$ 1,899.00 - Sold Out
Canon SKU: 5175B002 | Helix SKU: CA5175B002
Meeting the ever-increasing demands on image quality that digital photography brings, the redesigned EF 24-70mm f/2.8L II USM is the latest update to the acclaimed L-Series of EF optics, re-establishing a new standard for superb optics, high-end durable construction and performance in professional zoom lenses. A standard focal length zoom lens, it features a large aperture throughout its focal length. Featuring the latest advances in optical lens design, it utilizes 1 Super UD lens element and 2 UD lens elements that help minimize chromatic aberration in the periphery at wide-angle as well as reduced color blurring around the edges of the subject. In addition, 2 types of aspherical lenses are combined to help reduce spherical aberration over the entire image area as well as through the full zoom range. Optimized lens coatings also help ensure exceptional color balance while minimizing ghosting. The lens is also equipped with a circular 9-blade diaphragm for beautiful, soft backgrounds. A ring-type USM and high-speed CPU with optimized AF algorithms enable silent and fast autofocusing. Built for the rigors of professional use as well as to meet the increased number of shots available with digital photography, it's constructed with improved dust sealing and water resistance while fluorine coatings on the front and rear lens surfaces help reduce soiling, smears and fingerprints. A zoom lock lever locks the zoom position at the wide end for safe transporting while attached to an EOS DSLR camera over the shoulder.
PRODUCT HIGHLIGHTS:
$ 2,299.00 $ 1,799.00 - Sold Out
Canon SKU: 1483C002 | Helix SKU: CA1483C002
The EOS 5D Mark IV camera builds on the powerful legacy of the 5D series, offering amazing refinements in image quality, performance and versatility. Canon's commitment to imaging excellence is the soul of the EOS 5D Mark IV. Wedding and portrait photographers, nature and landscape shooters, as well as creative videographers will appreciate the brilliance and power that the EOS 5D Mark IV delivers. Superb image quality is achieved with Canon's all-new 30.4 Megapixel full-frame sensor, and highly-detailed 4K video is captured with ease. Focus accuracy has been improved with a refined 61-point AF system and Canon's revolutionary Dual Pixel CMOS AF for quick, smooth AF for both video and Live View shooting. Fast operation is enhanced with Canon's DIGIC 6+ Image Processor, which provides continuous shooting at up to 7.0 fps*. Built-in Wi-Fi®**, GPS*** and an easy-to-navigate touch-panel LCD allow the camera to become an extension of you. When quality matters, the EOS 5D Mark IV helps deliver results to inspire even the most discerning imagemaker.
New 30.4 Megapixel full-frame CMOS sensor for versatile shooting in nearly any light, with ISO range 100-32000; expandable up to 50-102400 (equivalent ISO).
The EOS 5D Mark IV camera boasts a full-frame, high-speed CMOS sensor that's ideal for a broad range of applications with its remarkable high-resolution abilities. Measuring approximately 36.0mm x 24.0mm, the same size and ratio as a 35mm film frame, it records 30.4 effective Megapixels at normal ISOs of up to 32000. It also captures incredible still and 4K video clips suitable for significant post-processing, retouching and cropping.
ISO 100-32000 (expandable to 50-102400)
Featuring an ISO range of 100-32000 (expandable to 50-102400), the EOS 5D Mark IV camera is incredibly well-suited for low-light photography. Its sensor has an improved S/N ratio plus an improved noise-processing algorithm to help deliver high-level light sensitivity along with its high resolution, with virtually no compromise in image quality. Whether working in a dimly lit auditorium, trying to capture the action at night, photographing at the fastest possible shutter speed or simply suppressing camera shake blur, the EOS 5D Mark IV has an extended ISO range that contributes to its ability to excel in nearly every situation it faces.
4K Motion JPEG video (DCI cinema-type 4096 x 2160) at 30p or 24p; in-camera still frame grab* of 4K 8.8-Megapixel images; multiple video options include Full HD up to 60p, and HD up to 120p.
The EOS 5D Mark IV is a remarkably capable video camera. Thanks to its impressive CMOS sensor and its high-speed DIGIC 6+ Image Processor, it can transition from taking still photographs to shooting videos in a near instant, capturing Digital Cinema (DCI) standard 4K (Motion JPEG) videos of 4096 x 2160 pixels at up to 30 or 24 fps. Adding to its versatility, it also supports the 4K broadcasting standard of 3840 x 2160 pixels with slight trimming on the left and right sides.
Superb Dual Pixel CMOS AF for responsive and smooth AF during video or Live View shooting; LCD monitor has full touch-screen interface, including selection of AF area.
