:9〉 4416 x 2488 〈1:1〉 2944 x 2944 | |
| ［S］ | 〈3:2〉 3120 x 2080 〈16:9〉 3120 x 1760 〈1:1〉 2080 x 2080 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO160 - 12800 (1/3 step) Extended Output: ISO80 / ISO100 / ISO125 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO160 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb: 1sec. Fixed |
|
| Electronic front curtain shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
|
| Mechanical + Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower Electronic shutter: 1/125sec. or slower |
|
| Continuous shooting | CH Electronic shutter Approx. 40fps (JPEG: 184 frames, Compressed RAW: 175 frames, Lossless compressed RAW: 170 frames, Uncompressed RAW: 140 frames) CH Electronic shutter Approx. 30fps (JPEG: 1000+ frames, Compressed RAW: 270 frames, Lossless compressed RAW: 250 frames, Uncompressed RAW: 180 frames) CH Electronic shutter Approx. 20fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 800 frames) CH Electronic shutter Approx. 15fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000 frames) CH Mechanical shutter Approx. 15fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000 frames) CH Mechanical shutter Approx. 10fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames) CL Mechanical shutter Approx. 8.0fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames) Pre-shot Electronic shutter Approx. 40fps (While half press: 40 frames, After full press: 110 frames, Total: 150 frames) Pre-shot Electronic shutter Approx. 30fps (While half press: 30 frames, After full press: 1000+ frames) Pre-shot Electronic shutter Approx. 20fps (While half press: 20 frames, After full press: 1000+ frames) Pre-shot Electronic shutter Approx. 15fps (While half press: 15 frames, After full press: 1000+ frames) *No. of recordable frames are calculated based on CFexpress Type B card in a cold start *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 5.76 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 40° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch vari-angle Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Sub LCD monitor | 1.28 inch Monochrome LCD Monitor Aspect Ratio: 1:1 Dots: 128x128-dot |
|
| Movie recording | File format | MOV: Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(3:2)] 6240 x 4160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9) High speed rec.] 4096 x 2160 120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) [4K(16:9) High speed rec.] 3840 x 2160 120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) *For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher. *For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher. *Selectable bitrate will be changed depends on the setting. *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | ||
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO320 or more、DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO320 or more、DR400%: ISO640 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI connector (Type A) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terninal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 720 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 70min. (59.94p), Approx. 60min (120p) Full HD: Approx. 95min. (59.94p) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 120min. (29.97p) 4K: Approx. 105min. (59.94p) Full HD: Approx. 165min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 136.3mm Height: 92.9mm Depth: 84.6mm (Minimum Depth) 42.8mm |
|
| Weight | including battery and memory card: Approx. 660g excluding battery and memory card: Approx. 579g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
- *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Item Includes
| Accessories Included | Li-ion battery NP-W235S AC power adapter AC-5VJ Plug adapter USB cable Shoulder strap Body cap Hot shoe cover File transmitter/vertical battery grip connector cover Memory card slot cover Sync terminal cover Cooling fan connector cover Cable protector |
|
Fujifilm X-T30 II Mirrorless Camera Body - Black
$ 899.95 - Vendido
Fujifilm X-T30 II Mirrorless Camera Body - Black
Fuji SKU: 16759615 | Helix SKU: FJ16759615
Overview
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
Specifications
Specifications
| Model Name | FUJIFILM X-T30 II | |
|---|---|---|
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
| Number of effective pixels | 26.1 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility. |
|
| File format of still image | DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
|
| Number of recorded pixels | L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080 |
|
| Panorama | L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440 |
|
| Sensitivity | Still Image | Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200 |
| Movie | Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600 |
|
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted | |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) | |
| Exposure compensation | Still | -5.0EV ~ +5.0EV 1/3EV step |
| Movie | -2.0EV ~ +2.0EV 1/3EV step | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min. |
| Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. |
|
| Continuous shooting | Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | |
| Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames) | ||
| Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames) | ||
| Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames) | ||
| Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) | ||
| Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) | ||
| Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames) | ||
| * Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames |
||
| Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% 200% 400% |
|
| ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
| White Balance Bracketing | ±1 ±2 ±3 |
|
| Focus Bracketing | AUTO MANUAL |
|
| Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
| HDR Mode | AUTO 200% 400% 800% 800% + |
|
| Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV *XF50mmF1.0 attached Phase Detection: -7.0EV *XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Flash | Built-in flash | Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting mode | Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting |
| Playback Mode | Swipe / Pinch-in / Pinch-out / Double-tap / Drag | |
| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | Long GOP | |
| File size / Frame rate / Recording time | [DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 18 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
|
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color chrome effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
|
| White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
|
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure |
|
| Bluetooth® | Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz |
|
| Terminal | Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe |
|
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames *When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
|
| Dimensions | Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm) |
|
| Weight | including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g |
|
| Operation Environment | Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation) |