Adding to its powerful and portable design, the EOS 5D Mark IV camera utilizes Canon's smooth, fast and intelligent Dual Pixel CMOS AF. Featuring two photodiodes per pixel and each pixel capable of phase-difference detection autofocus, the CMOS sensor can deliver fast and accurate AF throughout approximately 80% of the image plane. Able to detect shifts in movement at the pixel level, Dual Pixel CMOS AF enables continuous automatic AF and AF tracking that enhances overall camera operation for sharp still images and smooth, accurate focus transitions in movies.
Type
Digital, AF/AE single-lens reflex, camera
Recording Media
Compatible Lenses
Canon EF Lenses (excluding EF-S and EF-M lenses)
Lens Mount
Canon EF mount
Type
CMOS sensor (Compatible with Dual Pixel CMOS AF)
Pixels
Approx. 30.4 megapixels
Pixel Unit
Approx. 5.36 µm square
Total Pixels
Approx. 31.7 megapixels
Aspect Ratio
3:2 (Horizontal: Vertical)
Color Filter System
RGB primary color filters
Low Pass Filter
Installed in front of the image sensor, non-detachable
Dust Deletion Feature
Recording Format
Complies with Design rule for Camera File System 2.0 and EXIF 2.3
Image Format
Still Image: JPEG, RAW (14 bit Canon Original)
Video: MOV (4K video: Motion JPEG; Full HD and HD Movie: MPEG4 AVC/H.264*; Audio: Linear PCM), MP4 (Movie: MPEG4 AVC/H.264*; Audio: AAC)
* Variable (averaged) bit rate.
File Size
3:2 Aspect Ratio
Large/RAW: Approx. 30.1 Megapixels (6720 x 4480)
mRAW: Approx. 16.9 Megapixels (5040 x 3360)
Medium: Approx. 13.3 Megapixels (4464 x 2976)
Small 1/sRAW: Approx. 7.5 Megapixels (3360 x 2240)
Small 2: Approx. 2.5 Megapixels (1920 x 1280)
Small 3: Approx. 0.35 Megapixels (720 x 480)
4:3 Aspect Ratio
Large/RAW: Approx. 26.7 Megapixels (5952 x 4480)*
mRAW: Approx. 15.1 Megapixels (4480 x 3360)
Medium: Approx. 11.8 Megapixels (3968 x 2976)
Small 1/sRAW: Approx. 6.7 Megapixels (2976 x 2240)*
Small 2: Approx. 2.2 Megapixels (1696 x 1280)*
Small 3: Approx. 0.31 Megapixels (640 x 480)
16:9 Aspect Ratio
Large/RAW: Approx. 25.4 Megapixels (6720 x 3776)*
mRAW: Approx. 14.3 Megapixels (5040 x 2836)*
Medium: Approx. 11.2 Megapixels (4464 x 2512)*
Small 1/sRAW: Approx. 6.3 Megapixels (3360 x 1888)*
Small 2: Approx. 2.1 Megapixels (1920 x 1080)
Small 3: Approx. 0.29 Megapixels (720 x 408)*
1:1 Aspect Ratio
Large/RAW: Approx. 20.1 Megapixels (4480 x 4480)
mRAW: Approx. 11.3 Megapixels (3360 x 3360)
Medium: Approx. 8.9 Megapixels (2976 x 2976)
Small 1/sRAW: Approx. 5.0 Megapixels (2240 x 2240)
Small 2: Approx. 1.6 Megapixels (1280 x 1280)
Small 3: Approx. 0.23 Megapixels (480 x 480)
Values for Recording Pixels are rounded off to the nearest 10,000th or 1,000th.
JPEG images are generated in the set aspect ratio.
RAW images are generated in [3:2], and the set aspect ratio is appended.
* Inexact proportion.
Recording Functions
Backup Recording
N/A
File Numbering
The following three types of file numbers can be set:
RAW + JPEG Simultaneous Recording
Possible
Color Space
sRGB, Adobe RGB
Picture Style
Settings
Auto (Ambience priority/White priority), Daylight, Shade, Cloudy*, Tungsten Light, White Fluorescent Light, Flash, Custom (Custom WB), Color Temperature
* Effective also in twilight and sunset.
Auto White Balance
Option between ambience priority and white priority settings
Color Temperature Compensation
Blue/amber bias: ±9 levels
Magenta/green bias: ±9 levels
Corrected in reference to the current WB mode's color temperature.
Color Temperature Information Transmission
Provided
Type
Eye-level SLR (with fixed pentaprism)
Coverage
Approx. 100% vertically and horizontally (at approx. 21mm eyepoint)
Magnification
Approx. 0.71
Eye Point
Approx. 21mm (at -1m-1 from the eyepiece lens center)
Dioptric Adjustment Correction
Adjustable from approx. -3.0 to +1.0 m-1 (dpt)
Focusing Screen
Fixed
Mirror
Quick-return half mirror
Viewfinder Information
Displayed with transparent liquid crystal
You can select whether or not to display the asterisked items [Show/hide in viewfinder].
Depth Of Field Preview
Enabled with depth of field preview button
Type
TTL secondary image-forming phase-difference detection system with AF-dedicated sensor
AF Points
AF Points (Max. 61 points)
| AF Points and AF Patterns | AF Points (Max.) |
| Dual cross-type AF points at f/2.8 and f/5.6 | 5 |
| Cross-type AF points at f/4.0 and f/5.6 | 20 |
| Cross-type AF points at f/5.6 and f/8 | 21 |
| Horizontal-line sensitive AF points at f/5.6 | 20 |
| Horizontal-line sensitive AF points at f/8 | 61 |
The number of AF points, cross-type AF points and dual cross-type AF points vary depending on the lens used.
AF Working Range
Conditions: One-Shot AF, at 73°F/23°C, ISO 100
| AF Point | Brightness |
| One center AF point focusing at f/2.8 | EV -3 to 18 |
| Four AF points at the top/bottom center focusing at f/2.8 | EV -2 to 18 |
| One center AF point focusing at f/5.6 and f/8 | EV -1.5 to 18 |
| Peripheral AF points focusing at f/5.6 and f/8 | EV -0.5 to 18 |
Focusing Modes
AF Point Selection
Selected AF Point Display
Selected AF Point Display
| During AF Point Selection | Shooting Ready (before AF) | During AF | When Focused | Metering Time Active | |
| Selected AF Point(s) (Always displayed) | All displayed | Selected AF point | Selected AF point | In-focus AF points | Selected AF point |
| All AF Points (Always displayed) | All displayed | All displayed | All displayed | All AF points + In-focus AF points | All displayed |
| Selected AF Point(s) (Before AF and when focused) | All displayed | Selected AF point | Not displayed | In-focus AF points displayed momentarily -> Turns off | Selected AF point |
| Selected AF Point(s) (Displayed when focused) | All displayed | Not displayed | Not displayed | In-focus AF points displayed momentarily -> Turns off | Not displayed |
| Not displayed | All displayed | Not displayed | Not displayed | Not displayed | Not displayed |
Active AF Point Indicator
Displayed in viewfinder with transparent LCD and on LCD panel
AF Assist Beam
Metering Modes
150,000-pixel RGB+IR metering sensor
EOS iSA System with 252 zone (18 x 14) metering
Metering Range
EV 0-20 (at 73°F / 23°C , ISO 100)
Exposure Control Systems
(1) Scene Intelligent Auto
(2) Program AE (shiftable)
(3) Shutter-priority AE (Safety shift possible)
(4) Aperture-priority AE (Safety shift possible)
(5) Manual exposure
(6) Bulb
(7) Custom shooting mode C1, C2, C3
ISO Speed Range
Manual setting (During viewfinder shooting)
| Normal | ISO 100–32000 (in 1/3-stop or whole-stop increments) |
| Expanded | ISO speeds L: equivalent to ISO 50, H1: 51200, H2: 102400 |
Auto setting (During viewfinder shooting)
| Shooting Mode | ISO Settings | |
| No Flash | With Flash | |
| Scene Intelligent Auto | ISO 100–12800 | ISO 100–1600 |
| P/Tv/Av/M | ISO 100–32000*1 | ISO 400 fixed*1*2*3 |
| B | ISO 400 fixed*1 | |
*1 It depends on [Minimum] and [Maximum] of [ISO speed settings] [Range for stills].
*2 If fill-in flash will cause overexposure, ISO 100 or a higher ISO will be set (except for M and B).
*3 In the <d> mode, if you use bounce flash with an external Speedlite, ISO 400–1600 will be set automatically.
Exposure Compensation
Manual: ±5 stops in 1/3 or 1/2-stop increments
AEB: ±3 stops in 1/3 or 1/2-stop increments
* Indicated up to ±3 stops on the LCD panel and in the viewfinder. To set exposure compensation exceeding ±3 stops, you can use Quick Control.
* Live View shooting, exposure compensation can be set up to ±3 stops.
AE Lock
(1) Auto AE lock
·In the One-Shot AF mode with evaluative metering, AE lock takes effect when focus is achieved.