|
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual | |
Item Includes
Item Includes:
- Li-ion battery NP-W126S
- USB cable
- Shoulder strap
- Body cap
- Owner's manual
Fujifilm X-T30 II Mirrorless Camera Body - Silver
$ 899.95 - Vendido
Fujifilm X-T30 II Mirrorless Camera Body - Silver
Fuji SKU: 16759641 | Helix SKU: FJ16759641
Overview
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
Specifications
Specifications
| Model Name | FUJIFILM X-T30 II | |
|---|---|---|
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
| Number of effective pixels | 26.1 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility. |
|
| File format of still image | DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
|
| Number of recorded pixels | L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080 |
|
| Panorama | L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440 |
|
| Sensitivity | Still Image | Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200 |
| Movie | Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600 |
|
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted | |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) | |
| Exposure compensation | Still | -5.0EV ~ +5.0EV 1/3EV step |
| Movie | -2.0EV ~ +2.0EV 1/3EV step | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min. |
| Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. |
|
| Continuous shooting | Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | |
| Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames) | ||
| Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames) | ||
| Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames) | ||
| Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) | ||
| Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) | ||
| Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames) | ||
| * Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames |
||
| Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% 200% 400% |
|
| ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
| White Balance Bracketing | ±1 ±2 ±3 |
|
| Focus Bracketing | AUTO MANUAL |
|
| Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
| HDR Mode | AUTO 200% 400% 800% 800% + |
|
| Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV *XF50mmF1.0 attached Phase Detection: -7.0EV *XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Flash | Built-in flash | Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting mode | Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting |
| Playback Mode | Swipe / Pinch-in / Pinch-out / Double-tap / Drag | |
| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | Long GOP | |
| File size / Frame rate / Recording time | [DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 18 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
|
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color chrome effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
|
| White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
|
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure |
|
| Bluetooth® | Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz |
|
| Terminal | Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe |
|
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames *When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
|
| Dimensions | Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm) |
|
| Weight | including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g |
|
| Operation Environment | Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation) |
|
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual | |
Item Includes
Item Includes:
- Li-ion battery NP-W126S
- USB cable
- Shoulder strap
- Body cap
- Owner's manual
Fujifilm X-T30 II Mirrorless Camera with 15-45mm - Black
$ 999.95 - Vendido
Fujifilm X-T30 II Mirrorless Camera with 15-45mm - Black
Fuji SKU: 16759732 | Helix SKU: FJ16759732
Overview
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
Specifications
Specifications
| Model Name | FUJIFILM X-T30 II | |
|---|---|---|
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
| Number of effective pixels | 26.1 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility. |
|
| File format of still image | DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
|
| Number of recorded pixels | L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080 |
|
| Panorama | L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440 |
|
| Sensitivity | Still Image | Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200 |
| Movie | Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600 |
|
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted | |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) | |
| Exposure compensation | Still | -5.0EV ~ +5.0EV 1/3EV step |
| Movie | -2.0EV ~ +2.0EV 1/3EV step | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min. |
| Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. |
|
| Continuous shooting | Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | |
| Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames) | ||
| Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames) | ||
| Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames) | ||
| Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) | ||
| Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) | ||
| Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames) | ||
| * Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames |
||
| Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% 200% 400% |
|
| ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
| White Balance Bracketing | ±1 ±2 ±3 |
|
| Focus Bracketing | AUTO MANUAL |
|
| Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
| HDR Mode | AUTO 200% 400% 800% 800% + |
|
| Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV *XF50mmF1.0 attached Phase Detection: -7.0EV *XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Flash | Built-in flash | Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting mode | Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting |
| Playback Mode | Swipe / Pinch-in / Pinch-out / Double-tap / Drag | |
| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | Long GOP | |
| File size / Frame rate / Recording time | [DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 18 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
|
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color chrome effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
|
| White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
|
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure |
|
| Bluetooth® | Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz |
|
| Terminal | Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe |
|
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames *When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
|
| Dimensions | Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm) |
|
| Weight | including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g |
|
| Operation Environment | Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation) |
|
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual | |
Item Includes
Item Includes:
- Li-ion battery NP-W126S
- USB cable
- Shoulder strap
- Body cap
- Owner's manual
Fujifilm X-T30 II Mirrorless Camera with 15-45mm - Silver