(2) Manual AE lock
·With AE lock button. (AE lock is updated each time you press the button.) Enabled in all metering modes.
Type
Vertical-travel, mechanical, focal-plane shutter with all speeds electronically-controlled
Shutter Speeds
1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode.)
X-sync at 1/200 sec.
Shutter Release
Soft-touch electromagnetic release
Self Timer
10-sec. self-timer, 2-sec. self-timer
Shutter Lag Time
Shutter Lag Time
| During SW-1 ON, time lag between SW-2 ON and start of exposure: | Normal shooting | Approx. 58 ms |
| During silent shooting | Approx. 108 ms | |
| With flash | Approx. 98 ms | |
| During silent shooting with flash | Approx. 153 ms | |
| Time lag between simultaneous SW-1/SW-2 ON and start of exposure: | Normal shooting | Approx. 130 ms |
| During silent shooting | Approx. 177 ms | |
| With flash | Approx. 266 ms | |
| During silent shooting with flash | Approx. 318 ms |
EOS Dedicated Speedlite
E-TTL II autoflash with all EX Series Speedlites
Zooming to Match Focal Length
Provided
Flash Exposure Compensation
±3 stops in 1/3- or 1/2-stop increments
FE Lock
Provided
External Flash Settings
PC Terminal
Provided (no polarity)
Drive Modes
Continuous Shooting Speed
High-speed continuous shooting: Max. approx. 7.0 fps
Low-speed continuous shooting: Max. approx. 3.0 fps
Silent continuous shooting: Max. approx. 3.0 fps
Shooting Modes
Still photo and video recording
Focusing
Metering Modes
Metering Range
EV 0-20 (at 73°F/23°C, ISO 100)
Grid Display
Exposure Simulation
Possible
Silent Shooting
Provided (Mode 1 and 2)
File Format
MOV:
4K Video*: Motion JPEG
Full HD/HD Movie: MPEG-4 AVC/H.264
Audio: Linear PCM
MP4:
Movie: MPEG-4 AVC/H.264
Audio: AAC
File Size
Recording Sizes:
4096 x 2160 (4K)*, 1920 x 1080 (Full HD), 1280 x 720 (HD)
Frame Rates
MOV:
4096 x 2160 (4K)*: 30 fps (29.97 fps) / 24 fps / 23.98 fps
1920 x 1080 (Full HD): 60 fps (59.94 fps) / 30 fps (29.97 fps) / 24 fps / 23.98 fps
1280 x 720 (HD): 120 fps (119.9 fps)
MP4:
1920 x 1080 (Full HD): 60 fps (59.94 fps) / 30 fps (29.97 fps) / 24 fps / 23.98 fps
*4K requires the following write speed requirements: CF UDMA7 (100MB/sec. or faster); SD UHS-I (90MB/sec. or higher)
Continuous Shooting Time
Continuous Shooting Time
MOV
| Movie Recording Size | Total Recording Time (Approx.) | Bit Rate / File Size (Approx.) |
||||
| 8GB | 32GB | 128GB | ||||
| 4K 4096 x 2160 |
29.97 fps, |
Motion JPEG |
2 min. | 8 min. | 34 min. | 500 Mbps 3587 MB/min. |
| Full HD 1920 x 1080 |
59.94 fps | ALL-I | 5 min. | 23 min. | 94 min. |
180 Mbps 1298 MB/min. |
| IPB | 17 min. | 69 min. | 277 min. |
60 Mbps 440 MB/min. |
||
|
29.97 fps, |
ALL-I | 11 min. | 46 min. | 186 min. | 90 Mbps 654 MB/min. |
|
| IPB | 33 min. | 135 min. | 541 min. |
30 Mbps 225 MB/min. |
||
| HD 1280 x 720 |
119.9 fps |
All-I | 6 min. | 26 min. | 105 min. | 160 Mbps 1155 MB/min. |
MP4
| Movie Recording Size | Total Recording Time (Approx.) | Bit Rate / File Size (Approx.) |
||||
| 8GB | 32GB | 128GB | ||||
| Full HD 1920 x 1080 |
59.94 fps | IPB | 17 min. | 70 min. | 283 min. | 60 Mbps 431 MB/min. |
|
29.97 fps, |
IPB | 35 min. | 140 min. | 563 min. | 30 Mbps 216 MB/min. |
|
|
29.97 fps |
IPB (Light) |
86 min. | 347 min. | 1391 min. |
12 Mbps 87 MB/min. |
|
Bit rate indicates video output only, audio is not included.