$ 999.95 - Vendido
Fujifilm X-T30 II Mirrorless Camera with 15-45mm - Silver
Fuji SKU: 16759768 | Helix SKU: FJ16759768
Overview
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
Specifications
Specifications
| Model Name | FUJIFILM X-T30 II | |
|---|---|---|
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
| Number of effective pixels | 26.1 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility. |
|
| File format of still image | DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
|
| Number of recorded pixels | L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080 |
|
| Panorama | L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440 |
|
| Sensitivity | Still Image | Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200 |
| Movie | Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600 |
|
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted | |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) | |
| Exposure compensation | Still | -5.0EV ~ +5.0EV 1/3EV step |
| Movie | -2.0EV ~ +2.0EV 1/3EV step | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min. |
| Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. |
|
| Continuous shooting | Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | |
| Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames) | ||
| Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames) | ||
| Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames) | ||
| Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) | ||
| Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) | ||
| Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames) | ||
| * Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames |
||
| Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% 200% 400% |
|
| ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
| White Balance Bracketing | ±1 ±2 ±3 |
|
| Focus Bracketing | AUTO MANUAL |
|
| Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
| HDR Mode | AUTO 200% 400% 800% 800% + |
|
| Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV *XF50mmF1.0 attached Phase Detection: -7.0EV *XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Flash | Built-in flash | Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting mode | Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting |
| Playback Mode | Swipe / Pinch-in / Pinch-out / Double-tap / Drag | |
| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | Long GOP | |
| File size / Frame rate / Recording time | [DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 18 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
|
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color chrome effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
|
| White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
|
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure |
|
| Bluetooth® | Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz |
|
| Terminal | Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe |
|
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames *When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
|
| Dimensions | Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm) |
|
| Weight | including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g |
|
| Operation Environment | Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation) |
|
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual | |
Item Includes
Item Includes:
- Li-ion battery NP-W126S
- USB cable
- Shoulder strap
- Body cap
- Owner's manual
Fujifilm X-T30 II Mirrorless Camera with 18-55mm - Black
$ 1,299.95 - Vendido
Fujifilm X-T30 II Mirrorless Camera with 18-55mm - Black
Fuji SKU: 16759677 | Helix SKU: FJ16759677
Overview
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
Specifications
Specifications
| Model Name | FUJIFILM X-T30 II | |
|---|---|---|
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
| Number of effective pixels | 26.1 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility. |
|
| File format of still image | DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
|
| Number of recorded pixels | L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080 |
|
| Panorama | L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440 |
|
| Sensitivity | Still Image | Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200 |
| Movie | Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600 |
|
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted | |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) | |
| Exposure compensation | Still | -5.0EV ~ +5.0EV 1/3EV step |
| Movie | -2.0EV ~ +2.0EV 1/3EV step | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min. |
| Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. |
|
| Continuous shooting | Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | |
| Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames) | ||
| Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames) | ||
| Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames) | ||
| Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) | ||
| Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) | ||
| Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames) | ||
| * Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames |
||
| Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% 200% 400% |
|
| ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
| White Balance Bracketing | ±1 ±2 ±3 |
|
| Focus Bracketing | AUTO MANUAL |
|
| Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
| HDR Mode | AUTO 200% 400% 800% 800% + |
|
| Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV *XF50mmF1.0 attached Phase Detection: -7.0EV *XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Flash | Built-in flash | Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting mode | Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting |
| Playback Mode | Swipe / Pinch-in / Pinch-out / Double-tap / Drag | |
| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | Long GOP | |
| File size / Frame rate / Recording time | [DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 18 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
|
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color chrome effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
|
| White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
|
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure |
|
| Bluetooth® | Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz |
|
| Terminal | Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe |
|
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames *When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
|
| Dimensions | Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm) |
|
| Weight | including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g |
|
| Operation Environment | Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation) |
|
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual | |
Item Includes
Item Includes:
- Li-ion battery NP-W126S
- USB cable
- Shoulder strap
- Body cap
- Owner's manual
Fujifilm X-T30 II Mirrorless Camera with 18-55mm - Silver
$ 1,299.95 - Vendido
Fujifilm X-T30 II Mirrorless Camera with 18-55mm - Silver
Fuji SKU: 16759706 | Helix SKU: FJ16759706
Overview
Inspired by Photographers
Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.