For both MOV and MP4, if the recording time reaches 29 min. 59 sec. (or 7 min. 29 sec. for a HD High Frame Rate Movie), the movie shooting will stop automatically.
With MOV and MP4, movie shooting does not stop automatically stop even when the file size reaches 4 GB.
Focusing
Exposure Compensation
Up to ±3 stops in 1/3-stop increments
Type
TFT color, liquid-crystal monitor
Monitor Size
3.2-inch (Screen aspect ratio of 3:2)
3.19 in./8.10cm diagonal (2.65 in./6.74cm width, 1.77 in./4.49cm height)
Pixels
Approx. 1.62 million dots
Coverage
Approx. 100%
Viewing angle: 170° vertically and horizontally
Brightness Control
Coating
Clear View LCD II
Interface Languages
25 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Japanese)
On LCD Monitor
Electronic level indicates up to 360° roll and ±10° pitch in 1° increments.
In Viewfinder
Electronic level indicates up to 7.5° roll left/right and ±4° pitch in 1° increments.
Display Format
Single image display:
Index display:
Highlight Alert
With single-image display (Info.) and single-image display, the white areas with no image data will blink.
Items
Pressing the Quick Control button displays the Quick Control screen during viewfinder shooting, Live View shooting, movie shooting and playback.
Protection
Erase protection can be applied or canceled for a single image (select image), all images in a folder or all images in the card.
Erase
Erase a single image (playback and erase image), selected images, all images in a folder or all images in a card.
Direct PrintingCompatible Printers
Images can be sent via Wi-Fi® to a PictBridge-compatible (Wireless LAN) printer and printed.
Printable Images
DPOF
Compliant to DPOF Version 1.1
Compatible Images
Custom Functions
17 Custom Functions settable with the camera
Custom Controls
Functions can be assigned to the following buttons:
Camera User Settings
Current camera settings can be registered to C1, C2 and C3 on the Mode Dial.
My Menu Registration
USB Terminal
SuperSpeed USB (USB 3.0)
Video Out Terminal
HDMI Type C (Resolution switches automatically), CEC compatible
Images will not be displayed unless [NTSC] or [PAL] is properly set according to the video system of the TV set.
Battery
Battery Pack LP-E6N (or LP-E6) x 1
Battery Life
Battery Life (Approx. Number of Shots)
| Configuration | Shooting Method | Battery | Temperature | Possible Shots |
| Camera Body Only | Viewfinder shooting | LP-E6N | At 73°F/23°C | 900 |
| At 32°F/0°C | 850 | |||
| Live View Shooting | LP-E6N | At 73°F/23°C | 300 | |
| At 32°F/0°C | 280 | |||
| With Battery Grip BG-E20 |
Viewfinder shooting | LP-E6N x2 | At 73°F/23°C | 1800 |
| At 32°F/0°C | 1700 | |||
| Live View Shooting | LP-E6N x2 | At 73°F/23°C | 600 | |
| At 32°F/0°C | 560 |
Based on CIPA testing standards.
Battery Check
Automatic battery check when the power switch is turned ON. Displayed in 6 levels.
Power Saving
Power turns off after the set time (1, 2, 4, 8, 15 or 30 min.) of non-operation elapses.
Date/Time Battery
Built-in secondary battery
When fully-charged, the date/time can be maintained for approx. 3 months
Start-up Time
Approx. 0.96 sec
Dimensions (W x H x D)
Approx. 5.93 x 4.58 x 2.99 in. / 150.7 x 116.4 x 75.9mm
Weight
Approx. 31.39 oz. / 890g (Including battery, CF card and SD memory card)
Approx. 28.22 oz. / 800g (Body only; without battery, card, body cap and eyecup)
Working Temperature Range
32-104°F/0-40°C
Working Humidity Range
85% or less
$ 2,399.00 - Sold Out
Canon SKU: 9524B002 | Helix SKU: CA9524B002
The EF 100-400mm f/4.5-5.6L IS II USM lens delivers a superb combination of cutting-edge performance, compact construction and brilliant resolving power that’s great for sports and wildlife photography. The lens features one fluorite and one super UD element to help provide impressive contrast and resolution with reduced chromatic aberration across the entire zoom range. Canon’s new Air Sphere Coating (ASC) helps significantly reduce backlit flaring and ghosting, while fluorine coatings on the front and rear lens surfaces help lessen smears and fingerprints. A 9-blade circular aperture renders beautiful, soft backgrounds, and a 3 mode (standard, panning and exposure only) Optical Image Stabilizer provides up to 4 steps* of image correction. The new inner focusing AF system helps ensure fast and accurate focus down to 3.2 ft. with a .31x maximum magnification. Usability enhancements include a rotation-type zoom ring with adjustable zoom torque for more precise, customizable zoom performance, a redesigned tripod mount that can be attached and detached without removing the lens from the camera, and an all-new lens hood with a side window that makes it simple to adjust specialty filters-like polarizers-without the need to remove the hood. Ruggedly constructed with advanced dust and water sealing for durability in a range of environments, the EF 100-400mm f/4.5-5.6L IS II USM lens is a stellar performer with refined controls for a wide variety of situations.
*According to CIPA standards (400mm focal length, when using the EOS-1D X).
† Prices and specifications subject to change without notice.
$ 2,099.00
Canon SKU: 3044C002 | Helix SKU: CA3044C002
A professional standard refined. The EF 70-200mm f/2.8L IS III USM delivers outstanding performance and optics to help you reach new heights in high-level creative imaging. The lens's constant f/2.8 maximum aperture enables fast shutter speeds and beautiful background blur across its zoom range. To further enhance clarity, it adds Canon's Air Sphere Coating (ASC), which combines with updated Super Spectra Coatings to significantly reduce lens flare and ghosting. A superlative lens remastered for improved performance even in diverse light, the EF 70-200mm f/2.8L IS III USM is a worthy partner to help create your upcoming masterpiece.
$ 2,999.00 - Sold Out
Canon SKU: 9520B002 | Helix SKU: CA9520B002
To experience the ultimate in wide-angle photography, the EF 11-24mm f/4L USM brings L-series construction and optics to the widest zoom lens Canon has ever made. With an expansive wide-angle range of 11-24mm, this is an ideal lens for landscapes, interior shots, and unique perspectives on subjects close and far. Its new optical design features Super UD and UD lenses that correct chromatic aberration. Four aspheric lens elements help to minimize distortion from the center of the image to the periphery and throughout the zoom range. A Subwavelength Coating (SWC) and Air Sphere Coating (ASC) significantly reduce flare and ghosting, while a 9-blade circular aperture diaphragm creates beautiful, blurred backgrounds. For silent and fast AF, it features a rear focus system and ring USM, and can be manually focused even when in AF mode. It has a minimum focusing distance of 11 in./0.28m (extreme telephoto) for admirable performance and results even when shooting in tight spaces.
Constructed to L-series specifications, the EF 11-24mm f/4L USM is durable and rugged due to its highly dust and water resistant design, so it is prepared for shooting in any number of environments. It also has fluorine coatings on the front and rear elements for reducing smears and fingerprints. With a compact design that includes an integrated hood and compatibility with all EOS cameras, the EF 11-24mm f/4L USM is a must-have lens for photographers that demand excellent performance for truly expressive images anywhere.
$ 999.99 $ 899.99 - Sold Out
Canon SKU: 3380C002AA | Helix SKU: CA3380C002
Stepping up to a full-frame camera has never been easier. The mirrorless EOS RP – the lightest and most compact full-frame EOS camera to date* - includes a 26.2 MP CMOS sensor, fast and accurate autofocus, 4K video, and our powerful DIGIC 8 processor for exceptional results, even in low light. Explore vast creative possibilities with RF lenses as well as all EF/EF-S lenses**. Get impressive results using the camera’s helpful Feature Assistant and Creative Assist functions. Be imaginative with a number of special scene modes. And quickly adjust settings with the convenient Mode Dial. With its compact size, comfortable grip, vari-angle touchscreen LCD and electronic viewfinder, operation is familiar and easy. Whether you travel near or far, the EOS RP helps you capture your world with the quality, control and ease you crave.
| AF Method | AF Point Selection | AF Operation |
| Face+Tracking AF | Automatic selection (auto detection), or AF points can be set manually and freely in the AF area. | AF prioritizing subjects targeted by Face+Tracking. If no Face+Tracking subject is detected, the entire AF area is used for auto selection AF. |
| Spot AF* | Autofocuses targeting any specified AF points. | |
| 1-point AF | AF points can be set manually and freely in the AF area. | AF targeting specified AF points. (If there are faces in the area, they take precedence.) |
| Expand AF Area (Above, below, left and right/Around) | AF points can be set manually and freely in the AF area. | AF prioritizing specified AF points, supplemented by AF points above, below, left and right or around in the expansion area. (If there are faces in the center frame area, they take precedence.) |
| Zone AF Large Zone AF (Vertical/Horizontal) | Zones covering specific areas can be set manually and freely in the AF area. | Automatic AF point selection in the specified zone. (Prioritizes subjects at close range, but any faces in the area take precedence.) |
Manual Setting
| Normal | ISO 100-40000 (in 1/3-stop or whole-stop increments) |
| Expanded | L: equivalent to ISO 50, H1: 51200, H2: 102400 |
Auto
| Shooting Mode | ISO Settings | |
| No Flash | With Flash | |
| Scene Intelligent Auto | ISO 10012800 | ISO 1001600 |
| Fv/P/Tv/Av/M | ISO 10040000*1 | ISO 1001600*1 |
| Silent Mode | ISO 100-12800 | -(Except with AF-assist beam) |
| B | ISO 400 fixed*1*2 | ISO 400 fixed |
*1 Depending on [Minimum] and [Maximum] of [ISO speed settings] or [Range for stills].