X-Trans CMOS 4 sensor
The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.
X-Processor 4
The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.
Perfect Color to Define Your Photographic Style
Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.
Film Simulation Modes
Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.
Adjustable Settings
X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.
Best In Class Autofocusing
X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.
Movie Feature
Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.
Full HD 240p High Speed Footage
X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.
F-Log
For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.
Shooting Modes to Suit Any Conditions
X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.
Control Mode
With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position
AUTO Mode
X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.
High-Speed Continuous Framing
Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.
Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.
Specifications
Specifications
| Model Name | FUJIFILM X-T30 II | |
|---|---|---|
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
| Number of effective pixels | 26.1 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I *Please see the Fujifilm website to check memory card compatibility. |
|
| File format of still image | DCF: Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver.2.32 RAW: 14bit RAW (RAF original format) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
|
| Number of recorded pixels | L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080 |
|
| Panorama | L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440 M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440 |
|
| Sensitivity | Still Image | Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step) Extended output : ISO80 / 100 / 125 / 25600 / 51200 |
| Movie | Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step) Extended output sensitivity : ISO25600 |
|
| Exposure control | TTL 256-zone metering, Multi / Spot / Average / Center Weighted | |
| Exposure mode | P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure) | |
| Exposure compensation | Still | -5.0EV ~ +5.0EV 1/3EV step |
| Movie | -2.0EV ~ +2.0EV 1/3EV step | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb mode: up to 60min. |
| Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: 1sec. Fixed *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Mechanical + Electronic Shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 15min. to 1/32000sec. Bulb mode: up to 60min. |
|
| Continuous shooting | Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | |
| Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames) | ||
| Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames) | ||
| Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames) | ||
| Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames) | ||
| Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames) | ||
| Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) | ||
| Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) | ||
| Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames) | ||
| * Recordable frames depends on recording media * Speed of continuous shooting depends on shooting environment and shooting frames |
||
| Drive Mode | AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% 200% 400% |
|
| ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
| White Balance Bracketing | ±1 ±2 ±3 |
|
| Focus Bracketing | AUTO MANUAL |
|
| Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
| HDR Mode | AUTO 200% 400% 800% 800% + |
|
| Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV *XF50mmF1.0 attached Phase Detection: -7.0EV *XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Flash | Built-in flash | Manual pop-up flash (Super Intelligent Flash) Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em) Effective range(ISO1600) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4 ~ +2m-1 Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type Touch Screen Color LCD Monitor Aspect Ratio 3:2 Approx. 1.62 million dots |
|
| Touch Screen Mode | Shooting mode | Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting |
| Playback Mode | Swipe / Pinch-in / Pinch-out / Double-tap / Drag | |
| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | Long GOP | |
| File size / Frame rate / Recording time | [DCI4K(17:9) 4096 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [4K(16:9) 3840 x 2160] 29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min [Full HD(17:9) 2048 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) 1920 x 1080] 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min. [Full HD(16:9) High speed rec. 1920 x 1080] 240p/200p/120p/100p 200Mbps(recording) 240p / 200p up to approx. 3min 120p / 100p up to approx. 6min. * For recording movies, use a SD memory card with UHS Speed Class 3 or higher. * Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 18 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome PRO Neg.Hi PRO Neg.Std Classic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia |
|
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color chrome effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more |
|
| White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
|
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard: IEEE802.11b/g/n (standard wireless protocol) Encryption: WEP/WPA/WPA2 mixed mode Access mode: Infrastructure |
|
| Bluetooth® | Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402~2480MHz |
|
| Terminal | Digital interface: USB Type-C (USB3.2 Gen1x1) HDMI output: HDMI Micro connector (Type D) Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe |
|
| Power supply | NP-W126S Li-ion battery (included) Battery life for still images: Normal Mode Approx. 390 frames *When XF35mmF1.4 R is set Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
|
| Dimensions | Width: 118.4mm Height: 82.8mm Depth(Minimum Depth): 46.8mm(31.9mm) |
|
| Weight | including battery and SD memory card: Approx. 378g excluding battery and SD memory card: Approx. 329g |
|
| Operation Environment | Operating Temperature: 0℃ ~ +40℃ Operating Humidity: 10% - 80% (no condensation) |
|
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual | |
Item Includes
Item Includes:
- Li-ion battery NP-W126S
- USB cable
- Shoulder strap
- Body cap
- Owner's manual
Fujifilm X-T5 Mirrorless Camera Body - Black
$ 1,699.95 - Vendido
Fujifilm X-T5 Mirrorless Camera Body - Black
Fujifilm SKU: 16782301 | Helix SKU: FJ16782301
Overview
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
- *In economy mode
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
- *When recording F-Log2, based on Fujifilm internal testing.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
- *Please contact ATOMOS or Blackmagic Design for the firmware release date of the compatible recorder.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
- *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Item Includes
Item Includes
-
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Headphone adapter
Shoulder strap
Body cap
Hot shoe cover
Sync terminal cover
Fujifilm X-T5 Mirrorless Camera Body - Silver
$ 1,699.95 - Vendido
Fujifilm X-T5 Mirrorless Camera Body - Silver
Fujifilm SKU: 16782337 | Helix SKU: FJ16782337
Overview
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
- *In economy mode
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
- *When recording F-Log2, based on Fujifilm internal testing.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
- *Please contact ATOMOS or Blackmagic Design for the firmware release date of the compatible recorder.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
- *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Item Includes
Item Includes
-
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Headphone adapter
Shoulder strap
Body cap
Hot shoe cover
Sync terminal cover
Fujifilm X-T5 Mirrorless Camera with 16-80mm F/4 - Black
$ 2,199.00 - Vendido
Fujifilm X-T5 Mirrorless Camera with 16-80mm F/4 - Black
Fujifilm SKU: 16782636 | Helix SKU: FJ16782636
Overview
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
- *In economy mode
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
- *When recording F-Log2, based on Fujifilm internal testing.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
- *Please contact ATOMOS or Blackmagic Design for the firmware release date of the compatible recorder.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
- *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Item Includes
Item Includes
-
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Headphone adapter
Shoulder strap
Body cap
Hot shoe cover
Sync terminal cover - XF 16-80mm f/4.0
Fujifilm X-T5 Mirrorless Camera with 16-80mm F/4 - Silver
$ 2,199.00 - Vendido
Fujifilm X-T5 Mirrorless Camera with 16-80mm F/4 - Silver
Fujifilm SKU: 16782662 | Helix SKU: FJ16782662
Overview
Photography First
X-T1 was originally released in 2014 to celebrate Fujifilm’s 80th anniversary.
It would go on to lead a mirrorless camera revolution.
Almost a decade and five generations later, Fujifilm’s latest imaging technology has come to X-T5, bringing photographers unrivalled image quality in a timeless, classic, and beloved camera body.
High Resolution 40.2MP BSI Imaging Sensor
The high-resolution 40.2MP X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio, delivering astonishing image quality.
Three top-plate dials
Three dials control ISO, shutter speed, and exposure compensation from the camera’s top-plate. Together with the aperture ring on most XF lenses, all exposure settings can be checked and adjusted before powering on the camera.
Create with confidence and concentrate on making an image.
Lightweight, high performance
X-T5 features a five-axis in-body image stabilization (IBIS) system that provides up to 7.0 stops of compensation and a 3.69 million dot EVF with an 0.8x magnification ratio. Despite this, the camera body only weighs 557g (1.23lb). Dials and buttons provide easy operation, letting life’s most precious moments stand a chance of being documented to see another day.