*2 If outside the range set for ISO Auto, the value nearest ISO 400 is used.
| Manual | ±3 stops in 1/3- or 1/2-stop increments |
| AEB | ±3 stops in 1/3- or 1/2-stop increments |
| Image Quality | Image File Size (approx. MB) |
Possible Shots (approx.) |
Maximum Burst (approx.) | |
| Standard | High-speed (UHS-II) | |||
| Large (Fine) | 9.1 | 3320 | Full | Full |
| Large (Normal) | 4.9 | 6060 | Full | Full |
| Medium (Fine) | 5.1 | 5820 | Full | Full |
| Medium (Normal) | 2.9 | 10280 | Full | Full |
| Small 1 (Fine) | 3.4 | 8750 | Full | Full |
| Small 1 (Normal) | 2.0 | 14620 | Full | Full |
| Small 2 | 1.9 | 15760 | Full | Full |
| RAW | 29.1 | 1040 | 50 | Full |
| C-RAW | 17.1 | 1780 | 130 | Full |
| RAW + Large (Fine) | 29.1 + 9.1 | 790 | 42 | 98 |
| C-RAW + Large (Fine) | 17.1 + 9.1 | 1160 | 66 | 170 |
| NTSC | ||
| 4K (UHD) 3840 x 2160 |
23.98 fps | IPB |
| Full HD 1920 x 1080 |
59.94 fps | IPB |
| 29.97 fps | IPB | |
| HD 1280 x 720 |
59.94 fps | IPB |
| 29.97 fps | IPB | |
| Video Recording Size | Total Recording Time on Card (approx.) | Bit Rate/File Size (approx.) | ||||
| 8GB | 32GB | 128GB | ||||
| 4K (UHD) 3840 x 2160 |
23.98 fps 25.00 fps |
IPB | 8 min. | 35 min. | 2 hr. 20 min. |
120 Mbps |
| Full HD 1920 x 1080 |
59.94 fps 50.00 fps |
IPB | 17 min. | 1 hr. 09 min. | 4 hr. 37 min. |
60 Mbps |
| 29.97 fps 25.00 fps HDR Movies |
IPB | 33 min. | 2 hr. 15 min. | 9 hr. 01 min. |
30 Mbps |
|
| 29.97 fps 25.00 fps |
IPB | 1 hr. 26 min. | 5 hr. 47 min. | 23 hr. 11 min. |
12 Mbps |
|
| HD 1280 x 720 |
59.94 fps 50.00 fps |
IPB | 38 min. | 2 hr. 34 min. | 10 hr. 19 min. |
26 Mbps |
| 29.97 fps 25.00 fps HDR Movies |
IPB | 1 hr. 13 min. | 4 hr. 53 min. | 19 hr. 34 min. |
13 Mbps |
|
| Shooting Mode | Shutter Speed (sec.) | Aperture | ||
| Auto Setting | Manual Setting | Auto | Manual | |
| Movie auto exposure | Yes | – | Yes | – |
| Movie manual exposure | – | Yes | - | Yes |
Customizable Buttons
| Still Photo Shooting | Movie Shooting |
| Shutter button | - |
| Movie button | - |
| Multi-function button | Multi-function button |
| AF-ON button | AF-ON button |
| AE lock button | AE lock button |
| AF point selection button | AF point selection button |
| Lens AF stop button | Lens AF stop button |
| Up key (cross keys) | Up key (cross keys) |
| Left key | Left key |
| Right key | Right key |
| Down key | Down key |
| SET button | SET button |
Customizable Dials
| Main dial |
| Quick control dial |
| Control ring |
$ 1,299.00 $ 1,199.00 - Sold Out
Canon SKU: 3380C132 | Helix SKU: CA3380C132
From stunning portraits to breathtaking landscapes, capture high-quality images with the EOS RP RF24-105mm F4-7.1 IS STM Lens Kit. Our lightest and smallest full-frame EOS camera to date*, the EOS RP is packed with impressive features, including a 26.2 MP CMOS sensor, 4K video and DIGIC 8 image processor. Plus, with the RF24-105mm F4-7.1 IS STM’s compact size, versatile zoom range^ and optical image stabilization with up to 5 stops of shake correction^^, this lens kit will make the perfect match for capturing a variety of subjects.
$ 649.99 $ 399.99 - Sold Out
Canon SKU: 9518A002 | Helix SKU: CA9518A002
This exciting zoom lens provides ultra wide-angle coverage to the EOS 20D, 30D, 40D, 50D and Digital Rebel SLRs. Equivalent to a 16-35mm zoom, it offers excellent performance and optics designed from the ground-up for digital SLR use. Three Aspherical lens elements, plus a Super-UD element, assure image quality. Its ring-type USM means fast and silent AF along with full-time manual focus. It focuses as close as 9.5 inches.
$ 2,199.00 $ 1,999.00 - Sold Out
Canon SKU: 0573C002 | Helix SKU: CA0573C002
The EF 16–35mm f/2.8L III USM is an indispensable ultra wide-angle zoom lens for professional and enthusiast photographers who demand superlative operation and performance, in virtually any condition. Its 16–35mm focal range provides superb control of perspective, helping you capture pictures and movies with amazing, dramatic compositions limited only by your imagination. Combining outstanding image quality, a fast, constant aperture and a rugged design, the EF 16–35mm f/2.8L III USM delivers eye-catching results whether capturing detailed, nuanced landscapes, dramatic interiors and much more. Both still and moving images can be captured with consistent edge-to-edge sharpness, improved peripheral illumination and reduced distortion at extreme wide angles - especially important when using SLR cameras with full-frame sensors. Engineered with high-resolution photography and videography in mind, the EF 16–35mm f/2.8L III USM provides the optical performance necessary for critical applications, while delivering the renowned function and feel you've come to expect from Canon's celebrated L-series lenses.
High-performance L-series ultra-wide-angle zoom lens with constant f/2.8 maximum aperture.
The EF 16–35mm f/2.8L III USM has a bright constant maximum aperture of f/2.8, which provides superb control over depth of field and the ability to maintain the same aperture throughout the zoom range. This is particularly helpful when shooting outdoors at dusk or in inclement weather, or indoors in dimly lit rooms. At f/2.8, the EF 16–35mm f/2.8L III USM offers a bright view when composing images using the camera's viewfinder.
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All-new optical design for significant improvements in outer and corner sharpness.
The EF 16–35mm f/2.8L III USM features a new optical design engineered to deliver images of remarkable clarity and depth - a magnificent complement to the large, high-resolution sensors in the SLRs favored by today's advanced photographers. It employs two large-diameter double-surface GMo lenses plus a ground aspherical lens to help decrease distortion, curvature of field and astigmatism. Two UD lenses help to reduce chromatic aberration, leading to precise color rendition, accurate edge-to-edge detail plus excellent contrast throughout the lens's zoom range. This means sharp landscapes, reduced distortion in the edges of the frame and an overall improvement in image quality no matter the subject.
Subwavelength Coating (SWC) and Air Sphere Coating (ASC) help to significantly reduce flare and ghosting.
The EF 16–35mm f/2.8L III USM features both Subwavelength Coatings (SWC) and Air Sphere Coatings (ASC) on its lens elements to help combat reflections, flare and ghosting, and deliver clean images with reduced aberrations from reflected light. Subwavelength Coatings help prevent reflections by arranging an array of wedge-shaped nanostructures on the lens's surface that are smaller than the wavelength of visible light and are able to help control reflection and flare. Air Sphere Coating technology puts an ultra-low refractive layer on the lens element designed to significantly reduce both flare and ghosting. These coatings, in concert with the EF 16–35mm f/2.8L III USM's overall optical formula, help to deliver a clean image to the camera's sensor, which can decrease the need for post-production.
| Focal Length & Maximum Aperture | 16-35mm f/2.8 |
| Lens Construction | 16 elements in 11 groups |
| Diagonal Angle of View | 108°10'-63° |
| Focus Adjustment | AF with full-time manual |
| Closest Focusing Distance | 0.92 ft./0.28m |
| Filter Size | 3.2 in. / 82mm diameter |
| Max. Diameter x Length, Weight | φ3.5 x 5.0 in., approx. 27.9 oz. / φ88.5 x 127.5mm, approx. 790g |