Three-way tilting LCD
A three-way tilting LCD offers enhanced versatility, particularly when working at waist level or in portrait orientation. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Film Simulation
19 Film Simulation modes inside of X-T5 digitally replicate the look of the classic photographic film stocks developed by Fujifilm for over 85 years. Reproduce the classic colors and tones that Fujifilm are known for, or add an artistic flair and start to Build Your Legacy.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
AWB driven by AI technology
New deep-learning AI technology optimizes Auto White Balance performance in X-T5 by accurately identifying warm, orange-tinged colors to assist with the camera’s Auto White Balance accuracy.
Subject Detection Autofocus
X-Processor 5 features subject-detection AF that is built using Deep-Learning AI Technology. In addition to providing incredible AF tracking and detection for human faces and eyes, X-T5 can now also automatically detect and track a broad range of subjects, which include animals, birds, cars, motorcycles, bicycles, airplanes, and trains. This allows photographers to concentrate on composition and creativity, confident that X-T5 will track focus accurately.
Updated AF Algorithm
X-T5’s higher pixel count increases the number of phase detection pixels, which improves AF-S focusing accuracy on subjects including landscapes and portraits. The camera also incorporates an improved AF prediction algorithm, newly developed for the X-H2S, enabling stable focusing even when using AF-C.
A World of Detail 160MP Pixel Shift Multi-Shot
X-T5 features Pixel Shift Multi-Shot with the help of the Pixel Shift Combiner software, can produce a single, ultra-high-resolution 160MP image with a single touch of the shutter button.
Using in-body image stabilization to shift the sensor by a half pixel between each frame, X-T5 precisely makes 20 frames to ensure every red, green, and blue pixel has the same information. The result is a final image with almost no false colors visible.
1/180,000sec shutter speed
X-T5 has a maximum electronic shutter speed of 1/180,000, an increase of approximately 2.5 stops compared to other X Series cameras. Use it with wide apertures in extremely bright environments for more creative options, or to freeze action at the perfect moment.
ISO 125 standard sensitivity
X-Trans CMOS 5 HR has a more light-efficient pixel structure. ISO 125 – previously an extended sensitivity – is now available natively.
Supports HEIF image format
X-T5 supports the HEIF image format, which delivers 10-bit image quality in files up to 30% smaller than standard JPEGs. The next chapter in delivering high-quality results straight out of camera has officially begun for X Series.
Increased battery life
Thanks to the reduced power consumption of the X-Processor 5, the battery life for still images has been significantly increased from approximately 600 to 740 frames* compared to the X-T4.
- *In economy mode
Highly reliable, weather-resistant body
X-T5 features 56 weather-sealed points for high levels of dust and moisture resistance. It can also operate in temperatures as low as -10°C (14°F).
6.2K/30p 4:2:2 10-bit
6.2K movies can be recorded internally at 30p in 4:2:2 10-bit color, delivering high-definition footage with rich color detail.
F-Log2 support
In addition to F-Log, X-T5 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
- *When recording F-Log2, based on Fujifilm internal testing.
RAW output via HDMI
When combined with an ATOMOS HDMI device, RAW video output from the X-T5 can be recorded as 12-bit Apple ProRes RAW at resolutions up to 6.2K and frame rates up to 29.97fps. When combined with Blackmagic Design Video Assist 12G, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 6.2K and frame rates up to 29.97fps.
- *Please contact ATOMOS or Blackmagic Design for the firmware release date of the compatible recorder.
Dual SD card slots
X-T5 features dual SD card slots, both with UHS-II compatibility.
Optional accessory Hand Grip MHG-XT5
MHG-XT5 substantially improves the ability to handhold the camera and does not need to be removed when changing a battery or SD card. An Arca-Swiss style dovetail is also elegantly machined into the bottom of the grip, making it compatible with tripod heads that use the broadly used quick-release system.
Specifications
Specifications
| Model name | FUJIFILM X-T5 | |
| Lens Mount | FUJIFILM X mount | |
| Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
| Number of effective pixels | 40.2 millions pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 5 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 *Please check Compatibilityfor more detail. |
|
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*1 | |
| HEIF | 4:2:2 10bit | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］ | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
| ［M］ | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
| ［S］ | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 |
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | |
| Digital Tele-Converter | 2.0x / 1.4x / OFF | |
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO125 - 12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
| Movie | Standard Output: AUTO / ISO125 - 12800 (1/3 step) Extended Output: ISO25600 |
|
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV - +5.0EV 1/3EV step |
| Movie | -2.0EV - +2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 7.0 stops *based on CIPA standard *Pitch/yaw shake only *With XF35mmF1.4 R lens mounted |
|
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
| Electronic front curtain shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Mechanical shutter works until 1/8000sec. |
|
| E-front + Mechanical shutter | P mode: 30sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec. |
|
| E-front + Mechanical + Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
|
| Movie | 6.2K: 1/8000sec. to 1/24 sec. DCI4K/4K: 1/8000sec. to 1/4 sec. FHD: 1/8000sec. to 1/4 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | |
| Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (JPEG 168 frames, Compressed RAW 72 frames, Lossless compressed RAW 41 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 37 frames, Lossless compressed RAW + JPEG 31 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 104 frames, Lossless compressed RAW 53 frames, Uncompressed RAW 23 frames, Compressed RAW + JPEG 56 frames, Lossless compressed RAW + JPEG 44 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 70 frames, Uncompressed RAW 25 frames, Compressed RAW + JPEG 72 frames, Lossless compressed RAW + JPEG 53 frames, Uncompressed RAW + JPEG 23 frames) CH Electronic shutter Approx. 13fps (JPEG 163 frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 22 frames, Compressed RAW+JPEG 32 frames, Lossless compressed RAW+JPEG 26 frames, Uncompressed RAW+JPEG 20 frames) CH Electronic shutter Approx. 8.9fps (JPEG 1000+ frames, Compressed RAW 94 frames, Lossless compressed RAW 40 frames, Uncompressed RAW 23 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 30 frames, Uncompressed RAW+JPEG 22 frames) CH Mechanical shutter Approx. 15fps (JPEG 119 frames, Compressed RAW 39 frames, Lossless compressed RAW 22 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 27 frames, Lossless compressed RAW+JPEG 21 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 10fps (JPEG 1000+ frames, Compressed RAW 56 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 19 frames, Compressed RAW+JPEG 34 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 19 frames) CH Mechanical shutter Approx. 7.0fps (JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 33 frames, Uncompressed RAW 20 frames, Compressed RAW+JPEG 45 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (While half press 20 frames, After full press 140 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (While half press 13 frames, After full press 300 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (While half press 10 frames, After full press 370 frames) Pre-shot Electronic shutter Approx. 13fps (While half press 13 frames, After full press 70 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached Phase Detection: -7.0EV XF50mmF1.0 attached |
|
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
| Face/eye detection | Yes | |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
|
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 24mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5 - +3m-1 Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 39° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor |
|
| LCD monitor | 3.0 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 3:2 Dots: Approx. 1.84 million dots |
|
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), Touch Zoom (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP | |
| File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3510 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 360Mbps(recording)/200Mbps(recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
| Monochromatic Color | Yes | |
| Grain Effect | Roughness | STRONG, WEAK, OFF |
| Size | LARGE, SMALL | |
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K - 10000K | |
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | Still | 10sec. / 2sec. |
| Movie | 10sec. / 5sec. / 3sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
| Encryption | WPA/WPA2 mixed mode, WPA3 | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402 - 2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
|
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*2 | Economy Mode: Approx. 740 frames Normal Mode: Approx. 580 frames *When XF35mmF1.4 R is set |
|
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) 4K: Approx. 80min. (59.94p) Full HD: Approx. 90min. (59.94p), Approx. 100min. (120P) *Face detection is set to OFF |
|
| Continuance battery life of movie capture*2 | 6.2K: Approx. 130min. (29.97p) 4K: Approx. 130min. (59.94p) Full HD: Approx. 150min. (59.94p) *Face detection is set to OFF |
|
| Dimensions | Width: 129.5mm Height: 91mm Depth: 63.8mm (Minimum Depth: 37.9mm) |
|
| Weight | including battery and memory card: Approx. 557g excluding battery and memory card: Approx. 476g |
|
| Operation Environment | Operating Temperature | -10℃ - +40℃ |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.49sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Headphone adapter Shoulder strap Body cap Hot shoe cover Sync terminal cover |
|
- *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
- *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Item Includes
Item Includes
-
Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Headphone adapter
Shoulder strap
Body cap
Hot shoe cover
Sync terminal cover - XF 16-80mm f/4.0
